Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales

Similar documents
CONTENT AREA: MUSIC EDUCATION

Electric Guitar Foundation Level 1

WHITTIER UNION HIGH SCHOOL DISTRICT Whittier, California. June BOARD APPROVED: August 18, 2008 COURSE OF STUDY

MUSIC THEORY GLOSSARY

Arts Education Guitar II Curriculum. Guitar II Curriculum. Arlington Public Schools Arts Education

Level 6. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Level 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Music I. Marking Period 1. Marking Period 3

Foundation Piano Level 1

The University of Texas String Project Promotional Guidelines (Revised: ) Pre Ensemble B

Student Form. Name: Corps:

LEVEL THREE. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING

Music Theory. Content Skills Learning Targets Assessment Resources & Technology CEQ: HOW IS MUSIC PUT TOGETHER?

ROCK GUITAR COMPLETE SYLLABUS

5 th Grade Orchestra Curriculum Map

CONTEMPORARY COMPOSING

Beginning Guitar. By: Catherine Schmidt-Jones

Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094)

Major Pentatonic Scales: Lesson 1

Choosing your own song for Vocals Initial Grade 8

Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style.

COMPLETE GUITAR COURSE

The Fundamental Triad System

COMPLETE GUITAR COURSE

LEVEL FOUR. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING ONE SUPPLEMENTARY 10

LEVEL SIX. The THEORY 2 written examination must be completed successfully for the awarding of the Level 6 Practical Certificate.

Chromatic Chord Tone Patterns

Blues Guitar E E E E E A E E E A E E A A E E A A E E A A E E B A E B B A E B B B E E

Gypsy And Jazz Arpeggio Book Arpeggios and Tricks

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Soundhole. Body. Pick guard. Bridge. Bridge Pins

Staves, Times, and Notes

The Non-Method Guitar Book

Group Piano. E. L. Lancaster Kenon D. Renfrow BOOK 1 SECOND EDITION ALFRED S

Target Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Strap Peg. Body. Pick guard. Pickups. Pickup Selector Volume and Tone Knobs

Sight Reading For Bass Lesson #1. Lesson #1

WMHFA Solo and Ensemble Festival

Chapter 3: Scales, arpeggios, and easy pieces. Scales

String Orchestra Curriculum: grades 4-12 Bexley City Schools Revised

Beginner Guitar Theory: The Essentials

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5

By John Geraghty ISBN Copyright 2015 Green Olive Publications Ltd All Rights Reserved

The Shearer Method: Guitar Harmony. by Alan Hirsh

MUS 194: BEGINNING CLASS GUITAR I FOR NON-MAJORS. COURSE SYLLABUS Spring Semester, 2014 ASU School of Music

10 Must Know Jazz Guitar Licks

emedia Intermediate Guitar Method Detailed Curriculum

Tutorial 3K: Dominant Alterations

Jazz Standard Study Guide Corcovado

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch.

Church Music Grades repertoire list

Study Guide. The five lines that we use to demonstrate pitch are called the staff.

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin

5 Miles Davis ii V I licks.

What/when do we want to assess???

Legacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211

ONE-OCTAVE MINOR PENTATONIC BLUES

MUSIC SOLO PERFORMANCE

MUSIC SOLO PERFORMANCE

Music and Engineering: Review of the Western Music system for Engineers

The University of Texas String Project Promotional Guidelines (current as of 2/26/2015) Pre Ensemble B

Jim Gleason s Guitar Encyclopedia. Advanced Guitar. Version 3.1. March Rock Performance Music All Rights Reserved

VCE - Outcome 3 (Musicianship & Theory)

The Big Book of Pentatonics & Fourths

Table of Contents SESSIONS PAGE

CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS

Learn Guitar The Method For A New Generation

Contents. Beginning Theory for Adults. Introduction Chapter One 5

Week 5, Unit 5: Review

Sample Pages for Online Display only. May not be printed or copied

INTRODUCTION TO CHORDS

Blues Guitar 101 Classic Licks

Scale Patterns for Guitar and Why You Need Them

Moving On. Beyond the Basics of Guitar Playing. by Charlotte Adams CD INCLUDED

Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities

Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) Background information and performance circumstances Performer

Lesson 10 The Eb/D# sequence

Additional Open Chords

CURRICULUM AT-A-GLANCE

What s My Musical Range?

