|
|
- Magdalen Hood
- 5 years ago
- Views:
Transcription
1 Side 1 af 5 GOLDEN Archival Varnish Mineral Spirit Acrylic Aerosol w/uvls Gloss w/uvls (Product #7731) Satin w/uvls (Product #7736) Matte w/uvls (Product #7741) Golden Artist Colors, Inc. 188 Bell Road New Berlin, NY USA Toll Free: Fax: gactech@goldenpaints.com Printer Friendly Version PRODUCT DESCRIPTION GOLDEN Archival Varnish is formulated with 100% solvent-based, reversible acrylic co-polymer resins. It is designed to produce a flexible, clear film to protect against environmental concerns such as ultraviolet light, dirt and moisture. The cured coating is resistant to yellowing. GOLDEN Archival Varnish Mineral Spirit Acrylic Aerosol w/uvls is made by reducing standard GOLDEN MSA Varnish (w/uvls) with fast drying acetone and a propellant to create an easy to use spray product. Properly applied, it can create a durable, even film. GOLDEN Archival Varnish should adhere well to most non-oily surfaces. It may exhibit poor adhesion to fresh oil paint films or if residual surfactants are present with water-based paint films. It has excellent wet and dry state clarity. Over time, the MSA film resists changes in appearance and remains flexible. The UV protection is achieved from a blend of Hindered Amine Light Stabilizer (HALS) and an ultraviolet absorber (substituted benzotrizole compound). The unique adjustable fan spray tip allows precise application with reduced overspray. Coverage is approximately sq. ft. per can. TEST FOR YOUR APPLICATION Prior to actual use, it is very important to experiment with Golden varnishes on test pieces to become aware of how they perform and how they alter the surface appearance of paintings. For best results, apply to a test piece that is similar in composition as the artwork to be varnished. This will help ensure that all variables are accounted for, and a successful varnish application will be achieved. ISOLATION COAT Only intended for acrylic paintings, do not use on oil paintings. For future conservation and varnish removal purposes we recommend the use of an isolation coat prior to varnishing. An isolation coat is a permanent, non-removable coating that serves to physically separate the paint surface from the removable varnish. This will help protect the surface if the varnish is ever removed and make future cleaning and conservation easier to avoid working directly on top of the pigmented part of the work. Therefore, even if painted with delicate washes or large areas of colors that could potentially bleed, a clear barrier would safely cover the painted surface. It will also seal absorbent areas, which will result in a more even application of the varnish. In the event that no varnish gets applied, the isolation coat serves to decrease the water sensitivity of the paint surface, affording protection during routine cleaning/dusting. Given the current state of conservation science, we feel the use of an isolation coat provides the most protection. However, isolation coats are also significant and permanent additions to a painting and inevitably will cause changes in the painting's surface qualities. Whether these changes are acceptable is an aesthetic decision that each artist needs to make after sufficient testing. In addition, since it is non-removable, any mistakes or problems during this procedure cannot be easily corrected and there is always an element of risk that needs to be considered. We strongly encourage the artist to practice these procedures thoroughly so they feel confident and become familiar with any unforeseen problems. If you have any questions or concerns regarding the proper use or application of an isolation coat, please call Golden s Technical Support Department at (800) For brush application, the appropriate isolating medium can be made by diluting Golden Soft Gel Gloss with water (2 parts by volume Soft Gel Gloss to 1 part water). If a spray application is desired, a 2:1 mixture of Golden GAC-500 to Transparent Airbrush Extender can be applied with an airbrush, touch-up spray unit or commercial spray equipment. The absorbency of the surface will dictate the number of isolation layers
2 Side 2 af 5 required. For relatively non-absorbent surfaces, as is the case with a uniform paint layer, one coat brush applied or two coats spray applied are recommended. For more absorbent surfaces, which tend to be very matte, it is recommended to apply sufficient isolation coats to achieve a satin sheen on the surface. This may require two or more brush applied coats or three or more spray applications. The isolating layer is of critical importance when applying a matte varnish over an absorbent surface to prevent a cloudy or "frosted" appearance from occurring. This frosted appearance results from the varnish and solvent being absorbed into the support, while the matting agent remains exposed on the surface. While we have carefully selected the matting agent that is in Golden varnishes to be as transparent as possible, it is still a dry particulate material. When the matting agent is deposited onto the surface, and is not a part of a continuous varnish layer, it appears as a white solid. If varnishing water-soluble paints, including watercolor, gouache and tempera, the isolation coat must be sprayed on in very light layers to avoid solubilizing the paints, which could cause loss of distinctness of the underlying image. PRODUCT APPLICATION General Aerosol Directions USE ONLY IN WELL VENTILATED AREAS. For best results, both can and spraying area should be o F. Shake can 2 minutes prior to initial use. Re-shake 10 seconds after each minute of use. Avoid spraying in crosswind, direct sun or heat. Ensure nozzle is pointing safely away from face before starting. After spraying, turn can upside-down and flush out spray varnish (5 to 8 seconds). Allow for sufficient curing time to prevent materials from sticking to the surface. Proper Spraying Technique The adjustable fan tip comes set for a side-to-side spraying motion. Adjust for other spraying directions, such as diagonal or up and down. Start and stop spraying beyond area to be varnished, and sweep across surface. Generally a light spray (achieved with light tip pressure) is preferred. Fully depressing the nozzle tip creates a heavier spray, which can be beneficial on larger objects. Spray several light coats in a consistent manner. Singular heavy coats may result in unevenness. Maintain a consistent distance (9-12 inches from substrate surface) and an even 90 o angle. The surface should feel tack-free before recoating. Allow a minimum of minutes between coats. Change spray direction or turn object between coats to minimize lap marks. Coats may be built up indefinitely depending upon needs. After last coat, allow several hours before handling. Adjusting and Cleaning Spray Tip The fan tip starting position is for a side-to-side spraying motion. Use needle nose pliers to carefully adjust nozzle for the intended direction of spray pattern. Dried product may be cleaned from the tip with a soft cloth and pure mineral spirits or turpentine. If tip clogs, remove from can and soak in pure mineral spirits or turpentine for 10 minutes. Never insert pins or needles into nozzle. VARIOUS MEDIA APPLICATION METHODS Different paints and substrates have unique circumstances. GOLDEN Archival Varnish w/uvls should be used in accordance with these individual requirements. ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK. Absorbent substrates require several gloss layers to seal the surface. Listed below are general application guidelines for common substrates. For more thorough information regarding specific media concerns, review artist handbooks and other information sources. Acrylic Paints isolation coat(s) should be applied as per MSA Varnish directions located in the main GOLDEN Varnish document. Allow 24 hours for the final isolation coat layer to cure and then build layers of Archival Aerosol Varnish w/uvls as needed. Oil Paints allow minimum curing time of 6-12 months when used as a final picture varnish and allow the painting to become touch-dry before use as a temporary varnish on fresh oil paint films. Heavy layers on
