!! THE!! SaxBook.! By! Kelsey!J.!Lien!!!!

Similar documents
THE. SaxBook. 2 nd Edition. By Kelsey J. Lien

I. LAY A FOUNDATION TOOLS & CARE

Fundamental Music Instruction

Pitch Tendency Chart Guide

Erik Steighner. Progressive Warm-Ups for Saxophone. version 1.21

Brighton Band Clarinet Guide

Basic Fingering charts (no sharps or flats)

Texas Bandmasters Association 2016 Convention/Clinic

BEGINNING ALTO SAXOPHONE RORY L. DAVIS, CINCO RANCH JR. HIGH

Conway Middle School Band Karate

First Songs for Band Workbook Chapter 1

STEVE TADD WOODWIND REPAIRS (.co.uk)

n n ? b b 4 4 n n # # Ó Ó Ó ~ ~ n b b b b ? b b n n # # # n n ? b b 4 3 œ œ œ œ œ œ œ œ œ œ œ œ. # œ œ œ œ œ œ ? # # œ œ œ œ œ œ œ ?

Notre Dame College Marching Band Woodwind Technique Book. Alto Sax

Essential Reed Setup Tips

Lesson Seven : 4 (fa) and 7 (ti)

Clarinet/Bass Clarinet Care

Chapter Two: Reading music and the left hand

University of Texas String Project Promotional Guidelines

Lesson 3: Good Posture and Form

Help for Your Horn Players. Guiding Your Young Horn Players to Success!

Contents. Bassic Fundamentals Module 1 Workbook

VIOLIN PLAYING by ROBERT TRORY

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch.

SCALES (SIMILAR MOTION)

University of Missouri marching mizzou. drumline. audition packet

Music for All Summer Symposium presented by Yamaha. Oboe Master Class Aryn Day Sweeney

The University of Texas String Project Promotional Guidelines (Revised: ) Pre Ensemble B

Banjo Care Tips. After playing, wipe the fingerprints and smudges off the metal parts of your banjo with a clean cotton rag.

The University of Texas String Project Promotional Guidelines (current as of 2/26/2015) Pre Ensemble B

VIOLA PLAYING by ROBERT TRORY

2019 Alabama All-State / District Honor Band Audition Info & Materials TUBA

Audition Requirements

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Strap Peg. Body. Pick guard. Pickups. Pickup Selector Volume and Tone Knobs

Flute scale syllabus (proposals: November 2014)

Chromatic Chord Tone Patterns

Reading Music on Guitar

Private Trombone Lesson Packet Shawn Bell

INSTRUMENTS OF THE TUBA FAMILY

By John Geraghty ISBN Copyright 2015 Green Olive Publications Ltd All Rights Reserved

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Soundhole. Body. Pick guard. Bridge. Bridge Pins

Copyright 2010 Rock Star Recipes Ltd.

3. Bow is drawn parallel to bridge and is in the proper direction a. Open strings: whole, half and quarter notes

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin

MUSIC THEORY GLOSSARY

Yanagisawa AWO10 Alto Saxophone

What/when do we want to assess???

Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales

2017 FRONT ENSEMBLE TECHNIQUE AND EXERCISE PACKET

Saxophone scale syllabus (proposals: May 2015)

Flute. Technique Packet

A Beginner s Guide to Orchestra. Violin and Viola

Table of Contents SESSIONS PAGE

WMHFA Solo and Ensemble Festival

Patterns & Snippets A musical approach to scales and arpeggios

Explorer Wiring Kit (assembled)

Playing the Saxophone: Building a Technique

West Michigan Homeschool Fine Arts Solo and Ensemble Festival Instrumental Honors Track:

Flute Clinic. by Staff Sergeant Kendra Boettcher Staff Sergeant Jennifer Nitchman Staff Sergeant Dana Tan

Palmer - Hughes Book 1 Introduction to the Accordion Instruction and Companion Material

Name: Instrument: Classroom Teacher:

Lesson 10 The Eb/D# sequence

2018 Alabama All-State / District Honor Band Auditions Info at a Glance

Developing Technique. Let s look first at the left and right hand positions on the instrument.

