Pollock. Veiling the Image. Donald Wigal
|
|
- Winfred Newman
- 6 years ago
- Views:
Transcription
1 Pollock Veiling the Image Donald Wigal
2 Text: Donald Wigal Layout: Baseline Co Ltd A Nguyen Hue Fiditourist, 3 rd floor District 1, Ho Chi Minh City Vietnam Parkstone Press USA, New York. Confidential Concepts, worldwide, USA. Pollock Estate / Artists Rights Society, New York, USA. Daros Collection, Switzerland / Artists Rights Society, New York, USA, p. 196 Barnett Newman / Artists Rights Society, New York, USA, p. 132 Mark Rothko / Artists Rights Society, New York, USA, p. 235 Ruth Kligman, p. 246 Willem de Kooning Estate / Artists Right Society, New York, USA p. 235 Adolph Gottlieg Estate / Artists Rights Society, New York / ADAGP, Paris, p. 220 Robert Motherwell Estate / Artists Rights Society, New York / ADAGP, Paris, p. 135 Rudolph Burckard / Artists Rights Society, New York. ADAGP, Paris, pp All rights reserved No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyrights on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case we would appreciate notification. ISBN:
3 P Jackson ollock Veiling the Image Donald Wigal
4 ACKNOWLEDGEMENT The author acknowledges Ruth Kligman; Athos Zacharius; the Art Chronicles of the Smithsonian; Jerry Saltz, Village Voice art critic; photographer Robin Holland; artists James Cullina of ArtSleuth, Bob Stanley, Kathy Segall, and Bill Rabinovitch; authors Carmel Reingold, James Robert Parish, George Sullivan, Susan Waggoner, and William Kuhns; agents Stephany Evans, Elaina Zucker, Robert Markel; Barlow Hartman and Mercedes Ruehl; James Yohe of Ameringer/Yohe/Fine Art; Tina Dickey, editor of the Hans Hofmann Catalogue Raisonné; Maggie Seildon of Jason McCoy Gallery; Cheryl Orlick of the Albright-Knox Art Gallery; Bradley D. Cook of Indiana University Archives; Jennifer Ickes of the New Orleans Museum of Art; Isabelle Dervaux, Curator of Modern and Contemporary Art, National Academy Museum; Verity Hawson, Lillian Kiesler, Cornelia Sontag, Bérangère Mardelé, and Eliane de Sérésin of Parkstone Press; for research support, Bro. Frank O Donnell, Edie LaGuardia Hansen, Dr. Mark Cooper and Gene Carney; Vera Haldy for German translation; Herbert Verbesey and Gerard Sullivan for the Latin dedication; Antonio Bautista, Michael Morris; Cheryl Murray of Entertainment Law Digest; also, Alternative Research for online research; Richart Taylor and his Jackson Pollock center at the University of Oregon. Thanks to Catherine O Reilly for her dedication, generosity, meticulous and expert editorial input on this and a dozen books over the past 25 years. DEDICATION I dedicate this work to these colleagues with whom I share a common bond. They generously made my work this past year possible: Tom Brenn, Paul Cibrowski, Joe Clark, Richard Csarny, Jim Cullina, Gene Carney, Jim DeVito, Joe Fagan, Bill Gannon, Brian Griffin, Bob Higdon, John Kane, Mel Kubander, Joe LaSala, Joe Manzo, Joe Maurer, Charlie Miller, Bob Moriarty, SM, Frank O Donnell, SM, Andy Oravets, Frank Poliafico, Bob Schult, Bruce Segall, Rhett Segall, John Spellman, Brian Trick, Herb Verbesey, Joe Wessling, Ken White, and Jim Wolf. Gestas cum sociis res meminisse juvat. (It delights me to remember all the things we shared together). Donald Wigal Manhattan, 2005
5 CONTENTS Foreword 7 Introduction 9 The Myth of the Artist Cowboy 17 Struggling During Early Years: Making Energy Visible 105 Brilliant Peak Years: Art as Self-Discovery 183 The Genius of His Gesture: Involving Art and Others in His Self-Destruction 217 Appendix 248 Bibliography, Selected Resources and Notes 249 Index 254
6 The writer has tried to be accurate in referencing. However, there are very likely errors here, especially in the chronological order of events, and the titles and dates of works. For the first two years or so after publication, corrections and updates may be available in English from Abbreviations AbEx AOTC Benton Guggenheim Krasner MoMA Pollock Abstract Expressionism Art of This Century, Manhattan Thomas Hart Benton Peggy Guggenheim Lee Krasner Museum of Modern Art, Manhattan Jackson Pollock
7 FOREWORD Each of the four sections of this book refers to a span of at least ten years. Each subsection, usually covering one year, opens by noting historical events relative at least indirectly to Pollock, or offers some significant backdrop to his life. Events named within that year are not necessarily presented here in strict chronological order. This book should not be relied on for trying to create a strict chronology of details. Although several interviews and over twenty biographies of Pollock were referred to while researching this work, when referring to Pollock s biographers without specific names, the reference is to the extensive work of Naifeh & Smith. Likewise, de Kooning s biographers always refer to Stevens & Swan. Peggy Guggenheim s biographer always refers to Mary V. Dearborn.
8 8
9 INTRODUCTION Fifty years ago the artist Jackson Pollock died, but he lives on in his biographies and especially in his work. However, much of his genius was expressed by how he veiled the visible while he unveiled the invisible. A survey of the main events of Pollock s life might lift some of the veils from his troubled soul and his amazing work, as well as explain somewhat his turbulent times. However, this overview offers no definitive explanation for either Pollock s behaviour or his genius. It is intended to offer an opportunity to stand before the man and his oeuvre and be perplexed by the negatives, in awe of the positives, and aware of the ambiguities. However, it may be that by veiling himself and his art as he so uniquely did, Pollock paradoxically revealed much of his interior life, thereby making it possible to see and better understand therein something of his spiritual journey if not also something of the universal human journey. Many of the events of Pollock s life and much of his radically new art proved to be mystical yet profane, ugly yet awesome. At times the artist, like his art, appears to be innocent, graceful and sensitive. At the same time his life and art might seem to be crude, macho and abrasive. The biographer Andrea Gabor observes him to be brilliant and naïve, gentle and aggressive, vulnerable and destructive. She observes, Few artists seemed to personify the masculine excesses of the era more completely than Jackson Pollock who came to represent an archetype of unbridled artistic vitality. (427) The cycles of Pollock s life and art at times overlap, as they are sometimes seen as a child-man, angelbeast, and creator-destroyer. Many observers of his work are kept at a distance by what is ugly and yet pulled into what is beautiful in the realities of the artist s rugged presence and his brilliant achievements. At the same time his private, self-destructive compulsions and isolation ironically drove him to his highly public end fifty years ago. Several interesting sub-themes in Pollock s life are not developed here, including his relationship with his brothers families, his love of dogs, and his fascination with old cars, and speeding. Rather, one purpose of this concise overview of Pollock s life and this selection of reproductions of some of his works is to help put his works into an historical context. However, what Pollock said of his The She-Wolf is surely true of his works in general: Any attempt on my part to say something about it, to attempt any explanation of the inexplicable, could only destroy it. Yet, some viewers probably need help in reaching that point where art is experienced simply as art, ideally with some knowledge of it as well. Some fans of Pollock s art in particular might prefer to know nothing of the artist s turbulent life. The following biographical sketch is presented especially for those for whom such knowledge enhances viewing. There are also art lovers who find scientific analysis of art helpful, while other viewers do not. For the former, consideration could be given to Richard Taylor, the professor of physics at the University of Oregon. His crucial and amazing studies are of fractal expressionism and the so-called chaotic processes in the work of Pollock (107). It is just a matter of time and work now for me to have that knowledge a part of me. A good seventy years more and I ll make a good artist. (403) Age 20 Untitled (Self-portrait), Oil on gesso on canvas, mounted on fibreboard, 18.4 x 13.3 cm, The Pollock-Krasner Foundation, New York. 9
