GUITARS. Not Only VINTAGE. Plate PAPER-IN-OIL. Shielding Vintage Guitars Collection ALUMINUM STOPTAILPIECE MAESTRO VIBRATO WITH LYRE

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1 GUITARS 2011 Collection Not Only a catalog,it is a book which can tell you what VIAGE guitars should be! PAPER-IN-OIL CAPACITOR McCartney Pro-Guitars (HK) Limited HongKong Office Address: 18th Floor,On Hong Commercial,Building,145 Hennessy Road, WanChai, HongKong Tel: Fax: Factory Haopaiyi Musical Instrument Co.,Limited Address: Kengkou industrial park, Hengjiang, Chashan, Dongguan, Guangdong, China. Postal code: Tel: Fax: info@siangguitars.com Website: Shielding Aluminum Plate ALUMINUM STOPTAILPIECE MAESTRO VIBRATO WITH LYRE 本目录所有产品的颜色及尺寸请以实物为准 Colors and sizes of products in this catalog are for reference only. Please see actual products for standard colors and sizes Ht

2 McCartney "Vintage" is a term that has acquired a new meaning apart from its original usage. The term is a combination of Vint (of the vine) and Age (time of creation). This term is used in the wine industry to indicate a wine's harvest date. The use of "vintage" has been modified by collectors to mean old, such as a Vintage Car, or Vintage Clothing. This extension of the meaning is used in guitar terminology to mean "an original, older guitar." Most collectors value guitars from the mid 1920s to Because guitars prior to the mid 1920s are too primitive in design for most collectors. Guitars after 1970, even though they are over 30 years old, have little collectible appeal. All the U.S. guitar manufacturers were in dire straits during the 1970s. They were either bought out by larger conglomerates looking to make guitars as quickly as possible, and/or their quality and choice of materials had become sub-standard. So all McCartney are reproduction of famous guitars from 1920s to And we will start from 1950s and 1960s electric guitars this year. 1950s and 60s Electric guitars sound so good because of less polluted wood,thin nitrocellulose finishes,good hand-made pickups and wiring.they can not be duplicated today because the materials, environment and society of pre-1970 was much different. But we choose the best substitute for wood and keep the traditional nitrocellulose finishes on our vintage guitars. We also use the best reproduction vintage pickups and good sealed and grounded wiring. All these together make our guitars have real vintage sound. Today most guitars are made with CNC (computer controlled) routers and cutters. Thirty years ago guitars were much more of a hand-made item than they are today. Yes a CNC-made instrument can be more consistent and excellent quality. But it just doesn't have the same "personality" of a "old school" made guitar. So we insist to apply hand-made processing as much as possible in our production.

3 MTL54-AMB MTL62-BLD TL guitar is one of the most popular solid body electric guitar ever made, and is the solid body guitar that started it all. American Ash Body 1.75" thick with transparent Polyurethane Amber finish. Canadian Maple One Piece Neck with single-way truss rods, Scale Length Walnut skunk stripe and truss rod plug on peghead face. In order t o meet the requirement of modern guitar players, we motify some details of original 1954TL. Our MTL54 has C Style Neck Back Shape, but thinner than original. And we use 1 11/16 wide cow bone nut instead of original 1 5/8 wide nut. We change the Fingerboard Radius from 7.25 (vintage TL) to 9.5 (modern TL) to get the balance between chords and bends for all players. 21 pcs 0.78 frets, black dot inlays. Round Style Switch Tip, 5 screw holes single ply black pickguard. Kluson Style Tuners, We keep using Steel Base-plate Bridge,but with new Staggered Brass Saddles replacing original saddle This change makes our MTL54 can achieve individual string intonation. Chrome Bridge Cover, Knurled chrome plated brass knobs with a semi-flat top, Daddario XL110 ( ) Strings. The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1954 TL. We use the best Japanese Brass Split Shaft Pots instead of original Stackpole Pots, 1 Volume, 1 Tone control, 0.047uF,150V Paper-in-Oil Capacitor, CRL style 3 Way Blade Switch and Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original whose windings covered with white string. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire. Rosewood fingerboard is applied on TL models in It was called Slab Rosewood fingerboard the bottom of the fingerboard was flat and the board was fairly thick comparing with the Veneer rosewood fingerboard which was used from 1962 to What we use on McCartney MTL 59 is Rosewood Fingerboard like original, the tone is better than maple fingerboard. American Ash Body 1.75" thick with transparent Polyurethane Blonde finish. Canadian Maple Neck with single-way truss rods, Scale Length Walnut skunk stripe and truss rod plug are cancelled. V style neck is completely gone in 1959 TL. It's back to a conventional "C" Neck Profile. We choose 1 11/16 Wide Cow Bone Nut instead of original 1 5/8 wide nut. Fingerboard Radius 9.5 (modern TL) instead of original 7.25 radius to make it easier to play bends, 21 frets, Clay Dot Inlay. Top-hat style switch tip, 8 screw holes single ply white pick-guard. Kluson Style Tuners, "Butterfly" Clip string tree, Knurled chrome plated brass knobs with flat top, We keep using steel base-plate bridge with steel "Threaded" Saddles like original 1959 TL, Chrome bridge cover and Daddario XL110 ( ) Strings. The wiring and pickups are the same like MTL54. The best Japanese Pots, 1 Volume, 1 Tone control, 0.047uF,150V Paper-in-Oil Capacitor, CRL style 3 Way Blade Switch, Switch-craft USA 1/4" Input Jack and perfect reproduction vintage TL Pick-ups are meticulously wired with Black and White Vintage Cloth Pushback Wire.

