THE PERFECT MUSICAL FOR OUR TIMES! EXHILARATING! A JOLT OF ENERGY! IRRESISTABLE! NEWSIES FLIPS, SPINS, AND DANCES STRAIGHT INTO YOUR HEART!

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2 ABOUT THE SHOW Set in Ne York City at the turn of the tentieth century, NEWSIES is the rousing tale of ack Kelly, a charismatic nesboy and leader of a ragged band of young nesies ho dreams only of a better life far from the hardship of the streets But hen publishing titans oseph Pulitzer and William Randolph Hearst raise distribution prices at the nesboys expense, ack finds a cause to fight for and rallies nesies from across the city to strike for hat s right With help from the strong and feisty female reporter Katherine Plumber, all of Ne York City soon recognizes the poer of the little man NEWSIES is inspired by the real-life Nesboy Strike of 1899, hen a band of orphan and runaay children took a to-eek-long action against nespaper publishers Pulitzer and Hearst THE PERFECT MUSICAL FOR OUR TIMES! EXHILARATING! A OLT OF ENERGY! IRRESISTABLE! NEWSIES FLIPS, SPINS, AND DANCES STRAIGHT INTO YOUR HEART! AUDITIONS: ANUARY 8 at 9am, 11am, 2pm ANUARY 21 AT 1pm, pm The Legacy Theatre 101 E Larence, Springfield, IL SHOW DATES: ULY 7-9, 12-16, 19-2 ith tentative extension ULY 26-0 REHEARSALS: Principal vocals and preliminary dance rehearsals ill be held on select dates in April Full company rehearsals begin May 8, typically Mon-Fri 6:0-9:0pm There ill be some intensive eekend dance rehearsals Not all performers are required every night Disney s Nesies is a thrilling, energetic dance production, requiring intensive rehearsals and a strong commitment to excellence from our performers Performers ill be compensated The Legacy is proud to be one of only 12 regional productions of Nesies folloing the conclusion of the national Broaday tour!

3 THE CHARACTERS ACK KELLY: Male, must appear to be age Charismatic, passionate leader of the Manhattan Nesboys An independent dreamer ho yearns to get out of the croded streets of Ne York and make a better life for himself out West A streetsmart kid ith a dark artistic soul beneath the bravado Not a blohard, this kid s the real thing Must have a strong pop tenor voice KATHERINE PLUMBER: Female, must appear to be age The strong-illed daughter of Pulitzer exudes smarts, opinions and confidence A reporter ho ants to make a name for herself as a ournalist in a time hen omen aren t taken seriously Must have a great pop/contemporary musical theater voice ith a high belt DAEY ACOBS: Male, must appear to be age A thinker Raised in a home as opposed to the other Nesies, he starts selling papers to help his struggling family Davey is the book-smart counterpoint to street-smart ack The voice of reason, Davey is a leader in his on right Strong contemporary tenor voice LES ACOBS: Male, must appear to be age 9-11 The fearless kid brother of Davey Excited by everything the orld has to offer and eager to oin in the adventure Fun is this kid s middle name Must sing really ell CRUTCHIE: Male, age A frail boy ith a huge heart He alks ith the aid of a crutch due to a bad leg, but that doesn t hold him back from being right in the middle of any mischief A real charmer ith a tinkle in his eye OSEPH PULITZER: Male, 0-50s A businessman through and through, he ons The World nespaper, and is concerned only ith the bottom line An on-point, kno-it-all politician Impolite and impatient ith the orld Strong singer MISS MEDDA LARKIN: Female, 0s 60s A saloon singer ith a big voice and a bigger heart The star of the Boery Follies, she s a big hit ith the nesies offering her theatre as a safe haven, and standing by them in their fight for ustice Risque, tough, great comic delivery SPOT CONLON: Male, must appear to be age Leader of the Brooklyn Nesies, ith a tough guy exterior, a soft heart and a icked slingshot THE NEWSIES: Male, ages 1-20 s Capable singers, strong dancers Acrobatics a plus Each Nesie ill develop their on unique personality These guys stop the sho - several times - during every performance! ALBERT, HENRY, MUSH, FINCH, ELMER, RACE, ROMEO, SPECS, BUTTONS, IKE, OO, MIKE, SNIPER, TOMMY BOY MORRIS DELANCEY: Male, age s Scrappy and abusive tough guy, in charge of keeping peace at The World s distribution indo Also Nesie OSCAR DELANCEY: Male, Morris s equally tough brother, they take the side of the publishers in the strike and are knon to use their firsts to make a point Also Nesie HANNAH: Female, age 18-0 s Pulitzer s secretary THE BOWERY BEAUTIES: Female, age 18-0 s Shogirls at Medda s theater ADULT MALE ROLES, Singer-Actors (no dance) These gents are doubling roles, and ill have a lot of fun portraying the adult males that support and confound the Nesies We ill cast -6 men to cover the folloing characters: WIESEL: Male, age 0-60 Weasel runs the distribution indo for The World and knos most of the nesboys by name He has the help of the intimidating Delancey brothers, ho keep order by any means necessary MR ACOBI: Male, age 0-50 Oner of the deli MAYOR: Male, age 0-60 The Mayor of Ne York City NUNZIO: Male, age 0-60 A barber STAGE MANAGER: Male, age 0-60 A stage manager at Medda Larkin s theater GOERNOR TEDDY ROOSEELT: Male, age 0-65 The current governor and future President SEITZ: Male, age 0-50 Pulitzer s editor DARCY: Male, age Upper-class son of a publisher BILL: Male, age The son of William Randolph Hearst BUNSEN: Male, age 0-50 Pulitzer s bookkeeper SNYDER: Male, age 0-60 Warden of The Refuge; a frightening, spidery, sinister man He runs The Refuge, a ramshackle orphanage for homeless boys He is concerned only ith catching enough boys to keep his government checks coming ABOUT THE GIRLS: The sho is ritten to include only four parts for female performers: Katherine, Medda, and the to Boery Beauties, ho double in other female roles The question has been raised, ill e cast female performers as Nesies The anser is, maybe If e can cast the roles ith male performers, e ill do that, hoever e are open to casting no more than to female Nesies We elcome females interested in these roles to attend auditions Females must appear to be age 16-20, and must be physically capable of portraying a boy For questions or more information: Producer@RoxyTheatricalscom TO REGISTER: AtTheLegacycom Folloing are the vocal selections for the various characters Performers may sing from the sho, or a song of your choosing that highlights your vocal ability Please consider the environment and only print the pages that you need An accompanist ill be provided Seize the Day! Audition!