Sample Pages for Online Display only. May not be printed or copied

GORRIE STRINGS PROGRAM CURRICULUM

Viola Time Book 2. RGP (Release, Glide and Press) Shifting Method 2. When you see this picture, you should ask your teacher to explain and help you!

Fundamental Music Instruction

Target Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar

Cymbal Technique Book

2018 Alabama All-State / District Honor Band Auditions Info at a Glance

Installation Instructions

Yanagisawa AWO2 Alto Saxophone

YANAG I SAWA SAXOPHONES. i nn - seit DIE MUSIKWERKSTATT

MANUAL ADDENDUM v2.3

Acknowledgements. A special thanks to everyone I have ever taught. Teaching has enabled me to formalize this whole concept.

#709 Magnum Shear Stand

Table of Contents SESSIONS PAGE

ABC Trumpet Clinic II (Matzen) Consistency and routine, high range, air and tension control, warm up, tuning

Completing Hoffman Academy Piano Unit 1

. w. œ œ œ œ. œ œ œ. Five Finger Exercise. Focused Firm Fingertips

THEORY ASSIGNMENTS. H = Half Step, W = Whole Step, -3 = Minor Third (3 half steps)

Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094)

SuperTrack Parts List

Table of Contents. Lesson Page Material. Introduction 1 Review of Level Warm Up Routine Tempo and Tuning. 5.

Seeing Music, Hearing Waves

INSTALLATION OF WELLS SUPER QUICK CHUCK LEFT HAND ON RED WING LATHE

Contents. Beginning Theory for Adults. Introduction Chapter One 5

Saxophone Lab. Source 1

Beginner Guitar Theory: The Essentials

CLARINET REED ADJUSTMENT JOHN ANDERSON

Beginner s Course Workbook

MODEL T28173/T28174 ROLLER TABLES INSTRUCTIONS

Maintenance & Parts list for:

UNIT 6: Swallow Tail Jig

CYMBALS. As a cymbal player, expect to be pushed to your limits. Expect to hold your cymbals up for long periods of time.

40 & 50 Foot PS-1 Box Car Assembly Instructions

BELGIAN EXT. REC DINING TABLE

Learn Guitar The Method for a New Generation

MARCHING BATTERY TECHNIQUE Mark Lortz Director of Bands Stevenson University

Transcription:

THE SaxBook By KelseyJ.Lien

The$SaxBook$ By## Kelsey#J.#Lien# # # TABLE$OF$CONTENTS$ # # Biography# Introduction# # PART$1$ Saxophone#Care# Assembling#The#Saxophone# Posture#and#Instrument#Carriage# # PART$2$ Long#Tones# #Novice# Long#Tones# #To#Octaves# Octave#Slurs# Finger#Wiggles# Interval#Studies# #Novice# Articulation#Patterns# #Use#for#Scales,#Arpeggios#and#Thirds# Saxophone#Sharp#Scales# #One#Octave# Saxophone#Flat#Scales# #One#Octave# Chromatic#Scales# Thirds#And#Arpeggios# #One#Octave# Saxophone#Scale#Pattern# #Scale,#Thirds,#Arpeggio# Crash#And#Burn# Intermediate#Daily#Drill##1# Intermediate#Daily#Drill##2# Intermediate#Daily#Drill##3# Vibrato#Exercises# The# OTHER #Keys# #Pinky#Keys,#Palm#Keys,#Side#Keys# # PART$3$ Mary#acquired#a#small#sheep # Ne#World#Symphony# #Largo#Theme# Theme#From# The#Royal#Fireorks # StarYSpangled#Banner# Clarinet#Polka# #