4 MST54-2TS MST59 The ST guitar is probably the most popular solid body electric guitar ever made. The 1954 ST model is of course the beginning of the breed. Extremely contoured Ash Body, Two-color ("Canary yellow" to "Amber brown") Sunburst Polyurethane Finish with the center yellow color sprayed. Canadian Maple One Piece Neck with single-way truss rods, Black dots, 21 frets, Scale Length Walnut skunk stripe and truss rod plug on peghead face. In order to meet the requirement of modern guitar players, we motify some details of original model. Our MST54H has Rounded C style Neck Back Shape, but thinner than original. And we use 1 11/16 Wide Cow Bone Nut instead of original 1 5/8 wide nut. We change the Fingerboard Radius from 7.25 (vintage ST) to 9.5 (modern ST) to get the balance between chords and bends for all players. Pear shape switch tip, single ply white pickguard. A small Aluminum Shielding Plate is installed underneath the pick-guard that covers the control cavity. Kluson Style Tuners, Round Button string tree, Daddario XL110 ( ) Strings. Steel 2 Pieces Vintage Tremolo(Steel Block) with 6 adjustable nickel plated saddles. All these features make our MTL54 look the same as original 1954 ST guitars. The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1954 ST. We use the best Japanese Split Brass Shaft 250K Pots instead of original Stackpole Pots, 1 Volume, 2 Tone control, 0.047uF,150V Paper-in-Oil Capacitor, we use CRL style 5 Way Blade Switch instead of original 3 way switch to provide more Pickups combination to players. And Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original: Formvar Insulation Wire, Alnico V Magnet, Staggered Style Magnet Pole Pieces. 5.76K to 6.20 ohms, And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire. Alot changed with the 1959 ST model. By mid-1959 the Amaple fingerboard was changed to a Brazilian rosewood fingerboard and "clay" dot fingerboard markers. This change made the sound of the ST guitar got deeper because of the rosewood. Another change was the pick-guard. Instead of a single layer thin white ABS 'guard, it was now a laminated 3-layer celluloid pick-guard, which turns a mint green color. A thin aluminum shield the size of the pick-guard is installed underneath the three layer pick-guard. This replaces the thicker and much smaller shield previously used on single layer pick-guards (this older style shield encompassed just the three pots and the switch). Alder Body in 3 Tone Sunburst Polyurethane Finish, Canadian Maple Neck with single-way truss rods, Slab Rosewood Fingerboard with Clay Dots, 21 frets, Scale Length V style neck is gone, it is back to Thin Rounded C Style Neck. 1 11/16 Wide Cow Bone Nut instead of original 1 5/8 nut. Fingerboard Radius 9.5 the same as modern ST. Pear shape switch tip, 11 screw holes 3-layer celluloid pick-guard in mint green color. A full size Aluminum Shielding Plate is installed underneath the pickguard that covers the electronic cavity. Kluson Style Tuners, "Butterfly" clip string tree, Steel 2 Pieces Vintage Tremolo(Steel Block) with 6 adjustable nickel plated saddles, Daddario XL110 ( ) Strings. Wiring and Pick-ups are most important for a professional guitar. So we use Japanese Split Brass Shaft 250K Pots, 1 volume, 2 tone control, 0.047uF,150V Paper-in-Oil Capacitor, CRL style 5 Way Blade Switch and Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original: Formvar Insulation Wire, Alnico V Magnet, Staggered Style Magnet Pole Pieces, 5.76K to 6.20 ohms. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