3 Side 3 af 5 fresh oil paint films impede the oxidation process, which may result in failure. Build layers of Archival Varnish w/uvls as needed. Graphite/Pastels/Colored Pencil/Marker/Watercolor/Gouache due to the varying effects and changes that can occur when using the Archival Spray Varnish over Pastel, various drawing media, Watercolor and Gouache, it is recommended that you do NOT use it for fixing, top coating, or varnishing these mediums, unless first testing and experimenting thoroughly. The effects and changes noted above are primarily a darkening of the work due to changes in the nature of the surface and consequently, the refractive index. While there may be ways to fine tune the process by using a combination of satin or matte varnish over an initial gloss coat, or very light coats of varnish, we feel that the significant darkening observed in many cases, may constitute unacceptable changes for many artists. If deciding to continue with this varnish application, both the media and the substrate should be taken into consideration. Test all brands and colors to avoid bleeding or darkening of colorants. Begin by applying very light coats of gloss varnish as a fixative. Once enough light layers create a dried glossy film, begin layers of desired sheen in subsequent coats. Ink Jet Prints generally, GOLDEN Archival Varnish w/uvls may be applied directly to prints; however consider substrate absorbency (see above notes) and intended level of protection (refer to UV protection section below). Several thin coats are sufficient for moisture resistance, but testing should be conducted if water-based gels are going to be applied over the varnish for brush-stroke texture. VARNISHING FOR UV PROTECTION GOLDEN Archival Varnish contains Ultra Violet Light Stabilizers (UVLS) to protect materials from damaging light sources. However, spray coats are very thin compared to brush coats. The amount of varnish above the substrate and colorants is directly related to the level of UV resistance and the degree of fading due to light sources. When UV protection is required from this product, allow time to build up multiple coats. Testing shows 6 Archival Varnish w/uvls coats are required to impede color shift of fugitive materials. When multiple spray coats is impractical, consider brush applying 2 or more coats of GOLDEN MSA Varnish (Gloss) if considerable UV protection is critical. After sufficient coats are built up, use GOLDEN Archival Varnish to develop the desired sheen. Refer to GOLDEN Information Sheet Protecting Computer Generated Prints from U.V. Rays for further instructions. TROUBLESHOOTING Becoming proficient in varnishing requires practice. Before varnishing important work, practice on a similar piece until satisfactory results are achieved. For the most even application, carefully spray light coats, developing a desired thickness. It is unnecessary to apply singularly thick coats to achieve an even finish, as each layer reactivates previous layers and forms a continuous film. Uneven Coating Irregular appearances can be the result of several issues: improper shaking of can prior or during use not maintaining proper distance from substrate incorrect angle of spray overly heavy single coatings windy conditions improper product or room temperature insufficient drying time between coats GOLDEN Archival Varnish w/uvls requires properly applied layers; each spray coat carefully and lightly developed, and it is not uncommon for the initial layers to have an incomplete looking film. Practicing is key to know what to expect during varnishing. If a layer is misapplied, there may be ways to correct it, but there may be instances where removing the varnish is required. Understand what caused the inconsistencies and take proper action before proceeding with additional coats. Runs / Sags / Drips Excessive single film building (vertical and angled applications) can result in runs forming in the varnish layer. Avoid heavy single coat films whenever possible. The remedy for fixing runs is to recoat the work when it s laid down on a horizontal surface and allow the solvent to reactivate and level the run. Varnish
4 Side 4 af 5 removal may be required in extreme cases. Spattered Layer A spattery dried surface is usually caused by: Improper shaking before spraying Clogged nozzle. Remove nozzle button and soak in pure mineral spirits or turpentine Temperature of either the can or the spraying area was too cold Spraying is started over artwork instead of beyond painting. Remember to start and finish beyond the perimeter of the artwork to avoid initial spattering. In most cases, subsequent coats applied correctly should even out the surface. Frosted Appearance Substrate was still too absorbent when Satin or Matte Varnish was applied resulting in the matting agents remaining exposed on surface. Allow the coat to dry, and apply a gloss layer to return clarity. Apply additional gloss layers if the surface still appears to be absorbing varnish. Once the surface is sealed with gloss, return to applying desired sheen coats. Fish Eyes / Orange Peel / Cratering Surface defects are usually caused by a contaminated surface. Minor occurrences may be corrected by subsequent recoats, however significant contamination must be addressed by removing the varnish and properly cleaning the surface with an appropriate solvent. Once the contamination is eliminated, re-varnish. Crazing / Fissures / Surface Cracks Applying multiple coats of varying sheens may result in the development of tiny cracks or fissures. These are normally caused by force drying layers or applying the last coat before the underlying layers have sufficiently cured. Wait for all layers to fully dry and begin applying lighter coats until fissures have subsided. Extreme cases may require complete varnish removal. REMOVAL PROCEDURE Technical Support is available to answer questions by calling (800) or by ing techsupport@goldenpaints.com. Removing a varnish is a very consequential process that should not be taken lightly, as the appearance of the artwork can be changed or damage could result from improper handling. The task is often best left to a professional conservator, particularly with works of special significance or unknown composition. However, there are times, as when something has gone amiss in the application, that it may be appropriate for the artist to do the work. Golden MSA Varnish films remain soluble in such solvents as mineral spirits, turpentine, acetone, benzene, toluene, naphtha and some alcohols and esters. However, many of these solvents can damage the acrylic paint, and are not recommended for removing varnish from paintings. The solvent of choice should be full strength mineral spirits (white spirits) or turpentine, with the exception of odorless solvents, which are not strong enough. Before embarking on a varnish removal mission, carefully consider the materials that are to be used, and how they can be used in a safe, controlled manner. Varnish removal requires the use of solvents, thus requiring proper personal protective equipment. Such equipment includes, but is not restricted to, appropriate respirator, impervious gloves and aprons and chemical splash goggles or face shield. Careful inspection of the labels on the solvents to be used should aid in determining your safety needs. Also, work in an area with adequate ventilation and guard against ignition sources and high temperatures, which could cause vapors to ignite. First, test the solvent on a small area of the painting, or preferably on a test piece, to determine its effectiveness at dissolving the varnish. Another quick check may be made by mixing the solvent into the wet varnish. If the varnish becomes thinner, the solvent is compatible. If the varnish gets cloudy and/or thicker, the solvent is not compatible and should be avoided. Unfortunately, there is no way of knowing without trying.