BIOGRAPHY* * * * Kelsey*J.*Lien*holds*a*Master*of*Music*degree*in*Wind*Conducting*from*Texas*State* University* *San*Marcos*and*a*Bachelor*of*Music*Degree*in*Instrumental*Music* Education*from*The*University*of*Texas*at*San*Antonio.***He*also*attended*North* Dakota*State*University*for*a*year*as*a*graduate*student*in*the*saxophone*studio.*He* has*taught*elementary*music,*middle*school*band,*middle*school*orchestra*and*high* school*band*in*texas*public*schools.**he*has*taught*in*jourdanton*isd,*la*vernia*isd* and*currently*teaches*in*comal*isd.**** * Kelsey*has*been*playing*saxophone*since*1993.**It*has*since*become*his*favorite* thing*to*do.**he*has*played*in*many*settings,*including*jazz*band,*concert*band,* Orchestra,*Saxophone*Ensemble*and*Saxophone*Quartet.**As*a*soloist,*Kelsey*has* performed*ith*the*utsa*women s*choir,*the*san*antonio*children s*chorus*and* the*minnesota*state* *Moorhead/NDSU*University*Symphony*Orchestra.**Kelsey*has* also*performed*our*united*states*national*anthem*for*hill*country*karate,*the* American*Society*of*Karate,*The*San*Antonio*Stars,*The*San*Antonio*Rampage*and* the*5ztime*nba*world*champion*san*antonio*spurs.* * Kelsey*has*had*many*other*musical*experiences.**While*attending*UTSA,*Kelsey* played*piano*at*an*italian*restaurant.**he*has*also*given*private*lessons*for* saxophone,*clarinet,*trumpet,*french*horn*and*oboe.**kelsey*has*taught*at*the*hill* Country*Band*Camp*and*at*the*UTSA*Band*Camp.**He*as*also*the*Interim*Orchestra* Director*at*First*Baptist*Church*of*Universal*City,*TX.**Kelsey*likes*playing*many*of* the*band*instruments*and*has*played*saxophone,*clarinet,*french*horn,*trombone* and*tuba*in*many*different*bands.**one*of*his*favorite*things*to*do*is*play*the*oboe* part*on*soprano*saxophone.**that*skill*has*proven*to*be*quite*beneficial*on*multiple* occasions.**** * Kelsey*is*blessed*to*have*learned*from*so*many*great*teachers*and*mentors.*He* studied*ith*dr.*mary*ellen*cavitt*(music*education),*dr.*robert*rustoicz* (conducting),*dr.*kenneth*williams*(conducting),*mr.*morgan*king*(saxophone),*mr.* David*Debus*(Saxophone),*Dr.*Matthe*Patnode*(saxophone)*and*Dr.*Rodney*C.* Schueller*(conducting).**Kelsey*has*studied*additionally*ith*Dr.*Donald*K.*Miller* (conducting)*and*has*attended*the*james*houlik*saxophone*retreat*and*the*baylor* University*Conducting*Symposium.* * Kelsey*is*married*to*Shana,*a*flutist*and*middle*school*band*director.**They*got* married*in*2008*and*have*a*2zyear*old*daughter,*tabitha.**together*as*a*family*they* like*to*sim,*play*at*the*park*and*atch*mickey*mouse*and*other*disney* productions.** * * June*2015*

