Drawing I. 1. Value 2. Color 3. Form 4. Line 5. Shape 6. Texture

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Drawing I 1. Value 2. Color 3. Form 4. Line 5. Shape 6. Texture

Value Arts and 9.3 Critical Response to the Arts and (A) Explain values (B) Apply demonstrated techniques in value in a (C) Explain the use of a hard edge or soft edge in blending (D) Coordinate appropriate materials such as pencil, charcoal and pen and ink (E) Compare cross-hatching, random hatching, stippling and pressure line techniques (A) Produce achromatic and chromatic value scales by producing a with high and low contrasts (B) Produce a with cast shadows (C) Produce a with light sources (D) Produce a using cross-hatch, random hatches, stippling and pressure lines Drawing: A Contemporary Approach: Bette & Sale Video Charcoal Video Drawing Methods (A) Portfolio of specific renderings that show the use of value (D) completion of the assignment Explain the work of Caravaggio using Art & Man, Vol 20, No. 2 Illustrate the work of Caravaggio

COURSE: Drawing I GRADE(S): 10-12 Color Arts and 9.3 Critical Response to the Arts and (A) Explain the following color schemes: - Primary - Secondary - Tertiary - Complementary - Analogous - Warm / cool (B) Illustrate the use of color schemes in s (A) Draw compositions using the following: Primary color schemes Secondary color schemes Tertiary color schemes Complementary color schemes Analogous color schemes Warm / cool color schemes Living with Art Rita Gilbert Video: Drawing with Pastels Prints by: Paul Gauguin, Piet Mondrain, Henri Matisse, William Kandinsky different forms (D) Completion of assignment Explain the work of Paul Gauguin using Art & Man, Vol 20, No 1 Illustrate the work of Paul Gauguin Employ the style of Gauguin in a

Form Arts and 9.3 Critical Response to the Arts and (A) Explain the difference between simple, compound and complex forms (B) Explain the difference between shape and form (C) Render the figure in correct proportion (D) Render forms from observation (E) Coordinate appropriate materials (F) Complete a from observation (A) Draw from observation the following subjects: Figures Nature Still life (B) Draw gesture s (C) Draw organizational s Master Class in Figure Drawing: Hale How to Draw and Paint People: Marshall Video: Figure Drawing Prints: Modigliani, Georgia O Keefe different forms (D) Completion of the assignment Explain the work of Michelangelo using Scholastic Arts, Vol 22, No 1 Illustrate the work of Michelangelo Employ the style of Michelangelo in a

Line Arts and 9.3 Critical Response to the Arts and (A) Explain the following types of lines: - Sensory line - Expressive line (B) Demonstrate materials (C) Demonstrate the use of line in s (A) Engage in activities that demonstrate the use of: - Sensory Line such as: contour line, parts of lines and surface details, edges of lines and folds, structural lines - Expressive line such as: thin or mechanical lines, bold lines, accent lines, crabbed or blurred lines (B) Assorted pencils, charcoal, brush and ink (A) Portfolio of specified renderings demonstrating various line types and correct use of media (D) Presentation of work Drawing: A Contemporary Approach: Bette & Sale Drawing on the Right Side of the Brain: Betty Edwards Hooked on Drawing: Sandy Brooke Living with Art: Rita Gilbert Explain the work of Vincent vangogh using Scholastic Arts, Vol 30, No 1 Illustrate the work of Vincent vangogh Employ the style of Vincent vangogh in a

Shape Arts and 9.3 Critical Response to the Arts and (A) Explain the difference between simple, compound and complex shapes (B) Discover organize and man-made shapes (C) Arrange objects into basic shapes to create organizational s (A) Produce: Organizational s Contour s Observational s (B) Draw positive and negative exercises (C) Analyze shapes different shapes (D) Completion of the assignment Hooked on Drawing: Sandy Brooke Video: Drawing in Pencil Prints: Klee, Picasso Explain the work of Schapiro using Scholastic Arts, Vol 23, No 6 Explain the work of Lawrence using Scholastic Arts, Vol 25, No 6 Illustrate the work of Schapiro Illustrate the work of Lawrence

Texture Arts and 9.3 Critical Response to the Arts and (A) Explain the use of the range of values (B) Apply demonstrated techniques for creating texture in a (C) Explain the use of a hard edge or soft edge in blending (D) Coordinate appropriate materials such as pencil, charcoal and pen and ink (E) Compare cross-hatching, random hatching, and stippling and pressure line techniques to draw textures (A) Produce achromatic and chromatic texture scales (B) Produce a with high and low contrasts with emphasis on texture] (C) Produce a with textures (D) Produce a using cross-hatching, random hatch and stippling and pressure lines Drawing: A Contemporary Approach: Bette & Sale Video: Charcoal Drawing methods different textures (D) Completion of the assignment Explain the work of Caravaggio using Art & Man, Vol 20, No. 2 Illustrate the work of Caravaggio Employ the style of Caravaggio in a