WEAVING RATINGS REQUIREMENTS (revised 2017 & 2018)

Similar documents
Ontario Handweavers and Spinners Weaving Certificate Course Outline

CERTIFICATE OF ACHIEVEMENT IN WEAVING SYLLABUS

Project Planning for Weavers. Sandi Petty Judy Mooers Jan. 18, 2010

Shadow Weave Window Hangings

Plain Weave Isn t Plain

Lace by Hand. There are two kinds of weaving related lace. Loom controlled Hand manipulated

Nellie Sargent Johnson Bibliographical Notes

PLAIN WEAVE DERIVATIVES & BEYOND: WEAVES WITH FLOATS

New Orleans Weavers Guild Library Collection Weaving Books Arranged Alphabetically by Title

Robyn. Thank you again!

MLH Swatches for 2016

The samples and methods discussed only touch the surface of these techniques and many more variations can be discovered by sampling.

The Great Eight Challenge. Founded in 1938, the New Hampshire Weavers Guild will be celebrating its 80th anniversary (8 decades) in 2018.

Medieval Textile Study Group Samples 2003

Weaving twill damask fabric using section- scale- stitch harnessing

NATURAL TIME OUT WARDEN S HOUSE, BIX BOTTOM, HENLEY-ON-THAMES, OXFORDSHIRE. RG9 6BL.

Instructions. Assembly

Emilia. The Folding Rigid Heddle Loom. Learning to weave on your Emilia loom by Joanne Hall

Member s Age Year in 4-H Exhibit Placing (please circle) Purple Blue Red White

SEASON 2 EPISODES. 4- Colour & Weave Sample At the Table At the Loom

Waffle Scarf. Karen Mason

Swedish Weaving. Safety pins - Use pins to mark the center point and design starting points.

CERTIFICATE OF ACHIEVEMENT IN TAPESTRY WEAVING SYLLABUS

JACQUARD: A LOOM OF OPPORTUNITY WORKSHOP

Beautiful Handwoven Blankets:

Textiles: Secret Life of Fabrics

Adventures in Not-So-Parallel Threading, Part II by Sandra Rude

Cotton Towel With Pine Tree and Snowballs in a Dutch Linen Cupboard by Augusta Uhlenbeck

the LACIS TAPESTRY TABLE LOOM

RIGID HEDDLE LOOM. Instructions for Assembly, Warping, and Weaving

SEASON 2 EPISODES. 4- Colour & Weave Sample At the Table At the Loom

Learn to weave on the. Inklette Loom

FELTING, SPINNING & WEAVING

Backstrap Bands. Handwoven Presents LAVERNE WADDINGTON STRUCTURE EQUIPMENT YARNS WARP LENGTH SETTS DIMENSIONS BACKSTRAP LOOM

Backstrap Bands. Handwoven Presents LAVERNE WADDINGTON STRUCTURE EQUIPMENT YARNS WARP LENGTH SETTS DIMENSIONS BACKSTRAP LOOM

Linen I BED LINEN DUVET DUVET FEATHER. Sizes DUVET POLYESTER. Sizes. Filling: Goose Feather; Goose Down(percentage varies)

Some Geometric Coverlets by Ron Walter

Rose & Star Coverlets The Eligent Starr Patron Gay McGeary

Plain P Most simple and most common type of construction P Inexpensive to produce, durable P Flat, tight surface is conducive to printing and other fi

Learn to weave on the. SampleIt Loom

Make Beautiful Woven Table Runners: 4 Free Table Runner Patterns from

EPISODES. 4 - Let's Have a Little Chat About Sett Setts with Cotton Setts with Wool

assembly instructions

Emilia. The Folding Rigid Heddle Loom. Learning to weave on your Emilia loom by Joanne Hall

Should Your Next Loom Be a Dobby?

Cricket Loom. Project Instructions. Dragonfly Bag Scarf. Mug Rugs

As the Whorl Turns: What s Happening at Schacht

You Wove that on What???

