Dyna-killer. meet the. Classic design meticulously built and improved.

Transcription

1 Dyna-killer meet the Whether you ve been hanging on to that old red compressor for 25 years or you have yet to discover the organic magic of a studio quality compressor, it s time you added the award-winning Keeley Compressor to your rig. Shape the detail and sustain of every note, overdrive your amplifier, or maintain precise level control with absolutely no effect on your signature tone! Classic design meticulously built and improved. While the structure of the new 4 knob compressor is the exact same as the classic 2 knob version, the addition of the Attack Control and Input Trim give you control over hot inputs like humbuckers and line-level instruments like never before. Awe inspiring construction including silver solder and True- Bypass leaves you with a tone you have to hear and feel. Keeley Compressor users include Sonny Landreth, Steve Kimock, Dan Huff, Brent Rowan, Greg Lockhardt, Jon Pousette-Dart, Buddy Miller, Pete Anderson, George Lynch, Gordon Kennedy, Jerry McPherson and John Mayer.

2 Dyna-killer meet the Whether you ve been hanging on to that old red compressor for 25 years or you have yet to discover the organic magic of a studio quality compressor, it s time you added the award-winning Keeley Compressor to your rig. Shape the detail and sustain of every note, overdrive your amplifier, or maintain precise level control with absolutely no effect on your signature tone! Classic design meticulously built and improved. While the structure of the new 4 knob compressor is the exact same as the classic 2 knob version, the addition of the Attack Control and Input Trim give you control over hot inputs like humbuckers and line-level instruments like never before. Awe inspiring construction including silver solder and True- Bypass leaves you with a tone you have to hear and feel. Keeley Compressor users include Sonny Landreth, Steve Kimock, Dan Huff, Brent Rowan, Greg Lockhardt, Jon Pousette-Dart, Buddy Miller, Pete Anderson, George Lynch, Gordon Kennedy, Jerry McPherson and John Mayer.

3 Dyna-killer meet the Whether you ve been hanging on to that old red compressor for 25 years or you have yet to discover the organic magic of a studio quality compressor, it s time you added the award-winning Keeley Compressor to your rig. Shape the detail and sustain of every note, overdrive your amplifier, or maintain precise level control with absolutely no effect on your signature tone! Classic design meticulously built and improved. While the structure of the new 4 knob compressor is the exact same as the classic 2 knob version, the addition of the Attack Control and Input Trim give you control over hot inputs like humbuckers and line-level instruments like never before. Awe inspiring construction including silver solder and True- Bypass leaves you with a tone you have to hear and feel. Keeley Compressor users include Sonny Landreth, Steve Kimock, Dan Huff, Brent Rowan, Greg Lockhardt, Jon Pousette-Dart, Buddy Miller, Pete Anderson, George Lynch, Gordon Kennedy, Jerry McPherson and John Mayer.

4 Clean boost,overdrive & Distortion Most players need a reliable pedal that simply fattens their tone and kicks the volume up a bit without dumping the lows and highs or pushing the midrange into a screaming honkfest. We build that pedal. It s called the Katana B oost, and your search for a transparent and utterly inspiring clean boost is over. TREBLE BOOST is so misunderstood With so many clones of the vintage Rangemaster Treble Boost around, we re not surprised by the confusion. How does the Limited Edition Keeley Java Boost differ from a typical overdrive, distortion or treble boost pedal? Start with our secret stash of vintage 60s Mullard OC44 transistors, made in Holland the heart of the Java Boost. But the Java Boost is not a typical overdrive or distortion pedal Our exclusive, 3-way Tone Switch renders a true range of overdriven-to-intensely-distorted tones spanning the classic treble boost, in which higher notes are increasingly amplified and distorted by your amplifier, a fat midrange boost, and an even richer full-range boost. Discover why the Java Boost Limited Edition continues to inspire the most discriminating and experienced players.

5 Clean boost, Overdrive & Distortion Most players need a reliable pedal that simply fattens their tone and kicks the volume up a bit without dumping the lows and highs or pushing the midrange into a screaming honkfest. We build that pedal. It s called the Katana Boost, and your search for a transparent and utterly inspiring clean boost is over. TREBLE BOOST is so misunderstood With so many clones of the vintage Rangemaster Treble Boost around, we re not surprised by the confusion. How does the Limited Edition Keeley Java Boost differ from a typical overdrive, distortion or treble boost pedal? Start with our secret stash of vintage 60s Mullard OC44 transistors, made in Holland the heart of the Java Boost. But the Java Boost is not a typical overdrive or distortion pedal Our exclusive, 3-way Tone Switch renders a true range of overdriven-to-intensely-distorted tones spanning the classic treble boost, in which higher notes are increasingly amplified and distorted by your amplifier, a fat midrange boost, and an even richer full-range boost. Discover why the Java Boost Limited Edition continues to inspire the most discriminating and experienced players.

6 Fuzz is not what you think it is andtime never stands still. Fuzz relative to the electric guitar is also referred to as hair in Texas, balls in the New York,and nuts just about everywhere. The Fuzz Head is our take on the vintage and oh-so-familiar Gonzo Germanium Transistor Fillmore Terror Unit and a selectable pair of luscious silicon diodes (harder, faster!!!) as an optional and eminently worthy 50W grunt. Roll back on your guitar volume in either mode and your tone cleans up nice,naturally.we ve added a Big Blue LED,True Bypass and you ll be glad to know that Fuzz Head gets along quite well with other pedals. And for those times when we just can t make up our minds where we want to be, we give you the Time Machine Boost. Our unique, tri-mode Boost pedal can drop you and your rig into 1966, 1973 and well beyond, while you shape harmonic content and tone across the time/space continuum practicing Nantucket Sleigh Ride. Curtis Mayfield would have loved this pedal.yes, we re certain, and we ve given it a lot of thought, as would Rod Prince of Bubble Puppy Neither would have cared about the Big Blue LED or the True Bypass, but they are there just the same. You play the guitar. We ll build the gear.

7 Fuzz relative to the electric guitar is also referred to as hair in Texas, balls in the New York, and nuts just about everywhere. The Fuzz Head is our take on the vintage and oh-so-familiar Gonzo Germanium Transistor Fillmore Terror Unit and a selectable pair of luscious silicon diodes (harder, faster!!!) as an optional and eminently worthy 50W grunt. Roll back on your guitar volume in either mode and your tone cleans up nice, naturally.we ve added a Big Blue LED,True Bypass and you ll be glad to know that Fuzz Head gets along quite well with other pedals. And for those times when we just can t make up our minds where we want to be, we give you the Time Machine Boost. Our unique, tri-mode Boost pedal can drop you and your rig into 1966, 1973 and well beyond, while you shape harmonic content and tone across the time/space continuum practicing Fuzz is not what you think it is andtime never stands still. Nantucket Sleigh Ride. Curtis Mayfield would have loved this pedal.yes, we re certain, and we ve given it a lot of thought, as would Rod Prince of Bubble Puppy Neither would have cared about the Big Blue LED or the True Bypass, but they are there just the same. You play the guitar. We ll build the gear.