West Michigan Homeschool Fine Arts Solo and Ensemble Festival Instrumental Honors Track:

Strings Foundation Level 1

Table of Contents SESSIONS PAGE

The Shearer Method: Guitar Harmony. by Alan Hirsh

MUSIC SOLO PERFORMANCE

I would like to thank the following faculty and staff for their assistance in developing the plectrum guitar curriculum:

Jazz Port Townsend 2018 Trombone Application Guidelines for New or Returning Applicants

PERFORMANCE GENERALITIES THE SWING

Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants

Students at DOK 2 engage in mental processing beyond recalling or reproducing a response. Students begin to apply

The following table shows the maximum marks that can be awarded in each section of the examination.

Companion to the Cape Breton Piano Accompaniment Online Workshop Winter 2012

Conservatorium High School (SIPA) This does NOT apply to Functional Piano. A snapshot of a student s progress on an instrument

GUITAR / MUSIC THEORY GLOSSARY

Read Notes on Guitar: An Essential Guide. Read Notes on Guitar: An Essential Guide

Learned your scales what s next? By John Cipolla

2018 Alabama All-State / District Honor Band Auditions Info at a Glance

Approach Notes and Enclosures for Jazz Guitar Guide

HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer

Concept 1 The Pebber Brown Scaletone Form System Concept 2 The 4-sided triangle Tetrahedron concept. Concept. Concept 3 4 Triangle Groups 3A 3B 3C 3D

Rock Guitar Basics instructor Rick Mollindo B.A.

Transcription:

Guitar I Beginning Level Technique 1. Demonstrate knowledge of basic guitar care and maintenance 2. Demonstrate proper sitting position 3. Demonstrate proper left-hand and right-hand playing techniques 4. Tune using the 5 th fret method, and an electric tuner 5. Demonstrate ability to play with metronome 6. Demonstrate competence in pick-style and finger-style (alternation rest and free-stroke) 7. Demonstrate effective practice, rehearsal, and performance skills 8. Perform RH arpeggio patterns with varying combinations of p, i, m, a 9. Slurs-ascending and descending (hammeron and pull-offs) 10. Students will demonstrate a clear and proper tone 11. The student will demonstrate completion of assignments and/or practice Virginia Standards of Learning IB.16 IB.3 IB.1 IB.3 IB.4 IB.1 IB.24, IB.25 IB.7 IB.5 IB.2 IB.1 Chords 1. Perform I-IV-V(V7) progressions in F, C, G, D, A, Am, Em 2. Play moveable power chords with roots on 5 th and 6 th strings 3. Play simple accompaniment patterns pickstyle and finger-style performing music from a variety of cultures and historical periods 4. Read chord charts IB.15 IB.15 IB.14, IB.15 IB.15 Scales 1. Perform F, C, G, D, A, Major, one-octave scales in first position 2. Perform A and E Natural Minor, one-octave scales in first position 3. One form of the moveable one-octave pentatonic scale 4. Perform a one-octave chromatic scale ascending and descending IB.6 IB.6 IB.6 IB.8

Reading Repertoire Improvisation/ Composition Theory/Aural 1. Read and perform whole, half, quarter, and eighth notes and corresponding rests with the quarter note receiving the count 2. Read and Perform dotted quarter and dotted half notes with the quarter note receiving the count 3. Read and Perform music in simple, duple, and triple meters 4. Read simple melodies at sight using above notes and rhythms, in the keys mentioned in the Scales section 5. Read and perform ties 6. Perform written articulations and dynamics 1. Perform unaccompanied guitar solos and ensemble parts with technical accuracy, musical phrasing, and dynamic contrast for musical expression 2. Identify and analyze composers, styles, and historical periods from materials being studied Repertoire Levels 1-2 1. Improvise rhythms and accompaniments 2. Improvise using the scales listed in Scales Section 3. Compose melodies and rhythms, up to four measures in duration, utilizing tools in the Reading Section 4. Use available music technology 1. Sing and accompany songs with chords 2. Name all notes and their enharmonic spellings from low E to A one ledger line above the staff of the Treble Clef 3. Name all notes on the fingerboard in first position 4. Demonstrate an understanding of basic music terminology 5. Identify I-IV-V(7) in the keys of F, C, G, D, A, Am, Em 6. Match pitch 7. Ability to identify key signatures F, C, G, D, A, Am, Em IB.15, IB.12 IB.5, IB.11 IB.9, IB.10, IB.11 IB.21 IB.5 IB.18 IB.18 IB.13 IB.23 IB.12