KTN 741, sleeveless wool tunic. Katoen Natie, Antwerp, photo H. Maertens

Fashion Design. Fibers & Fabrics

FLIP RIGID HEDDLE LOOM

Stars and Flowers - Stretching the Limits

Dog Paw/Foot A Transition to Tied Beiderwand

MOUNTAIN VIEW SCHOOL DISTRICT. Clothing Management I

Mini Workshops. Spin Your Own Gradient Yarn with Ginger Clark. Beautiful Hems for Handwovens with Margarete Griffiths

TEXTILES - Department K

RED STONE GLEN FIBER ARTS CENTER- 2016/2017 Calendar

Books: $ $ 30.00

Mary Meigs Atwater Weaver s Guild of Utah December 2017 Vol. 63 No. 10

August Week Theory Practical. 2 nd week - Body measurements - Care to be taken while taking measurements

DIVISION H Needlework Department 2015 Marjorie Baker, Extension Associate, Textiles and Clothing

Tapestry Techniques with Claudia Chase A CraftArtEdu Class

Year 11 Revision Tasks

Loom. Métier IMPROVED! JANUARY Savoie C. P. 4 Plessisville, Qc. G6L 2Y6 TEL: FAX:

PRINTING SCARVES GOOD TO KNOW HINTS AND TIPS. Choosing the right fabrics. Distortion. Scarf sizes. Fabric layout

UNIT 4: Textiles and Fabric # Assignment

Weaving Your 1st Scarf

The German Patent Classification, Class 86 Page

Learn to weave. on the Knitters Loom

NEW YARN 2013

2011 Midwest Weavers Conference Guild Exhibit

Digital Jacquard Textile Design In A Colorless Mode

Constructing Compound Weave Structures Using ArahWeave

Crafting the Classroom

Photo 1 -Window Coverlet owned by State Museum of Pennsylvania

tbs TDC3 (5614)P 3 Draft Tanzania Standard Textiles Towels Specifications TANZANIA BUREAU OF STANDARDS

DEPARTMENT #2 ADULT FIBER ARTS

HANDSPUN/HANDWOVEN DEPARTMENT #221 Cathy Walls (831)

HANDSPUN/HANDWOVEN DEPARTMENT #221 Cathy Walls (831)

TEXTILES AND DESIGN 2/3 UNIT (COMMON) HIGHER SCHOOL CERTIFICATE EXAMINATION. Time allowed Three hours (Plus 5 minutes reading time)

A Collaborative Parabolic Quilt

Hand-Painted Rayon Bouclé Scarf Warp

DRAFT SYLLABUS FOR THE TRADE OF WEAVING OF SILK & WOOLEN FABRICS (SEMESTER PATTERN)UNDER CRAFTSMEN TRAINING SCHEME (CTS) GENERAL INFORMATION

CLOTHING CONSTRUCTION

WEAVING TECHNOLOGY II

Textile Processes Page 10

Mini Workshops. Spin Your Own Gradient Yarn with Ginger Clark. Beautiful Hems for Handwovens with Margarete Griffiths

Mary Meigs Atwater Weaver s Guild of Utah February 2016 Vol. 62 No. 2

SHEDDING. Prof. Dr. Emel Önder Ass.Prof.Dr.Ömer Berk Berkalp

DIVISION H Needlework Department 2019 Marjorie Baker, Extension Associate for Textiles and Clothing

Jasper County 4-H 2016

TUESDAY MORNING/AFTERNOON, JULY 5, :00 A.M. 6:00 P.M. DIVISION A. 4-H Needlework 1700 s

CLOTHING, NEEDLEWORK, QUILTS, & TEXTILES

Wren Feathers Jennie Bagrowski

How to Build and Use a Warp Weighted Loom

Mary Meigs Atwater Weaver s Guild of Utah June 2016 Vol. 62 No. 6

TempoTreadle. Why TempoTreadle? Treadle Tracking System for Traditional Looms

RED STONE GLEN FIBER ARTS CENTER 2016 CLASS DESCRIPTIONS

Tzouhalem Spinners and Weavers Guild Newsletter

DIVISION P NEEDLEWORK Rugs, Pillows, Household Linen, Other Needlework/Machine Needlework, Machine Embroidery, Any Holiday

Transcription:

