Morris Nitsun. In praise of beauty

Similar documents
Morris Nitsun. In praise of beauty

D A V I D A T K I N S

INDIAN MODERNIST LANDSCAPES BAKRE / RIBEIRO / SOUZA November 2016

R A C H E L L E V I T A S

COLIN HALLIDAY The Nature of Paint

Danny Markey New Paintings

THE LEMOND GALLERY CONTEMPORARY SCOTTISH FINE ART. Judith Bridgland and Peter Foyle Saturday 19 th October to Sunday 27 th October 2013

Comparative Study. Cindy Milner. Odilon Redon. Created by: Cheyenne Coad

THE LEMOND GALLERY CONTEMPORARY SCOTTISH FINE ART. Judith Bridgland and Jonathan Robertson Saturday 6 th September to Sunday 14 th September 2014

Mark Spray. The Final Pilgrim

JOHN BAMPFIELD RICHARD STANLEY JANET LYNCH GEOFFREY BICKLEY STUART KETTLE WENDY McBRIDE. Autumn Show 9 October 2013

THE LEMOND GALLERY Coastscapes of Kintyre and the Isles

Comparative Study. Alyssa Albanese

Out Of The Forest Acrylic on linen x 57 / 198 x 144cm 24,000. Eclipse Acrylic on linen x 55 / 173 x 140cm 25,000

COVER OPS. June 2010

PHILIP GRAY NEW PAINTINGS

ackland-snow Frances Art is a powerful way to heal emotional pain and is a great outlet for

DAVID SAWYER. Recent paintings : From the Mediterranean to the River Thames

St. Paul s Episcopal Church Lenten Lunch Series Art Silent Auction Featured Artists of the Week

MUSEUM RESPONSE PAPER

LRAA March 2018 Newsletter! First Members Meeting of 2018 on Monday, March 19th!

HELLO TO YOU, MOON Teachers Notes

Learning Objectives: Students will make discoveries about a work of art from the exhibition Landscape Confection

Truth in Nature: An Artist Looks Anew at Landscape. A Noted New York Artist Summers in Northampton, Massachusetts in Lawrence B.

Vittoriano DELGADO XXI Century Art Journey to the cosmos

JEREMY BARLOW ROI 6th 21st October 2007

Finding Aid - Aileen Meagher fonds (MG 1 vols , and Accession )

My Favourite Artists

Of Time & TIDE KIT JOHNS & KATE RICHARDSON

The Immortal Icon. An exhibition of sculpture by Deborah van der Beek

Lesson Overview. Value: lightness or darkness of color Texture: how an actual object feels or how a 2-demensional object appears to feel.

ATHIER ALL THINGS COME APART

Analyzing a Work of Art

-Sebastian Smee, 2011, Art Critic for The Boston Globe & Pulitzer Prize for Criticism, Winner 2011

ANNA RAZUMOVSKAYA. Original Paintings

LANDSCAPE CONFECTION

KUKJE GALLERY. Kyung Jeon Eemyun Kang

Comparative Study. Nessus. Damien Hirst. Sculpture with Strings. Barbara Hepworth. 1939/1961 (cast in 1961 with plaster from 1939) Sublime Light

r a l p h f r e e m a n

Le B oeuf. Bryan. I paint the relationships of things.

Carolyn H. Edlund American Contemporary

b r i d g e t m a c d o n a l d

The Imagist & The Materialist

Margaret Hunter. Paintings and Drawings. 25 October 24 November Venessa Devereux Gallery 11 Blenheim Terrace, London W11 2EE

2. Tonal Values. 3. Mood and atmosphere. 4. Colour 5. Choice of subject. 6. Treatment of subject. 7. Shapes. 8. Technique.

November s Meeting Wednesday, November 7:00 pm Mesquite Club 702 E. St. Louis Ave. Las Vegas, NV November s Program

D A V I D A T K I N S

Melinda s Fabric Shop

GETTING OUTDOORS. March This book belongs to...