4 A U D I T I O N f o r m AUDITION NUMBER Name n Female n Male School Grade Address City / State / Zip Home Phone Cell Phone ocal Range: n Soprano n Alto n Tenor n Baritone n Bass Can you read music n Yes n No Age Height Weight Hair Color Please list any specific role you are interested in If you are not cast in a principal role, ill you accept a role in the Ensemble n Yes n No List any dates you ill not be available May 1, uly 0, 2017: If not cast as a performer, ould you be interested in orking on the production cre n Yes n No Indicate your area of interest: n Scenery n Costumes n Technical/Run Cre n Props n Makeup/Hair Please list any previous theatrical experiences, special training, etc IF UNDER AGE 18 Parent / Guardian Name Parent / Guardian Address City / State / Zip Contact Phone COMMITMENT I understand that participating in the audition for this sho is a sign of my commitment to the production The production staff ill provide a clear rehearsal schedule, ill be prepared to teach the material and execute the creative vision for the production, and ill respect each performer s time, talent, and contribution to the hole If I am cast as a member of the production, I understand that I am oining a team and others depend on me I understand that I must arrive on time and be present at rehearsals and all performances I understand that I must be prepared for rehearsals and ill be required to learn and memorize music, lyrics, dialogue and choreography on my on time I understand that repeated absences may cause me to be dismissed from the cast I release Roxy Theatricals and The Legacy Theatre to use my image, ith no compensation, in any photographic or video media in any and all manner of promotion for the sho and the theatre in perpetuity I understand that my commitment to this production extends beyond my onstage peformance As a teammate, I agree to spend some time helping ith production ork days, as ell as helping to promote the sho by distributing promotional materials, spreading the ord via social media platforms, and striving on all levels to help make our sho a success My signature belo, and the signature of my parent/guardian belo if I am under age 18, indicates my acceptance of these terms Signature of Auditionee Signature of Parent / Guardian PLEASE ATTACH A PHOTO TO THIS FORM (A casual snapshot, computer print, school pic anything is fine)