INTRODUCTION) ) ) ) The$SaxBook)has)been)many)years)in)the)making.))As)a)saxophone)player)and) teacher,)there)have)been)many)exercises)that)i)have)found)to)be)quite)beneficial)for) my)students)and)myself.)))throughout)the)past)10)years,)i)have)taught)saxophone)to) 6 th )grade)students)through)undergraduate)students.))many)of)the)exercises)i)have) used)have)been)taught)and)learned)by)rote.))a)fe)of)them)have)been)ritten)don.)) They)have)orked)so)ell,)I)ould)like)to)share)them)ith)others.))The)quickest)ay) accomplish)this)to)rite)don)these)exercises)and)put)them)into)a)collection.))) ) Many)of)these)I)have)used)in)private)lessons,)beginner)classes,)masterclasses,)full) concert)band)settings)and)in)my)on)personal)practice.))as)i)began)the)process)of) riting)don)rote)exercises)and)recopying)ritten)exercises,)i)realized)i)had)a)fe) concepts)i)had)not)addressed.))in)effect,)some)of)these)exercises)are)brand)ne,) addressing)the)needs)of)the)complete)saxophonist.))) ) I)ould)like)to)add)that)this)book)is)not)a)complete)method)book.))It)is)not)intended) to)be)a)primary)text,)but)a)supplement.))to)use)this)book)properly,)students)must) understand)basic)tone)production,)have)a)basic)understanding)of)the)saxophone)and) have)basic)knoledge)of)music)theory.))the)materials)can)be)used)to)study)as)an) individual)or)in)a)group)setting.))one)of)my)inspirations)for)this)book)is)the)novice) saxophone)teacher)that)may)not)be)familiar)ith)saxophone)pedagogy.))) ) The)first)section)of)the)book)is)a)set)of)3)brief)lessons)regarding)care,)assembly)and) posture/carriage.))the)middle)section,)hich)is)the)bulk)of)the)book,)is)made)up)of) exercises)to)orkout)technique,)tone,)breathing)and)endurance.))the)last)section)of) the)book)includes)songs)that)students)can)use)to)apply)the)techniques)and)skills) learned)throughout)the)book.))))) ) Finally,)I d)like)to)share)a)fe)online)resources)and)my)contact)information)ith)you.) ) Website) ).saxmusicsa.ordpress.com)) Facebook) ).facebook.com/kelsey.lien.saxmusic) YouTube) )SaxMusic)Kelsey)Lien) https://.youtube.com/channel/uctuzw82mndzzpmeo3hyhrh) Email)Address) )saxmusic2000@gmail.com) ) I m)very)excited)to)share)this)book)ith)you,)and)i)hope)you)gain)a)lot)from)using)it.)) The)exercises)have)been)beneficial)to)my)students)and)to)me)as)a)player)and)teacher.)) Continue)to)learn,)continue)to)gro)and)continue)to)make)beautiful)music.))) ) ) Kelsey)J.)Lien)

2008 Saxophone Care 1. Things that could damage the saxophone: a. extreme heat or cold (do not leave it in a car) b. letting somebody else hold the saxophone c. putting it together incorrectly d. opening the case upside don e. eating/drinking before playing f. dropping it/banging the case g. forcing it into the case/forcing the case to close h. holding it by keys and/or rods i. polishing it ith any chemical 2. Disassembling the saxophone: a. sab out the neck and the body b. ipe out the mouthpiece c. take the reed off the mouthpiece and put it in a reed case d. place in the case correctly. 3. Reed Care: a. soak reed before use, preferably in a cup of room temperature ater b. alays store reed in reed case ith a flat surface c. be careful to keep tip from touching anything d. it should be the last thing put on during assembly and the first thing taken off during disassembly. 4. Mouthpiece Care: a. mouthpieces are very fragile, hold them carefully, protect the tip b. alays store mouthpiece ith mouthpiece cap on, to protect mouthpiece c. hen not playing, put on mouthpiece cap, to protect reed and mouthpiece d. take mouthpiece off the neck before storing in the case e. take the reed off the mouthpiece before storing mouthpiece

