jeffdammdesign BRAND NEW THINKING VISUAL EXPRESSION DIGITAL MEDIA CORPORATE IDENTITY ILLUSTRATION BRAND ENVIRONMENTS

Similar documents
Objective Explain design concepts used to create digital graphics.

L O G O G U I D E L I N E S

Final Project Guidelines Artwork + Statement + E-portfolio Rubric

L O G O G U I D E L I N E S

L O G O G U I D E L I N E S

Enduring Understandings 1. Design is not Art. They have many things in common but also differ in many ways.

GRAPHICS TECHNOLOGY II

Course Descriptions / Graphic Design

CONTENTS. These pages are intended to give students practice in using different elements of design. questions that arise connections discovered

UNIVERSITY OF MANITOBA VISUAL IDENTITY GUIDE. May 24, 2013

middle georgia knights - official brand identity usage and style guide

Graphic Design Standards

CONTENTS LOOK AND FEEL TELLING OUR STORY 15 COLOR 16 IMAGERY STYLE 17 IMAGERY CONTENT 20 TYPOGRAPHY 23 COMPOSITION 25

Computer Art and Design (formerly Computer Art II)

Introduction. Contents. Branding 5 Logo Guidelines 6-7 Typography 8 Color Palette 9

Corporate Style Guide

Focus Area Level Report Including Knowledge and Skills, and Performance Indicators

Visual Style Guide. April 2016

ART DEPARTMENT SEQUENCE. Course Title Length Meeting Time Grades. Clay and Sculpture Semester Daily Studio Art Semester Daily 11-12

Using the logo. About the logo. Elements. The seal. The logotype. Third party logo use

Brand Guidelines 12 December 2014

LEVEL: 2 CREDITS: 5.00 GRADE: PREREQUISITE: None

Logo Usage Guidelines

web MASTERBRAND MARK GUIDELINES

Objec&ve % Explain design concepts used to create digital graphics.

THE LOGO 4 COLOR PALETTE 6 LOGO USAGE 7 THE TYPEFACE 8 GENERAL GUIDELINES 10 TYPOGRAPHY USAGE 11 SUPPLEMENTAL ICONS 12

The Ultimate Career Guide

Introduction NANO-TEX BRAND GUIDELINES

ACADEMIC STYLE GUIDE Last updated October 2018

AVI20 ELEMENTS OF DESIGN COLLABORATIVE POSTER

Greenwich Visual Arts Objectives Introduction to Drawing High School

INTRODUCTION OUR VISION: We are driven to be a preeminent college of pharmacy in the world. Our world begins in Iowa. OUR MISSION:

THE VAN WERT COUNTY FOUNDATION BRAND STANDARDS

Art III. Fine Arts Curriculum Framework. Revised 2008

Art Department Courses

Revised Graphic Standards Guidelines

DANIEL ORTEGA PHOTO DESIGN

BRAND GUIDELINES 2015

ART DEPARTMENT ART COURSES CAN BE USED AS ELECTIVE CREDITS

Brand identity toolkit

Photoshop Certification

MEDIAKIT Version 02

Industry-Based Knowledge and Skill Research the scope of careers and opportunities in the visual arts.

DIGITAL IMAGING. 10 weeks

Expressive Arts Curriculum Map

Grade 8 CURRICULUM MAP CONTENT: Art Revised: March A5 25A6 25A7 25B7 25B9 25B10 26A6 26A7 26A9 26B7 26B8 26B11 26B12 27B5 27B6 27B7

ATHLETIC/SPIRIT STYLE GUIDE

Core Curriculum Content Standards (New Jersey State Department of Education)

5 th Grade Career Unit Compare & Contrast Logo Lines + Design a Logo

Teacher: Mark Alan Anderson, Duration: Five (5) 90 minutes meetings + out-of-class time

Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 4, 2010

SIGNATURE PACKAGE PROCESS LOGO DESIGN BRAND FOUNDATION WEB DESIGN. Eos Koch. SOULFUL AND HOLISTIC brand styling, web design and photography

United States Edition. Children s Miracle Network Hospitals. Brand Standards Quick Guide

Assistant Professor Art + Design

VA7MC.1 Identifies and works to solve problems through creative thinking, planning, and/or experimenting with art methods and materials.

Content Creation Guide

THE FUTURE OF DESIGN PEDAGOGY IS NOT ART

SKIFT BRAND IDENTITY BRAND GUIDELINES Design Rocket

This project is an opportunity to create a unique logo for a

EDUCATIONAL PROGRAM YEAR bachiller. The black forest FIRST YEAR OF HIGH SCHOOL PROGRAM

ACRYLIC PAINTING III, Art 306 SOLO SERIES

DIRECTOR Adrienne Elise Tarver. FACULTY Mari Hirats Raymond Jones

FINE ARTS. 9 th -12 th Grade New Media Design 1 Semester ½ Credit Requirements and Limitations: 2-D Design.

