Waves ADD: Constructive Interference. Waves SUBTRACT: Destructive Interference. In Phase. Out of Phase
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1 Superposition
2 Interference Waves ADD: Constructive Interference. Waves SUBTRACT: Destructive Interference. In Phase Out of Phase
3 Superposition Traveling waves move through each other, interfere, and keep on moving!
4 Pulsed Interference
5 Superposition Waves ADD in space. Any complex wave can be built from simple sine waves. Simply add them point by point. Simple Sine Wave Simple Sine Wave Complex Wave
6 Fourier Synthesis of a Square Wave Any periodic function can be represented as a series of sine and cosine terms in a Fourier series: yt ( ) = ( Ansin2πƒnt+ Bncos2πƒ nt) n
7 Superposition of Sinusoidal Waves Case 1: Identical, same direction, with phase difference (Interference) Both 1-D and 2-D waves. Case 2: Identical, opposite direction (standing waves) Case 3: Slightly different frequencies (Beats)
8 Superposition of Sinusoidal Waves Assume two waves are traveling in the same direction, with the same frequency, wavelength and amplitude The waves differ in phase y 1 = A sin (kx - ωt) y 2 = A sin (kx - ωt + φ) y = y 1 +y 2 = 2A cos (φ/2) sin (kx - ωt + φ/2) Resultant Amplitude Depends on phase: Spatial Interference Term
9 Sinusoidal Waves with Constructive Interference y = y1+y2 = 2A cos (φ/2) sin (kx - wt + φ /2) When φ = 0, then cos (φ/2) = 1 The amplitude of the resultant wave is 2A The crests of one wave coincide with the crests of the other wave The waves are everywhere in phase The waves interfere constructively
10 Sinusoidal Waves with Destructive Interference y = y1+y2 = 2A cos (φ/2) sin (kx - wt + φ /2) When φ = π, then cos (φ/2) = 0 Also any even multiple of π The amplitude of the resultant wave is 0 Crests of one wave coincide with troughs of the other wave The waves interfere destructively
11 Sinusoidal Waves Interference y = y1+y2 = 2A cos (φ/2) sin (kx - wt + φ /2) When φ is other than 0 or an even multiple of π, the amplitude of the resultant is between 0 and 2A The wave functions still add
12 Superposition of Sinusoidal Waves y = y 1 +y 2 = 2A cos (φ/2) sin (kx - ωt + φ/2) The resultant wave function, y, is also sinusoidal The resultant wave has the same frequency and wavelength as the original waves The amplitude of the resultant wave is 2A cos (φ/2) The phase of the resultant wave is φ/2 Constructive Destructive Interference
13 Wave Interference y = y 1 +y 2 = 2A cos (φ/2) sin (kx - ωt + φ/2) φ Resultant Amplitude: 2Acos 2 Constructive Interference: φ = 2 nπ, n= 0,1, 2,3... Destructive Interference: φ = (2n+ 1) π, n= 0,1, 2, 3...
14 Ch 18 HO Problem #1 y = y 1 +y 2 = 2A cos (φ/2) sin (kx - ωt + φ/2)
15 1-D Sound Wave Interference
16 Superposition Sound Waves
17 2-D Wave Interference? P
18 These two loudspeakers are in phase. They emit equal-amplitude sound waves with a wavelength of 1.0 m. At the point indicated, is the interference maximum constructive, perfect destructive or something in between? A. perfect destructive B. maximum constructive C. something in between
19 These two loudspeakers are in phase. They emit equal-amplitude sound waves with a wavelength of 1.0 m. At the point indicated, is the interference maximum constructive, perfect destructive or something in between? A. perfect destructive B. maximum constructive C. something in between
20 2-D Phase Difference Different than 1-D You have to consider the Path Difference! v 2π 2π φ = ω t = 2π f t = 2 π t = ( v t) = r λ λ λ 2-D Phase Difference at P: φ is different from the phase difference φ between the two source waves! 2π Phase Difference at P: φ = r λ λ Path Difference at P: r = φ 2π φ = φ2 φ1 P
21 Spherically Symmetric Waves
22
23
24
25 Intensity
26 Quiet Loud Quiet Loud Min Max Min Max
27 Constructive or Destructive? (Identical in phase sources) 2π Phase Difference at P: φ = r + φ0 λ P 2 π φ = (1 λ ) = 2 π λ Constructive! φ Resultant Amplitude: 2Acos 2 Constructive Interference: r = nλ, φ = 2 nπ, n= 0,1, 2,3... λ Destructive Interference: r = (2n+ 1), φ = (2n+ 1) π, n= 0,1,2,3... 2
28 Constructive or Destructive? (Source out of Phase by 180 degrees) 2π Phase Difference at P: φ = r + φ0 λ P 2 π φ = (1 λ ) + π = 3 π λ Destructive! φ Resultant Amplitude: 2Acos 2 Constructive Interference: r = nλ, φ = 2 nπ, n= 0,1, 2,3... λ Destructive Interference: r = (2n+ 1), φ = (2n+ 1) π, n= 0,1,2,3... 2
29 Interference: Two Spherical Sources
30 2-D Phase Difference Different than 1-D You have to consider the Path Difference! v 2π 2π φ = ω t = 2π f t = 2 π t = ( v t) = r λ λ λ 2-D Phase Difference at P: φ is different from the phase difference φ between the two source waves! φ = φ2 φ1 2π Phase Difference at P: φ = r + φ0 λ λ Path Difference at P: r = φ 2π
31 In Phase or Out of Phase? B A
32 Constructive or Destructive? A B
33 The interference at point C in the figure at the right is A. maximum constructive. B. destructive, but not perfect. C. constructive, but less than maximum. D. perfect destructive. E. there is no interference at point C.