5 PIANO/OCAL NEWSIES Carrying the Banner AUDITION 6/19/12 "Nesies" Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin/ M Hummel b b b b b b With lots of energy q= n f out there, car ƒ 9 2 n n 6 b out there, soak n n n a All Nesies n n We ll all be n n n n b b b n n - - ry-ing the ban-ner man to man! We're al-ays b 10 b 7 n 8 b - in' ev - 'ry suck-er that e can Here's the head- b 11 12

6 P/ "Nesies" -2- Carrying the Banner AUDITION 6/19/12 b b b b b b b b b 1 - line: Nes - ies on a miss - ion! Kill the com - pe - ti - tion! Sell 16 1 b b b b b the next e - di - tion! We'll be out there, car - ry - ing the ban-ner! See us b out there, car A n n N 20 b 17 A n n 18 b - ry -ing the ban-ner! Al-ays out there, car - ry -ing the ban-ner! 21 n n 22 b

7 P/ "Nesies" -- Carrying the Banner AUDITION 6/19/12 b 2 Ah 2 Ah 25 ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ 26 Go! Go! b b b Ah F b b ~~~~~~~~~~~~~~~~~~~~ b b Go! n n ç ~~

8 PIANO/OCAL NEWSIES Once and For All AUDITION 6/20/12 "Nesies" 19 Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin Intense and driving q=172 C 1 2 C C F n There's n Half time feel, hard rock backbeat (PLEASE PREPARE THE HIGHER HARMONY IF POSSIBLE) f 7 all got too ẇ change com - in' ẇ 8 old, ẇ too 5 once and for 9 eak to be n ẇ 6 all ẇ 10 They hold - in' on

9 P/ "Nesies" Once and For All AUDITION CUT 6/20/12 11 A 12 ne orld is ẇ 17 gun - nin' for ẇ 18 you, ẇ and 19 oe, e is ẇ 150 too, ẇ till 151 once and for ẇ n all ẇ n you're ƒ

10 P/ "Nesies" Once and For All AUDITION CUT 6/20/ gone! subf 156 n 157 n f 159 (ANY HARMONY) Once 160 and n for 161 all! ƒ n ^ ^

11 PIANO/OCAL ACK START AT MEASURE 51 ON THE NEXT PAGE C Driving 1 [2X] 2 Santa Fe AUDITION 6/20/12 ack (last x) b n "Nesies" 12 Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin Folks, e fi - n'lly got a head - line: "Nes-ies C C b P b b crushed as bulls at 6 - tack!" Crutch-ie's call - in' me, dumb 7 b 8 crip's ust too damn b n 10 slo Guys are

12 P/ "Nesies" Santa Fe AUDITION 6/20/12 moon so big and 7 yel - lo, it turns night right in - to day 50 Dreams come Use these 2 bars as an intro 51 true, poco rit n With more drive yeah, they START HERE do, 52 in San - ta Fe molto accel 5 5 Where does it say you got - ta live and die here 55 f f Where does it say a guy can t catch a break

13 P/ "Nesies" Santa Fe AUDITION 6/20/12 59 Why should you on 60 - ly take hat you re giv -en Why should you spend your hole life liv-in poco accel b b b b b b 6 Solidly, slightly faster trapped here there ain t no 6 65 fu - ture, e - ven at sev - en - 66 teen, 67 n n break - in your back for some - one el - se s sake 70 b If the 71 b 72 7 n 7 life don t seem to Stgs suit b ya, b ho bout a change of scene, b b b b n n

14 P/ "Nesies" Santa Fe AUDITION 6/20/ far from the lous - y head - lines and the dead - lines in be - teen! molto rall San - ta 8 89 Fe! Broadly, in My old ƒ 8 friend! I can t 90 moving forard 85 spend my hole life 86 dream-in, though I kno that s all I seem in-clined to n do I ain t get - tin an - y young - er, and I

15 P/ "Nesies" Santa Fe AUDITION 6/20/ an - na start brand 97 ne I need space, more broadly 98 and fresh 99 air 100 Let em 101 laugh in my face, I don t A tempo (poco rubato) P care Save my rit place, I ll be there 10 ust be n real is all I'm n n ask - in', not some paint - in' in my n n n head - - 'Cause I'm

16 P/ "Nesies" Santa Fe AUDITION 6/20/ dead if I can't 110 count on you to day 112 I got rall 11 n 11 no - thin, if I ain t got San - ta n bn n bn 115 f b b Briskly U 118 Fe ƒ n b molto rall n b b U ß p U ƒ END ACT ONE