5 Side 5 af 5 A good procedure for removing the varnish is to start with a soft, low lint cloth (50/50 cotton/polyester T-shirt material works well). Saturate this cloth in solvent and lay over an area of the varnished surface. If possible, work with the painting in a horizontal position, on a table or floor. If the work must be done vertically, as on a wall, a method would have to be devised for keeping the saturated cloth in contact with the varnished surface. In either case, to minimize solvent evaporation, use a plastic sheet to blanket the saturated cloth. Work in areas no larger than 2 square feet per application. Larger areas tend to become cumbersome and make thorough varnish removal difficult. Allow the saturated cloth to lie on the painting for 2-5 minutes. Then, remove the cloth and use a clean solvent-dampened cloth to gently pat the surface to remove the varnish. Excessive force may damage the paint layers below the varnish. Repeat this process until the entire painting surface has been treated. After a single treatment over the complete surface of the painting, some residual varnish may remain. This may be indicated by an extremely tacky or gummy surface. Repeat the procedure, and continue doing so until the varnish has been sufficiently removed. Proceeding with more solvent exposure may result in some swelling of the paint layer. The solvent soaked cloth and leftover solvent should be handled and disposed of carefully. Never pour solvent down the drain. Small quantities can be allowed to evaporate. Larger quantities can be saved for reuse or treated as hazardous waste. The cloth should be allowed to dry completely in a well-ventilated area before disposal or putting into storage for another use. HEALTH & SAFETY These products Conform to ASTM D 4236, part of a federal regulation requiring toxicological review of art materials for known chronic health hazards. Some products in this line may present risks, so read labels carefully. Also, some product labels carry California Prop 65 warnings, which provide notification of the presence of carcinogens and reproductive toxins, regardless of the degree of risk. Always protect yourself against known and potentially unknown chronic hazards of GOLDEN and other chemical products by keeping them out of your body. Do this by avoiding ingestion, excessive skin contact, and inhalation of spraying mists, sanding dusts and concentrated vapors. Contact us for further information. DISCLAIMER The above information is based on research and testing done by Golden Artist Colors, Inc., and is provided as a basis for understanding the potential uses of the products mentioned. Due to the numerous variables in methods, materials and conditions of producing art, Golden Artist Colors, Inc. cannot be sure the product will be right for you. Therefore, we urge product users to test each application to ensure all individual project requirements are met. While we believe the above information is accurate, WE MAKE NO EXPRESS OR IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, and we shall in no event be liable for any damages (indirect, consequential, or otherwise) that may occur as a result of a product application. Golden Artist Colors, Inc.
Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow.
PRODUCT DESCRIPTION Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow. This product has white, low-density solids that replace
More informationSealer, Primer, Isolation Coat, & Varnish
Sealer, Primer, Isolation Coat, & Varnish A seal can be applied between the substrate and gesso/primer, or between the substrate and the first layer of paint if gesso is not desired. A seal may also be
More informationGels, Pastes, Liquid Mediums & Additives
Gels, Pastes, Liquid Mediums & Additives There are far more acrylic mediums available than you may ever want to explore. It can get somewhat confusing. So, I will try to simplify it as much as possible,
More informationHow to use a Touch Up Bottle & Brush
How to use a Touch Up Bottle & Brush Tech Tips General Definitions Base Color (Basecoat): A color coat requiring a clear coat. Base Color provides color and appearance, while the clear coat provides gloss
More informationAtelier Mediums. They are set out in a progression from a thick heavy bodied gel through to a very liquid medium.
Atelier There are several top quality brands of artist acrylic on the world market, but Atelier Interactive is the only brand that can be used in a Fast Drying Mode and in a Wet Blending Mode. There are
More information380 Swimming Pool Paint
Issued 21 st April 2010 PRODUCT DATA SHEET UNPAINTED CEMENT 380 Swimming Pool Paint SURFACE PREPARATION New cement or render should be allowed to cure for at least 21-28 days before any preparation is
More informationAtelier Mediums. NEW Atelier Mediums All Have A Double Function
Atelier We have divided our mediums into two sections. The established old mediums are familiar to Atelier Interactive users, and most of them are traditional in behaviour and convert the paint mixed with
More informationATELIER MEDIUMS. Interactive Mediums
ATELIER MEDIUMS Atelier Interactive is very simple to use: use with our traditional acrylic mediums (or water) for traditional overpainting and layering techniques. Use with our exclusive interactive mediums
More informationNOTE: This product can be used externally if UV Guard is added (BY REQUEST ONLY).