5 MJB62-3TS The JB model was first introduced in 1960, this model had a narrow nut (1.5") compared to the PB model. The most valuable models are the first two years with concentric (stacked) volume and tone knobs and felt tipped string mutes. Leo Fender felt that they gave a more accurate acoustic string bass sound, which the jazz bass player would prefer. The pickups were designed with two pole pieces per string. This produced a mellower tone and a less percussionized signal that was more forgiving on the less-than-efficient bass speakers of the 1950s and 1960s. Our MJB62 model is reproduction of 1962 JB model. Contoured Alder Body, Three Tone Sunburst Polyurethane Finish with the center yellow color sprayed. Canadian Maple Neck with singleway truss rods, Slab Rosewood Fingerboard with Clay Dots, 20 frets, Scale Length 34. Rounded C style Neck Back Shape, and 1.5 Wide Cow Bone Nut. We change the Fingerboard Radius from 7.25 to 9.5 to get the balance between chords and bends for all players. The PB model first introduced in November 1951 as the first electric bass, the Precision Bass is the most popular bass design ever. Our MPB57 is reproduction of 1957 PB model. Contoured Alder Body, Two Tone Sunburst Finish with the center yellow color sprayed. Canadian Maple One Piece Neck with single-way truss rods, Black dots, 20 frets, Scale Length 34. Walnut skunk stripe and truss rod plug on peghead face. Rounded C style Neck Back Shape, and 1 3/4 Wide Cow Bone Nut. We change the Fingerboard Radius from 7.25 to 9.5 to get the balance between chords and bends for all players. 10 screw holes single ply white pick-guard. Vintage Style Bass Tuners, Big Round Button string tree, Daddario XL160 ( ) Strings. Vintage Steel Plate Tremolo with steel "Threaded" Saddles. Rosewood Slab Fingerboard is applied on the bass model in Our MPB62 model is reproduction of 1962 PB model. And we use Tortoise Grain celluloid three layer pick-guard to match the fingerboard. The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1957 PB. We use the best Japanese Split Brass Shaft 250K Pots instead of original Stackpole Pots, 1 Volume, 1 Tone control, 0.047uF,150V Paperin-Oil Capacitor and Switch-craft USA 1/4" Input Jack. Our selected Single Split-Coil Pick-up are perfect reproduction of the original. The all-round vintage-improved package - great sustain, smooth, powerful, with the brightness and tonal complexity of boutique hand wound pickups. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire. 10 screw holes Tortoise Grain celluloid three layer pick-guard. Vintage Style Bass Tuners, Big Round Button string tree, Daddario XL160 ( ) Strings. Vintage Steel Plate Tremolo with steel "Threaded" Saddles. The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1962 JB. We use the best Japanese Split Brass Shaft 250K Pots instead of original Stackpole Pots, 2 Volume, 1 Tone control, 0.047uF,150V Paper-in-Oil Capacitor and Switch-craft USA 1/4" Input Jack. Our Vintage JB Pick-ups are perfect reproduction of the original. Just Roll-off the tone and hit the bridge pickup for fat "Jaco" inspired tones, or open up all controls and find enough punch, harmonics and clarity for some serious slap-work. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire. MPB62-3TS MPB57-2TS

6 MLP59-FCS The LP Sunburst guitar from is the top of the electric guitar heap. Still made today, but the original Sunburst models are the originals that started it all. The attractiveness of the wood, the playability, the sound - all these thing add up to a guitar that even today seems to be unsurpassed. Many famous players made this their standard guitar. Probably only 20% of all LP Sunburst guitars from 1958 to 1960 had any significant maple figuring flamed maple. But all our MLP59 guitars are with Two pieces AAA Flamed(tiger stripe) Carved Maple Top. Single cutaway, Mahogany Back and Neck(one pc), Set-in, single ply cream binding on body top, Rosewood Fingerboard with single cream binding, Trapezoid Celluloid Fingerboard Inlays, 12 Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16 wide, 24.75" Scale, C style neck back shape, but thinner than original. Faded Cherry Sunburst with Cherry Red back Polyurethane Finish. The best vintage sound of 1959 LP is from its PAF(Patent Applied For) humbucking pickups and vintage wiring. Original PAFs made with Alnico II have always held a special place in many a guitarist s heart. If you have ever heard someone describe a PAF as flute-like or more like a single coil than a humbucker - then that s the Alnico II working its magic. The Pickup we use on our MLP59 is perfect PAF reproduction Alnico II humbucker with Nickel Silver covers. In order to get the real LP sound,we also use the best electronic parts to reproduce the 50 s wiring. 2 Volume and 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots, 0.022uF,400V Bumble Bee style Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. And all these components are meticulously wired 50's style with single conductor braided wire and properly grounded with vintage correct 20AWG bus wire. Nickel plated parts, Single-ring Keystone Kluson Style Tuners, Tune-O-Matic Bridge (The adjustable intonation screws are held with a wire), Aluminum Stop Tailpiece, Daddario XL110 ( ) Strings. Single layer plastic cream pick-guard and switch plate, gold top-hat ("bonnet") shape knobs and black back covers. MLP59L-BNS