10 I m just now getting into painting again and the stuf f is really beginning to f low. Grand feeling when it happens. (426) Age 36 Reproductions For many readers the reproductions, no matter how elegant, are at best like postcards reminding them of the art itself, for which there is admittedly no perfect substitute. It was suggested the first two plates be represented in the actual size of the artwork, because those works are small. However, it should be pointed out that plates are often not in proportion to the actual size of the art works; small and large works might appear to be about equal in size on these printed pages. In one Pollock biography, for example, a reproduction of Picasso s Guernica is one-third the height of Pollock s Birth, reproduced on the facing page. However, the actual height of the Picasso work is three times the height of Pollock s Birth. The chronology of main events presented here generally follows the order presented in dozens of published biographies, albeit other facts and especially the order in which Pollock s works were actually completed might differ. Historical chronology here is often sacrificed for thematic development. Titles of Paintings Asked about the numbered titles of Pollock paintings, Lee Krasner said Pollock s focus was to have people appreciate the pure painting rather than to be distracted by the titles. In the August 1950 New Yorker interview Pollock explained, I decided to stop adding to the confusion caused by word titles. However, subsequent works were sometimes numbered, sometimes given word titles, sometimes both. The same work might be in different exhibitions under different titles. The alphabetical listing at the end of this work is primarily of the titles as in each exhibition, rather than to the paintings, although some consolidation has been attempted. For complete data see the four-volume Catalogue Raisonné of Paintings, Drawings and Other Works, edited by Francis V. O Connor and Eugene V. Thaw, and published by Yale University Press (1978), with a supplement published by the Pollock-Krasner Foundation in Often the words in the titles of Pollock works have little, if anything, to do with the painting. For example, see the commentary below in the section on 1943 about the painting Moby Dick. Gallery owner Betty Parsons added the letter A to some titles, indicating they were probably exhibited but not sold in However, they may also not have been painted in the year indicated in the title. Subsequent titles would include numbers, words, and combinations thereof, some with and some without dates included in the title. Moreover, neither numbers nor dates imply a chronological order. The titles are listed in chronological order by the years the paintings were done, if known, or the year named in the title. Included in titles presented here are the two sets in series, Sounds in the Grass and Accabonac Creek. Over fifty Pollock works are untitled, but some of those have a year in their title, while a year has been assigned to others. The floor of Jackson Pollock s studio, The Spring, East Hampton, Long Island Biographies Unlike formal biographies, this one occasionally refers to fictional or poetic works which allude to Pollock s real life. However, it should be acknowledged that these fictional accounts are less reliable than authoritative biographies and at times they are admittedly outrageous. However, the most fanciful, such as the poem Jackson Pollock by Frank O Hara, or the Bill Rabinovitch movie PollockSquared (2005), can get to truths rarely touched on by facts alone. Such fiction might, however, propose certain helpful links between known facts. This book attempts to distinguish known facts from the fictions with each reference, while acknowledging that sometimes fiction can be more insightful than facts alone. For the many actual biographical references consulted, a bibliography is presented as the first group of footnotes. 10
11 11
12 The She-Wolf, Oil, gouache and plaster on canvas, x cm, The Museum of Modern Art, New York. Birth, Oil on canvas, x 55.1 cm, Tate Gallery, London. 12
13 13
14 14
15 Historical Context Some of the statements made by Pollock s contemporaries throughout this review of his life and work do not seem extraordinary or even noteworthy today, but it should be acknowledged that they were first made years before the legacy of Pollock was well established. Some statements were even prophetic in their envisioning of the artist s success at a time when only supportive relatives and a small circle of friends knew him. Some of his contemporaries not only saw the potential of the artist, but many risked their reputations by supporting him. It was especially true of his artist brothers, as well as Thomas Hart Benton, Lee Krasner, Howard Putzel, Peggy Guggenheim, Clement Greenberg and James Johnson Sweeney. The following pages offer a brief profile of each of these influential people who generally supported Pollock. This overview, like previous biographies, movies, plays, and commentaries on Pollock s work and art probably also falls into the pattern political commentator David Walsh sees in the script of the Ed Harris movie Jackson Pollock. Walsh notes, (The movie) assembles a number of biographical details, without ever making profound sense of them. (297) However, that movie, like this and other biographies, can leave most of the judgmental exercises up to the readers and viewers. Most Pollock observers predictably try to find the personal psychological causes for his tortured life. For example, this overview includes the characteristics of alcoholism, and also refers to the findings of psychiatrists and presents the results of studies such as that by pioneering Pollock researcher Francis V. O Connor. Walsh commented, A desperate need for approval usually forces one into doing that which is recognizable. He also noted Pollock s need for approval bordered on the psychopathic. However, Walsh stresses Pollock s problem and, more generally, that of Abstract Expressionism and post-war American painting, was in great part due to the dramatic and difficult political environment of the mid-twentieth century. He indicates specifically the effects of the growth of Stalinism in the Soviet Union and the Communist parties around the world, the nature of Trotsky s opposition to Stalinism and the tragic fate of the Socialist revolution, as well as the conservative trend of the nature of post-war American society (296). Portraits Brief profiles of key figures in Pollock s life can help paint a background against which the life of the artist might be seen in some historical context. Thumbnail sketches of those key people named above are offered throughout this book, along with notes on Willem de Kooning, Matta, Ruth Kligman, and Frank O Hara. Cycles Pollock s styles overlapped between cycles. Like the early works of many creative minds (in Pollock s case, his work before c.1947), they are praised at the time of their creation. Critics then typically downgrade them mainly because subsequent works are even greater. Similarly, works after a peak period (for Pollock after c.1950) are seen as of less value. However, a convincing case can be made to show even the less successful work in Pollock s oeuvre would have earned him a permanent place in the history of art. Pepe Karmel observes, What appeared to observers of the 1940s and 1950s as a relatively seamless evolution (of Pollock as an artist) was now broken into three distinct phases: the early work, the classic drip paintings, and the late work. The term drip is only used here when quoting others, as it was not a term preferred by Pollock or Krasner. While respecting Karmel s three cycles, this book considers Pollock s life in four sections: The Myth of the Artist Cowboy Struggling During the Early Years: Making Energy Visible Brilliant Peak Years: Art as Self-Discovery The Genius of His Gesture: Involving Art and Others in His Self-Destruction Untitled (Scent), c Oil and varnish on canvas, 99 x 146 cm, Los Angeles, CA, Collection David Geffen. 15
16 16
