Pricelist All prices are subject to VAT at 20% indicates sold 1. Prospero and the Spirits. Coloured pencil on canvas, 2009. 2. Falstaff in the Mirror. Oil on canvas, 2016. 12,500 3. Willy Loman, Backstage. Oil on canvas, 2015. 12,500 4. Lear in my dressing-room. Oil on canvas, 2017.
5. Tony Byrne as Pistol. 6. Fat suit fitting. 7. Josh with a cup of tea. 8. Sam as Poins. Pencil on script page, 2014. 2,000 9. Alex as Hal. 10. Jim Hooper and Oliver Ford Davies as Silence and Shallow. Pencil on paper, 2014. 11. Jasper Britton as Henry IV. Pencil on paper, 2014. 12. Sandra Smith knotting a moustache. Coloured pencil on paper, 2014. 13. Singing call. Crayon and ink on paper, 2014. 14. Jenny as Lady Percy. Pencil on script page, 2014. 2,000 15. Ciss Listening.
16. Trevor White as Hotspur. Pencil on paper, 2014. 1,750 17. Paola Dionisotti as Mistress Quickly. 2,500 18. The Gloucestershire Recruits: Mouldy (Simon Yadoo), Bullcalf (Youssef Kerkour), Wort (Leigh Quinn), Shadow (Jonny Glynn), Feeble (Nick Gerard-Martin). 19. Greg Directing. 20. Nia Gwynne as Doll Tearsheet. Pencil on paper, 2014. 1,750 21. My Falstaff. Oil on canvas, 2014. 8,500
22. Simon Russell Beale as Falstaff. 23. Hugh Griffith as Falstaff. Crayon and ink on paper, 2013. 24. Ralph Richardson as Falstaff. Crayon and ink on paper, 2013. 25. Des Barrit as Falstaff. Crayon and ink on paper, 2013. 26. Robert Stephens as Falstaff. Crayon and ink on paper, 2013. 27. Orson Welles as Falstaff. 28. Prince Philip as Lear. Pencil on paper, 2015. 29. The Minimalist or Richard Wilson directing. Oil on canvas, 2012. 30. Harriet rehearsing. Oil on canvas, 2015. 7,500 31. G & T at Avonside. Crayon on paper, 2009. 32. Self as Willy Loman. Pencil on paper, 2015.
33. The Mad King and the Fat Knight sharing Digs in my Head. Crayon and ink on paper, 2017. 34. Paapa as Hamlet. Pencil on paper, 2017. 35. Theo and Marcus in the tea break. Crayon and ink on paper, 2017. 36. Natalie rehearsing Cordelia. Pencil on paper, 2017. 37. Kelly and Nia rehearsing. Pencil on paper, 2016. 38. Clarence as Albany. Pencil on script page, 2016. 2,000 39. Jim as Cornwall. Pencil on script page, 2016. 2,000 40. Actors learning lines. Crayon and ink on paper, 2017. 2,500 41. James Shapiro. Pencil on paper, 2017.
42. Olly as Edgar as Poor Tom. Crayon and pencil on paper, 2017. 43. Tony and his tattoo. Coloured pencil on paper, 2017. 44. The Blinding of Gloucester in the style of Francis Bacon. Oil on canvas, 2016. 7,500 45. Lear in fur coat, cursing. Oil on canvas, 2017. 7,500 53. Graham as the Fool. Oil on canvas, 2016. 7,500 54. Self as Lear. Oil on canvas, 2016.
46. Eric Porter and Michael Williams. Crayon and ink on paper, 2017. 47. Gielgud as Lear. 48. Scofield as Lear. 49. Ian Holm as Lear. 50. Olivier as Lear. 51. Derek Jacobi as Lear. 52. Jonathan Pryce as Edgar and Lear.
Antony Sher has given us a rare glimpse into his world. A world of painting, writing, acting, rehearsing and creating characters for the stage. Mad King/Fat Knight features over 40 drawings and paintings, depicting private, backstage moments alongside unforgettable theatrical performances. The exhibition provides a unique insight into Sher s preparation for two of his most memorable Shakespearean roles King Lear and Sir John Falstaff. Many of the works in this exhibition are illustrations from his books Year of the Fat Knight, the Falstaff Diaries, which describe the Royal Shakespeare Company s 2014 production of Henry IV Parts I & II, and Year of the Mad King, the Lear Diaries, about playing the title role in the RSC s 2016 production. As an Honorary Associate Artist of the RSC, Antony Sher s roles have included Richard III, Macbeth, Shylock, Iago, Leontes, Prospero, Falstaff and King Lear. Sher is one of Britain s leading actors, as well as a respected author and artist. Sher s previous art exhibitions have been at the Barbican Centre, the National Theatre, the London Jewish Cultural Centre, the Crucible Theatre Sheffield and Coventry s Herbert Art Gallery and Museum. The Royal Shakespeare Company is acting as an agent on behalf of Antony Sher. If you are interested in buying an artwork please contact Laura Pitcher in the RSC Development Department, telephone: 01789 272543 or email: stitchintime@rsc.org.uk. Purchased artworks will be available for collection in person from the RSC on Tuesday 25 and Wednesday 26 September 2018. Buyers can arrange a courier to collect artworks on their behalf. Courier services will not be subsidised by the RSC. Please note, the artworks cannot be collected or delivered before these dates, while the exhibition is open to the public. Part of the profits from any sale will go to the Stitch In Time Campaign to restore and redevelop our Costume Workshop so that we can continue to create stunning costumes for you and audiences around the world to enjoy. rsc.org.uk/stitchintime Telephone: 01789 272543 Email: stitchintime@rsc.org.uk The RSC is a registered charity no. 212481