7 MLP56-GTP MLS56-TYW In 1952, when the first LP was made, it quickly became known as "Gold Top" due to the gold top finish.by fall 1955, the Tune- O-Matic bridge and stop tailpiece was adopted on the LP Goldtop (solving the earlier intonation complaints), making the 1955 to 1958 LP Gold-top a big winner. The combination of P-90 pickups and a tune-o-matic/stop tailpiece is considered by most Les Paul players as a great setup. Hence the late 1955 to early 1957 Les Paul Standard Gold-top is regarded as a very usable and versatile guitar. Our MLP56 is reproduction of original 1956 LP. Multiple pieces Carved Maple Top, single cutaway, Mahogany Back and Neck(one pc), Set-in, single ply cream binding on the top, Rosewood Fingerboard with cream binding, Trapezoid Mother- Of-Pearl Fingerboard Inlays, 12 Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16 wide, 24.75" Scale, C style neck back shape, but thinner than original. Gold-top with Natural Brown back Polyurethane Finish. Nickel plated parts, Single-ring Keystone Kluson Style Tuners, Tune- O-Matic Bridge (The adjustable intonation screws are held with a wire), Aluminum Stop Tailpiece, Daddario XL110 ( ) Strings. Single layer plastic cream pick-guard and switch plate, gold top-hat ("bonnet") shape knobs instead of the old barrel-shaped, and brown back covers. The wiring and Pick-up we use on MLP56 are the same as MLP54. 2 Volume and 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver base plate and braided wire add to the vintage vibe of these great looking soapbars. And all these components are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire. LP special, a step up from least expensive LP Junior model, but was still sold as a 2 pickup student model. A really underrated guitar, LP Special models are amazing sounding solid body electric guitar with the 1955, 1956, 1957, 1958, 1959, 1960 and 1961 models the best. Mahogany single cutaway slab body in Polyurethane TV Yellow Finish, One pc Mahogany Neck, Set-in, Rosewood Fingerboard with binding, dot inlays, 12 Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16 wide, 24.75" Scale, C style neck back shape, but thinner than original. Nickel plated parts, Kluson "3 on a plate" style tuners, Aluminum Stud tailpiece/bridge Combo with the string looping over the bridge, Threaded inserts sunk in the wood for the studs on the wrap around stud tailpiece increased in length. This modification stops the studs from "leaning forward". This was a common problem on 1954 and 1955 LP. Daddario XL110 ( ) Strings, 3 layer black pick-guard, black "Hat" style knobs. Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. But we choose the best substitutes. 2 Volume, 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots instead of original CTS Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel- Silver base plate and braided wire add to the vintage vibe of these great looking soapbars. And all these components are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

8 MLJ57-2TS MLJ59-CHY LP Junior is originally sold as lesest expensive, single pickup, student solid body model. But it was a really under-rated guitar, the LP Junior was an amazing sounding solid body electric guitar with the 1954, 1955, 1956, 1957, 1958, 1959 and 1960 models the best. The LP TV Model is the same as a LP Junior, except for the color. The limed-mahogany finish was rumored to look better on black & white TV sets, hence the name "TV Model". Mahogany Single Cutaway Slab Body in Polyurethane 2 Tone Sunburst finish, and One pc Mahogany Neck, Set-in, Rosewood fingerboard with dot inlays brown back and neck finish, 12 fingerboard radius, 22 frets, 1 11/16 wide Cow Bone Nut, 24.75" Scale, C style Neck Back Shape, but thinner than original. Single ply black pick-guard, gold "barrel" knobs, Nickel plated metal parts, Aluminum Stud tailpiece/bridge Combo with the string looping over the bridge, Tuners are Kluson "3 on a plate" Style Tuners, Daddario XL110 ( ) Strings. All these are important features of original 1957 LP Junior guitars. Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. So we choose the best substitutes. 1 Volume, 1 Tone control, Japanese Split Brass Shaft 500K Pots replace CTS Pots, 0.022uF,400V Paper-in-Oil Capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V Magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver baseplate and braided wire add to the vintage vibe of these great looking soapbars. And they are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire. In 1958, LP Junior changed body style into symmetrical rounded double cutaways, thick slab Mahogany Body, Polyurethane Cherry Red Finish. The first few batches of 1958 and early 1959 double cutaway LP Juniors had a noticeably sharper body edge, like the edge on the single cutaway Junior. By early 1959 the edge became more rounded. With the double cut body style the pick-guard changes to single ply tortoise. Our MLJ59H is reproduction model of 1959 LP Junior guitar. The specification of 1959 LP Junior is the same as 1957 Junior model except the double cutaway body. One pc Mahogany Neck, Set-in, Rosewood Fingerboard with dot inlays cherry back and neck finish, 12 Fingerboard Radius, 22frets, 1 11/16 wide Cow Bone Nut, 24.75" Scale, C style neck back shape, but thinner than original. Nickel plated metal parts, Tuners are Kluson "3 on a plate" Style Tuners, Aluminum Stud tailpiece/bridge Combo with the string looping over the bridge, Daddario XL110 ( ) Strings. Single ply tortoise pick-guard, black "Hat" style knobs, It is hard to get the original electronic parts, but we try to get the best substitutes. 1 Volume, 1 Tone control, Japanese Split Brass Shaft 500K Pots replaced original CTS Pots, 0.022uF,400V Paper-in- Oil capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver base plate and braided wire add to the vintage vibe of these great looking soapbars. And all these component are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