Aesthetics 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music IB.22 IB.23, IB.25 IB.24 IB.20

Guitar II Intermediate Level Technique *Students will be able to demonstrate competency in Level 1 Skills* 1. Demonstrate proper sitting position 2. Demonstrate proper left-hand and right-hand playing techniques 3. Demonstrate increased competency in the use of pick-style, rest stroke, and free stroke 4. Tune using a variety of methods 5. Perform rest and free stroke with the thumb 6. Perform right-hand arpeggio patterns with varying combinations of p, i, m, a 7. Effectively use Barre techniques 8. Demonstrate a clear and proper tone 9. Properly execute natural harmonics 10. Demonstrate completion of assignments and/or practice 11. Identify and repair minor problems of the guitar Virginia Standards of Learning II.1 II.1, II.5 II.5 II.3 II.5, II.9 II.5 II.5 II.2 II.16 II.15 Chords 1. Perform I-IV-V(V7) progressions in Bb, F, C, G, D, A, E, Dm, Am, Em 2. Accompany songs using moveable chords 3. Perform Major, minor, Major 7, minor 7, Dominant 7, moveable chords with roots on the 5th and 6 th strings Scales 1. Perform Bb, F, C, G, D, A, E Major scales in first position 2. Perform A, D, E natural and harmonic minor in first position 3. Perform one or more moveable two-octave scale forms 4. Perform one or more moveable forms of the Blues scale 5. Perform a full-range chromatic scale. Ascending and descending in eighth notes II.6 II.6 II.6 II.6 II.8

Reading Repertoire Improvisation/ Composition Theory/Aural Aesthetics 1. Demonstrate ability to read and perform rhythms that include 16 th notes, syncopation, eighth note triplets, and more complex tuplet rhythms 2. Perform written articulations and dynamics 3. Perform and accurately read at sight, simple melodies through the 5 th position using the keys listed in the Scales Section. 4. Perform and read music in compound meters 1. Perform unaccompanied guitar solos and ensemble parts with technical accuracy and musical expression 2. Identify and analyze composers, styles, and historical periods from materials being studied Repertoire Levels 3-4 1. Improvise over chords progressions in various musical styles 2. Compose a melody with chord accompaniment of at least 12 measures 1. Sing songs with accompaniments that include moveable chords 2. Demonstrate an understanding of music terminology regarding articulation and dynamics 3. Identify notes on the fretboard through the 12 th fret 4. Correctly identify and write key signatures specified in the scale column 5. Construct major scales 6. Aurally identify Major and minor 7. Analyze chord progressions that include secondary chords 8. Sing a part while other students sing or play contrasting parts 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music II.5 II.9, II.12 II.4 II.11 II.21, II.14 II.17 II.18 II.13 II.10 II.6 II.13 II.22 II.25 II.16, II.24 II.20

Guitar III Advanced Level Technique *Students will be able to demonstrate competency in Level II Skills* 1. Demonstrate proper posture and playing position 2. Perform artificial harmonics 3. Perform extended techniques such as pizzicato, Bartok pizzicato, and tambora 4. Perform RH exercises from Giuliani 120, Tarrega, or other arpeggios 5. Demonstrate increased competency in pickstyle performance (such as tremolo picking, sweep-picking, etc.) 6. Demonstrate increased competency in free stroke technique (such as Rasgueados and Travis Picking) 7. Demonstrate a clear and proper tone 8. Demonstrate completion of assignments and/or practice 9. Demonstrate musical phrasing and stylistically-appropriate interpretation of music being studied/performed 10. Identify and repair minor problems of the guitar Virginia Standards of Learning IAD.1 IAD.5 IAD.1, IAD.9 IAD.5 IAD.5 IAD.5 IAD.2, IAD.3 IAD.16 IAD.10 IAD.15 Chords Scales 1. Accompany jazz standards with appropriate jazz chord voicings 2. Arrange stylistically-appropriate chord accompaniments or counter melodies to a given melody 1. Perform first position scales up to the keys of Eb and B Major 2. Perform two-octave, moveable major, minor, and pentatonic scales 3. Perform modal scales 4. Perform a two-octave chromatic scale. Ascending and descending in sixteenth notes IAD.14 IAD.18 IAD.6 IAD.6 IAD.6 IAD.8