WEAVING RATINGS REQUIREMENTS (revised 2017 & 2018) The purpose of these ratings is to offer formal Guild recognition to members who are interested in expanding their knowledge and skills, and are willing to expose their work to a formal critiquing process. Ratings work is an exercise; it is not necessarily an example of your particular style. Items woven from published projects, such as in Handwoven Magazine, are not acceptable. Every article must be handwoven by the applicant. Workmanship, function, design, and originality must be acceptable to the judges. An applicant must satisfy the requirements for Apprentice and Journeyman prior to applying for Master Weaver rating. Each guild member may apply for only one rating level per year. An applicant must be an HGC member in good standing by January 1 of the year weavings are submitted for ratings. A network of mentors, knowledgeable to the process (at least holding the journeyman ratings or the equivalent) will be available to lead and help when there are questions about understanding directions or checking finished pieces. The mentors will give suggestions to the best of their ability. Contact the Ratings chair to get the name of the mentor for your Area. The Ratings Chairperson shall select two judges, one of which shall be a Master Weaver or the equivalent. Submissions are due at the March meeting, every year, with awards presented at the May meeting. Work submitted for one rating may not be resubmitted for a higher rating. Submitted work should be carefully boxed. The weaver should not be identified by name on any article or notebook. A candidate whose work has not met the requirements may reapply within two years, with new pieces replacing the rejected ones. Entry Fees will be collected by the chairperson at the time of submission: Apprentice $25.00 Journeyman $50.00 Master weaver $75.00 The following book list and glossary may be helpful in your work: Booklist Atwater, Mary The Shuttle-Craft Book of American Hand Weaving Black, Mary New Key to Weaving Bress, Helene The Weaving Book Chandler, Deborah Learning to Weave Collingwood, Peter Techniques of Rug Weaving Davison, Marguerite A Handweaver s Pattern Book Dixon, Anne A Handweaver s Pattern Directory Frey, Berta Designing and Drafting for Handweavers Harvey, Nancy Tapestry Weaving Strickler, Carol A Weaver's Book of 8-Shaft Patterns Tidball, Harriet The Weaver s Book van der Hoogt, Madelyn The Complete Book of Drafting Weavers Guild of Boston Processing and Finishing Handwoven Textiles West, Virginia Finishing Touches for the Handweaver

GLOSSARY 1. Article: a usable, finished item 2. Cartoon: a design on paper that can be placed under the web 3. Damask: a patterned satin weave structure which combines weft-faced satin and warp-faced satin in block form, requiring a minimum of 10 shafts 4. Draft: a graphic representation of threading, tie-up, and treadling. X s indicate a sinking shed; O s indicate a rising shed 5. Drawdown: a picture of the cloth on graph paper, showing at least 1 1/2 repeats of the weave structure 6. Finishing: the fulling or washing of an article, as well as its pressing, hemming, and/or fringing 7. Originality: the quality of freshness and uniqueness 8. Profile Draft: a shorthand method for writing a threading draft 9. Satin: a weave structure based on a unit of 5 or more ends, with binding points set over two or more ends on successive picks distributed in an unobtrusive manner 10. Tabby (plain weave): A simple over and under interlacement of warp and weft 11. Twill: a weave structure characterized by the formation of diagonal lines 12. Weave structure: refers to the interlacement of threads Loom-controlled weaves include: a. Plain Weave (Balance, Basket, Rep, etc.) b. Twill (2/2, Warp-faced, Weft-face, etc.) c. Satin (Damask, etc.) Weaver-controlled weaves include: a. Inlay b. Leno c. Danish Medallion, etc. For further definitions of terms, see the booklist. GENERAL INFORMATION 1. Sizes listed are for finished articles and are minimum sizes. You are permitted to make larger pieces. 2. Articles should be properly finished. 3. All visible stitching should be done by hand. 4. Pillows should be left unstuffed so that selvages may be judged. Pillow seams may be machine-stitched on three sides, leaving the fourth side unstitched to facilitate inspection. 5. Wall hangings must be ready to hang. 6. A notebook must accompany each rating application. For each submitted article include: a. a draft sheet (drafts may be computer generated) b. samples of warp and weft yarns c. a drawdown for each draft is encouraged for apprentice and required for journeyman and master. Drawdowns may be computer generated. 7. Number pages of the notebook consecutively. 8. Use Handweavers Guild of Connecticut official draft sheets or create your own. Besides showing threading, tie-up, and treadling, the draft sheet must list the following: loom: rising, sinking, or countermarch ends/repeat design software (if applicable) ends to balance weave structure/technique picks per inch pattern and source finishing details warp: size, fiber, color, source shrinkage weft: size, fiber, color, source comments of interest reed, sett (epi), sley (epd) personal design inspiration 9. Written work should be neat and legible (may be computer generated). 10. All articles must be labeled with appropriate letter(s) and/or number(s) to correspond with notebook pages. Include cartoons where necessary. 11. Use any type of loom, from backstrap to computer assisted, unless otherwise noted.

