Converter versus Converter

Similar documents
Levels. What is a levels histogram? "Good" and "bad" histograms. Levels

Blown Highlights: "How Much Is Acceptable?"

Geometry in composition

Defocus Control on the Nikon 105mm f/2d AF DC-

Nikon AF-S Nikkor 50mm F1.4G Lens Review: 4. Test results (FX): Digital Photograph...

DARRAN s # 3 KISS (Keep It Simple Shooter) January 2018

The Faithful Fifty. The Queen of Optics. The Faithful 50

Source: (January 4, 2010)

Aperture Explained. helping you to better understand your digital SLR camera SLR PHOTOGRAPHY GUIDE

Nikon f/ g Evaluation

Easily Smooth And Soften Skin In A Photo With Photoshop

Twinkles: Sigma 14/2.8 EX

CAPTURE FALL COLOR! SAVE $200 + FREE GIFT mm F4-5.6 DG APO. for Nikon Mount (#5A8306) SAVE $180. Was $669 NOW $369 SAVE

Nikon 200mm f/4d ED-IF AF Micro Nikkor (Tested)

Panoramas. Featuring ROD PLANCK. Rod Planck DECEMBER 29, 2017 ADVANCED

As can be seen in the example pictures below showing over exposure (too much light) to under exposure (too little light):

Eileen Donelan. What s in my Camera Bag? Minimum Camera Macro Lens Cable Release Tripod

Nikon AF-Nikkor 50mm F1.4D Lens Review: 5. Test results (FX): Digital Photography...

Pentax Da 50mm f/1.8. Canon EF 50mm f/1.8 ii. key spec. key spec. 80 / LOWeST PRICe / CANON.CO.uk 116/ ShARP AT f/1.8 / PeNTAx.CO.

Nikon 24mm f/2.8d AF Nikkor (Tested)

Nikon AF-S mm f/4e TC1.4 FL ED VR Lens Review. by E.J. Peiker

Composing Photographs

Topic 6 - Lens Filters: A Detailed Look

Shoot Headshots that Pop!

Add Rays Of Sunlight To A Photo With Photoshop

The Layer Blend Modes drop-down box in the top left corner of the Layers palette.

DIGITAL INFRARED PHOTOGRAPHY By Steve Zimic

9/19/16. A Closer Look. Danae Wolfe. What We ll Cover. Basics of photography & your camera. Technical. Macro & close-up techniques.

Source:

BLACK CAT PHOTOGRAPHIC RULES-OF- THUMB

Camera, Lens And Other Must-Have Gear

Hello, and welcome to The Global Innovation. Outlook Podcast Series, where IBM demonstrates the

MITOCW watch?v=fp7usgx_cvm

Atik Infinity; StarlightXpress Ultrastar; and Mallincam StarVision.

Want Better Landscape Photos? First Check Your Definition of "Landscape"

Crystal Vodka: the Canon 135/2.8 SF

Digital Photography Level 3 Camera Exposure Settings


Best Camera Manual Lens For Nikon D3100 Portrait

The D70 only controls one external group of flashes. You can use many external flashes, but they will fire at the same power.

David Busch's Canon Powershot G12 Guide To Digital Photography (David Busch's Digital Photography Guides) Free Ebooks PDF

The Zeiss Otus 55mm APO and Focus-Stacking. By Michael Erlewine

Today what I'm going to demo is your wire project, and it's called wired. You will find more details on this project on your written handout.

Saturday, December 1, 2012

What is Dual Boxing? Why Should I Dual Box? Table of Contents

The Zeiss Otus 55mm APO Lens and Focus-Stacking December 24, 2013 By Michael Erlewine

How to Help People with Different Personality Types Get Along

Stitching Panoramas using the GIMP

MITOCW R22. Dynamic Programming: Dance Dance Revolution

3 SPEAKER: Maybe just your thoughts on finally. 5 TOMMY ARMOUR III: It's both, you look forward. 6 to it and don't look forward to it.

Setting Up Your Canon 5d Mark Ii For Wedding Photography

MITOCW MITCMS_608S14_ses03_2

GreatProjectsGreatLife.com Unleash the Power of the Law of Attraction 1

Why Prime NIKKORs Are Now My Prime Traveling Companions

even describe how I feel about it.

The Emperor's New Repository

I use the DarkSky Map to find many of the areas we visit as well as consult other photographers.!