9 MSG63-ACH The SG model was known as double cutaway version LP when it was introduced to the market in The first incarnation (1960/1961) often have the sideways vibrato, which it is problematic. Also the models have very thin backshaped necks. By 1962 these two problems were largely rectified - the 1962 ebony vibrato with the inlaid pearl is very cool and functional, as is the 1963 style Lyre vibrato. And the neck back shape fills out in 1962 making the neck more meaty. Our MSG63 is reproduction of 1963 SG. Symmetrical pointed double cutaways, thin Mahogany Body with beveled edges, Polyurethane Aged Cherry Finish, One pc Mahogany Neck, Set-in, Rosewood Fingerboard with single cream binding, Trapezoid Celluloid Fingerboard Inlays, 12 Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16 wide, 24.75" Scale, original C style neck back shape. Nickel plated parts, Single-ring Keystone Kluson Style Tuners, vintage Tune-O-Matic Bridge (The adjustable intonation screws are held with a wire), Maestro vibrato with Lyre is the most important feature of 1963 SG model. Daddario XL110 ( ) Strings. 3 layers black beveled small pick-guard, black top-hat ("bonnet") shape knobs with metal on top and black back covers. The vintage SG models used the same PAF(Patent Applied For) Humbucking Pickups as 1959 LP. The Pick-up we use on our MSG63 is also the PAF reproduction Alnico II Humbucker with Nickel Silver Covers. We also use the best electronic parts to reproduce the 50 s wiring. 2 Volume and 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. And all these components are meticulously wired 50's style with single conductor braided wire and properly grounded with vintage correct 20AWG bus wire.

10 MSJ61-CHY MSS63-WHT From 1961 to 1963, the LP slab double cutaway version is replaced by SG Junior model. Double pointed cutaways, scalloped Mahogany Body in Polyurethane Aged Cherry finish, One pc Mahogany Neck, Set-in, Rosewood Fingerboard with dot inlays, 12 fingerboard radius, 22 frets, 1 11/16 wide Cow Bone Nut, 24.75" Scale, C style Neck Back Shape. 3 layer black beveled pick guard, black top-hat ("bonnet") shape knobs with metal on top and black back covers, Nickel plated metal parts, Wrap Around "Stair step" Tailpiece with the string looping over the bridge, Tuners are Kluson "3 on a plate" Style Tuners, Daddario XL110 ( ) Strings. All these are important features of original 1961 SG Junior guitars. Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. So we choose the best substitutes. 1 Volume, 1 Tone control, Japanese Split Brass Shaft 500K Pots replace CTS Pots, 0.022uF,400V Paper-in-Oil Capacitor, Switchcraft USA 1/4" Input Jack. Our Dogear P90 Pick-up uses Alnico V Magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver baseplate and braided wire add to the vintage vibe of these great looking soapbars. And they are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire. Double pointed cutaways, scalloped Mahogany Body in Polyurethane White finish, One pc Mahogany Neck with cream binding, Set-in, Rosewood Fingerboard with dot inlays, 12 fingerboard radius, 22 frets, 1 11/16 wide Cow Bone Nut, 24.75" Scale, C style Neck Back Shape. 3 layer black beveled pick guard, black top-hat ("bonnet") shape knobs with metal on top and black back covers, Nickel plated metal parts, Wrap Around "Stair step" Tailpiece with the string looping over the bridge, Tuners are Kluson "3 on a plate" Style Tuners, Daddario XL110 ( ) Strings. All these are important features of original 1961 SG Junior guitars. Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. So we choose the best substitutes. 2 Volume, 2 Tone control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots replace CTS Pots, 0.022uF,400V Paper-in-Oil Capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V Magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver baseplate and braided wire add to the vintage vibe of these great looking soapbars. And they are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire. "Made in Japan" Wrap Around "Stair step" Tailpiece