HANDWEAVERS GUILD OF CONNECTICUT APPRENTICE RATING The purpose of the Apprentice exercise is to show you can weave with a variety of fibers, and that you have: even beating pleasing effect even edges error-free weaving proper finishing I. Weaving requirements Submit four finished articles, all woven on a loom with shafts. Items woven on a computer assisted loom are not acceptable for Apprentice. (see General Information, #11). A. Each article submitted should be different. For example: a placemat a table runner a pillow cover a dish towel a stole a guest towel, etc. B. Each article should be woven on a warp of a different fiber. Yarns of the following fibers must be used: all wool all cotton linen or cottolin your choice (but none of the above), such as silk, rayon chenille, polyester, mixed fiber yarns, etc. C. The weft material is your choice. It must be compatible with and appropriate for the warp size and sett. The weft may not completely cover the warp D. Use at least four different weave structures. E. Each finished article should be no smaller than 8 in width (the warp in the reed must be sufficient to produce a finished width of at least 8 ) and 15 in length, excluding fringe. It may be woven larger. F. Selvages must be visible on each article. G. Use four different edge finishes. One article must be finished with hem stitching. II. Color and design exercises A. Using all the same kind of yarn, present a twelve-hue color wheel of your own making. Pay particular attention to maintain color values. B. Make three different color wrappings by winding yarn on heavy cardboard. Illustrate the following in your wrappings: 1. use of proportion in a black and white sequence 2. use of proportion in an analogous color sequence 3. use of textures in a color composition. III. Technical requirements A. For any one of your finished articles calculate the amount of yarn needed for the warp and for the weft. Submit your calculations for this and include samples of the yarn. B. Make a drawdown, by hand, of each of the following: 1. Broken Twill. This is a warp drawdown. 2. Overshot (do not include tabby) This should be a weft drawdown. Show at least 1 1/2 repeats of the pattern in both warp and weft. C. Submit a notebook containing information about each article. See General Information.

HANDWEAVERS OF CONNECTICUT JOURNEYMAN RATING The purpose of the Journeyman exercise is to correlate what you have learned from all sources (teachers, books and your own experience) and to demonstrate your mastery of a variety of more complex and advanced techniques. It should expand your knowledge of weaving. I. Weaving requirements Any item may be submitted for two classifications, if it satisfies both. Each article (unless otherwise stated) should be a minimum of 10 inches wide and 15 inches long, excluding fringe. Use at least four different edge finishes. Submit the following articles: A. One finished color blanket with at least 3 primary and 3 secondary colors, plus black, white, and gray. Minimum size is to be 18 by 18 in balanced plain weave. Warp colors are to be repeated in the weft in the same proportions, at least 2 per color. Show the yarn colors by finishing with fringe. B. One sampler of 6 treadling variations on one Overshot pattern. Use at least 3 repeats of the pattern. One variation will be treadled as-drawn-in and one rose fashion; others are your choice. Possibilities include polychrome, opposites, inlay on pattern, and swivel. (See Bress: The Weaving Book or other reference). Show the complete threading, tie-up, and treadling. C. One sampler showing different twill weaves and variations. Include at least 5 different threadings and separate them by warp ends in contrasting color. Treadle as-drawn-in, squaring each pattern and dividing by contrasting weft colors. Minimum size: 15 by 15. Include complete draft for each asdrawn-in pattern (total of 5). D. One length of an all-wool fabric, at least 24 wide and 36 long. E. Finished articles in 2 hand-manipulated lace weaves, as follows: 1. One finished article of an in-laid technique, such as plain laid-in, Italian laid-in, Dukagang or Half Dukagang, or Brocade 2. One finished article of a finger-manipulated weave, such as Leno, Danish Medallion, Brooks Bouquet, or Spanish Lace F. A finished article in linen with a loom-controlled lace effect from one of the following weaves, using enough of the lace weave to make an attractive piece: 1. Swedish Lace 2. Atwater Bronson Lace 3. Huck Lace G. One finished article with a loom-controlled border on four sides H. Eight finished articles from the following weave structures, using traditional threading and treadling. Each article should incorporate one weave structure. More than one color must be used in at least six of these articles. At least 75% of the article should be in the chosen weave structure. 1. Warp-faced (no damask) 8. Spot Bronson 2. Weft-faced (no damask) 9. A Tied Weave 3. Twill 10. Crackle 4. Honeycomb 11. Satin 5. Overshot 12. M s and O s 6. Deflected Double Weave 13. Monks Belt 7. Shadow 14. Waffle II. Technical requirements: A. Using any one of your finished articles, design a profile draft. Make a drawdown from this profile. Interpret the profile in Summer and Winter and Lace Bronson by giving complete threading drafts for these two weaves. B. Submit a notebook containing information about each article. See General Information.

