The Initial Study on the Development and Features of Traditional Architectural Painting in Taiwan after 1895 Tsai, Ya Hui, Hsu, Min Fu 2012.1.11 Ph. D. Candidate, Department of Architecture, National Cheng Kung University. Taiwan 1
content I. Development of Traditional Taiwanese Architectural Painting during the Japanese II. Architectural Painting in Post War Taiwan III. Conclusion 2
I. Development of Traditional Taiwanese Architectural Painting during the Japanese 1. Artisan Painters during the Japanese 2. Features of Architectural Painting during Japanese Colonial Rule (1) Passing on the Craft (2) Stylistic Features 3
I. Development of Traditional Taiwanese Architectural Painting during the Japanese 1. Artisan Painters during the Japanese Artisan Painters during the Japanese Fujian Guangdong QIU,YU-PO SU,BIN-TING Monga WU,WU-ZONG LI,GOU Hsinchu Quanzhou ZENG,YI-WAN GUO,LIAN-CHENG Miaoli LIU,PEI Dabu Taiwan Lugang Beikang Dongshan Penghu PAN,CHUN-YUAN HUANG,WEN-HUA Tainan ZHEN,YU-FENG ZHU,XI-GAN HUANG,AI Come to Taiwan before Japanese Come to Taiwan in Japanese Had lived in Taiwan in Japanese 4
I. Development of Traditional Taiwanese Architectural Painting during the Japanese 2. Features of Architectural Painting during Japanese Colonial Rule (1) Passing on the Craft 5 Architectural Painting of Guangdong
I. Development of Traditional Taiwanese Architectural Painting during the Japanese 2. Features of Architectural Painting during Japanese Colonial Rule (2) Stylistic Features 6 Architectural Painting of Taiwan during the Japanese (1910s to 20s)
I. Development of Traditional Taiwanese Architectural Painting during the Japanese 2. Features of Architectural Painting during Japanese Colonial Rule (2) Stylistic Features Architectural Painting of Taiwan during the Japanese 7 1910s to 20s
II. Architectural Painting in Post-War Taiwan 1. Northern Style Architecture in Taiwan (1) Historical Background (2) The Genres and Orders of Chinese Architectural Painting 2. Key Factors Influencing Post War Taiwanese Architectural Painting (1) Lifen( 瀝粉 ) (2) Chemical Materials Replaced Traditional Materials 8
II. Architectural Painting in Post War Taiwan 1. Northern Style Architecture in Taiwan (1) Historical Background Reinforcing Cultural Lineage with an Architectural Style National Museum of History National Taiwan Arts Education Center 9
II. Architectural Painting in Post War Taiwan 1. Northern Style Architecture in Taiwan (1) Historical Background Reinforcing Cultural Lineage with an Architectural Style The Nanhai Academy( 南海學園 )began construction in 1955 The Temple of Heaven ( 天壇 )in Beijing 10
II. Architectural Painting in Post War Taiwan 1. Northern Style Architecture in Taiwan (1) Historical Background Tourism and Chinese Cultural Renaissance Gives Birth to the Northern Style Taichung Teachers' Hostel The Grand Hotel 11
II. Architectural Painting in Post War Taiwan 1. Northern Style Architecture in Taiwan (1) Historical Background Southernization of Northern Style Buildings and Temples Hsingtien Temple began construction in 1956 12
II. Architectural Painting in Post War Taiwan 1. Northern Style Architecture in Taiwan (2) The Genres and Orders of Chinese Architectural Painting Hexi (Combined Dragonseal) Painting( 和璽彩畫 ) Xuanzi (Spiral Flower) Painting( 旋子彩畫 ) Suzhou Style Painting( 蘇式彩畫 ) Architectural Painting in Song Dynasty Hexi (Combined Dragonseal) Painting Suzhou Style Painting in The Summer Palace 13 Xuanzi (Spiral Flower) Painting
II. Architectural Painting in Post War Taiwan 2. Key Factors Influencing Post War Taiwanese Architectural Painting National Museum of History in Taiwan Beijing Imperial Palace Museum Prince Gong Mansion in Beijing National Taiwan Arts Education Center in Taiwan 14
II. Architectural Painting in Post War Taiwan 2. Key Factors Influencing Post War Taiwanese Architectural Painting (1) Lifen (Chinese pastiglia) ( 瀝粉 ) Lifen tools Relief like 15
II. Architectural Painting in Post War Taiwan 2. Key Factors Influencing Post War Taiwanese Architectural Painting (2) Chemical Materials Replaced Traditional Materials 16
III. Conclusion 17