17 PIANO/OCAL CRUTCHIE CUE [DIRECT SEGUE] Pastorale, freely 1 2 Prologue Santa Fe AUDITION 6/19/12 ack Crutchie "Nesies" 2 Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin istfully n P poco rall apple apple San apple apple - ta apple apple 5 More broadly Fe! You can F 9 beg no one to 6 bet 10 treat us fair and n e on't 11 7 square let them bas - tids 8 beat us We on't 12 Crutchie ack There's a

18 P/ "Nesies" -2-2 Prologue/Santa Fe AUDITION 6/19/ life that s orth the liv - in, and I m gon - na do my share: Work the land, chase the sun! Sim the hole Ri - o Grande ust for 20 fun! Watch me 21 stand! Watch me rit 22 ~~~~~~~~ run

19 PIANO/OCAL DAEY Seize the Day AUDITION 6/20/12 "Nesies" 10 Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin/M Hummel Gentle hymn, ca q= n n Davey [sung somehat freely] No is the time to n seize n the day 5 Stare don the odds n and 6 b seize b the day 7 Min-ute by min - ute, n 8 that s ho you in it b 9 We ill find a b 10 ay n n But

20 P/ "Nesies" Seize the Day AUDITION 6/20/ let us seize the Davey [AMP] day Cour - age can - not e - very gently 15 rase our fear b 16 Cour - age is hen e b face our fear Tell those ith po - er, - e ill not o - n b b 19 safe in their to er, b 20 n

21 P/ "Nesies" Seize the Day AUDITION 6/20/12 21 bey 22 ack/davey Be - b b 2 hold the brave bat - ta - lion that stands side by side, too fe in num-ber and P too proud to hide Then b n 27 say to the oth - ers ho did not fol - lo through, n You re still our broth-ers, n and 0 e ill fight for you ẇ b 1 2 b b n b

22 P/ "Nesies" Seize the Day AUDITION 6/20/12 b Moving a bit more q=96 ack Davey No is the time to b F b b b b 7 seize the day 8, 5 Stare don the odds and 9 n n 6 Once e ve be-gun, if e stand as one, some - day be - comes some - ho 0 seize the day b b n n And a b b b prayer be-comes a n n n vo And the n strike starts right damn no! U U

23 PIANO/OCAL KATHERINE Watch What Happens AUDITION 6/20/12 "Nesies" 9 Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin KATHERINE: "No pressure Let's go" Solidly, ith drive h= C 6 ( do! C C ( ) r ( ( ) r ( ( ) r Kath Write hat you kno, so they say All I kno is I don5t kno hat to rite or the Pic - ture a hand -some, he - ro - i - c5ly char -is -mat -ic, plain - spo - ken, kno - noth - ing, ( ( ) r ( ( ( ) r ( 2 65 Use these four measures as an intro/vamp 66 6 right ay to rite it This is 7 big, la - dy, don5t scre it up! This is not some lit - tle 8 ( ) r ( ( ) r

24 P/ "Nesies" Watch What Happens6 AUDITION 6/20/12 70 skirt - chas - ing, cock - y lit - tle son - of - ab Lie don ith dogs and you ake up ith a ( ) r ( ( ) r 7 raise and a 7 pro - mo - tion So he5s a irt, a com- 75 W ( ( n F ( 76 plete e - go-ma - ni-ac The fact is he5s al - so the 79 ( Br ( ) r face! Face the fact That's a ( ( ( 80 ( 77 ( ( ( face that could save ( - - us all from - ( ( ) r face of the strike What a ( ( ) r sink - ing in the o - cean 82 ( b b b

25 P/ "Nesies" Watch What Happens6 AUDITION 6/20/12 b 8 b b b 8 85 Like some -one said, "Po -er tends to cor-rupt and ab -so - lute po -erb" Wait! Wait! "Cor- b b b F ( ( ) r ( b b 86 rupts ab -so-lute -ly" That is gen - ius but give me some time, I'll be tice as good as b ( ) r ( ( ) r ) r ) r b b b 89 that six months 90 from nev - er ust look a-round at the 91 f subf ( b b b 92 orld e5re in-her - it-ing and think of the one e5ll cre -ate Their mis-take is they got ( ) r 9 ( Tbn 9 ( ) r ) (

26 P/ "Nesies" Watch What Happens6 AUDITION 6/20/12 b 95 n 96 n n n b b 99 old That is not a mis nn n n n ( Give those kids n n F n - take e5ll be mak-ing No, sir, e5ll stay young for - ev-er! nn n ( ) r n 100 and me the n 101 n n n n n ( ( ) r n n n n n n f ( ( brand - ne cen - tu - ry and atch hat hap 10 - pens! It5s Da - vid and Go ( li - ath, do 108 or die! The 109 fight is on, 110 and I can5t