11 Siang is our brand name for guitar beginners and senior guitar players.if you are looking for a good guitar at affortable price, Siang will be your best choice.

12 SST120K BLK Body : Poplar Neck : Chinese Maple Fingerboard : Rosewood,21F Pick up : S-S-S Ceramic Controls : 1V, 2T, 5-way Switch Machine head:diecast Finish : Glossy 20 Neck Profile Scale : 648mm Nut Width : 42mm 1st fret Thickness : 20mm Shape : Modern C Radius : 350mm Neck Profile Scale : 648mm Nut Width : 42mm 1st fret Thickness : 20mm Shape : Modern C Radius : 350mm SST120U BLU SST120 BLK SST121 SST220D SST220 FRD Body : Poplar Neck : Chinese Maple Fingerboard : Maple,21F Pick up : S-S-S Ceramic Controls : 1V, 2T, 5-way Switch Machine head:diecast Finish : FRD(Fiesta Red) Glossy OPW Neck : Canadian Maple Fingerboard : Rosewod,21F Pick up : S-S-S Alnico V Controls : 1V, 2T, 5-way Switch W/Digital Tuner Finish : OPW(Olympic White) Glossy VTW Neck : Canadian Maple Fingerboard : Rosewod,21F Pick up : S-S-S Alnico V Controls : 1V, 2T, 5-way Switch Finish : VTW(Vintage White) Glossy

13 20 42 Neck Profile Scale : 648mm Nut Width : 42mm 1st fret Thickness : 20mm Shape : Modern C Radius : 350mm SST231F 3TS Neck : 1 pc Canadian Maple including fingerboard,21f Pick up : S-S-H Alnico V Controls : 1V, 2T, 5-way Switch Machine head : Diecast Finish : 3TS(3 Tone Sunburst) Glossy SST231RS OPW Neck : Canadian Maple Fingerboard : Maple,22F Pick up : S-S-H Alnico V Controls : 1V, 2T, 5-way Switch Machine head : Diecast Finish : OPW(Olympic White) Glossy SST220W OPW Neck : Canadian Maple Fingerboard : Rosewod,22F Pick up : S-S-S Wilkinson MWVS Controls : 1V, 2T, 5-way Switch W/Digital Tuner Finish : OPW(Olympic White) Glossy SST220VH BK&YW Neck : Canadian Maple Fingerboard : Rosewod,22F Pick up : S-S-S Alnico V Controls : 1V, 2T, 5-way Switch Machine head : Diecast Finish : BK&YW(Black & Yellow) Glossy SST221 OPW Neck : 1 pc Canadian Maple including fingerboard,21f Pick up : S-S-S Alnico V Controls : 1V, 2T, 5-way Switch Finish : OPW(Olympic White) Glossy SST221W SGR Neck : 1 pc Canadian Maple including fingerboard,21f Pick up : S-S-S Wilkinson MWVS Controls : 1V, 2T, 5-way Switch Finish : SGR(Surf Green) Glossy

14 STL460 2TS Body : Mahogany Neck : Canadian Maple Pick up : H-H Alnico V Controls : 2V, 2T, 3-way Switch Machine head : Diecast Finish : 2TS(2 Tone Sunburst) Glossy STL211W SGR Neck : 1 pc Canadian Maple including fingerboard,21f Pick up : S-S Wilkinson MWT Controls : 1V, 1T, 3-way Switch Finish : SGR(Surf Green) Glossy STL611W BTH Body : American Ash Neck : 1 pc Canadian Maple including fingerboard,21f Pick up : S-S Wilkinson MWT Controls : 1V, 1T, 3-way Switch Finish : BTH(Butterscotch) Glossy Neck Profile Scale : 648mm Nut Width : 42mm 1st fret Thickness : 20mm Shape : Modern C Radius : 350mm STL410 CHY Body : Mahogany Neck : Canadian Maple Fingerboard : Rosewood,21F Pick up : S-S Alnico V Controls : 1V, 1T, 3-way Switch Finish : CHY(Cherry) Glossy