Product Description PHOENIX PAINTS MAXICOAT 100 is a 2 Pack Water-Dispersed Top Coat which not only exhibits the physical and chemical strengths of epoxy, but also the safety and convenience of water as
More informationHINTS & TIPS. Page 1. November 5, 2014 Mixed Media by Pébéo - Hints and Tips Version 1.2 GENERAL:
Page 1 HINTS & TIPS GENERAL: Mixed Media by Pébéo paints may be used on Pébéo Liquid Art Panels, wood, artist grade composite wood surfaces (mdf and masonite), canvas, canvas panel, metal, glass, plastic,
More informationAtelier Mediums. NEW Atelier Mediums. New! Heavy Gel (Satin)
Atelier There are several top quality brands of artist acrylic on the world market, but Atelier Interactive is the only brand that can be used in a Fast Drying Mode and in a Wet Blending Mode. There are
More informationWHAT S ON THE MARKET?
Smart Shopping for Home Furnishings Selecting Paint Dr. Leona Hawks Home Furnishings & Housing Specialist 1987 HI 13 Shopping for paint? When shopping for paint, you will find many different kinds. Some
More informationSketchpaint. Ideal for turning any smooth surface into a whiteboard. Ready to use in 5 days
Sketchpaint Ideal for turning any smooth surface into a whiteboard SketchPaint - A whiteboard straight out of a tin! White Gloss or Transparent Finish Simple application Tin size available: 3m² or 6m²
More informationIdentifying Common Interior Paint Defects/ Complaints
Identifying Common Interior Paint Defects/ Complaints Use of low quality semi-gloss or gloss acrylic paints Use of flat paint in highly trafficked areas, where a higher sheen level would be desirable Use
More informationPBWWinc. GEN-U-LINE 4000 Series Application Guide. Technical Data Sheet. General Guidelines:
PBWWinc. 1 GEN-U-LINE 4000 Series Application Guide Technical Data Sheet General Guidelines: 1) Close the facility to all traffic before starting any work on the game lines. Close all doors and windows
More informationHow to Use Atelier Interactive All the essential information you need
UPDATED OCTOBER 2012 V3 CHROMA INFORMATION SHEET No. 101 FEATURED BRANDS ATELIER INTERACTIVE How to Use Atelier Interactive All the essential information you need THE THREE DIFFERENT WAYS TO PAINT WITH
More informationTOOLS & SUPPLIES (Included in ProTops Tool Kit)
TOOLS & SUPPLIES (Included in ProTops Tool Kit) Clean Paint/Mixing Sticks Graduated Mixing Buckets Standard Mixing Cups Nylon Paint Brush Propane Torch 3M Masking Gun Masking Film & Painter s Tape Disposable
More informationAdhesives & Solubility
Student Guide Adhesives & Solubility Introduction: Adhesives are used to hold all kinds of items and materials together. Objects may be constructed from multiple parts attached by adhesive. Broken fragments
More informationC Paint. Product Information Sheets
T A T G O E C Paint Product Information Sheets Cottage Paint- 8oz jar Available in many pre-tinted colors -see chart. Used for painting furniture and cabinetry. Water based Clay paint that is easily distressed
More informationTroubleshooting Guide. Solutions to Common Finishing Problems
Troubleshooting Guide s to Common Finishing s 1 Contents Adhesion Intercoat Stain Substrate Air Entrapment / Pinholing Bénard Cells Bleeding Blisters / Pinholes Blocking Blooming Blushing Brittleness Brown
More informationTECHNICAL INFORMATION CLEAR CONCENTRATED INDUSTRIAL VARNISH BARNIZ INDUSTRIAL CONCENTRADO TRANSPARENTE
DESCRIPTION is a single part, solvent-base wood finish, developed from alkyd resins. Fast Drying, beautiful shine and good leveling. USE Industrial and domestic use. Only for wood surfaces that will stay
More informationLow V.O.C. 2-Component Polyurethane Game Line Paint System
PBWWinc. 1 Technical Data Sheet GEN-U-LINE 4000 Series Low V.O.C. 2-Component Polyurethane Game Line Paint System Product Description: GEN-U-LINE 2-component polyurethane line paints are high gloss, flexible,
More informationPBWWinc. Technical Data Sheet. GERLINE Gameline Paint Instructions for Sport Flooring. General Guidelines:
PBWWinc. 1 Technical Data Sheet GERLINE Gameline Paint Instructions for Sport Flooring General Guidelines: 1) Close the facility to all traffic before starting any work on the game lines. Close all doors
More informationNoFire A-18 NV Fire Protective Coating - General Application Procedure & Technical Data
21 Industrial Ave Upper Saddle River New Jersey 07458 Tel: 201-818-1616 Fax: 201-818-8775 E-mail: nofire@nofire.net Web Site: http://www.nofiretechnologies.com NoFire A-18 NV Fire Protective Coating -
More informationPaint Problems and Solutions Guide. Endura Manufacturing Co. Ltd th Street Edmonton, Alberta T5L 2J
Paint Problems and Solutions Guide Endura Manufacturing Co. Ltd. 12425 149th Street Edmonton, Alberta T5L 2J6 1-800-661-9930 www.endura.ca Table of Contents Paint problems are easy to spot, but in many
More informationTaking the mystery out of working with Acrylic By S. Taylor Hedges
Taking the mystery out of working with Acrylic By S. Taylor Hedges Sandra Taylor Studio One Cat Squared Working with Acrylic Paint Definitions: Glaze thin transparent layers of color that enable the artist
More informationTHE BEAUTY OF SURFACES
No Finish Line can Highlight and Complement THE BEAUTY OF SURFACES LIKE Complete line of finishes that give ultimate control over sheen, color, contrast and tonality. Time-tested Durability Renowned as
More informationTabletop Epoxy Resin Instruction Guide
Table Top Epoxy Full Instructional Guide WARNING! You should read through ALL of these instructions BEFORE starting. These instructions are intended for Bar Tops, Table Tops, Artwork and Countertop applications.