Photoshop Master Class Tutorials for PC and Mac

Best Camera Manual Lens For Nikon D3100 Beginner

Take Better Portraits

QHY5III290MM Review. 1 - Read noise tests. 2 - Anti Amp-glow tests. 3 - Sky surveilance tests. 4 - Test behind the scope

PARTICIPATORY ACCUSATION

CREATE A SPECTACULAR GRASS TEXT EFFECT IN PHOTOSHOP

Tidewater Camera Club Competition Score Sheet

Nikon 180mm f/2.8d ED-IF AF Nikkor (Tested)

Buying and Holding Houses: Creating Long Term Wealth

Playing With Light Lesson One: How to "See" Light

Failure is a crucial part of the creative process. Authentic success arrives only after we have mastered failing better. George Bernard Shaw

Sigma Imaging (UK) Ltd is pleased to announce that the SRP of the new mm F2.8 DG OS HSM

MITOCW watch?v=-qcpo_dwjk4

A Technical View of Bokeh

MITOCW R3. Document Distance, Insertion and Merge Sort

Best Canon Lens For Hd Video 7d Low Light >>>CLICK HERE<<<

Best Camera Manual Lens For Nikon D90 Weddings

Peter, For What It s Worth

Transcript of the podcasted interview: How to negotiate with your boss by W.P. Carey School of Business

SHA532 Transcripts. Transcript: Forecasting Accuracy. Transcript: Meet The Booking Curve

The Scrappy Little Truglo Tru-Tec (The Best Red Dot Sight Under 200 Bucks)

Macro and Close-up Photography

Glock 34 Gen 4 Review (Top 5 Reasons It's One Of The Best Long Slide Pistols Out There)

Multimedia and Arts Integration in ELA

Module 1: From Chaos to Clarity: Traders Let s Get Ready for 2015!

TABLETOP WORKSHOP. Janet Steyer

Awesome Art. Creating a Winning Game Industry Art Portfolio. 1 of 6 1/8/13 12:18 PM. By Brent Fox

How to Photograph Fireworks

A brief extract from The Photolearn Model Portfolio tutorial

Welcome to our first of webinars that we will. be hosting this Fall semester of Our first one

OG TRAINING - Recording 2: Talk to 12 using the Coffee Sales Script.

Canon 5d Mark Iii Rumors Manual Focusing. Screen Replacement >>>CLICK HERE<<<

How to Photograph Fireworks

OBERLO: A FANTASTIC APP THAT LL TURN YOUR SHOP INTO A SUPER PROFIT MAKING MACHINE BY CONNECTING IT TO ALIEXPRESS!

Nikon D750 ISO 200 1/60 sec. f/ mm lens

Block Sanding Primer Dos and Don ts Transcript

Investor Defense Destroying Call Script

The Open University xto5w_59duu

MITOCW R9. Rolling Hashes, Amortized Analysis

Best Camera Manual Lens For Canon Eos 7d Video

Canon 5d Mark Iii Rumors Manual Focus. Confirmation Light >>>CLICK HERE<<<

NFL Strength Coach of the Year talks Combine, Training, Advice for Young Strength Coaches

Zoë Westhof: Hi, Michael. Do you mind introducing yourself?

Transcription:

Converter versus Converter I've acquired two inexpensive 1.4x teleconverters: the "generic" Tamron-F 1.4x MC4 (identical to the Teleplus and cheap-o Kenko), and the decidedly more up-market Sigma EX 1.4x APO. I finally got around to doing a shootout between the two. Given Sigma's solid reputation for optics, I was expecting the Sigma EX to win in a walk... but it turns out it wasn't as simple as that. Build and design The Tamron and the Sigma side-by-side. Note the protruding front element on the Sigma: this means it can't be used with many lenses, as it'd get in the way. If you want one, be sure to check for compatibility. 1

There aren't that many things you can put on a TC, but somehow the Tamron and the Sigma manage to be different anyway. The Tamron is clearly built for economy: it has a metal body and metal mounts both ways, and the element coatings look pretty good to the eye, but paint and finish are pretty minimal. The TC is wired through: it reports the aperture setting on the attached lens, without accounting for the light loss. The Sigma looks and feels much nicer: it's heavier, has the pretty classy EX textured-gray finish, the printing is neat, and it reports the aperture correctly. Both come with a baggie to carry them in, and caps for both ends. The build definitely prejudiced me towards the Sigma... but they do say you shouldn't judge a book by its cover.note also that the Sigma, like the Canon 1.4x, has a protruding front element that means that it can't be used with many lenses with rear elements close to the back. Test set-up I shot a scene with plenty of detail with my Canon 200/2.8L and each teleconverter at f/4, f/5.6, and f/8. Then I shot the same scene without the teleconverter, and, just for kicks, with both teleconverters stacked. Then, I compared the teleconverter shots to each other and to the bare 200 mm shot up-rezzed by 1.4x. Finally, I downsampled the teleconverter shots by 0.71, and compared that to the non-teleconverter shot, sharpened somewhat to normalize contrast. I'm omitting discussion of the f/5.6 shots, as they don't really show anything that's not in the f/8 ones. Performance at f/4 Edge crops Tamron 2