34 The interference at point C in the figure at the right is A. maximum constructive. B. destructive, but not perfect. C. constructive, but less than maximum. D. perfect destructive. E. there is no interference at point C.
35 Intensity
36 Quiet Loud Quiet Loud Min Max Min Max
37 Ch 21 HO Problem #2 2π Phase Difference at P: φ = r λ λ Path Difference at P: r = φ 2π
38 Ch 21HO Problem #3 You Try
39 Contour Map of Interference Pattern of Two Sources
40 Superposition of Light Waves
41 Interference of 2 Light Sources
42 Reflected PULSE: Free End Bound End
43 Reflected PULSE:
44 Standing Waves Created by Boundary Conditions
45 Standing Waves on Strings
46 Standing Wave
47 Standing Wave:
48 Transverse Standing Wave Produced by the superposition of two identical waves moving in opposite directions.
49 Standing Waves on a String Harmonics
50 Standing Waves Superposition of two identical waves moving in opposite directions. y = A sin ( kx - ωt) y = A sin ( kx + ωt) 1 2 y = (2Asin kx)cos ωt There is no kx wt term, and therefore it is not a traveling wave! Every element in the medium oscillates in simple harmonic motion with the same frequency, w: coswt The amplitude of the simple harmonic motion depends on the location of the element within the medium: (2Asinkx)
51 Note on Amplitudes y = (2Asin kx)cos ωt There are three types of amplitudes used in describing waves The amplitude of the individual waves, A The amplitude of the simple harmonic motion of the elements in the medium,2a sin kx The amplitude of the standing wave, 2A A given element in a standing wave vibrates within the constraints of the envelope function 2Asin kx, where x is the position of the element in the medium
52 Node & Antinodes A node occurs at a point of zero amplitude x nλ = n = 0,1, 2 An antinode occurs at a point of maximum displacement, 2A y = (2Asin kx)cos ωt
53 Antinode Two harmonic waves traveling in opposite directions interfere to produce a standing wave described by y = 2 sin (πx) cos (3πt) where x is in m and t is in s. What is the distance (in m) between the first two antinodes? a. 8 b. 2 c. 4 y = (2Asin kx)cos ωt d. 1 e. 0.5
54 Standing Waves Intensity of a wave is proportional to the square of the amplitude: I A 2. Intensity is maximum at points of constructive interference and zero at points of destructive interference. Slide 21-30
55 Standing Waves on a String Mode Number of Standing Waves m is the number of antinodes on the standing wave. The fundamental mode, with m = 1, has λ 1 = 2L. The frequencies of the normal modes form a series: f 1, 2f 1, 3f 1, The fundamental frequency f 1 can be found as the difference between the frequencies of any two adjacent modes: f 1 = f = f m+1 f m. Below is a time-exposure photograph of the m = 3 standing wave on a string. Slide 21-46
56 QuickCheck 21.4 What is the mode number of this standing wave? A. 4. B. 5. C. 6. D. Can t say without knowing what kind of wave it is. Slide 21-47
57 QuickCheck 21.4 What is the mode number of this standing wave? A. 4. B. 5. C. 6. D. Can t say without knowing what kind of wave it is. Slide 21-48