17 THE MYTH OF THE ARTIST COWBOY In 1912, the SS Titanic sank. Picasso was only twenty-two, but his Le Moulin de la Galette and The Two Sisters of nearly ten years before, as well as his recent Harlequin, were already well known. Birth The year Jackson Pollock was born was the year Democrat Woodrow Wilson ( ) became the U.S. president. However, the policies of the next Democratic president, Franklin Delano Roosevelt ( ), would most directly influence Pollock and the art world. Coincidentally, catastrophic maritime disasters fell in both the year of Pollock s birth and the year of his death. The former tragedy was the sinking of the S.S. Titanic in 1912 during her maiden voyage to New York City; the latter was the sinking of the Andrea Doria in The major news story of the year 1912 was undoubtedly the sinking of the S.S. Titanic during her maiden voyage. In other news, Arizona and New Mexico became states that year. However, the events of 1912 which would influence Pollock most directly included the publishing of C.G. Jung s The Theory of Psychoanalysis, and the popularity of works by Picasso, such as that year s The Violin. Yes, the modern artist is working with space and time, and expressing his feelings rather than illustrating. (406) Age 38 Cody On 28 January, 1912, Paul Jackson Pollock was born on Watkins Ranch in Cody, Wyoming. The town is in the northwest area of the state, about fifty miles East of Yellowstone National Park. The state is widely known as the cowboy state and was part of the legendary Wild West. When Jackson s parents moved there, the town had about 500 residents (334). Pollock s earliest experiences were in the atmosphere of myths and romanticising of the Old West. The town of Jackson s birth was founded only six years before the Pollock family moved there by Colonel William Buffalo Bill Cody ( ). He was, and probably still is, the state s most famous historical figure. Dozens of places in the area bear his name. He was an internationally-known buffalo hunter and showman, a promoter and even creator of some of the most legendary images of the Wild West culture of the United States. Cody needlessly slaughtered 6,570 buffalo. It was a time when sensitivity to animal rights and macro-views of ecology were generally not yet cultivated. At the time of Jackson s birth, Buffalo Bill was nearing the end of his life. In a unique way Pollock would carry on the spirit of some of Cody s most exciting pioneering, rebellious and wild images, as well as myths about legendary American cowboys. Although Pollock spent only his first few months as an infant in Cody, he didn t correct people who presumed he had lived in that truly Western town until he arrived in New York City. The Pollock-like character in Updike s Pollock-inspired novel Seek my Face (2002) was, always telling people he had been a cowboy and it was a lie but his body looked it. (429) Willem de Kooning s biographers state, Pollock s self-destruction had a kind of grandeur that many in the art world respected. Pollock seemed a purely American figure, an authentic visionary, cowboy, and maverick. (189) Fiction The Updike title alludes to the verse in Psalm 27: You speak in my heart and say, Seek my face. Your face, Lord, will I seek. The psalmist and novelist, as well as biographers, want to unveil the image of their subject, yet they know, ultimately, the image will remain a mystery. However, Updike also veils his subject, Jackson Pollock, but doing so only thinly. For example, some names in Updike s novel are more obvious allusions, such as Onna de Genoog representing Willem de Kooning, or Hackmann for Hofmann. Seamus O Rourke is nearly an anagram for Mark Rothko. Updike s main character is named Zack McCoy in the novel. The novel s name for the artist is an allusion to both the artist s familiar first name (Jack) and his father s actual last name (McCoy). Reflection on the Big Dipper, Oil on canvas, 111 x 92 cm, Stedelijk Museum, Amsterdam. The Real McCoy Apparently only Pollock s family called him Jack (146), and he signed at least one letter Jacks (384). In 1930, Pollock dropped his first name, Paul. Years later his wife, Lee Krasner, would refer to him, even in his presence, as Pollock. McCoy was the birth name of Jackson s father, LeRoy. After the death of LeRoy s parents, in 1897, he was taken care of by a family named Pollock. Ten days before his twenty-first birthday LeRoy was adopted by the Pollocks. He then took on the name Pollock. Later he asked a lawyer to have his name changed back to McCoy, but doing so would have been too expensive (383). Composition with Pouring II, Oil on canvas, 64.7 x 56.2 cm, Smithsonian Institution, Washington, DC. Male and Female, Oil on canvas, x cm, Philadelphia Museum of Art, Philadelphia. 17
18 18
19 19
20 No chaos, damn it! (413) Age 38 Stranger Than Fiction While biographies don t often include fiction in their resources, there are novels, plays, and movies about Pollock which do, with the usual caveats, help weave over certain holes in the veils that partly cover the subject. A reviewer for Time Magazine felt the Updike novel was lovely and wise (63). In fact, Updike s very imaginative portrait of Pollock not only reveals some details more clearly than most serious biographies, but, unfortunately, also collates facts with tabloid rumours concerning alleged homosexuality, affairs and illegitimate children of the artist. More than a few Pollock fans believe the novel, like sensational tabloid headlines, perpetuates unsubstantiated myths unnecessarily. Some feel there is really enough violence, shock and dissipation in the facts, without exaggerating them. There is also another highly imaginative novel of Pollock s life: Top of the World, Ma!, by Michael Guinzburg. The novel presents several of the same events from Pollock s life as Updike s novel (30). The title refers to a line spoken by actor Jimmy Cagney in the 1949 movie White Heat. The original line is, Look at me now, Ma! Top of the world! The line would certainly have been appropriate for a successful Pollock to say to his own mother at the height of his career. The Pollock Family Jackson was the youngest of five boys in the family of LeRoy McClure Pollock ( ) and Stella May ( ). His brothers were Charles Cecil ( ), Marvin Jay ( ), Frank Leslie ( ), and Sanford Sande LeRoy ( ). An abbreviated family tree is provided. According to Jackson s sister-in-law, Elizabeth, Jackson s mother wanted all five of her sons to be artists of some kind. She considered them potential geniuses. However, in a letter to Charles, Sanford said he thought the emotional problems their brother Jackson had date back to his childhood, to his relations with the family and our mother. (145) The facts about the Pollock family and its origins tell something about their youngest son, the cowboy. He continued the mythology of his roots. His brothers who experienced Cody and the Western culture longer than Jackson seemed to have moved on, more able than Jackson to adopt and adapt to their new environments. Because of Jackson s rebellious temperament and drive for individual and independent expression, it is possible he might not have cared to retain the urban cowboy tendency had any of his brothers continued the cowboy role. Throughout his life Pollock would mention growing up in Cody; however, he actually spent less than his first ten months in the town before the family moved to National City, near San Diego, California. The move would be the first of several during Jackson s youth. For example, after only eight months in National City the Pollock family moved. In 1913, at age thirty-seven, LeRoy bought a truck farm in Phoenix, Arizona. He sold it only four years later, and then moved the family to Chico, California, where he bought and sold another farm, and then bought a hotel in Janesville. During his first decade, Jackson lived in six different houses as his father tried job after job, without much success, in three states. In California alone the Pollock family lived in eight different places. Religion Pollock s parents were originally from Iowa, the state just West of Jackson s birth state of Wyoming. They were Presbyterians of Scottish and Irish origin, their ancestors had been Quakers, but they did not indoctrinate their children into any religion. Apparently none of the Pollock boys could remember whether Jackson had been baptised. Updike reminded his readers that Quakers don t baptise. In a 1929 letter to Charles and Frank, Jackson confessed he had dropped religion for the present, even though the year before he had been deeply impressed with Theosophy. Stories from the Christian Gospels would appear in only a few of Jackson s drawings, which mainly reflected his studies of classic artists, including El Greco. The fact that Jackson had not been baptised would become an issue at the time of his marriage. However, it was he, not his wife, Lee Krasner, who wanted to have a church wedding. Lee had been raised in the Jewish faith. Easter and the Totem, Oil on canvas, x cm, The Museum of Modern Art, New York. Pollock the Cowboy A 1927 photo of fifteen-year-old Jackson taken by Lee Ewing is the only one showing him posing in Western garb. It contributes significantly to the myth of Pollock as a cowboy. But there are also photos showing he would occasionally wear formal attire and pose like a young European royal, with a jaunty walking cane in hand. In fact, the translator of a German biography referred to these quaint photos, commenting on the young man at the time, cultivates dandyish attire. (123) After filming his movie Pollock, director Ed Harris regretted the famous cowboy photo wasn t shown more clearly in the film. (45) The photo is seen only briefly, and off to the side of an early scene showing Pollock s Eighth Street apartment in Greenwich Village, Manhattan. 20
21 21
22 The Flame, Oil on canvas, mounted on fibreboard, 51.1 x 76.2 cm, The Museum of Modern Art, New York. 22