HANDWEAVERS GUILD OF CONNECTICUT MASTER WEAVER RATING The purpose of the Master Weaver exercise is to allow the handweaver to demonstrate an ability to create independently with no assistance from anyone. The work must show originality and excellence in design, color, and structure. It must be perfect in technique and outstanding in every way. I. Weaving Requirements A. Weave a sample blanket of Color and Weave effects showing patterns based on interlacement of dark and light threads. Thread 5 variations side by side, using contrasting threads to separate them. Weave as drawn in. Include a complete color and weave draft for all the treadlings. 1. Weave a finished article using one of these Color and Weave patterns. B. Design and weave a two or three panel finished article. The minimum size is 40 by 40. Examples include a tablecloth, a coverlet and a blanket. i. 1. The weave structure of this article must be either Overshot or Summer and Winter. ii. 2. The panels are to be sewn together by hand, matching blocks. C. Design a Damask table runner. 1. Show the draft and drawdown. Also include a profile draft and its drawdown. 2. Weave a finished article, minimum width 12, using the draft you have developed on paper. D. Weave 6 different rug samples on one or more warps. Samples should be no less than 10 in width and approximately 10 in length. Include both flat and pile weaves. Use at least two different fringe finishes. E. Weave three finished articles of Double Weave, each finished warp to be no less than 15 wide and each finished length to be no less than 15 long, as follows: 1. Double-width fabric in any color or texture 2. An original design in Finn Weave 3. Stitched Double Weave F. Weave a tapestry from an original design using curves, diagonals, and straight lines. Minimum size is 100 square inches. The tapestry should be ready for hanging. Include cartoon or design in notebook. G. Weave a finished article using a supplementary warp. II. Originality Requirements Design, weave, and submit 5 different finished articles. All must be of original design. The minimum size is 15 by 15. One article is to be woven in each of 5 of the following. Use a variety of yarns, from fine to coarse. Use yarn of 5 different grists. The yarn used as weft should be the same as that used for warp. A. All wool D. All cotton B. All singles linen E. All silk C. All plied linen F. A combination of any yarns III. Technical Requirements A. Textile analysis Submit a complete draft sheet for the 8-shaft sample given to you for analysis. Write to Ratings Chairperson requesting the sample. B. Color exercise 1. Using an article from nature and information on color you have learned in the ratings, interpret the object using at least 6 hues, shades, or tints. Weave a finished article of your choice in a weave structure of your choice. Include the object from nature or a colored print of it in your notebook. 2. Present a short explanation of the following color harmonies and assemble two examples of each, using fabric or yarn, one example using pure hues and the other example using combinations of tints and shades: a. Monochromatic d. Split complementary b. Analogous e. Triad c. Complementary C. Submit a notebook containing information about each article. See General Information.