More informationSCHWARTZ SOLVENT-BASE WOOD FLOOR SEALER AND SOLVENT-BASE POLYURETHANE FLOOR FINISH
TECHNICAL BULLETIN Fax (905) 428-2057 SCHWARTZ SOLVENT-BASE WOOD FLOOR SEALER AND SOLVENT-BASE POLYURETHANE FLOOR FINISH A Complete Guide for Preparation, Application, Curing and Maintenance for use with
More informationMagnetpaint & Sketchpaint
Magnetpaint & Sketchpaint Turn any smooth surface into a magnetically receptive whiteboard MagnetPaint is an exciting product that allows you to paint your own magnetic surface on any flat area. SketchPaint
More informationMATERIAL SAFETY DATA SHEET Utrecht Acrylic Mediums & Varnish. Section 2 Hazard Identification (composition / information on ingredients)
Page 1 of 6 MATERIAL SAFETY DATA SHEET Utrecht Acrylic Mediums & Varnish Section 1 Company and Product Identification Utrecht Art Supply 6 Corporate Drive Cranbury, NJ 08512 Product Line: Utrecht Acrylic
More informationAnti-Graffiti OVERVIEW OUR PRODUCT VS. CONVENTIONAL CLEANERS.
Technical Application Sheet Version:2.01 Edition:01/8/2015 Anti-Graffiti Anti-Graffiti OVERVIEW OUR PRODUCT VS. CONVENTIONAL CLEANERS Anti-Graffiti is a Sol-Gel based, chemical nanotechnology 2 component
More informationWHY PAINT JOBS FAIL. ADHESION: (Loss of)
WHY PAINT JOBS FAIL ADHESION: (Loss of) Carelessness and lack of skillful preparation of the surface are the major causes of poor adhesion. The application of a primer or protective coating material on
More informationDESCRIPTION/APPLICATION HK RESEARCH GEL COATS DESCRIPTION
Product Data 908 LENOIR ROAD POST OFFICE BOX 1809 HICKORY, NORTH CAROLINA 28603-1809 TELEPHONE (828) 328-1721 TOLL FREE (800) 334-5975 FAX (828) 328-4572 DESCRIPTION/APPLICATION HK RESEARCH GEL COATS DESCRIPTION
More informationSurfaces Garage Doors Fiberglass Doors
High Solids Alkyd High Performance Translucent, Gloss & Satin Finish Cetol Door & Window Cetol Door & Window Sikkens Cetol Door & Window is a high performance coating for specialty applications such as
More informationUNIT 11: PAINTING, STAINING, AND FINISHING
KEY CONCEPTS 1. Equipment needed 2. Primary kinds of Paint: Interior/Exterior 3. Primary kinds of Stain: Interior/Exterior 4. Proper application techniques: Paint/Stain/Finish 5. Equipment care and clean
More informationPaint damage, paint defects and environmental effects.
Paint damage, paint defects and environmental effects. Spies Hecker simply closer. Paint damage, paint defects and environmental effects. The examples and suggestions in this booklet are intended to help
More informationAPPLICATION NOTE - SR001. Cold Weather Application
APPLICATION NOTE - SR001 Cold Weather Application Silent Running is best applied with the ambient, material and substrate temperature in the range of 65-85 degrees F. Lower temperatures will result in
More informationPaint damage, paint defects and environmental effects.
Paint damage, paint defects and environmental effects. Spies Hecker simply closer. Paint damage, paint defects and environmental effects. The examples and suggestions in this booklet are intended to help
More informationCardboard Model Buildings
Cardboard Model Buildings Get more model kits from http://www.modelbuildings.org PRINTING & ASSEMBLY TIPS: These OO designs can easily be resized by reducing the print percentage as follows: OO scale is
More informationSAFETY DATA SHEET Utrecht Artists Acrylic Mediums. Section 2 Hazard Identification (composition / information on ingredients)
SAFETY DATA SHEET Utrecht Artists Acrylic Mediums SDS 903.5 Section 1 Company and Product Identification Product Name: Utrecht Artists Acrylic Mediums Synonyms: Painting Mediums Product Line: Utrecht Gloss
More informationArt materials. For more Information, visit SFEnvironment.org/artists
Art materials Read the label Avoid paints (acrylic, oil, watercolor, and encaustics) that contain harmful heavy metals. Try switching to the alternative hue colors, which produce a similar effect but do
More informationMATERIAL SAFETY DATA SHEET Utrecht Gesso Painting Grounds
MATERIAL SAFETY DATA SHEET Utrecht Gesso Painting Grounds MSDS 908.3 Date: February 23, 2013 Information: 800-223-9132 or: 609-409-8001 Section 1 Company and Product Identification Utrecht Art Supply 6
More informationPolymer Composites Incorporated
Rod Ham s Project, A Lesson In Synergy The following is an excerpt from correspondence that I had with Mr. Rod Ham who contacted me and inquired about the use of our MAX CLR-HP-HP for a project he had
More informationSOLVENTS & RETARDERS STANDARD BUTYL CARBITOL PROPYLENE GLYCOL BUTYL CELLOSOLVE VINYL WASH THINNER N-116 XYLOL INK DEGRADIENT HO 1000 VARSOL
SOLVENTS & RETARDERS BUTYL CARBITOL A slow evaporating solvent used in diluting certain nylon inks. PROPYLENE GLYCOL An effective flow agent for water phase paints. It also retards the drying time. BUTYL
More informationMATERIAL SAFETY DATA SHEET Utrecht Gesso Painting Grounds. Section 2 Hazard Identification (composition / information on ingredients)
Page 1 of 6 MATERIAL SAFETY DATA SHEET Utrecht Gesso Painting Grounds MSDS 908.4 Date: April 27, 2014 Information: 800-223-9132 or: 609-409-8001 Section 1 Company and Product Identification Utrecht Art