27 P/ "Nesies" Watch What Happens6 AUDITION 6/20/ atch hat hap pens 11 ( But 11 all I kno is 115 noth - ing hap pens if you 117 ust give in n 118 n It n n 119 can5t be an y orse than 121 ho it5s been n 122 n And it n n

28 P/ "Nesies" Watch What Happens6 AUDITION 6/20/ ust so hap pens that e ust might in, so hat n n ev - er hap - pens, let5s be ( ( n n ( gin! ( ) ç ^ (

29 PIANO/OCAL Medda (Stage Manager) That's Rich Nesies 6 Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin/ M Hummel Warn: STAGE MANAGER: Miss Medda, you're on! Cue: MEDDA: Boys, lock the door and stay all night You're ith Medda no! 1 U STAGE MANAGER: Ladies and Gentlemen, please elcome the star of our sho Miss Medda Larkin! Í U æ 2 U F7 arp U U ~~~~~~~~~~~~~~~~~~~ MEDDA: I'm Freely do-ing all right for my-self, folks: I'm heal-thy, I'm eal-thy, I'm ise My in - P Bb 6/F 5 Bb 6 6 b n G 7 G7(b 9)sus NOT FOR DISTRIBUTION

30 PIANO/OCAL -2-6 That's Rich 7 vest-ments and such have all gone up so much seems hat ev -er I touch starts to b C m9 8 ẇ n D 7sus D 7 9 G m7 C 7 n b b 12 rise I've been all kinds of luck - y and yet the b F1sus F 7 Db /A b F b b ~~~ b 1 n 1 ~~~~~~~~~~~~~~~~~~~ 15 U thing I ant most I can't get n n n F/C C 7 b n n F 7 Fdim7 G m7 b 5 /F P U F 7 U NOT FOR DISTRIBUTION

31 PIANO/OCAL -- 6 That's Rich Raggy sing (q = 1) F 17 (sung eighths) Bb Bb ma7/f 18 B b 6 F7( b 5) n - live in a man - sion on Long Is-land Sound Bb b b Bb ma7/f 22 B b 6 F7( b 5) n - 19 Bb b I 2 b Bb ma7/f 20 I B b 6 F7( b 5) n - pulled up a eed, they found oil Bb b b Bb ma7/f 2 27 in the ground Bb 6 G 7 n- no hon n G m7 C 9 n But 25 you tell - ing me you don't ant me a-round C m7 Cm6/G 26 - C m D 7 - ey, that's rich Some guys give me er - mine, chin - chil - 28 n F 7 Eb 2/G A b m6 F 7/A b n b NOT FOR DISTRIBUTION 29 - Bb b Bb ma7/f

32 PIANO/OCAL 0 la and mink, Bb 6 F7( b 5) n and give me dia - monds as big Bb b -- b Bb ma7/f 2 as a sink, but 6 That's Rich Bb n - 6 G 7 - you ould n't give me as much C m7 Cm6/G as a ink - C m7 D 7-5 No ba n G m7 C 9 n n - by, that's rich I get bran- 6 n F 7 G m7 G dim7 F/A 7 - dy from An - dy and can - dy from Scott Oh, and Frank and Ed - uar - do chipped in b 8 F m7 b Bb 7 9 n Eb /Bb G m7 C 7 n 0 n b for a yacht I get n n Eb /F E/F F ^ ^ 1 stares from the fel - las and b Eb 7 D 7 n n NOT FOR DISTRIBUTION 2 prayers from the pope, but n G m7

33 PIANO/OCAL I ran out my luck get - ting n C 9-5- stuck ith this mope b Eb /F P 5 MEDDA: Oh, honey, I as ust talking about you! [SAFETY] 6 That's Rich (last x) No, 6 list-en, sport, this F 7 7 life's too short to Eb /F 8 b n aste it on you Ab /F b b b 9 It F n 7 n n n 5 n n 5 n n n n f n n may be rough, but n G soon e - nough I'll F/G learn to make b do G dim man-sion, the oil ell, the dia - monds, the yacht, ith An-dy, Ed-uar - do, the Pon - C C ma7/g C 6 G7(b 5) C - NOT FOR DISTRIBUTION n n - G 7 C ma7/g ith - b - b n - n n n 57 the F/A Bb m B dim n n n n tiff, and Scott and C 6 A 7 -