UNITED WAY BRANDMARK. Brandmark Usage. The most fundamental visual element of a brand identity is its brandmark.

MONROE TOWNSHIP PUBLIC SCHOOLS CURRICULUM MAP. Grades 9-12 Introduction to Art (3 Days a Week)

Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Illustrating Characters

MATHEMATICS IN DESIGN

Brand Identity System Interim Guidelines 12/2011

AP Studio Art Course Important Information & Summer Assignment Criteria

ART DEPARTMENT POSSIBLE ART SEQUENCES. Ceramics/Sculpture. Photography. Digital. Commercial Art* Digital 2* Studio

Page 1 of 8 Graphic Design I Curriculum Guide

ART. Art I 1/2 credit

CONTENTS. Introduction 04. Primary Logo 07. Clear Space & Size Requirements 08. Alternate Logo Usage 09. Logomark Usage 1 3.

Computer Art 2 Semester Exam

BRAND MANUAL GUIDELINES

graphic standards guide DATE 8.11 v1.0

contents brand promise 1 logo 3 color 6 typography 10 voice 12 photography 14 layout 17

Photography (PHOT) Courses. Photography (PHOT) 1

What influences colour and what does colour influence?

COLOR PLANNING FOR INTERIORS JOSHIMA V.M., UON.

a color companion for designers of any skill level

OUR VISUAL IDENTITY. Logo

Essential Academic Learning Requirements (EALRS) in the Arts

The Visual Elements. The Visual Elements of line, shape, tone, colour, pattern, texture and form

Cow Catherine Hall. Creating a Triptych

ARCH 2000: Visual Thinking A

BASIC TEMPORARY GUIDELINES FOR LG-ERICSSON. Partly based on existing Ericsson CVI

Submissions for Art, Craft and Design should aim to present evidence of the following in order to meet assessment objective requirements.

Summit Public Schools--Summit, New Jersey. Grade 8 Art Cycle. Length of Course: 45 Days. Curriculum

The Elements and Principles of Design. The Building Blocks of Art

GRAPHIC STANDARDS MANUAL

GRAPHIC. Educational programme

Brand Identity & Design Standards

Welcome to our studio.

COURSE TITLE: ART GRADE 7 LENGTH: FULL YEAR SCHOOLS: PIERREPONT SCHOOL UNION SCHOOL RUTHERFORD, NEW JERSEY DATE:

UMASD Curriculum Guide Grades D Exploration

Manga Studio 5 The Standard in Manga & Comic Illustration!

COMMISSIONED ARTWORKS A Rewarding Experience.

Re-examining Values and Priorities for Overcoming Setbacks:

Creative Planning Pre-Retreat Workbook

Transcription:

{ www.jeffdammdesign.com BRAND NEW THINKING VISUAL EXPRESSION 20 19 jeffdammdesign CORPORATE IDENTITY BRAND DEVELOPMENT STRATEGIC CONSULTING ILLUSTRATION SOCIAL MEDIA PACKAGING DIGITAL MEDIA BRAND ENVIRONMENTS USER EXPERIENCE

Because the measure of intelligence is the ability to change, we have chosen to adapt and engage in deeper relationships. jeffdammdesign Brand forward marketing. We have taken a thorough look inside our core and found a need to connect with you through dialog that is meaningful. By listening more to your vision, we can formulate strategic plans to achieve your goals. With these changes we have decided to update our brand to a new look that is aesthetically pleasing and approachable.

Brand New Thinking: Our New Look

We set out to create a simple mark that could transfer to all materials with various print applications. EXAMPLE: SILK SCREEN ON BACKLIT ACRYLIC

We set out to create a simple mark that could transfer to all materials with various print applications. EXAMPLE: BLIND DEBOSS ON CLOTHE

jeffdammdesign Brand forward marketing. Brand New Thinking Jeff Damm Design has gone through a number of dramatic changes since it was founded in 2009 as a company that delivers world-class branding and marketing. We have now grown to become an agency that utilizes brand intelligence to ignite idea generation, employing purpose driven methodologies, that yields beyond expectation solutions. That is why it became necessary for us to revisit and revise our overall look, mission, vision and value statements, and to come up with a new tagline as well. Our New Corporate Tagline Brand forward marketing. Our new tagline focuses on our two main areas of expertise: internal branding and external marketing. There are two core components of our new brand positioning: 1. Being smart, thoughtful, a step ahead of the marketplace by pulling from years of experience and understanding each clients industry s latest trends and brand competitors. 2. Being focused on attending to customer needs and delivering on our promises through meaningful marketing.