23 Perhaps because of America s admiration for the pioneers of the country s West and the mythology of the American cowboy, Pollock often seemed to be forgiven for his crude behaviour. Some observers might even say this tolerance extended to his reckless drunken driving, if not also to its ultimate consequences. Minutes before his death while driving drunk, a policeman who knew Pollock would unfortunately overlook his drunken state. Like some of the rough-edged characters of Western fiction, Pollock would live out a boisterous and often crude Wild West spirit, especially in the bars of lower Manhattan. Meanwhile his brilliant art would intoxicate sophisticated viewers in the world s most civilised museums (290). In fact, the art world would be influenced forever by Pollock s unique, important and indelible contribution. Even during his lifetime, Pollock had become the new benchmark to which the art world would refer, as they began to consider modern art as before, contemporary with, or after Pollock. Pollock s influence is still notable fifty years later. In a review of the first showing of the early efforts of Italian painter Carla Accardi, in Manhattan in 2005, Roberta Smith of The New York Times notes the paintings of Accardi include impressive works from the mid-1950s. Her fields of scattered and overlapping circles and signs, rendered in white or yellow and black, suggest a controlled response to the work of Jackson Pollock. (389) Not all references back to Pollock reflect an understanding of what his method was about. During the 2004 U.S. presidential election campaign, Daniel Okrent, the public editor of The New York Times spoke of what he saw as poor management of the paper s coverage of the campaign. He compared its chaos to a pattern adapted from Jackson Pollock. The title of his article was How would Jackson Pollock Cover this Campaign? (378). I m just more at ease in a big area than I am on some thing 2 x 2; I feel more at home in a big area. (406) Age 38 Family Politics Walsh noted Pollock s father, LeRoy, had been a socialist and his son became one too. As Pollock s biographers also note, LeRoy supported socialist labour leaders and celebrated at the news that the workers of Russia had taken control of their government. Of his five sons, two would become active in the labour movement and one would join the Communist party. The other two became artists and had less strong political interests (300). Early Veils The distinction between the authentic and the fabricated Pollock began even in the artist s lifetime. Pollock himself kept the myth alive that he was an unsophisticated cowboy. The country was eager to hear about cowboy legends. The popularity of the image was seen in pop culture through many movies and novels containing Western themes, as well as country and western songs which were accepted into the mainstream parade of hits. It is likely most Americans can trace their images of the Old West back to movies, especially those made by John Ford (Sean Aloysius O Feeny), who was born in Maine in He devoted about half of his prolific output to the American Western genre. According to his friend, Ted Dragon, Pollock enjoyed going to weekly Western or science-fiction movies, for which their affluent friend, Alfonso Ossorio, would pay (318). It is very likely Ford directed most of those Westerns. These movies probably played at least as big a role in Pollock s image of the Old West as did his few early years living in Western states. Western themes even appeared in classical music, including Aaron Copeland s music for ballets in the 1940s. In the 1940s, several Broadway musicals and, in the 1950s, many television programs, were based on Western themes. Of course these programs were rarely documentaries and did not reflect much of the reality of the pioneering days of the Western states. Steven Spielberg s 2005 twelve-hour series, Into the West, is a remarkable exception. The eastern, or Big City, version of the cowboy evolved into the rebellious young men of the 1950s, not unlike Pollock s real personality. Even fellow painters compared Pollock to Marlon Brando s brooding character, Stanley Kowalski, in the film version of A Streetcar Named Desire. Commentators saw in the artist what might have been the playwright s inspiration. Tennessee Williams and Pollock had become friends in 1944, several years before the 1951 play. Benton painted a portrait of the original theatrical cast of the play in Some commentators see the physical lines of the main character in Benton s sketch for The Poker Party scene from the play as being those of the young Pollock (224). The play has had several revivals, including the version performed in February 2005, again on Broadway. After the wife of Pollock s friend, Tony Smith, left him and went to Europe with the playwright Tennessee Williams in 1950, the lonely Smith spent even more time at the Pollock house. Tennessee was often seen on his bicycle going to and from the Pollock house. Williams play, The Rose Tattoo, and his novel, The Roman Spring of Mrs. Stone, both critical successes, were released that year. In 1913, Freud s Totem and Taboo was published. In Paris, Stravinsky s Le Sacre du Printemps premiered. The pioneering Armory Show in Manhattan shocked the art world with seminal examples of postimpressionism and cubism. 23
24 Number 1, 1949, Enamel and metallic paint on canvas, 160 x cm, The Museum of Contemporary Art, Los Angeles, The Rita and Taft Schreiber Collection. 24
25 White Light, Oil, enamel and aluminium paint on canvas, x 96.9 cm, The Museum of Modern Art, New York. 25
26 I think they {laymen} should not look for, but look passively and try to receive what the painting has to of fer and not bring a subject matter or preconceived idea of what they are to be looking for. (406) Age 38 The Advent of Abstract Expressionism During Pollock s pre-teenage years, culture shocks (such as those coming from Freud, Stravinsky, and Dada) seemed to be preparing the world for him. Ryder and other predecessors died in They were yet to be admired by the young Pollock, while others whom he would look up to including Matisse and Picasso were already flourishing. The decade was also the advent of the basic documents of Jungian psychology which would influence the behaviour and work of the future artist intimately. In 1913, post-impressionism and cubism were introduced to the New York art world at the Armory Show in Manhattan. The resulting culture shock paved the way for the jolt of seeing the brilliant results of Pollock s creative gesture which were still several years away. The large mural-like paintings he would create would similarly revolutionise how the world experienced art. The shock in the galleries would be similar to the reaction in the concert hall that same year to Stravinsky s Le Sacre du Printemps. The visual art scene in Europe was preparing the world for a similar revolution in popular culture. The surprise would be that the ice would be broken in America by a very unlikely cowboy-like rebel. In 1914, Tennessee Williams was born. In 1915, Marcel Duchamp showed his first Dada-type paintings. In 1916 Matisse ( ) showed The Three Sisters. In 1917, C.J. Jung published Psychology of the Unconscious. Picasso created Surrealist objects for a ballet. Albert P. Ryder (b.1847), who developed a technique of painting sweeping strokes with a palette knife, died. In 1918, Joan Miró had his first exhibits. In 1919, Hans Arp and Max Ernst showed collages. Arp explored Dadaism through sculpture and chance forms. Ernst sought to express the subconscious. In 1920, C.J. Jung published Psychological Types. In Cologne, visitors were encouraged to destroy the paintings in a Dadaist exhibition. In 1921, Oskar Kokoschka exhibited expressionist paintings. Jazz dominated American popular culture. The Early Influences In 1921, Jackson s brother Charles moved to Los Angeles to take a job at The Los Angeles Times. He also enrolled in the Otis Art Institute and sent home issues of the art magazine, The Dial. Over forty years later, on his deathbed, Sanford would thank Charles for sending copies of The Dial. He said they meant a lot to him and Jack, Charles remembered (327). Later Charles also sent American Mercury ( ), the controversial literary magazine published by Henry Louis Mencken ( ), who was a columnist on The Baltimore Sun, from 1906 until his death. These publications brought visions of East Coast sophistication to the young artists. The magazines also included reproductions of contemporary European art the young Jackson probably saw as he watched the older boys read about the Paris School, which was the rage. His life-long interest some biographers say his obsession with Pablo Picasso ( ) could have begun with seeing these magazines sent home by Charles. In 1922, James Joyce s Ulysses was published in Paris. Copies sent to the U.S. were destroyed by the U.S. post office. In 1923, the Dada movement ended. Picasso showed in Neoclassicism, Surrealism, and Expressionism. The New York Prohibition Enforcement Act was repealed. The tri-state conclave of the K.K.K. was held in Kokomo, Indiana, and was noted in a