ELENA & MICHEL GRAN ALBEMARLE

Office of Curriculum, Instruction & Professional Development VISUAL ARTS (562) FAX (562) VISUAL ARTS

Pedro Rodríguez Garrido

ART AUCTION CATALOGUE

Keith Purser. Light. Jenna Burlingham fine art November A George Street, Kingsclere, Hampshire, RG20 5NQ

Winslow Homer Watercolors By Helen A. Cooper, Winslow Homer READ ONLINE

As seen in the July 2010 issue of. American. Collector

Family Activity Guide

Interview for artandsignature, March Daniel Lippitsch interviews Dr. Renate Wiehager, director of the Daimler Art Collection

WALLY FINDLAY GALLERIES. Frederick McDuff SUMMER SELECTIONS

FRED WILLIAMS Silver and grey FRED WILLIAMS

This journal belongs to

Art2Muse. Katrina Hampton. Director Art2Muse Gallery

The Art and Life of William H. Johnson Brinille E. Ellis. Johannes Larsen Museum Kerteminde, Denmark September 26, 2014

Zhu Jinshi ART. artist profile. Your CV mentions the 1985 Tuhua exhibition ( it was forbidden ). Please. elaborate on what was forbidden and why?

Post-Impressionism. Dr. Schiller/Art History

Botanical Art Workshops 2018

TWENTY PORTFOLIO. TWENTY South African Sculpture of the Last Two Decades

Hennie Niemann Jnr. 5 November - 3 December johans borman

Lynne Cartlidge & Andy Waite 5-29 May 2017

WEEK ONE: JULY 6-10 MORNING CLASSES (GRADES K-5) DRAWING FUN Kimberly Kanachovski Level: 4 th and 5 th Grades. CARTOONING Elena Steier

william irvine Walking the Line July 22 august 13, 2017 Sudden Squall, 2017, oil on panel, 12 x 16 inches

Gallery St. Ives Tokyo Japan

Art2Muse A vibrant art gallery

Hans Schwarz ( ) The Greenwich Years

art newsletter Portfolio Day BELMONT PUBLIC SHOOLS ANNUAL ART EXHIBITION contact us: News from the Art Room at Butler Elementary School May 2017

YEAR 9 Art Term 1. Homework Booklet

Colby College Museum of Art. Teacher Guide Grades 9-12

Spring Semester 2019

Darina Denali 92 X-RAY MAG : 83 : 2018

Sackets Harbor Arts Center

Edward Holroyd-Pearce ( )

Front Cover Memoirs of Spring Sold, Mixed Media on Canvas

Taking Better Photographs on the Water

In this newsletter: July/August Save The Date for Next Show Theme: Dancing Fantasy Take-In: September 3rd, 9-12 Reception September 6 th 5-7

Hennie Niemann Jnr 30 MARCH 2012

ART SMART. 3rd Grade / March. Weather & Clouds THEME:

NVCC-TV Program Guide and Weekly Schedule

"TERROR MANAGEMENT THEORY": KIM DORLAND PAINTS A BEAUTIFUL BEERS, LONDON

Bold Notion is a study in transformation.

S I B Y L L E P E R E T T I

FRANCIS HAMEL. John Martin Gallery. Le Marche, Umbria & Tuscany. 27 November 23 December Tel +44 (0) Mon-Fri 10-6, Sat 10-1:30

MARTA MARCÉ M A R TA M A R C É. Riflemaker. Further Reaches (Pt.1) PREVIEWING. new paintings throughout August 2015

K ids : A S olo Exhibition by Anna Navasardian

SPECIAL EXHIBITION RESOURCE GUIDE FOR TEACHERS

Jean-Michel Othoniel Xavier Veilhan. Courtesy of Kukje Gallery, Inc., May 22 June 26, 2010

ASEAN TO MARK GOLDEN JUBILEE WITH THEMATIC ART EXHIBITION IN ITS JAKARTA HQ SECRETARIAT

DOWNLOAD OR READ : PORTRAIT OF EDINBURGH PDF EBOOK EPUB MOBI

Film on Glass GRAPHICS & SAMPLES CATALOGUE

DEEP SPACE 60-MINUTE ART SESSION. Impressionist WATERSCAPE

TABLE OF CONTENTS. foreword. essays. works. artist bios. sally gil: excavating the present_by julie h. reiss

Transcription:

Morris Nitsun In praise of beauty

Cover image: FISHING BOAT, LOMBOK 29 x 42 oil on paper RURAL HOUSE, SCOTLAND 60 x 42 oil on paper