More informationUSING ABSOLUTE BLACK INKS FOR MAKING SCREEN POSITIVES ON THE EPSON STYLUS PRO 3800 & 3880
USING ABSOLUTE BLACK INKS FOR MAKING SCREEN POSITIVES ON THE EPSON STYLUS PRO 3800 & 3880 The following instructions explain how the i2i Absolute Black ink for making screen positives is installed on an
More informationDULUX UNIVERSAL UNDERCOAT
TECHNICAL DATA SHEET Version 1 2015 JUNE THIS ISSUE SUPERSEDES ALL PREVIOUS PUBLICATIONS PRODUCT DESCRIPTION Intermediate coating for use under decorative topcoats, for interior and exterior use PRODUCT
More informationSURFACE FINISH MAINTENANCE
SURFACE FINISH MAINTENANCE SURFACE FINISH MAINTENANCE Lumec strongly recommends that you maintain your luminaires twice a year in order to prolong the appearance of the finished surface. By following this
More informationThe Most Beautiful, Longest-Lasting, High Gloss Shine for Brightwork VARNISH
The Most Beautiful, Longest-Lasting, High Gloss Shine for Brightwork VARNISH P R O D U C T S A N D A P P L I C A T I O N S Exquisitely varnished wood is the reflection of the most beautifully maintained
More informationProduct Data Sheet Awlwood MA Primers OJ3809 / OJ9809 / OJ7809 Specification Data
Specification Data Packaging: Product Code: Cleaning: Available in 1 quart packs OJ3809 Clear; OJ9809 Yellow; OJ7809 Red OT0200 Awlwood MA Brush Cleaner Volume Solids: 45% Specific Gravity: OJ3809-1.013
More informationCOMPOSITES LAB MANUAL
COMPOSITES LAB MANUAL Version 1 Lab 3: Surface Preparation, Wet Layup, and Vacuum Bagging The original version of this manual was a one student senior design project written by Katherine White, the Composite
More informationLUXAPOOL EPOXY POOL COATING APPLICATION GUIDE. New Cement Pools
LUXAPOOL EPOXY POOL COATING APPLICATION GUIDE New Cement Pools 1. The render should consist of fresh cement and pure, clean sand only. Allow the render to cure for a minimum of 21 days prior to any preparation
More informationAt this stage I want the colors to be a little on the bright side, Later weathering will darken the color significantly.
The kit used is the Tamiya JS II Model 1944 ChKZ, #35289. As you can see quite a bit of aftermarket details were also used including a number of Aber and Voyager photo etched detail sets along with a set
More informationPlease also carry out relevant test patches to ensure product compatibility and colour satisfaction.
INGILBY WATER BASED PAINTS GENERAL TIPS AND OBSERVATIONS In order to help projects run smoothly, if, at any stage during application, guidance is required please do not hesitate in contacting us for advice.
More information380 Swimming Pool Paint
Issued 21 st June 2011 PRODUCT DATA SHEET 380 Swimming Pool Paint SURFACE PREPARATION If your pool has been previously painted but you are unsure as to whether or not it was with chlorinated rubber or
More informationThese Application Instructions cover surface preparation, application equipment and application details for HEMPADUR MASTIC 45880/45881.
For product description refer to product data sheet HEMPADUR MASTIC 45880/ HEMPADUR MASTIC 45880/ High temperatures: 45881: BASE 45889 with CURING AGENT 95881 Low to medium temperatures: 45880: BASE 45889
More informationProfessional acrylic paints, mediums and tools
Professional acrylic paints, mediums and tools HISTORICAL PERSPECTIVE 1905 First acrylic resins produced in Germany 1930 s First use of synthetic binders by Mexican Muralists - silicates - not acrylics
More informationSAFETY DATA SHEET Utrecht Gesso Painting Grounds. Section 2 Hazard Identification (composition / information on ingredients)
Page 1 of 6 SAFETY DATA SHEET Utrecht Gesso Painting Grounds SDS 908.5 Section 1 Company and Product Identification Product Name: Utrecht Painting Grounds Product Line: Utrecht Professional Acrylic Gesso
More informationDuraguard ULTRA PREMIUM MATT DATA SHEET FC Description & Uses. Features & Benefits. Colours. Environmental Data & Certifications
PAGE 1 OF 5 Description & Uses Solver Duraguard Matt is an ultra premium quality, 100% acrylic, self priming exterior water-based coating, suitable for direct application to most surfaces including timber,
More informationPettit Technical Bulletin Applying Topside Finishes
What s better than a boat that looks good? The answer is simple, a boat that looks good and has superior protection from the elements all season long. Topside finishes do exactly that; provide your boat
More information1. Initial Precautions 2. Technical Precautions and Suggestions 3. General Information and Cure Stages 4. Understanding and Controlling Cure Time
How to apply Arctic Silver Premium Thermal Adhesive 1. Initial Precautions 2. Technical Precautions and Suggestions 3. General Information and Cure Stages 4. Understanding and Controlling Cure Time 5.
More informationApplication Notes! RIGID MATERIALS. Rigid material standards. Printing on Rigid Materials with the Gerber Solara ion & Gerber CAT UV
Printing on Rigid Materials with the Gerber Solara ion & Gerber CAT UV This document instructs on the proper use of rigid materials when printing on the flat bed of the Gerber Solara ion & Gerber CAT UV.
