RESIDENTIAL ARCHITECTURAL STYLES APRIL 3, 2008

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RESIDENTIAL ARCHITECTURAL STYLES APRIL 3, 2008

ITALIANATE (1850-1890) 77 N. State Street, c. 1880, High Style Example Typical characteristics: Low-pitched hipped or gabled roofs. Wide, overhanging eaves. Overall verticality. Tall windows with 2-over-2 panes. One- or two-story projecting bay windows. Square or chamfered wooden porch posts with scrolled brackets. The Italianate style was frequently used by 19 th Century Westerville home builders, and many fine examples survive. They include both high style brick residences and simpler, more vernacular examples, with both forms commonly found in Uptown Westerville.

VERNACULAR FARMHOUSE (1850-1920) 68 E. Home Street, c. 1875 Typical characteristics: Clapboard siding. Gabled roof (originally slate or standing-seam metal). Front porch with simple posts. L-shaped plan is common. Part of old Westerville s character is derived from the many examples of vernacular farmhouses which remain. Although built in the village, these homes reflect a simple, rural character. Built mostly of frame, these dwellings typically feature gabled roofs and simple design elements.

STICK STYLE (1870-1890) 30 E. College Avenue, c. 1883-85 Typical characteristics: Always built of frame. Vertical proportions. Vertical, horizontal and diagonal stickwork. Deep overhanging roofs. Porches expressing structural support. Part of Victorian architecture, the Stick Style uses external wall treatments to emphasize the building s wooden structure. This applied decoration (stickwork) usually consists of horizontal, vertical or diagonal boards. This College Avenue example (nearly identical to the house to the east) also features Stick Style porch brackets and fan-like braces for the window hoods.

QUEEN ANNE (1880-1905) 32 W. Home Street, 1898 Typical characteristics: Complex massing, irregular floor plan. Varied rooflines, with gables and dormers. Prominent chimneys, often with decorative elements. Bay and oriel windows, overhangs. Porches, with either turned posts or more classical columns. A popular domestic architectural style at the turn of the century, the Queen Anne is known for its complex massing and often exuberant decoration that mixed Victorian and classical forms. Although more restrained than some, the Westerville example here is a noteworthy example of the style.

VERNACULAR VICTORIAN (1880-1910) 56 E. Home Street, c. 1890 Typical characteristics: Porches with turned posts and spindles. Shaped hoodmolds (sometimes carved) over windows. Patterned shingles in gables. Windows or doors may be paired. Polygonal bay windows. Residential architecture built during the Victorian era could be quite ornate, with fanciful decoration, porches and bay windows. In the vernacular buildings of the period, though, Victorian elements were often applied to simple forms. The home above is a good example of this trend.

DUTCH COLONIAL REVIVAL (1895-1930) 46 W. Home Street, c. 1920 Typical characteristics: Gambrel-shaped roof. Often, symmetrical main façade; asymmetrical also used. May have porch with simple square or round posts. Gable or dormer provides 2 nd story space. The Colonial Revival style was part of a romantic architectural movement during the early 20 th Century, when Americans looked to the past for inspiration. Examples within the Uptown District include the Dutch Colonial Revival as pictured here.

AMERICAN FOUR SQUARE (1900-1925) 59 E. Home Street, c. 1910 Typical characteristics: 2 to 2½ stories. Boxy shape with low-piteched hipped roof. Centrally located dormers on front and side. Broad front porch. Brick, clapboards or shingles on walls. One of the most common house types in the early 20 th Century, the American Four Square was the ideal expression of the comfortable and affordable house. Well-suited to small building lots, this type of house was common in old Westerville.

CRAFTSMAN (1900-1930) 121 S. State Street, c. 1910 Typical characteristics: Wide, overhanging eaves. Exposed eave rafters or kneebrace brackets. Structure of chimney exposed. Windows grouped in twos or threes, often with multiple-paned sash. Pergola porches with exposed rafters. The Craftsman movement was promoted in the early 20 th Century by Gustav Stickley in his magazine The Craftsman. The buildings featured horizontal lines, natural materials and exposed structural elements such as rafters and knee-brace brackets. In the Craftsman bungalow, the front porch is built into the house rather than added on.

Stoner House, 133 S. State Street, c. 1852 FEDERAL (1825-1840) Plain, simple windows/door, multi-paned windows

56 W. Home Street GREEK REVIVAL/ITALIANATE Paneled entry, sidelights, tall windows

77 N. State Street, c. 1880 ITALIANATE Low roof, cornice/frieze, tall windows

94 S. State Street, c.1880-90 85 N. State Street, c. 1880 ITALIANATE VERNACULAR Simple cornice & windows, same massing as full style 50 E. Home Street, c.1880

68 E. Home Street, c. 1875 VERNACULAR FARMHOUSE Italianate elements, little ornamentation

47 E. Home Street, c. 1880 VERNACULAR FARMHOUSE Italianate elements, little ornamentation; could be frame or brick

27 E. Home Street, c. 1875 VERNACULAR COTTAGE Mixed details from many styles

30 E. College Avenue, c. 1883-85 STICK STYLE Expression of frame; massing, texture

30 & 34 E. College Avenue, c. 1883-85

86 N. State Street; 1895-99 STICK STYLE Multiple siding materials and details

32 W. Home Street, 1898 QUEEN ANNE Massing, texture, chimneys

40 W. Plum Street, c. 1897 QUEEN ANNE Asymmetrical, patterned shingles, varied textures, cutaway bay windows

40 E. College Avenue, c. 1895 VERNACULAR QUEEN ANNE Massing; less ornamentation & texture than full style

56 E. Home Street, c. 1890 VERNACULAR VICTORIAN Italianate & Queen Anne elements, but simpler design

91 S. State Street, c. 1923? DUTCH COLONIAL REVIVAL Gambrel roof; 20 th Century elements such as porch

59 E. Home Street, c. 1910 AMERICAN FOUR SQUARE Boxy, 4+4 rooms, simple ornamentation 103-107 S. State Street, c. 1900 Example with retail addition

26 W. Home Street, c. 1928 FOUR SQUARE VERNACULAR Similar to pure Four Square

121 S. State Street, c. 1910 CRAFTSMAN Wood, exposed structure, well-crafted details, pergola porches

168 S. State Street CRAFTSMAN Wood, low-pitched gables, unenclosed eaves, decorative wood braces

50 N. Vine Street, c. 1914

50 N. Vine Street, c. 1914 CRAFTSMAN BUNGALOW Wood, exposed rafters, knee braces, pergola-type porch post heads