Morris Nitsun 15 October - 12 November 2017 Private View Sunday 15th October 12-5pm Highgate Contemporary Art *All work illustrated in this brochure is for sale 26 Highgate High Street, London, N6 5JG, 020 8340 7564 BOAT AND CLIFFS NEAR BEGUR 80 x 55cm oil on board

TROPICAL FLOWER AND BIRD 100 x 55 cm oil on board

In praise of beauty Morris Nitsun s paintings are unashamedly beautiful. Not only is he is attracted to scenes of beauty, but he paints them beautifully. While avoiding the clichés of the pretty and the sentimental, he paints work that is vibrant and arresting. But the paintings are not simply about surface beauty. Many of them convey an atmosphere, of absence and presence, of fullness and emptiness, of transparent light and mysterious shade. Others touch on themes of separation and loss: isolated houses in a landscape; distant, unreachable horizons; untethered boats; a flower in its solitary splendor. The paintings hint at the human predicament that seeks beauty in place of ugliness and discord but may find it elusive, or too much to bear. We want beauty but are frightened of it. Beauty reminds us of impermanence, of what is easily lost. The period since Morris Nitsun s last exhibition at HCA in 2015 has seen further achievement in his parallel careers as a psychologist and artist. His third book Beyond the Anti-group was published that year and in 2016 he was awarded the Royal College of Psychiatrists President s medal for services to mental health in the UK. This is Morris Nitsun s third exhibition at HCA and his tenth solo exhibition in London. The paintings in this exhibition embrace a wider range of subjects than before landscape, houses, seascapes, flowers, birds all united in the beauty they embody. Travels to nearby and distant places inform the work. Trips to Asia evoke exotic seascapes. Mediterranean journeys bring sunlight and warmth. African trips conjure vast landscapes. We invite you to join us and share this exciting body of work and to rejoice in beauty.

VISION OF THE FJORDS 30 x 73 oil on paper We live in a world that many people find ugly, overwhelming and perplexing. Technological and cultural change is now so rapid that many are left anxious and bewildered. In parallel, much contemporary art portrays a world in conflict with itself, with representations of discord, panic, alienation, boredom and futility. Within this imploding matrix, the idea of beauty has become marginalized. Not only is there a retreat from beauty but the art of today eschews beauty in favour of a harsh, confronting, often dehumanized world. The visual, in its infinite richness, has been bled out of art. The conceptual, often stripped of its aesthetic components, dominates. Beauty has become an oldfashioned principle, regarded with suspicion and even contempt. I wish to challenge this - I wish to praise beauty. Morris Nitsun

RURAL HOUSE, KERRY 30 x 42 oil on paper

HOUSE, PATERNOSTER, CAPE 59 x 42 oil on paper

BOAT WITH CANOPY, LANGKAWI 60 x 42cm oil on paper

BOAT AND STORMY SKY 42 x 59 oil on paper

SUNSET, MASAI MARA 59 x 42 oil on paper

TWO PARROTS 46 x 42 oil on paper

RED PARROT 59 x 42 oil on paper HUMMING BIRD 42 x 30 oil on paper

POPPIES, REGENT'S PARK I 60 x 42 oil on paper POPPIES, REGENT'S PARK II 60 x 42 oil on paper