15 SLC260 BLK Neck : Maple Pick up : H-H Ceramic Controls: 2V, 2T, 3-way Switch Hardware : Gold Machine head : Rotomatic Style String : Finish: BLK(Black) Glossy SLP450S BNS Body : Mahogany/Maple Top with Spalted Veneer Pick up : H-H Alnico V Controls: 2V, 2T, 3-way Switch String : D addario Finish : BNS(Brown Sunburst) Glossy SLP460F BNS Body : Mahogany/Maple Top with Flamed Veneer Pick up : H-H Alnico V Controls: 2V, 2T, 3-way Switch String : D addario Finish : BNS(Brown Sunburst) Glossy Neck Profile Scale : 628mm Nut Width : 43mm 1st fret Thickness : 21.5mm Shape : C Radius : 350mm SLP460Q CHS Body : Mahogany/Maple Top with Quilted Veneer Pick up : H-H Alnico V Controls: 2V, 2T, 3-way Switch String : D addario Finish : CHS(Cherry Sunburst) Glossy SLP260 HYS Neck : Chinese Maple Pick up : H-H Ceramic Controls: 2V, 2T, 3-way Switch Finish : HYS(Hoeny Burst) Glossy

16 SLP350 CHY Body : Catalpa Wood Pick up : H-H Ceramic Controls: 2V, 2T, 3-way Switch Finish : CHY(Cherry) Glossy SLP BLK Body : Poplar Neck : Chinese Maple Pick up : H-H Ceramic Controls: 2V, 2T, 3-way Switch Machine head : Diecast Finish : BLK(Black) Glossy 43 Neck Profile Scale : 628mm Nut Width : 43mm 1st fret Thickness : 21.5mm Shape : C Radius : 350mm SLJ240D TYW Neck : Chinese Maple Pick up : P90 Ceramic Controls: 1V ; 1T Finish : TYW(TV Yellow) Glossy SLP240 GTP Neck : Maple Pick up : P90-P90 Ceramic Controls: 2V, 2T, 3-way Switch Finish : GTP(Gold Top) Glossy SLJ240 TYW Neck : Chinese Maple Pick up : P90 Ceramic Controls: 1V ; 1T Finish : TYW(TV Yellow) Glossy SLJ240 CHY Neck : Chinese Maple Pick up : P90 Ceramic Controls: 1V ; 1T Finish : CHY(Cherry) Glossy

17 SSG260 CHY Neck : Maple Pick up : H-H Ceramic Controls: 2V, 2T, 3-way Switch Finish : CHY(Cherry) Glossy SSJ440 CHY Body : Mahogany Fingerboard : Rosewood,22F Pick up : P90 Ceramic Controls: 1V, 1T Machine head : Kluson Style Finish : CHY(Cherry) Glossy Neck Profile Scale : 628mm Nut Width : 43mm 1st fret Thickness : 21.5mm Shape : C Radius : 350mm SSJ240 DBL Neck : Maple Fingerboard : Rosewood,22F Pick up : P90 Ceramic Controls: 1V, 1T Finish : DBL(Dark Blue) Glossy SJB611B L Body : Amercian Ash Neck : 1 pc Canadian Maple W/ Rosewood Skunk Strip Fingerboard : Rosewood,20F Pick up : S-S Alnico V Controls : 2V, 1T (Brass Saddle Bridge) Finish: L(Natural) Glossy SJB610 3TS Body : Amercian Ash Neck : Canadian Maple Fingerboard : Rosewood,20F Pick up : S-S Alnico V Controls : 2V, 1T (Brass Saddle Bridge) Finish: 3TS(3 Tone Sunburst) Glossy Neck Profile Scale : 628mm Nut Width : 43mm 1st fret Thickness : 21.5mm Shape : C Radius : 350mm

18 SPB110 FRD Body : Poplar Neck : Chinese Maple Fingerboard : Rosewood,20F Pick up : S-S Ceramic Controls : 1V, 1T Finish: FRD(Fiesta Red) Glossy Neck Profile: Scale : 864mm Nut Width : 42mm 1st fret Thickness : 20mm Shape : Modern C Radius : 350mm SMB250F 2TS Body : Bassood with Flamed Veneer Top Neck : Chinese Maple Fingerboard : Maple,24F Pick up : H-H Ceramic,Pre-amp. Controls : 2V, 2T,5-way Switch Finish: 3TS(3 Tone Sunburst) Glossy Neck Profile Scale : 864mm Nut Width : 43mm 1st fret Thickness : 20mm Shape : D Radius : 350mm SWB150 WHT Body : Poplar Neck : Chinese Maple Fingerboard : Rosewood,24F Pick up : H-H Ceramic Controls : 2V, 2T, 5-way Switch Finish: WHT(White) Glossy SWB350 2TS Body : Catalpa Wood Neck : Canadian Maple Fingerboard : Rosewood,24F Pick up : H-H Ceramic Controls : 2V, 2T, 5-way Switch Finish: 2TS(2 Tone Sunburst) Glossy SJB110 3TS Body : Poplar Neck : Chinese Maple Fingerboard : Rosewood,20F Pick up : S-S Ceramic Controls : 2V, 1T Finish: 3TS(3 Tone Sunburst) Glossy Neck Profile: Scale : 864mm Nut Width : 38mm 1st fret Thickness : 20mm Shape : Modern C Radius : 350mm