mural by Benton. Untitled, Gouache, ink and wash on paper, 57.1 x 77.8 cm, Private collection. Untitled (Woman), Oil on fiberboard, 35.8 x 26.6 cm, Nagashima Museum, Kagoshima City, Japan. Untitled (Naked Man with a Knife), c Oil on canvas, 127 x 91.4 cm, Tate Gallery, London. Pre-teen Art Education In 1922, Jackson s father moved the family again to another farm at Orland, California. The next year they moved to a farm near Phoenix, Arizona. Jackson attended the Monroe Elementary School there, but he stayed for only a few weeks. He visited Native American reservations with his brothers for the first time. Soon thereafter he was initiated into the traditions of Indian culture. He saw how the native artists integrated raw materials into their painting and other art. Their works were typically abstract or at least included abstract designs. Moreover, they worked on areas which were flat to the ground. Eighteen years later Pollock would visit an exhibit titled Indian Art of the United States at The Museum of Modern Art (henceforth referred to as MoMA) where he observed how Navajo artists made sand paintings on the floor. He would refer to both of those experiences ten years later when asked about the origins of his famous technique of gestural painting. According to New York art reviewer Mark Stevens, a teacher enjoyed asking students what the best abstract art ever made in America was. They would predictably reply, Pollock. However, the teacher would correct them, noting, You forgot the Navajo women. The teacher was, as Stevens points out, referring to the Indian weavings they did, creating rugs as visually powerful as a modernist painting. (103) 26
Text: Donald Wigal. Layout: Baseline Co Ltd A Nguyen Hue Fiditourist 3 rd Floor, District 1, Ho Chi Minh City - Vietnam
POLLOCK Text: Donald Wigal Layout: Baseline Co Ltd 127-129A Nguyen Hue Fiditourist 3 rd Floor, District 1, Ho Chi Minh City - Vietnam Sirrocco, London, UK (English version) Confidential Concepts, worldwide,
More informationJackson Pollock
1912-1956 In the vertical art storage rack, you will find the following: 2 Large Reproductions: Silver Over Black, White, Yellow, and Red, 1948; Composition, 1946 Posters: Art Elements & Principles posters
More informationArt Masterpiece Project Procedure Form
Art Masterpiece Project Procedure Form Artist: Name of Print: Project: Objective: Description: Diego Rivera Mother s Helper Mural of Moms Drawing from memory and depicting characteristic features Talk
More informationCUBISM, SURREALISM AND ABSTRACT ART
7 CUBISM, SURREALISM AND ABSTRACT ART Cubism is a style of painting and sculpture, that began in Paris in about 1907. It was the most important trend at the beginning of 20th century. Cezanne was the pioneer
More informationRichard Pousette-Dart: Beginnings. Biography
Richard Pousette-Dart: Beginnings Richard Pousette-Dart: Beginnings is the first UK solo exhibition of the American artist Richard Pousette-Dart (1916 1992). Pousette-Dart was a key figure in the Abstract
More informationJackson Pollock ( ) Autumn Rhythm (1950) Enamel on Canvas, 17 3 x The Metropolitan Museum of Art, NY
Art Masterpiece: 3rd Grade, Lesson 4 (February) Jackson Pollock (1912 1956) Autumn Rhythm (1950) Enamel on Canvas, 17 3 x 8 9 - The Metropolitan Museum of Art, NY Art Style: Abstract Expressionism Art
More informationBernard Childs [ ]
Bernard Childs [1910 1985] BERNARD CHILDS The Process of Becoming Oneself by Stephanie Buhmann The work of Bernard Childs (1910 1985) spans almost four decades. It truly begins after Childs returned from
More informationescape from the fetters of subject matter, and he began to work Cubist forms in an increasingly expressionist manner.
WALL LABEL PAUL BURLIN (1886-1969) DECEMBER 1 JANUARY 30, 1971 My point of departure is a step by step organization of shape and color into a unity of design. And these shapes and colors are like floats
More informationA Finding Aid to the Charles Pollock Papers, , in the Archives of American Art
A Finding Aid to the Charles Pollock Papers, 1875-1994, in the Archives of American Art by Judy Ng Funding for the processing of this collection was provided by the Terra Foundation for American Art 2015
More informationBorn: 1866, Moscow, Russia Died: 1944, Neuilly-sur-Seine, France Education: Academy of Art, Munich Style: Abstract Expressionism Bauhaus:
KANDINSKY 1866-1895 Early Life Russian-born painter and educator Wassily Kandinsky a pioneer of abstract art was known for his unique views on form and function, and the synthesis of musical with visual
More informationA Finding Aid to the Robert Scull Papers, 1955-circa 1984, bulk dates , in the Archives of American Art
Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus A Finding Aid to the Robert Scull Papers, 1955-circa 1984, bulk dates
More informationQUICK VIEW: DETAILED VIEW:
QUICK VIEW: Synopsis Jasper Johns, a major post-war, American artist still creating new, inventive work, was a key force shaping the artistic movements following Abstract Expressionism. Best known for
More informationPortraits. Mona Lisa. Girl With a Pearl Earring
CHAPTER TWO My Dear Helen, If my calculations are correct, this year you will be fifteen years old... the same age as I was when they gave the necklace to me. Now I d like you to have it. With much love
More informationAstoria. Cover image: Napoleon, 2014 Stone, wood, acrylic 36 x 22 x 9 cm. Left: The Vanderbilt Cup, 2013 Unfired clay 31 x 25 x 13 cm
2 Astoria Catherine Story graduated from the RA Schools in 2009, and has since gone on to show at Basel/Liste and Tate Britain. She spoke to Jonathan Stubbs about her new show at Carl Freedman Gallery
More informationThe Armory Show
The Armory Show - 1913 Exhibition of painting and sculpture held in New York City. Of the 1,600 works assembled, one-third were European, tracing the evolution of modern art from Francisco de Goya to Picasso
More informationVirginia Jaramillo. Point Omega. Dallas Art Fair. April 12-15, 2018
Virginia Jaramillo Point Omega Dallas Art Fair April 12-15, 2018 Virginia Jaramillo Point Omega At the 2018 edition of Dallas Art Fair, the Hales Project Room, New York will present Point Omega, a solo
More informationA Finding Aid to the Mabel Alvarez Papers, , in the Archives of American Art
A Finding Aid to the Mabel Alvarez Papers, 1898-1987, in the Archives of American Art Rosa M. Fernandez September 2000 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington,
More informationJames Gill: AMERICAN POP MUSEUM OF THE SOUTHWEST
James Gill: AMERICAN POP MUSEUM OF THE SOUTHWEST About the Artist James Gill is a rare artist to encounter in West Texas. Living in a small town outside of San Angelo, he has been a working artist since
More informationWeimar Definitions and Descriptions
Weimar Definitions and Descriptions The following definitions and descriptions are more detailed that those that are mentioned in class, and you should read them as supplements to the class comments. The
More informationHow to Make Sure That You ll Always Have Something to Write About. Fran Santoro Hamilton
How to Make Sure That You ll Always Have Something to Write About Fran Santoro Hamilton For many people the hardest part of writing is thinking of something to write about. This problem can be bypassed
More informationThe Urban Environment About the Artist
The Urban Environment About the Artist Frederick Childe Hassam was born in 1859 in Dorchester, Massachusetts. In 1876 he was apprenticed to a local wood engraver and soon thereafter became a freelance
More informationH u d s o n R i v e r S c h o o l
A r t S t y l e s I am Mr. Lanni, Art Teacher at Columbia Middle School. I will lead you through this presentation There are many different styles of art and many artists that worked in each style. This
More informationJean- Baptiste Bernadet
Behind The Blinds issue 3: The pure Accident, by Benoit Platéus, Michaël Marson and Antoine Grenez, July, 2017 Jean- Baptiste Bernadet Brussels, July 2017 Interview by Benoit Platéus Portrait by Michaël
More informationPainter Deborah Kass looks back on her two-decade career
Painter Deborah Kass looks back on her two-decade career With a new show on the way, Deborah Kass weighs in on channeling Louise Bourgeois, Andy Warhol and more By Paul Laster Postered: Wednesday December
More informationRené Magritte Biography
René Magritte Biography Painter (1898 1967) René Magritte was one of the most well known and famous surrealist painters of all time, yet it was not until his 50s, when he was finally able to reach some
More informationdiego rivera, the beginning
diego rivera, the beginning Diego Rivera was born in Guanajuato, Mexico in 1886. He was an imaginative child who loved animals. Hurry up and take the photo I ve got poisonous animals to train to do my
More informationOgden M. Pleissner. A Finding Aid to the Ogden M. Pleissner Papers, , in the Archives of American Art. by Jean Fitzgerald.