58 Standing Waves on a String Harmonics
59 Which harmonics (modes) are present on the string? The Fundamental and third harmonic.
60 Standing Waves on a String Harmonics
61 Standing Waves on a String λ = 2L 1 λ = L 2 λ = 3 2L 3
62 Standing Waves on a String λ = n 2L n f n = v/ λ n v f = n n 2 L
63 Standing Wave on a String v f = n n 2 L v T = v= λ f µ
64 Longitudinal Standing Wave
65
66 Standing Sound Waves Shown are the displacement x and pressure graphs for the m = 2 mode of standing sound waves in a closed-closed tube. The nodes and antinodes of the pressure wave are interchanged with those of the displacement wave. Slide 21-58
67 Standing Sound Waves Shown are displacement and pressure graphs for the first three standing-wave modes of a tube closed at both ends: Slide 21-60
68 Standing Sound Waves Shown are displacement and pressure graphs for the first three standing-wave modes of a tube open at both ends: Slide 21-61
69 Standing Waves in an Open Tube Both ends are displacement antinodes The fundamental frequency is v/2l This corresponds to the first diagram The higher harmonics are ƒ n = nƒ 1 = n (v/2l) where n = 1, 2, 3,
70 Standing Waves in a Tube Closed at One End The closed end is a displacement node The open end is a displacement antinode The fundamental corresponds to ¼λ The frequencies are ƒ n = nƒ = n (v/4l) where n = 1, 3, 5,
71 QuickCheck 21.6 An open-open tube of air has length L. Which is the displacement graph of the m = 3 standing wave in this tube? Slide 21-63
72 QuickCheck 21.6 An open-open tube of air has length L. Which is the displacement graph of the m = 3 standing wave in this tube? Slide 21-64
73 QuickCheck 21.7 An open-closed tube of air of length L has the closed end on the right. Which is the displacement graph of the m = 3 standing wave in this tube? Slide 21-65
74 QuickCheck 21.7 An open-closed tube of air of length L has the closed end on the right. Which is the displacement graph of the m = 3 standing wave in this tube? Slide 21-66
75
76 QuickCheck 21.8 At room temperature, the fundamental frequency of an open-open tube is 500 Hz. If taken outside on a cold winter day, the fundamental frequency will be A. Less than 500 Hz. B. 500 Hz. C. More than 500 Hz. Slide 21-72
77 QuickCheck 21.8 At room temperature, the fundamental frequency of an open-open tube is 500 Hz. If taken outside on a cold winter day, the fundamental frequency will be A. Less than 500 Hz. B. 500 Hz. C. More than 500 Hz. Slide 21-73
78 What is the difference between Noise and Music? Regular Repeating Patterns
79 Multiple Harmonics can be present at the same time.
80 The amount that each harmonic is present determines the quality or timbre of the sound for each instrument.
81
82 Quality of Sound Tuning Fork A tuning fork produces only the fundamental frequency
83 Quality of Sound Flute The same note played on a flute sounds differently The second harmonic is very strong The fourth harmonic is close in strength to the first
84 Quality of Sound Clarinet The fifth harmonic is very strong The first and fourth harmonics are very similar, with the third being close to them
85 Standing Waves in Membranes Two-dimensional oscillations may be set up in a flexible membrane stretched over a circular hoop The resulting sound is not harmonic because the standing waves have frequencies that are not related by integer multiples The fundamental frequency contains one nodal curve
86 Standing Waves Standing waves form in certain MODES based on the length of the string or tube or the shape of drum or wire. Not all frequencies are permitted!
87
88 Standing Waves: Membranes
89 Standing Waves: Membranes
90 Strings & Atoms are Quantized The possible frequency and energy states of an electron in an atomic orbit or of a wave on a string are quantized. f = v n 2 l En = = nhf, n= 0,1,2,3, h x Js
91 Interference
92 Interference: Beats beats frequency = difference in frequencies
93 Interference: Beats f = f f f B ave = 2 1 f + f 2 1 2
94 Interference: Beats
95 Beat Frequency ƒ1 ƒ2 Aresultant = 2Acos2π t 2 The number of amplitude maxima one hears per second is the beat frequency: ƒ beat = ƒ 1 ƒ 2 The human ear can detect a beat frequency up to about 20 beats/sec
96 Beat Frequency #11 In certain ranges of a piano keyboard, more than one string is tuned to the same note to provide extra loudness. For example, the note at 110 Hz has two strings at this frequency. If one string slips from its normal tension of 600 N to 540 N, what beat frequency is heard when the hammer strikes the two strings simultaneously?
97 QuickCheck 21.8 At room temperature, the fundamental frequency of an open-open tube is 500 Hz. If taken outside on a cold winter day, the fundamental frequency will be A. Less than 500 Hz. B. 500 Hz. C. More than 500 Hz. Slide 21-72
98 QuickCheck 21.8 At room temperature, the fundamental frequency of an open-open tube is 500 Hz. If taken outside on a cold winter day, the fundamental frequency will be A. Less than 500 Hz. B. 500 Hz. C. More than 500 Hz. Slide 21-73
Waves ADD: Constructive Interference. Waves SUBTRACT: Destructive Interference. In Phase. Out of Phase
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In Phase. Out of Phase
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