19 Moments of clarity are rare and fleeting, and sometimes become defining moments in a musician s life. Siang acoustic guitars are designed with the goal of giving you this special moment.

20 SA3240CS Top : Solid Spruce Back & Side : Rosewood Binding : Rosewood Binding Sound hole decoration : Abalone Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy SA1240S Top : Solid Spruce Back & Side : Rosewood Binding : Rosewood Binding Sound hole decoration : Abalone Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy SA1240TCS Top : Solid Spruce Back & Side : Rosewood Binding : Rosewood Binding Fingerboard Inlaid : Abalone Flower Inlaid Sound hole decoration : Abalone Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy SA1230S Top : Solid Spruce Back & Side : Sapele Binding : Sapele Wood Binding Sound hole decoration : Abalone Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy

21 SA4250 Top : Spruce Back & Side : Zebrano Sound hole decoration : ABS Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy SA1240C Top : Spruce Back & Side : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy SA1230 Top : Spruce Back & Side : Sapele Sound hole decoration : Wood Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy SA4240 Top : Spruce Back & Side : Rosewood Sound hole decoration : ABS Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy SA4230 Top : Spruce Back & Side : Sapele Sound hole decoration : ABS Inlaid Machine head : Gold Diecast Finish : (Natural) Glossy SA1250 Top : Spruce Back & Side : Zebrano Sound hole decoration : ABS Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy

22 SA3230C Top : Spruce Back & Side : Sapele Sound hole decoration : ABS Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy SU4660 Overall length: 24-3/4" Scale length: 15-15/16" Total # frets: 19 Frets to the body: 14 Top : Flamed Maple Back & Side : Flamed Maple Sound hole decoration : Wood Inlaid Binding : Wood Body Binding Machine head : Gold Open Finish : (Natural) Glossy SU4330 Overall length: 24-3/4" Scale length: 15-15/16" Total # frets: 19 Frets to the body: 14 Top : Sapele Back & Side : Sapele Sound hole decoration : Wood Inlaid Binding : ABS Body Binding Machine head : Chrome Diecast Finish : (Natural) Satin SU4330S Overall length: 24-3/4" Scale length: 15-15/16" Total # frets: 19 Frets to the body: 14 Top : Solid Sapele Back & Side : Sapele Sound hole decoration : Abalone Inlaid Binding : ABS Body Binding Machine head : Chrome Diecast Finish : (Natural) Satin SA3240C SA3240 SA2230 Top : Spruce Back & Side : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy Top : Spruce Back & Side : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy Top : Spruce Back & Side : Sapele Sound hole decoration : ABS Inlaid Machine head : Chrome Diecast Finish : (Natural) Glossy SU1330R Overall length: 21-1/8" Scale length: 13-9/16" Total # frets: 12 Frets to the body: 12 Top : Sapele Back & Side : Sapele Sound hole decoration : None Machine head : Chrome Open Finish : (Natural) Satin SU1330 Overall length: 21-1/8" Scale length: 13-9/16" Total # frets: 12 Frets to the body: 12 Top : Sapele Back & Side : Sapele Sound hole decoration : None Machine head : Chrome Open Finish : (Natural) Satin SU1740 Overall length: 21-1/8" Scale length: 13-9/16" Total # frets: 12 Frets to the body: 12 Top : Rosewood Back & Side : Rosewood Sound hole decoration : Abalone Inlaid Binding : Wood Body Binding Machine head : Chrome Diecast Finish : (Natural) Satin Electronic Volume and Tone Control SU1660 Overall length: 21-1/8" Scale length: 13-9/16" Total # frets: 12 Frets to the body: 12 Top : Flamed Maple Back & Side : Flamed Maple Sound hole decoration : Abalone Inlaid Binding : Rosewood Body Binding Machine head : Chrome Diecast Finish : (Natural) Satin