Ogden M. Pleissner A Finding Aid to the Ogden M. Pleissner Papers, 1928-1976, in the Archives of American Art by Jean Fitzgerald January 2007 Contact Information Reference Department Archives of American
More informationJean-Michel Basquiat
Kukje Gallery Jean-Michel Basquiat Untitled (Hand Anatomy) 1982 Acrylic, oilstick and paper collage on canvas with tied wood supports 152.4 x 152.4 cm Use of images must clearly credit the artist and other
More informationGrade 7 - Visual Arts Term 4. Life Drawing
1 Grade 7 - Visual Arts Term 4 Life Drawing Like still life, the style (genre) of life drawing is very important in the fine arts, and also to several fields of design such as fashion, architecture and
More information1. INTRODUCTION. There have been various ways to define what literature is. Literature is a
1. INTRODUCTION 1.1 Background of Study There have been various ways to define what literature is. Literature is a term used to describe written or spoken material. Broadly, "literature" is used to describe
More informationAbstract Expressionism Action Painting - Day 1
Abstract Expressionism Action Painting - Day 1 Kansas State Standard VA:Proficient:1.4.2 Standard 1: Understanding and applying media techniques and processes. Benchmark 4: The student analyzes media,
More informationJournal of Religion & Film
Volume 21 Issue 2 October 2017 Journal of Religion & Film Article 12 9-30-2017 Endless Poetry Adam Breckenridge New England Institute of Technology, adambreck@hotmail.com Recommended Citation Breckenridge,
More informationHispanic/Latino Curriculum Twelfth Grade Language Arts Lesson Plan Jorge Louis Borges
Hispanic/Latino Curriculum Twelfth Grade Language Arts Lesson Plan Jorge Louis Borges Content/Theme: Grade Level: Hispanic Authors Twelfth Grade Textbook Connections: Prentice Hall Literature, Timeless
More informationStill Life Paul Cezanne
Still Life Paul Cezanne A still life painting is one in which a group or arrangement of objects are painted. The name comes from the fact that they do not move it is the arrangement and the objects themselves
More informationFaith Ringgold Paints Crown Heights
Faith Ringgold Paints Crown Heights Time: 15 minutes INTRODUCTION Study Guide Faith Ringgold Paints Crown Heights is a film about an important work by the famous African-American woman artist that sends
More informationMeet the Masters February Program
Meet the Masters February Program Grade 3 How Artists Portray Women Mary Cassatt "The Child's Bath" Leonardo Da Vinci "Ginevra De' Bend" About the Artist: (See the following pages.) About the Artwork:
More informationDEPARTMENT OF EDUCATION AND CULTURAL ACTION CONTACT
DEPARTMENT OF EDUCATION AND CULTURAL ACTION CONTACT CONTACT ANONYMOUS ITALIAN ARTIST The Nativity End of 14th century, beginning of 15th century Tempera on canvas 101 x 195.5 cm MARTIN DE VOS The Rape
More informationIsabel Bishop. Interlude (1952) Winner of the prestigious Walter Lippincott Prize for best figural work in oil at The Pennsylvania Academy in 1953.
Isabel Bishop Interlude (1952) Winner of the prestigious Walter Lippincott Prize for best figural work in oil at The Pennsylvania Academy in 1953. What I ask of a painting is that is speak back to me.
More informationWhat is Abstract Art? How can you create an Abstraction of something?
Reality to Abstract What is Abstract Art? How can you create an Abstraction of something? Tree series - 1911-14, Piet Mondrian Abstract Art: Characterized by simplified the general shapes, lines, and
More informationCULTURAL. Artist Benjamin Wu paints dynamic scenes that reflect the heritage, ancestry and traditions of both Eastern and Western cultures.
CULTURAL CO Artist Benjamin Wu paints dynamic scenes that reflect the heritage, ancestry and traditions of both Eastern and Western cultures. By John Geraghty Supply Station, oil on canvas, 48 x 72" NNECTIONS
More informationBRIAN GRIFFIN. By: Henry Gorse April 9, 2016
BRIAN GRIFFIN By: Henry Gorse April 9, 2016 An icon of British portrait photography, Brian Griffin has photographed some of the most influential personalities of the last forty years from Margaret Thatcher
More informationArtists: Ansel Adams. By National Park Service, adapted by Newsela staff on Word Count 765 Level 930L
Artists: Ansel Adams By National Park Service, adapted by Newsela staff on 03.07.17 Word Count 765 Level 930L TOP: This portrait of nature photographer Ansel Adams first appeared in the 1950 Yosemite Field
More informationIMAGES WORKS BY MORRIS LOUIS CONTEXTUAL IMAGES
IMAGES WORKS BY MORRIS LOUIS CONTEXTUAL IMAGES WORKS BY MORRIS LOUIS The discussion of works by Morris Louis throughout this thesis is based upon research undertaken in art museums in New York, Washington
More informationThe Illinois State Museum presents. Marvelous Modern Art Super Saturday January 10, 2009
The Illinois State Museum presents Marvelous Modern Art Super Saturday January 10, 2009 Henri Matisse s Goldfish (1912) Although Henri Matisse was a French artist, he was still very important and influential
More informationWILLEM DE KOONING THE FIGURE: MOVEMENT AND GESTURE Paintings, Sculptures, and Drawings
PRESS RELEASE Press Contacts Jennifer Joy / Sarah Goulet / Lauren Staub jjoy / sgoulet / lstaub@thepacegallery.com 212.421.8987 WILLEM DE KOONING THE FIGURE: MOVEMENT AND GESTURE Paintings, Sculptures,
More informationHow did you become involved with the New York Studio School?
Excerpts from an Interview with Nicolas Carone, by Jennifer Samet November 28, 2004 Jennifer Samet How did you become involved with the New York Studio School? I got involved right at its conception. I
More informationGAGOSIAN GALLERY. John Elderfield on Painted on 21st Street: Helen Frankenthaler from 1950 to John Elderfield, Sam Cornish
Abstract Critical March 19, 2013 GAGOSIAN GALLERY John Elderfield on Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 John Elderfield, Sam Cornish Helen Frankenthaler, Untitled, 1951,oil and
More informationART 1100 A: Intro to the Visual Arts CRN: 22177
O Keeffe vs. Degas 1 ART 1100 A: Intro to the Visual Arts CRN: 22177 Georgia O Keeffe vs. Edgar Degas Tiera Ford Student ID: 870-286-261 April 19, 2011 O Keeffe vs. Degas 2 The purpose of this paper is
More informationSHUN SUDO S EXPANDING COSMOS
SHUN SUDO SHUN SUDO S EXPANDING COSMOS By Linda Hoaglund Shun Sudo is a Tokyo-based artist who channels Japanese aesthetics through American Pop and street art styles to paint completely original large-format
More informationThe Duchess of Carnegie Hall: Photographs by Editta Sherman
The Duchess of Carnegie Hall: Photographs by Editta On view August 18 October 15, 2017 Selected PR Images The New-York Historical Society celebrates the late photographer Editta (1912 2013) with a special
More informationJoy McLean Bosfield Finding Aid to the Joy McLean Papers, , Anacostia Community Museum Archives by Kim L. Dixon February 2010
Joy McLean Bosfield Finding Aid to the Joy McLean Papers, 93-995, Anacostia Community Museum Archives by Kim L. Dixon February 00 Contact Information Anacostia Community Museum Archives Smithsonian Institution
More informationWorking with Circumstances and the Immediate Feeling for the Space
The Mirror International Dzogchen Community http://melong.com Working with Circumstances and the Immediate Feeling for the Space Date : May 12, 2017 Painting in my studio in Belen, Costa Rica in 2016.