More informationCORROSION EXPERTISE OWATROL OIL.
CORROSION EXPERTISE OWATROL OIL www.owatrol.com OWATROL OIL Used for over 60 years throughout the world, Owatrol has played an important part in interior and exterior maintenance painting for leading industrial
More informationDULUX WOODGARD EXTERIOR TIMBAPRESERVATIVE
TECHNICAL DATA SHEET Version 1 2015 SEPTEMBER THIS ISSUE SUPERSEDES ALL PREVIOUS PUBLICATIONS PRODUCT DESCRIPTION Deep penetrating wood treatment for exterior wood. PRODUCT USES A penetrating wood dressing
More informationTimberlac TimberCoat SolarShield WoodGuard Aqua WoodGuard
Timberlac TimberCoat SolarShield WoodGuard Aqua WoodGuard INTERIOR WOOD VARNISH Timberlac Enhance natural wood grain Exceptional durability Excellent flow and levelling for a smooth finish Resists fungus
More informationMasking: Each mirrored sheet is well protected by a durable paint backing and
STORAGE Horizontal storage: If mirror sheets are stored flat, care must be taken to avoid warping, slipping and scratching. If different sizes are stored together the largest panels should at the bottom
More informationQuality Marine Equipment Since Antifouling Paint For Metal Under The Waterline ROLLER. Application Instructions.
Quality Marine Equipment Since 1981 Antifouling Paint For Metal Under The Waterline ROLLER Application Instructions www.antifoulingpaint.net THANK YOU! Thank you for selecting Velox Plus Antifouling Paint
More informationPolymer Plate Development Procedures. (800) or (802) (800)
Polymer Plate ment Procedures (800) 272-7764 or (802) 362-0844 www.epsvt.com 1 www.epsvt.com (800) 272-7764 Introduction Understanding Plate Making Polymer plates consist of a photosensitive material which
More informationREFINISHING AUTOMOTIVE INTERIOR AND EXTERIOR FLEXIBLE AND RIGID SUBSTRATES
RAP-1 03/07 REFINISHING AUTOMOTIVE INTERIOR AND EXTERIOR FLEXIBLE AND RIGID SUBSTRATES SEM is devoted to helping technicians solve their day-to-day problems by providing innovative and superi professional
More informationBest Products to Use in a Healthcare Facility Repaint Project
Best Products to Use in a Healthcare Facility Repaint Project Introduction 03 Types of Products to Consider in Healthcare Painting Projects 04 Paints, Oil-based Paints, Water-based Paints 05 Paint Finishes,
More information2K weather resistance clear coat A850
Clear coat Donglai Coating Technology (Shanghai) Co., Ltd. 2K weather resistance clear coat A850 Description High-build, two-component clear coat designed for universal application and optimal appearance
More informationQuality Marine Equipment Since Antifouling Paint For Metal Under The Waterline SPRAY. Application Instructions.
Quality Marine Equipment Since 1981 Antifouling Paint For Metal Under The Waterline SPRAY Application Instructions www.antifoulingpaint.net Thank you for selecting Velox Plus Antifouling Paint to protect
More informationThe Application Guide offers product details and recommended practices for the use of the product.
Technical Data Sheet Application Guide Approved 7120;15600 1,2 7120 polyurethane ^(ValidationDate) 1 Product description This is a two component chemically curing aliphatic acrylic polyurethane coating.
More informationA-LF-Sea. Application Manual for M&R. (Full blasting)
Application Manual for M&R (Full blasting) April 2015 1 Contents 1.Standard scheme 1)Standard scheme for flat & vertical bottom 2)Colour scheme for system 2.High pressure fresh water washing (HPFWW) 1)Timing
More informationAPPLICATION NOTE - SR001. Cold Weather Application
APPLICATION NOTE - SR001 Cold Weather Application Silent Running is best applied with the ambient, material and substrate temperature in the range of 65-85 degrees F. Lower temperatures will result in
More informationExtension material for Level 2 Design and Visual Communication Study Guide (page 33)
Graphic media Extension material for Level 2 Design and Visual Communication Study Guide (page 33) ISBN 978-1-927194-15-7 For individual student use only. No other use permitted. ESA Publications (NZ)
More informationConversion, Application and Maintenance of the Avery Dennison Floor Marking System Instructional Bulletin #6.30
Conversion, Application and Maintenance of the Avery Dennison Floor Marking System #6.30 (Revision 16) Dated: 12/31/14 1.0 Scope Due to the unique nature of the Floor Marking System, particular attention
More informationEffects of Post-Processing Treatments on the Image Stability of Color Prints
TECHNICAL DATA / REFERENCE February 2004 E-176 Effects of Post-Processing Treatments on the Image Stability of Color Prints For many years, Kodak has been investigating the factors that affect the image
More informationACRYLITE extruded sheet (FF)
Placeholder product brand Technical information ACRYLITE extruded sheet (FF) #9 Painting and Printing This brief gives advice for: Equipment and Materials Procedures Trouble Shooting Equipment and Materials
More informationGen2O - Environmentally Friendly
Waterborne Automotive Basecoat: Go for Gen2O and build a future for your business that makes cents. Gen2O is user friendly and cost effective. The transition from conventional to Gen2O is easy. Only minor
More informationPaint and Decals. Adequate ventilation is required when working in a confined area with paint and paint-related chemicals.
Service Guide Paint Repair Paint and Decals Utilimaster recommends that a professional body shop do all paint repairs. The service technician should read this entire procedure before working on the vehicle.
More information(H) PAINTING LIST OF BUREAU OF INDIAN STANDARD CODE OF PRACTICE (ISI)
(H) PAINTING LIST OF BUREAU OF INDIAN STANDARD CODE OF PRACTICE (ISI) 6278 : Code of Practice for white washing and colour washing. 2932 : Enamel and synthetic, exterior (a) Undercoating (b) Finsihing.
