Jukka Tiensuu. Collateral. for String Trio

Transcription

1 070 Jukka Tiensuu Collateral for String Trio 2018

2 Copyright by the Composer All Rights Reserved No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the composer Distribution: Music Finland Music Library Urho Kekkosen katu 2 C, th floor FI Helsinki Finland musiclibrary@musicfinland.fi Helsinki, 2018

3 Collateral for String Trio Jukka Tiensuu 2018

4 Jukka Tiensuu: Collateral (2018) for String trio Instrumentation: violin viola cello Performance note: Notation: sp sul ponticello psp / spm poco / molto sul ponticello col legno battuto excessive bow pressure (with extremely slow bow movement). glissando, no bow change at the end note of a gliss., unless specifically indicated. glissando without an end note: the ending pitch (usually at the end of a dim.) is approximate. The glissandi are played continuously during the indicated time (not portamento). Note-stems without heads in the middle of a glissando are for orientation only, they are not to be articulated. Small note-heads at the end of a glissando indicate an (approximate) arrival pitch, which also is not articulated.. traditional staccato, relative to the musical context. ' staccatissimo, always very short, regardless of the length of the written note. tenuto, play the note to the full written length (only, no accent is intended). Z x tremolo, as fast as possible. A quarter-tone sharp and flat, respectively. All accidentals apply to the remainder of the measure, but are sometimes repeated to facilitate reading. > o < al / dal quasi niente (ideally, the sound should still be heard by the player, but not by the audience) Accents on harmonics should be produced by faster bow, not by adding bow pressure. Collateral should be performed as if everyone were just performing his or her own solo work and these pieces magically just happened to fit together and engender the trio piece. It is recommended, that the players would have some distance between them, to emphasie this concept. If really wide distances are used (e.g. players around the audience) the players should use a click-track or a digital metronome for mutual synchroniation. Collateral was commissioned by the Zilliacus-Persson-Raitinen String Trio

5 1 ~ 80 Collateral for string trio Jukka Tiensuu va vl ~ 80 va ~ 80 vc 9 Loco (on string) sul tasto, dolce (1-finger sempre) (port.) 1 x x (non dim.) sub sul tasto dolce ord II I

6 va 8va ( ) ( ) + ( ) ( ) ( ) + ( ) + 41 sul tasto arco dolce

7 4 I (behind bridge) pi. arco II 50 II cantando maestoso 54 8va 8va 58 2 x x x x shaking bow () sp spm agressivo

8 4 8 sp shaking bow x sp shaking bow sempre overpressed x x 77 vibr. poco sentimentale 5 5 vibr. poco sentimentale vibr. poco sentimentale 82 soft, broad accents soft, broad accents soft, broad accents

9 89 5 x x leggiero sempre p. a p. più grandioso 109 x x

10 11 t molto grandioso t

11 cantando maestoso 1 18 x x sul tasto, dolce (port.) 14 (non dim.) sub.

12 8 148 II I 152 sul tasto dolce psp psp 159 psp

13 10 sp x x 9 msp sp msp sp msp sp x x msp (simile) spm--> agressivo 15 sp shake bow shaking bow x x sp shake bow p. a p. rall al fine (ad lib.) sul tasto, dolce p. a p. rall al fine (ad lib.) p. a p. rall al fine (ad lib.) 182 arco in aria! arco in aria! arco in aria!