More information'The 27 Club' Is A Myth, Reality Or Legacy? The Answer Will Amaze You
'The 27 Club' Is A Myth, Reality Or Legacy? The Answer Will Amaze You Celebrities "The 27 Club" refers to the popular musicians who died at the age of 27. Some of the most talented musicians and also the
More informationAnnabel Lee- Poe. that they kill the beautiful Annabel Lee and left behind the lover to grieve for her loss. The narrator
Trevor Sands March 12, 2011 English 101 Josh Johnson Sands 1 Annabel Lee- Poe In the year 1849, the poet and author Egdar Allen Poe died. That very same year, the last complete poem he composed was published.
More informationART PROJECT for San Antonio College (TX) by the Student: Stephanie Hanus 2003/2004
ART PROJECT for San Antonio College (TX) by the Student: Stephanie Hanus 2003/2004 Windings Atmospheres, oil on canvas, 89x89 cm., 1998 Art Project for San Antonio College (TX) by the student: Stephanie
More informationTennessee Williams: An Inventory of His Collection at the Harry Ransom Center. Tennessee Williams Art Collection
Tennessee Williams: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Title: Dates: circa 1928-1980 Extent: Abstract: Tennessee Williams Art Collection 2 boxes, 4 framed
More informationF I N D L A Y G A L L E R I E S
FINDLAY GALLERIES FINDLAY GALLERIES 1 6 5 W o r t h A v e n u e, P a l m B e a c h, F l o r i d a 3 3 4 8 0 ( 5 6 1 ) 6 5 5 2 0 9 0 7 2 4 F i f t h A v e n u e, 7 t h F l o o r, N e w Y o r k, N e w Y
More informationExam # 2 Same format as Exam #1
Exam # 2 Same format as Exam #1 Artwork ID Artist, Title, Date, Medium, Additional Fact Mystery Images ID plus explanation Short Answer vocab., various facts Compare/Contrast ID, plus similarity & difference
More informationMARY SHELLEY'S EARLY NOVELS
MARY SHELLEY'S EARLY NOVELS Mary Shelley's Early Novels./This Child of Imagination and Misery' JANE BLUMBERG M MACMILLAN Jane Blumberg 1993 Softcover reprint of the hardcover 1st edition 1993 All rights
More informationAndy Chan Interview. Via Sapientiae: The Institutional Repository at DePaul University. David Escobedo DePaul University,
Via Sapientiae: The Institutional Repository at DePaul University Asian American Art Oral History Project Asian American Art Oral History Project 4-30-2011 Andy Chan Interview David Escobedo DePaul University,
More informationDegas. Anna Obiols & Subi
Marie and Edgar are friends Anna Obiols & Subi Marie and Edgar are friends Anna Obiols & Subi 2-3 Hello, my name is Marie and I ve been dancing ballet since I was little. However, I don t want to talk
More informationA Guide to the Papers of Adah Isaacs Menken ( ) (*P-559) American Jewish Historical Society Waltham, MA New York, NY
A Guide to the Papers of Adah Isaacs Menken (1835-1868) (*P-559) American Jewish Historical Society Waltham, MA New York, NY Felicia Herman August 1995 Note to Researchers Special Note: This finding aid
More informationKahlo By Andrea Kettenmann READ ONLINE
Kahlo By Andrea Kettenmann READ ONLINE Born in 1907, dead at 47, Frida Kahlo achieved celebrity even in her brief The Fridamania that elevated Kahlo to near-mythic dimensions A Few Small Nips Passionately
More informationAs seen in the July 2010 issue of
As seen in the July 2010 issue of UPCOMING GROUP SHOW Up to 30 works July 2-18, 2010 Galleries West Fine Art 70 S. Glenwood Jackson, WY 83001 (307) 733-4412 Connections I n July, Galleries West Fine Art
More informationReclining, Alexander Archipenko, 1922, marble, 17 5/8 x 11 1/2 x 11 1/4 in. archipenko A Modern. Legacy. Traveling Exhibitions
Reclining, Alexander Archipenko, 1922, marble, 17 5/8 x 11 1/2 x 11 1/4 in. archipenko A Modern Traveling Exhibitions archipenko A Modern Alexander Archipenko and his art Archipenko was a leading force
More informationWar s Hell! the Battle of Mametz Wood in Art. Information for teachers
War s Hell! the Battle of Mametz Wood in Art Introduction The exhibition War s Hell! the Battle of Mametz Wood in Art, taking place at National Museum Cardiff from 30 th April - 4 th September 2016, explores
More information(Flavin Judd, the director of Judd Foundation and son of Donald Judd, will attend the conference.)
Press Release 1 Kukje Gallery Donald Judd (American, 1928-1994) 2014. 10. 30-11. 30 Kukje Gallery K2/3 Press Conference: 2014. October 30, AM 11, K2/ 3 (Flavin Judd, the director of Judd Foundation and
More informationJACK BUSH (b at Toronto 20 Mar 1909; d there 24 Jan 1977) by the 1950s Bush had become dissatisfied with Canada's detachment from international contem
JACK BUSH (b at Toronto 20 Mar 1909; d there 24 Jan 1977) by the 1950s Bush had become dissatisfied with Canada's detachment from international contemporary art. In 1953 his dissatisfaction led him, in
More informationPollock/Motherwell Exhibition Opens at Nelson-Atkins July 8
FOR IMMEDIATE RELEASE Pollock/Motherwell Exhibition Opens at Nelson-Atkins July 8 Artists, Paintings Legendary Kansas City, MO. June 22, 2017 Two famed American artists are featured in the focus exhibition
More informationQUICK VIEW: DETAILED VIEW:
QUICK VIEW: Synopsis Richard Diebenkorn was an American painter who came to define the California school of Abstract Expressionism of the early 1950s. Although he moved back and forth between making abstract
More informationInventory of the Lewis Family Papers D-329
http://oac.cdlib.org/findaid/ark:/13030/kt0g5018bk Online items available Sara Gunasekara University of California, Davis General Library, Dept. of Special Collections 2005 1st Floor, Shields Library,
More informationBorn in 1975 in Kelowna, British Columbia (Canada) Lives and work in New York city
Artist Biography Born in 1975 in Kelowna, British Columbia (Canada) Lives and work in New York city BFA, University of Victoria (1998) MFA, Yale University School of Art (2005) For an artist in the early
More informationHugh Lane Gallery. The exterior of the Hugh Lane Gallery.