VASE WITH SUMMER FLOWERS 59 x 42 oil on paper

RED HIBISCUS 27 x 51 oil on paper ORANGE HIBISCUS 27 x 51 oil on paper

FLOWERS IN AUTUMN 60 x 84 oil on board

RUINED CASTLE, SCOTLAND 59 x 30 oil on paper

UMBRIAN HOUSE 42 x 30 oil on paper

PLEASURE BOAT, PHUKET 42 x 59 oil on paper

SMALL CHURCH, FOLEGANDROS 29 x 42 oil on paper

WHITE SAIL 40 x 62 oil on paper

BIRDS, AXE ESTUARY 42 x 30 oil on paper

COASTAL VIEW, DORSET (2) 59 x 33 oil on paper

MOONLIGHT, LOMBOK 42 x 30 oil on paper

OLD RECTORY, DORSET 73 x 30 oil on paper

Biographical Notes 1943 Born in Worcester, South Africa 1963-1966 Studies with well-known South African Artist, Aileen Lipkin 1966 Winner of Best Student Artist award at South African Artists of Fame and Promise Competition 1967 Qualifies as clinical psychologist, University of Witwatersrand 1968 Leaves South Africa to live in England 1969 Gains PHD in Psychology 1969-1972 Studies part-time at St Martin s School of Art 1973 Becomes Head of Psychology, Goodmayes Hospital 1974 Solo exhibition, Upper Street Gallery, London 1980 Solo exhibition, Drian Galleries 1986 Solo exhibition, Cylinder Gallery 1989 Mural commission and solo exhibition, Luc s Brasserie 1990 Qualifies as group analyst, the Institute of Group Analysis 1996 Publishes book The Anti-Group:destructive forces in the group and their creative potential 1998 Solo exhibition, Sally Hunter Fine Art 2001 Retires as Head of Psychological Services Works part-time in NHS 2001 Joins the Group Analytic Practice 2002 Solo exhibition, Sally Hunter Fine Art 2004 Solo exhibition Sally Hunter Fine Art 2006 Publishes The Group as an Object of Desire 2008 Solo exhibition, Sally Hunter Fine Art 2010 Opens the Fitzrovia Group Analytic Practice with colleagues. 2012 Solo exhibition, Highgate Contemporary Art 2015 Solo exhibition, Highgate Contemporary Art 2016 Awarded Royal College of Psychiatrists President s medal for services to mental health in the UK 2017 Solo exhibition, Highgate Contemporary Art

Highgate Contemporary Art ACACIA TREE, MASAI MARA 30 x 42 oil on paper 26 Highgate High Street, London, N6 5JG 020 8340 7564 info@highgateart.com www.highgateart.com Tuesday - Saturday 11am - 7pm Sun 11am - 5pm. Archway Underground. Buses: 143, 210, 271

Highgate Contemporary Art Morris Nitsun - In Praise of Beauty 15 October 12 November 2017 Price List Fishing Boat, Lombok 29 x 42cm oil on paper 995 Rural House, Scotland 60 x 42cm oil on paper 1,615 Boat and Cliffs near Begur 80 x 55cm oil on board 2,250 Tropical Flower and Bird 100 x 55cm oil on board 2,650 Vision of the Fjords 70 x 33cm oil on paper 1,675 Rural House, Kerry 30 x 42cm oil on paper 905 House, Paternoster, Cape 59 x 42cm oil on paper 1,550 Boat with Canopy, Langkawi 60 x 42cm oil on paper 1,685 Boat and Stormy Sky 42 x 59cm oil on paper 1,680 Sunset, Masai Mara 59 x 62cm oil on paper 1,745 Two Parrots 59 x 42cm oil on paper 1,600 Red Parrot 59 x 42cm oil on paper 1,600 Hummingbird 42 x 30cm oil on paper 775 Poppies, Regent s Park (1) 60 x 42cm oil on paper 1,575 Poppies, Regent s Park (2) 60 x 42cm oil on paper 1,575 Vase with Summer Flowers 59 x 42cm oil on paper 1,625 Red Hibiscus 51 x 27cm oil on paper 1,485 Orange Hibiscus 51 x 27cm oil on paper 1,485 Flowers in Autumn 60 x 84cm oil on board 2,550 Ruined Castle, Scotland 59 x 30cm oil on paper 1,455 Umbrian House 42 x 30cm oil on paper 785 Pleasure Boat, Phuket 59 x 42cm oil on paper 1,705 Small Church, Folegandros 29 x 42cm oil on paper 885 White Sail 40 x 62cm oil on paper 1,475 Birds, Axe Estuary 42 x 30cm oil on paper 905 Coastal View, Dorset (1) 59 x 33cm oil on paper 1,275 Moonlight, Lombok 42 x 30cm oil on paper 875 Old Sectory, Dorset 73 x 30cm oil on paper 1,670 Acacia Tree, Masai Mara 42 x 30cm oil on paper 875 26 Highgate High Street, London N6 5JG 020 8340 7564 info@highgateart.com www.highgateart.com info@highgateart.com