34 PIANO/OCAL Frank, and my D m7 59 b bank! b Fm6 b one thing you ain't D m7 D dim7 that I'll rich! f C C ma7/g rich! C b C 9/Bb b 67 6 So 60 n spill no tears for me, E m7 al-ays be, and hon-ey, n C/E A 7 D m 71 G7(b 5) That's 6 F/A D 7-6- F D m7 yeah, that's 61 n 68 rich! C ~~~~~~~~~~~~~~~~~~~~ 72 b b C ma7/g n n Dm7(b 5) G7( b 5) b NOT FOR DISTRIBUTION - - b b - 'cause there's n - A 7 G2/B Cm6 A 7/C 65 right, G 7 that's n - n 69 D m 7 G7(b 5) n That's C 6 That's Rich That's rich! [SLOW SEGUE]

35 PIANO/OCAL Pulitzer The Bottom Line Nesies Music: Alan Menken Lyric: ack Feldman Arr: M Kosarin Warn: BUNSEN: But ithout ashy photos or headlines, ho are e supposed to sell more papers Cue: PULITZER: There's an anser right before your eyes 1 Breezy lite sing (q =10) 2 You re not thinking this through People P P (sung 8ths throughout) (Closed HH) PULITZER: Nun-zi-o knos hen he's cut-ting my hair, < 5 trim a bit here < and then 6 trim a bit there ust a b < < NOT FOR DISTRIBUTION

36 PIANO/OCAL 7 mo-dest ad -ust - ment can fat - 8 ten the n bot-tom line NUNZIO: Mr Pulitzer, please The Bottom Line 7 11 Shav-ing is trick - y: the ra - zor should oat F 1 may cut my throat It's the b b b 12 < 1 Shave me too close, and you < < 15 simp-lest so - lu - tions that bol - ster the bot-tom line 16 n n b n b NOT FOR DISTRIBUTION b

37 PIANO/OCAL 19 b 2 b P BUNSEN: But ho does that help us sell more papers HANNAH: We don t sell papers, silly Nesies sell papers b b 27 n n n n n n BUNSEN: I ve got it! Right no e charge the nesies fifty cents for a hundred papers PULITZER: Yes BUNSEN: But if e raised their price to sixty cents per hundred PULITZER: No you're getting somehere n 2 n SEITZ: A mere tenth of a penny per paper BUNSEN: Every single nesie ould have to sell ten more papers ust to earn the same amount as alays PULITZER: My thought exactly It s genius b The Bottom Line n n n n n n HANNAH: It s going to be afully rough on those children 1 2 [AMP - out either bar] PULITZER: Nonsense I'm giving them a real life lesson in economics I couldn t n PULITZER: PULITZER: offer them a better education if they ere my on F n NOT FOR DISTRIBUTION Give me a eek and I'll train

38 PIANO/OCAL -- The Bottom Line 8 them to be like an 9 ar - my that's march - ing to 0 ar Proud of them- selves and so grate-ful to me, they'll be beg-ging to pay ev - en dirt on our shoes, boys, for 2 6 God's sake, re - lax! need is some ax List-en ell to these bar - ber-shop les - n 9 7 more! When there's - Why thro them out All e n n NOT FOR DISTRIBUTION 50 sons for they'll see you 51 through n b n

39 PIANO/OCAL -5- The Bottom Line (PULITZER) HANNAH: SEITZ: BUNSEN: When you're b stuck in the muck, you'll be fine You'll er - ase an-y trace of de-cline When b b you're stuckin the muck, you'll be fine f You'll er - ase an-y trace of de-cline PULITZER: HANNAH: And the po'r of the press, yes! And a snip! SEITZ: BUNSEN: With a trim! And a shine! NOT FOR DISTRIBUTION

40 PIANO/OCAL -6- The Bottom Line 60 Once a - gain is mine! F 62 PULITZER: The price for the nesies goes up in the morning! 6 6 PULITZER: ust a fe com - mon cents, gents, that's the bot - tom f 68 n ~~~~~~~~~~~~~~~~~~~ line! ƒ Ev -'ry ne out - come is in-come for you, thanks to that bot - tom Ev -'ry ne out - come is in-come for you, thanks to that bot - tom NOT FOR DISTRIBUTION line! line! [APPLAUSE SEGUE]