More informationCleaning Procedure INTRODUCTION:
Cleaning Procedure INTRODUCTION: Many elements can contaminate the surface of a vehicle s paint film, such as waxes, grease, polishes, road film, tar and general dirt. Pre-cleaning to remove any existing
More informationPremium quality tools are important; not only will high quality rollers, brushes, and products create a better result, they ll make your job easier.
How to Paint your Pool Introduction Painting is one of the best ways to protect and beautify your pool. In addition to adding a vibrant, fresh color, a new coat of paint can be a cost- efficient way to
More informationTemperaprint. Preparing the Egg. By Alex Chater
Temperaprint By Alex Chater This guide will give you a basic introduction to the process in as simple, quick and low-tech way as possible. Temperaprint is best as a multi coat system of working. In essence,
More informationIMAGESTAR SILICONE INK
PRODUCT INFORMATION GUIDE IMAGESTAR SILICONE INK 3500 Series RFU Textile Inks 1500 Series Pigment Concentrate Textile Inks COMPONENTS ImageStar 3500 Series RFU Silicone Ink Ready-For-Use Colors Color Gold
More informationInstructors Guide. Composites Fabricators Association. September, 1998
Controlled Spraying Training Instructors Guide September, 1998 Composites Fabricators Association Composites Fabricators Association 1655 N. Ft. Myer Dr., Arlington, VA 22209 (703)-525-0511 CFA 1998 CFA
More informationSAFETY DATA SHEET Utrecht Gesso Painting Grounds. Company: Utrecht Art Supply, 6b Fitzgerald Avenue, Monroe Township, NJ Phone:
SAFETY DATA SHEET Utrecht Gesso Painting Grounds SDS 908.6 Section 1 Company and Product Identification Product Name: Utrecht Painting Grounds Product Line: Utrecht Professional Acrylic Gesso Utrecht Artists
More informationKitchen Stainer to filter Vitrolite
Vitrolite is a photocurable polymer resin for use in SLA or DLP printers. After firing, Vitrolite is a glass ceramic with high strength, low porosity/high density and thermal shock tolerance. Vitrolite
More informationGORI 53. Product Description. Product Code / / EXPORT ARTICLE CODE: GORI 53 2S FLOOR FINISH. Product Name. Wooden floors and stairs
GORI 53 Product Code 359145/359139 / EXPORT ARTICLE CODE: 132553 Product Name Recommended for Available sizes 2S FLOOR FINISH Wooden floors and stairs 4.50 L 1 Product Description 1.1 Product Type: 1.2
More informationCOLOR CHARTS & PIGMENT INFORMATION
COLOR CHARTS & PIGMENT INFORMATION Watercolors, Gouache, Fluid and Heavy-Body Acrylics, Traditional and Fast Dry Oil Colors 112 WATERCOLORS 28 GOUACHE 51 FLUID ACRYLICS Page 3 Page 5 Page 7 56 HEAVY-BODY
More informationGORI 53. Product Description. Composition 10130DSC13X53. Product Code GORI 53 2S FLOOR FINISH. Product Name. Wooden floors and stairs.
GORI 53 Product Code Product Name Recommended for 10130DSC13X53 2S FLOOR FINISH Wooden floors and stairs 1 Product Description 1.1 Product Type: 1.2 Manufacturer: 1.3 Where to use: 1.4 Special Qualities:
More informationInstruction Guide Basic Instructions 2... Appliying the Dye 3... Creating an Image 4... Exposing Your Print 5... Washing
Instruction Guide 2... Basic Instructions 2... Appliying the Dye 3... Creating an Image 4... Exposing Your Print 5... Washing SolarFast dyes are used to create photograms, continuous tone photographs,
More informationa visual reference guide for the marbling process
PROJECT SET-UP You will need the following supplies: Jacquard Marbling Kit (includes: Marbling Color, Carrageenan, Alum, Gall) Shallow trays/pans (large/deep enough to marble paper freely) Gallon container
More informationPaint Masks - Stencils - Dry Rub Decals - Waterslides +44(0) (mobile)
Paint Masks - Stencils - Dry Rub Decals - Waterslides Telephone: Website: email: +44(0)7872 181119 (mobile) http://www.flightlinegraphics.com sales@flightlinegraphics.com Dry Rub Decals Dry rub decals
More informationPractical Information: ORALITE V98 Conformable Graphic Sheeting
Page 1 of 5 General Information (hereto referred to as V98) is a tough, weather and solvent resistant product designed for graphics applications on vehicles with smooth painted or unpainted surfaces. Templating
More informationFinishing Finishing Instructions Painting Tips Aluminum Astragal Painting Doorlite Frame Finishing
Finishing... 2.3 Painting Tips... 2.6 Aluminum Astragal Painting... 2.9 Doorlite Frame Finishing... 2.10 SITE 2 2017 2.1 2.2 2017 SITE 2 SITE 2 2017 2.3 2.4 2017 SITE 2 SITE 2 2017 2.5 Painting Tips Therma-Tru
More informationSprayMax 2K Headlight Clearcoat 250 ml Prod.-no.:
Peter Kwasny GmbH, Heilbronner Strasse 96, 74831 Gundelsheim / Germany Telephone: +49 (0) 06269-95-0; Fax: +49 (0) 6269-95-80 internet: www.kwasny.de e-mail info@kwasny.de EU-GB SprayMax 2K Headlight Clearcoat
More informationGEO-PAINT SUPER ACRYLIC PVA
23 Poortman Street, Potchindustria, Potchefstroom, 2531 Tel.: (018) 293 2274 Fax: (018) 293 2287 GEO-PAINT SUPER ACRYLIC PVA DESCRIPTION: Geo-Paint super acrylic PVA is ideal for ceilings and walls. It
More information