Sigma 3

No TC, up-rezzed 4

Center crops Tamron 5

Sigma 6

No TC, up-rezzed 7

A couple of things strike the eye immediately: while it's clear that both teleconverters do gain resolution, they also introduce some rather unpleasant artifacts. Both do nasty things to the bokeh: they introduce color fringes, and the Tamron also smears it out circularly. The Tamron is visibly softer at the edges, although both are pretty good in the center. On the other hand, the Sigma introduces some rather nasty red-green shift, very similar to the Tokina 17. Neither loses much contrast. Color-wise, the Sigma is slightly warm, the Tamron possibly slightly cool. ("Possibly," because the light was changing as I made the shots, so I can't be 100% certain it's not because of this.) The Tamron is sharper in the center, but the Sigma is more even across the frame. I was particularly struck at how good the up-rezzed 200 mm shot looks. Very few optical artifacts visible, and still looking pretty sharp. The tell-tale is in the arcing structures: they've started to develop the beginnings of jaggies. But in any case, there's clearly a lot of room to crop and up-rez even without a teleconverter. I'll hand this round to the Sigma: despite the red-green shift, it maintains bokeh better than the Tamron, and does gain a significant amount of resolution against the up-rezzed shot. The up-rezzed 200 is very close, though: not quite as sharp, but with none of the annoying teleconverter artifacts, and it has one more very good stop of brightness in it. In less than bright daylight, I'd definitely consider shooting without the TC and up-rezzing afterwards. For birding, I'd pick the Tamron, though, as edge softness doesn't matter much for that mission. 8

Performance at f/8 Edge crops Tamron Sigma 9

No TC, up-rezzed 10

Center crops Tamron 11

Sigma 12

No TC, up-rezzed 13

On to round 2. Here, the roles are reversed. Both teleconverters perform pretty well: the smeared bokeh and edge softening are largely gone. (In fact, they were largely gone by f/5.6 -- there's really very little difference between that and f/8.) There is an obvious gain in resolution over the up-rezzed frame. However, Sigma's red-green shift is still there, and actually more obvious because of the overall better sharpness, whereas the Tamron's halation-softness is gone, and the smeared bokeh isn't smeared anymore either. So this round goes squarely to the Tamron. "Don't be an idiot" Stacked, at f/11. 14

Finally, from the "Don't be an idiot, that couldn't possibly work" department: I stacked the two TC's to get an effective 400/5.6. Guess what? It worked! Not spectacularly well, but it does produce usable quality. I'm sure a dedicated 2x teleconverter would do a much better job. I plan to own one, one of these days. Conclusion: I'm keeping the Tamron I have to say I expected better from Sigma's EX: while it maintains bokeh better and is more even across the frame, the red-green shift it introduces is a definite minus, and the yellowish color cast isn't very nice either. The Tamron is sharper in the center even wide-open, and its nasties go away almost completely just one stop down. As it's probably the cheapest 1.4x available, it's definitely excellent value for money. The Sigma is better wide open, but the Tamron is better for birding and capable of better quality stopped-down. In practice, this means that I'll stop down to f/5.6 whenever possible, and if not possible, I'll still get a decently sharp center... or just leave off the TC and crop afterwards. Neither teleconverter is bad, though. Both gain a good deal of resolution, especially stopped-down, lose very little contrast, and aberrations are largely kept under control. I have a feeling that to get much better than this, I'd have to shell out for the much more expensive Canon... or, of course, get a 300/4. Neither makes much sense for my needs, so the Tamron's staying. Anyone want to buy a good-as-new Sigma 1.4? 15

Unless otherwise indicated, all materials on this site are by Petteri Sulonen. They are licensed under the Creative Commons Attribution License [http://creativecommons.org/licenses/by/1.0/fi/]. I would appreciate it if you dropped me a line if you want to reproduce them. Any trademarks are property of their respective owners; their use is purely editorial and does not constitute an infringement. 16