Brand New Thinking: Our Approach

MONOGRAM A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol. Monograms are often made by combining the initials of an individual or a company. FRAME Our Goal: Create a simple yet meaningful brand mark that is approachable. A structure that surrounds or encloses artwork or photography, setting, mount, a picture frame. It s also a basic structure that underlies or supports a system, concept, or text. X-ACTO KNIFE When my career started in 1986 we used the X-ACTO precision knife set for our cutand-paste artboard assembly. The upper case J purposely is chiseled to pay homage to this tool. ARROW An arrow can represent courage as one moves forward. They also say, A solitary arrow represents defense and protection from harm. It can also be used as a symbol of movement or direction. It also supports our new tagline. jeffdammdesign Brand forward marketing. COLORS I specifically chose GRAY to draw upon my 32 years of service. Gray is associated with wisdom and sophistication. The NON-REPRO BLUE pays homage to my early career years with the cut-and-paste artboards and like pencils. See more on the page 9.

Use of golden ratio in artistic composition brings in a natural balance and visual harmony Mother Nature Using the Golden Ratio Golden Shapes like triangles, squares, circles and spirals are widely used while designing an icon or logo. Proper use of the golden shapes can harness a proper balance and can turn a good design to a great one. We will not get into a lot of details since this entirely is a larger discussion on its own. However, below are some examples of using golden ratio in nature that are aspiring. Since these are the patterns that exist in very nature around us, use of golden ratio in artistic composition brings in a natural balance and visual harmony, thereby giving an undeniable aesthetic appeal.

Our new mark was purposely created to be clean, simple, and aesthetically pleasing Applying the Golden Ratio in our New Monogram. Since the beginning of time to this very moment, we humans have been driven by purpose. Consciously and unconsciously, we seek meaning in our lives and the need to actively make a difference and leave a personal legacy of good when we move on from this existence. We felt a need to adapt our mark to a logo that is meaningful and truly aligned with our core purpose and vision for the future. THE RATIO APPLIED First, the center monogram applies the cornerstone foundation using the golden ration and then builds outward from there. Naturally pleasing to the eyes, this ratio was also used in creating proportions for architectures, paintings, sculptures, photography, graphic design, and other applications. MATHEMATICAL PERFECTION Second, most scientists have noted the remarkable success of all mathematic perfection comes from the most impeccable mathematical formulations and are usually those that are the most beautiful in nature and man made objects. Furthermore, almost all research mathematicians pepper their description of important mathematical work with terms like unexpected, elegance, simplicity and beauty.

Our new colors reflect our wisdom from experience and pay homage to our past. Brief Insight to Why We Chose This Palette When my career began in 1986, my days were spent creating layouts for magazines and various publications on non-repro blue artboards. The finished boards were sent to printer where they created camera ready images of each page layout. The non-repro blue, hence it s name, did not reproduce. The pencils were great for sketching and making print notes as well. Times have changed, and desktop publishing has revolutionized the world and over 32 years later I have gained a wealth of wisdom in the brand and marketing industry for all vertical markets. Present (Wisdom) Dark Gray CMYK: 66 56 53 29 RGB: 84 88 90 HEX/HTML: 54585A PSYCHOLOGICAL MEANING: Wisdom, security, reliability, intelligence, staid, modesty, dignity, maturity, smart, solid, conservative, practical, sophistication, formality, elegance, wealth, mystery, fear, upscale, anonymity, and style. Silverback Mountain Gorilla Past (Humble Beginnings) Non-Repro Blue CMYK: 53 24 0 0 RGB: 123 166 222 HEX/HTML: 7BA6DE PSYCHOLOGICAL MEANING: Creativity, designer, refreshing, calming, serenity, wholeness, emotional balance, love, joy, tranquility, patience, conservatism, security, cleanliness, and order.

Consistent use of our fonts reinforces brand recognition by creating a strong awareness Our Journey Has Lead Us to This Simple Solution. As an integral part of Jeff Damm Design s brand the following Cooper Hewitt fonts should be used. These fonts are Jeff Damm Design s unique handwriting and add emphasis to the personality of this new identity. Please refer to the following samples for usage. MAIN FONT Cooper Hewitt Medium ABCDEFGHIJKLMNOPQRSTUVWXYZ Abcdefghijklmnopqrstuvwxyz 12345678910?!@#$%&()+ TAGLINE FONT Cooper Hewitt Medium Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ Abcdefghijklmnopqrstuvwxyz 12345678910?!@#$%&()+ SUBLINE FONT Cooper Hewitt Semibold ABCDEFGHIJKLMNOPQRSTUVWXYZ Abcdefghijklmnopqrstuvwxyz 12345678910?!@#$%&()+

If you re frustrated by a culture that promotes process over purpose, silos over collaboration, me-too thinking over innovation, your organization is caught between the top-down past and the brand driven future. Call Jeff Damm Design so we can help by designing change programs that unleash brand creativity across your organization. jeffdammdesign ADDRESS Jeff Damm Design, LLC. 7327 B Mahaffey Drive New Port Richey, FL 34653 CONTACT 727.848.0926 Studio 727.645.3621 Mobile jeff@jeffdammdesign.com Brand forward marketing. www.jeffdammdesign.com