Reading 1. Read notes through the 12 th fret at sight 2. Read mixed and asymmetrical meters 3. Read two or more notes at once through fifth position 4. Read melodies with chromatic alterations 5. Demonstrate the a ability to read standard and jazz chord symbols IAD.12 IAD.12 IAD.12 IAD.12 IAD.21 Repertoire Improvisation/ Composition Theory/Aural Aesthetics 1. Perform solo compositions for classical guitar with technical accuracy and musical expression that incorporate tempo changes and a variety of rhythms and meters 2. Perform advanced ensemble repertoire with technical accuracy and musical expression 3. Identify and analyze composers, styles, and historical periods from materials being studied Repertoire Level 5-6 1.Improvise in rock, blues, and/or jazz styles to varying chord progressions 1. Demonstrate the ability to spell major, minor, augmented, and diminished triads 2. Sing a part while other students sing or play contrasting parts 3. Build major and minor triads 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music IAD.14, IAD.4 IAD.11 IAD.14 IAD.17 IAD.21 IAD.13 IAD.21 IAD.22, IAD.23, IAD.26 IAD.25 IAD.24 IAD.20

Guitar IV Artist Level Technique Chords Scales Reading *Students will be able to demonstrate competency in Level III Skills* 1. Effectively apply extended techniques to solo and ensemble repertoire 2. Effectively perform trills, mordents, and other ornamentation during performance 3. Discuss and promote proper use of nails and nail care 4. Produce a clear and proper tone on the instrument 5. Research career opportunities in music and appropriate college level programs 6. Work to improve the economy of motion in their performing 7. Incorporate tempo changes and a variety of rhythms and meters in materials being studied/performed 8. Demonstrate musical phrasing and stylistically-appropriate interpretation of music being studied/performed 9. Demonstrate completion of assignments and/or practice 10. Identify and repair minor problems of the guitar 1. Perform major, minor, augmented, and diminished triads in the accompaniment of jazz progressions 2. Perform extended chords such as 9 th, 11 th, and 13 th chords 1. Perform various moveable major, natural, harmonic, and melodic minor, diminished and modal scale forms in various positions 2. Perform first position scales in all keys 3. Perform a two-octave chromatic scale, ascending and descending in sixteenth notes with the quarter note getting the beat 1. Sight read music of a variety of levels and difficulty 2. Read and write rhythmic patterns in complex meters 3. Read transposed notes up an octave Virginia Standards of Learning IAR.5, IAR.9 IAR.9 IAR.2. IAR.3 IAR.3 IAR.19 IAR.1 IAR.4 IAR.10 IAR.19 IAR.17 IAR.14, IAR.23 IAR.14, IAR.23 IAR.6 IAR.6 IAR.8 IAR.12 IAR.18 IAR.12

Repertoire 4. Read music that utilizes multiple voices IAR.9 1. Use technical skills such as rubato, IAR.9 embellishments, tambora, pizzicato, ponticello, and other techniques as a means of expression. Use of these techniques will be stylistically appropriate 2. Demonstrate advanced ensemble skills such IAR.11 as matching dynamics and tone color, responding to a conductor, ability to conduct simple beat patterns 3. Perform solo compositions for classical IAR.14, IAR.21 guitar with technical accuracy and musical expression from a variety of cultures and historical time periods. Improvisation/ Composition Theory/Aural Aesthetics 1. Appropriately use modal scales in improvisation 2. Demonstrate advance improvisation in various styles 3. Compose music in more than one voice, or for more than one instrument using the available technology 1. Match pitch and vocalize melodic lines 2. Sing while other students play or sing contrasting parts 3. Ability to spell major, minor, augmented, and diminished triads 4. Effectively critique their own musical performances as well as those of other performers 5. Build augmented and diminished chords 6. Aurally identify simple chord and singlenote progressions 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music 5. Describe interrelationships between music and other fine arts disciplines IAR.15 IAR.15, IAR.27 IAR.16 IAR.13 IAR.13 IAR.23 IAR.25 IAR.23 IAR.23 IAR.22, IAR.27 IAR.25 IAR.26 IAR.20 IAR.24