Spring 2008 Assembling the Saxophone Parts of the Saxophone: End Cap Body Neck Mouthpiece Ligature Reed Mouthpiece Cap Neckstrap 1. Put case on the floor ith the top (label) side up. 2. Using cork grease, grease the cork on the neck (do this about once a eek). 3. Put on neckstrap. 4. Take the body out of the case, holding it by the bell, aay from keys. Hook neckstrap into position. Remove end plug. 5. Remove ligature and mouthpiece cap from mouthpiece. Place the mouthpiece on the neck cork in a slight tisting motion. It should cover approximately half to to-thirds of the neck cork. The flat side of the mouthpiece should be facing the floor. 6. Loosen the scres of the ligature. Place ligature on mouthpiece ith the ider end going on first. Make sure the scre heads are on the right. 7. Put the flat side of the reed to the flat side of the mouthpiece. The thin tip of the reed goes even ith the thin tip of the mouthpiece. Tighten the scres of the ligature gently so they don t get too tight. 8. Loosen scre in neck receiver of the body of the saxophone. Place the neck into the neck receiver in the body of the saxophone by sliding the neck straight in. Tighten scre gently. To disassemble, repeat the steps in the opposite order.

2008 Posture and Instrument Carriage 1. Posture a. sitting 1. feet flat on the floor 2. sit up straight 3. back off the back of the chair b. standing 1. feet shoulder idth apart 2. stand up straight 3. equal eight on each foot 2. Instrument Carriage a. sitting 1. ith correct posture, adjust neckstrap so that the saxophone is brought to the player. 2. instrument can go on the right side or in the middle of the body. 3. left hand goes on top, right hand goes on bottom. 4. right hand thumb supports and balances the saxophone along ith the aid of the neckstrap. 5. hands should be relaxed and fingers should be curved. b. standing 1. ith correct posture, adjust neckstrap so that the saxophone is brought to the player. 2. instrument ill go in the middle of the body. 3. left hand goes on top, right hand goes on bottom. 4. right hand thumb supports and balances the saxophone along ith the aid of the neckstrap. 5. hands should be relaxed and fingers should be curved.

SAXOPHONE Long Tones Novice A 4 4 q = 60 9 17 25 B 33 41 49 2015 SaxMusic San Antonio

SAXOPHONE Long Tones To Octaves q = 60 4 4 # # # # # # # 8 # # 16 # 24 # # # b 32 b b b b 2015 by SaxMusic

Octave Slurs for Saxophone 1 4 4 # # # 7 # # # # # # 13 # # # 19 # # # 2 25 # # # # 31 b b b b b b b b 37 b b b b 43 b b b b SaxMusic 2015

Saxophone Finger Wiggles 1 4 4 # # 5 11 4 b 4 4 # # 20 2 26 b b Copyright 2015 by SaxMusic

SAXOPHONE Interval Studies Novice 1 4 4 # # # # 5 # # # # # # 11 # # # # # # b # 2 b b b b b b 23 b b b b b b 29 b b b # b 2015 by SaxMusic San Antonio

SAXOPHONE ARTICULATION PATTERNS Use for Scales, Arpeggios and Thirds 4 4........ 3............ 6.... 9.... 12........ 2015 SaxMusic San Antonio

SAXOPHONE SHARP SCALES One Octave 5 C 4 MAJOR # G MAJOR # # # D 9 # MAJOR # # # # 13 A MAJOR # # # # # # # 17 # # # # # # # ## 21 # # # # # # # # ## # 25 E MAJOR B MAJOR F# MAJOR # # # # # n n # n nn n# # # ## # # 29 C# MAJOR # # # # # # # 2015 by SaxMusic San Antonio

Saxophone Flat Scales One Octave 5 b 4 4 F MAJOR C MAJOR b b b 9 bb 13 bb b 17 Bb MAJOR b b b b Eb MAJOR Ab MAJOR b b b b b b b b b b b b 21 Db MAJOR bb b b b b b b b b b 25 Gb MAJOR bb b b b b b b b b b b b 29 Cb MAJOR b b b b b b b 2015 by SaxMusic San Antonio

SAXOPHONE Chromatic Scales G 4 2 Chromatic - 1 Octave # # # # # b b b b b 8 # # # # # # # # # # D Chromatic - 2 Octaves 14 b b b b b b b b b b 21 # # # # # # # # # # 27 b b 34 42 C Chromatic - 2 Octaves b b b b b b b # # # # # # # # # # # # # Full Range Chromatic (# n ) b b b b b b b b b b b b b b 2015 SaxMusic San Antonio