Hugh Lane Gallery The Hugh Lane Gallery is a gallery of Modern and Contemporary Art located in Charlemont House, Parnell Square North, Dublin. It is run by Dublin City Council. The purpose of the gallery
More informationPower of Campbell: His approach to storytelling still inspires filmmakers
Power of Campbell: His approach to storytelling still inspires filmmakers By The Conversation, adapted by Newsela staff on 03.24.17 Word Count 825 TOP IMAGE: Luke Skywalker takes the hero's journey in
More informationThe Rockwell Museum. Fifth Grade Tour: Environments of the American West: Earth, Air, Fire & Water. Pre and Post Visit Materials
The Rockwell Museum Fifth Grade Tour: Environments of the American West: Earth, Air, Fire & Water Pre and Post Visit Materials 111 Cedar Street, Corning, NY 14830 607-937-5386 E-mail: info@rockwellmuseum.org
More informationthings to come Limited Edition on Canvas Edition Size: x30 895
We are immensely proud to present our premier collection from Simon Kenny, a multi-award winning artist who is renowned internationally for his dynamic and expressive paintings. Simon s fascination with
More informationA Finding Aid to the Wayne Thiebaud Papers, , in the Archives of American Art
A Finding Aid to the Wayne Thiebaud Papers, 1944-2001, in the Archives of American Art by Rosa Fernandez and Susan Larsen October, 2002 Contact Information Reference Department Archives of American Art
More informationThe Museum of Modern Art
AP Art Studio, Portfolio Development and Drawing & Painting classes visit to The Museum of Modern Art November 3, 2016 RHS at MoMA A message to art students from artist MaryBeth Thielhelm: When looking
More informationFREDERICK CARL FRIESEKE ( ) Afternoon at the Beach oil on canvas 60 x 178 in. (70 x 188 x 4 1/2 in.) 1905 / 1906 in France
FREDERICK CARL FRIESEKE (1874-1939) Afternoon at the Beach oil on canvas 60 x 178 in. (70 x 188 x 4 1/2 in.) 1905 / 1906 in France 3986 PROVENANCE: Commissioned by Rodman Wanamaker for the Hotel Shelburne
More informationArtists: Vincent van Gogh
Artists: Vincent van Gogh By Biography.com Editors and A+E Networks, adapted by Newsela staff on 07.19.16 Word Count 720 Level 940L Vincent van Gogh's "Self-Portrait with Straw Hat", painted in 1887. Second
More informationMeet the Masters February Program
Meet the Masters February Program Grade 4 Seasons in Art People and Places George Bellows "Love of Winter" John Singer Sargent "Oyster Gatherers of Cancale" About the Artist: About the Artwork: (See the
More informationBIRTH ANNOUNCEMENTS. Published in Newspapers A Valuable Genealogy Resource. Thomas Jay Kemp
BIRTH ANNOUNCEMENTS Published in Newspapers A Valuable Genealogy Resource Thomas Jay Kemp BIRTH ANNOUNCEMENTS Published in Newspapers A Valuable Genealogy Resource Thomas Jay Kemp Copyright 2018, GenealogyBank
More informationA Finding Aid to the William H. Johnson Papers, , bulk , in the Archives of American Art
A Finding Aid to the William H. Johnson Papers, 1922-1971, bulk 1926-1956, in the Archives of American Art by Erin Corley Funding for the processing and digitization of this collection was provided by
More informationIII. Recommended Instructional Time: Two (2) 40 minute sessions
I. Title: My Family and Friends Together II. Objectives: The students will Create and discuss works of art that convey personal interests. (VA.1.C.1.1) Describe visual imagery used to complete artwork.
More informationFrida Kahlo is one of the greatest Mexican artists of the 20 th Century. Born in Coyoacán, Mexico in 1907
Frida Kahlo is one of the greatest Mexican artists of the 20 th Century Born in Coyoacán, Mexico in 1907 She grew up during the Mexican Revolution, one of the many events which influenced her life and
More information3. What kind of art do you like? Do you have a favorite artist? 4. Do you know anyone who has had polio? What effects can this disease have?
Frida Kahlo In this lesson, you will read a short biography about a Mexican painter who specialized in self-portraits. You ll learn some new vocabulary and share your own definition of beauty. Pre-Reading
More informationNew Bond Street, London W1S 2PF +44 (0) New Bond Street, London W1S 2RL +44 (0) Harrods, 2nd Floor, London SW1X
144 146 New Bond Street, London W1S 2PF +44 (0)20 7100 7144 29 New Bond Street, London W1S 2RL +44 (0)20 7499 4508 Harrods, 2nd Floor, London SW1X 7XL +44 (0)20 7581 7980 info@halcyongallery.com www.halcyongallery.com
More informationHomework: Students who fall behind need to come in during lunch to finish. Teacher Procedures: What Teacher Does
*Independent Practice *Whole group Instruction *Centers *Cooperative Learning *Technology Integration *Lecture *Visuals *Group/Directed Practice *A Project *Informal Assessment *Formal Assessment *Peer
More informationThe Museum of Modern Art
The Museum of Modern Art ^% y % BF^^kJF WMSi A ' ***,/":"1 I F% May 15 -August 16, 1988 FOR IMMEDIATE RELEASE MAJOR GARRY WINOGRAND RETROSPECTIVE OPENS AT THE MUSEUM OF MODERN ART A retrospective of the
More informationA STEREOSCOPIC MASTERPIECE EXPLORING THE LIFE AND WORK OF LEADING VICTORIAN PHOTOGRAPHER, GEORGE WASHINGTON WILSON
PRESS RELEASE GEORGE WASHINGTON WILSON Artist and Photographer (1823-93) By Roger Taylor Introduction by Brian May Publishes on 15 August 2018, 30 www.londonstereo.com A STEREOSCOPIC MASTERPIECE EXPLORING
More informationTwentieth Century Ruptures and Continuities
the 20th century dialectic: Twentieth Century Ruptures and Continuities artistic language (techniques of representation) versus the image and its source [or] disintegration of the real versus the hallucination
More informationFrida Kahlo: The Paintings By Hayden Herrera READ ONLINE
Frida Kahlo: The Paintings By Hayden Herrera READ ONLINE Frida Kahlo Paintings Fine Art America - Frida Kahlo Painting - Frida Kahlo Self Portrait With Thorn Necklace And Hummingbird by Pg Reproductions
More informationMICHAEL CORRIS: When did you first realise that there are these people called the abstract expressionists?
Art history: modern and contemporary Abstract Expressionism in New York 2 I m going to have a conversation with Lawrence Weiner. Lawrence Weiner emerged as an important member of the group of conceptual
More informationLiving In The Creative Flow
Bring creative expression to your ministry! Living In The Creative Flow With Rev. Rachel Simpson and Jenny Hahn The order of creation is from the formless to the formed, from the invisible to the visible.
More informationLesson Plan: Colonial Identity
Lesson Plan: Colonial Identity Provided by the Art Institute of Chicago Department of Museum Education Suggested Grade Level: 7-8 (with adaptations for 9-12) Estimated Time: Three class periods Introduction
More informationWORLD WAR II. WWI, Postwar Uncertainty Section 1 Notes
WORLD WAR II WWI, Postwar Uncertainty Section 1 Notes VOCAB TO KNOW Existentialism 18 th century European movement in which thinkers attempted to apply the principles of reason and the scientific method
More informationEdgar Allan Poe (A&E Biography) By Thomas Streissguth
Edgar Allan Poe (A&E Biography) By Thomas Streissguth If you are looking for the book Edgar Allan Poe (A&E Biography) by Thomas Streissguth in pdf format, then you've come to the correct site. We presented
More informationLuke s Way of Looking by Matt Ottley and Nadia Wheatley
Luke s Way of Looking by Matt Ottley and Nadia Wheatley Luke's Way of Looking is about celebrating the uniqueness of the individual and being courageous enough to look at the world differently. Matt Ottley,
More informationRestoration Process. El chico de la gallina (Boy with Hen), 1913 by Manuel Benedito. Carmen Thyssen-Bornemisza Collection
Restoration Process El chico de la gallina (Boy with Hen), 1913 by Manuel Benedito Carmen Thyssen-Bornemisza Collection Retrospective on the painter Manuel Benedito (1875-1963) San Fernando Royal Academy
More informationHi Everyone, Welcome to Art Since 1945: Mainstream & Margins
Hi Everyone, Welcome to Art Since 1945: Mainstream & Margins Art Since 1945: Mainstream & Margins This class is designed to bring attention to the significant historic shifts that have taken place since
More information