SAXOPHONE Thirds and Arpeggios One Octave 7 4 4 # G Major C Major # # # D # Major # # # # 13 19 A Major # # # # # # # 25 # # # # 31 b E Major F Major n n n nb bb 37 Bb Major bb 2015 SaxMusic San Antonio

Saxophone Scale Pattern Scale, Thirds, Arpeggio 4 2 5 11 17 23 29 35 2015 by SaxMusic

SAXOPHONE Crash and Burn G, C and D # 4 4 9 # n 17 25 # # 33 # # 41 # # 2013 by SaxMusic

SAXOPHONE Intermediate Daily Drill #1 A q = 100 # 4 4 5 # 9 # 13 # B 18 # 22 # 26 # 2012 SaxMusic San Antonio

SAXOPHONE Intermediate Daily Drill #2 A 4 4 5 9 13 B 18 22 26 2012 by SaxMusic San Antonio

SAXOPHONE Intermediate Daily Drill #3 q = 100 A # # 4 4 5 # # 9 # # 13 # # B # # 21 # # 25 # # 29 # # 2012 by SaxMusic San Antonio

SAXOPHONE Vibrato Exercises Quarter Note Vibrato 4 4 TOO TOO TOO TOO TOO TOO VA VA VA TOO 5 Eighth Note Vibrato TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO VA VA VA VA VA VA VA TOO 9 Eighth Note Triplet Vibrato TOO 3 3 3 3 TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO 11 3 3 3 3 TOO VA VA VA VA VA VA VA VA VA VA VA TOO 13 Sixteenth Note Vibrato TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO TOO 15 TOO VA VA VA VA VA VA VA VA VA VA VA VA VA VA VA TOO 17 Vibrato Exercise #1 25 Vibrato Exercise #2 2015 SaxMusic San Antonio

SAXOPHONE The "OTHER" Keys Pinky Keys, Palm Keys, Side Keys 4 # # 2 b b.... 1 # # 4.... 3 5 # n # # n 7 9 # n # n........ b b 10.... b b # n # # n # n # n # 11. # n # # n # n # n #.. # n # # n # n # n #. 13... b b. Use Front F Fingering 16 Use Front E Fingering.... 15 Use Chromatic F# Key Use Side C Key # 8 12 14 6 Use Side A# (Bb) Key 2015 SaxMusic San Antonio

Saxophone Mary acquired a small sheep... 1. # 4 4 5 # 2. 9 # Ó Ó Ó 17 # Ó 4 2 3. 25 # 4 2 J j J 29 # J 2012 SaxMusic San Antonio

Saxophone Ne World Symphony Largo Theme Dvorak Lien #. 9 # # 4 4 5 F b p J n.. J. b P n j. b p. J j.. f J. j. 13 #. P 17 # J.. J. 21 #. 25 # J. F. J. 29 j. J f. J. J.. J # p 2015 SaxMusic San Antonio

Saxophone Theme From "The Royal Fireorks" George Frideric Handel arr. Lien 7 Allegro - Quick and Lively q = 120 4 3 f,, 9, 13 17 P 19 25 F 31, p,, f. 33 J, 37.. J 2015 SaxMusic San Antonio

SAXOPHONE b 4 3 Ó. Star-Spangled Banner A USA National Anthem Music by John Stafford Smith Lyrics by Francis Scott Key Arranged by n, 1. b J, 2.. 6., B b,. J 16 b n, C 21 b U,., J rit.. J U. meno mosso 2015 SaxMusic San Antonio

SAXOPHONE Clarinet Polka In 3 Sections arr. A C Ó 3 3. # B # # #. C b b b # # # # b b b # # 2015 SaxMusic San Antonio