Sunderland, NE England

Similar documents
Multimedia Systems Color Space Mahdi Amiri March 2012 Sharif University of Technology

A World of Color. Session 4 Color Spaces. OLLI at Illinois Spring D. H. Tracy

Image and video processing (EBU723U) Colour Images. Dr. Yi-Zhe Song

Mahdi Amiri. March Sharif University of Technology

Color Science. What light is. Measuring light. CS 4620 Lecture 15. Salient property is the spectral power distribution (SPD)

COLOR and the human response to light

What is Color Gamut? Public Information Display. How do we see color and why it matters for your PID options?

Light. intensity wavelength. Light is electromagnetic waves Laser is light that contains only a narrow spectrum of frequencies

Color and perception Christian Miller CS Fall 2011

Wireless Communication

excite the cones in the same way.

The Science Seeing of process Digital Media. The Science of Digital Media Introduction

Observing a colour and a spectrum of light mixed by a digital projector

Color and Color Model. Chap. 12 Intro. to Computer Graphics, Spring 2009, Y. G. Shin

Color and Perception

Color Science. CS 4620 Lecture 15

Images. CS 4620 Lecture Kavita Bala w/ prior instructor Steve Marschner. Cornell CS4620 Fall 2015 Lecture 38

Color Image Processing. Gonzales & Woods: Chapter 6

COLOR. and the human response to light

Raster Graphics. Overview קורס גרפיקה ממוחשבת 2008 סמסטר ב' What is an image? What is an image? Image Acquisition. Image display 5/19/2008.

קורס גרפיקה ממוחשבת 2008 סמסטר ב' Raster Graphics 1 חלק מהשקפים מעובדים משקפים של פרדו דוראנד, טומס פנקהאוסר ודניאל כהן-אור

Colors in images. Color spaces, perception, mixing, printing, manipulating...

Technology and digital images

What is Color. Color is a fundamental attribute of human visual perception.

Victor Ostromoukhov Université de Montréal. Victor Ostromoukhov - Université de Montréal

A World of Color. Session 5 Colors of Things. OLLI at Illinois Spring D. H. Tracy

Light and Applications of Optics

skip chap. 8 for now Chap. 9 Color (continued) Lecture 19 Tuesday, October 26

The Principles of Chromatics

Color. Color. Colorfull world IFT3350. Victor Ostromoukhov Université de Montréal. Victor Ostromoukhov - Université de Montréal

CS6640 Computational Photography. 6. Color science for digital photography Steve Marschner

Image Processing for Mechatronics Engineering For senior undergraduate students Academic Year 2017/2018, Winter Semester

CS 565 Computer Vision. Nazar Khan PUCIT Lecture 4: Colour

Announcements. Electromagnetic Spectrum. The appearance of colors. Homework 4 is due Tue, Dec 6, 11:59 PM Reading:

Introduction to Computer Vision CSE 152 Lecture 18

Colors in Images & Video

Colour. Cunliffe & Elliott, Chapter 8 Chapman & Chapman, Digital Multimedia, Chapter 5. Autumn 2016 University of Stirling

Multimedia Systems and Technologies

Bettina Selig. Centre for Image Analysis. Swedish University of Agricultural Sciences Uppsala University

Reading. Foley, Computer graphics, Chapter 13. Optional. Color. Brian Wandell. Foundations of Vision. Sinauer Associates, Sunderland, MA 1995.

Visual Imaging and the Electronic Age Color Science

Dr. Shahanawaj Ahamad. Dr. S.Ahamad, SWE-423, Unit-06

LECTURE 07 COLORS IN IMAGES & VIDEO

Digital Images. Back to top-level. Digital Images. Back to top-level Representing Images. Dr. Hayden Kwok-Hay So ENGG st semester, 2010

Andrea Torsello DAIS Università Ca Foscari via Torino 155, Mestre (VE) Color Vision

Digital Image Processing COSC 6380/4393. Lecture 20 Oct 25 th, 2018 Pranav Mantini

Introduction to Color Science (Cont)

Color. Chapter 6. (colour) Digital Multimedia, 2nd edition

LECTURE III: COLOR IN IMAGE & VIDEO DR. OUIEM BCHIR

10.2 Color and Vision

Slide 1. Slide 2. Slide 3. Light and Colour. Sir Isaac Newton The Founder of Colour Science

Color Reproduction. Chapter 6

Color & Graphics. Color & Vision. The complete display system is: We'll talk about: Model Frame Buffer Screen Eye Brain

Color Computer Vision Spring 2018, Lecture 15

Color , , Computational Photography Fall 2017, Lecture 11

Color and Perception. CS535 Fall Daniel G. Aliaga Department of Computer Science Purdue University

Digital Images. CCST9015 Oct 13, 2010 Hayden Kwok-Hay So

05 Color. Multimedia Systems. Color and Science

The topics are listed below not exactly in the same order as they were presented in class but all relevant topics are on the list!

Announcements. The appearance of colors

Future Electronics EZ-Color Seminar. Autumn Colour Technology

Vision Basics Measured in:

Color images C1 C2 C3

Color images C1 C2 C3

Lecture 3: Grey and Color Image Processing

Color , , Computational Photography Fall 2018, Lecture 7

Graphics and Image Processing Basics

Sensation, Part 4 Gleitman et al. (2011), Chapter 4

Test 1: Example #2. Paul Avery PHY 3400 Feb. 15, Note: * indicates the correct answer.

Colour. Why/How do we perceive colours? Electromagnetic Spectrum (1: visible is very small part 2: not all colours are present in the rainbow!

Colour. Electromagnetic Spectrum (1: visible is very small part 2: not all colours are present in the rainbow!) Colour Lecture!

Unit 8: Color Image Processing

To discuss. Color Science Color Models in image. Computer Graphics 2

Digital Color Workflows and the HP DreamColor LP2480zx Display

12 Color Models and Color Applications. Chapter 12. Color Models and Color Applications. Department of Computer Science and Engineering 12-1

Lecture Color Image Processing. by Shahid Farid

Color Perception. Color, What is It Good For? G Perception October 5, 2009 Maloney. perceptual organization. perceptual organization

Digital Image Processing Color Models &Processing

Understanding Color Theory Excerpt from Fundamental Photoshop by Adele Droblas Greenberg and Seth Greenberg

Introduction to Color Theory

University of British Columbia CPSC 314 Computer Graphics Jan-Apr Tamara Munzner. Color.

Additive. Subtractive

Light waves. VCE Physics.com. Light waves - 2

Vision. The eye. Image formation. Eye defects & corrective lenses. Visual acuity. Colour vision. Lecture 3.5

Camera Image Processing Pipeline: Part II

Color image processing

Digital Imaging with the Nikon D1X and D100 cameras. A tutorial with Simon Stafford

EECS490: Digital Image Processing. Lecture #12

Reading for Color. Vision/Color. RGB Color. Vision/Color. University of British Columbia CPSC 314 Computer Graphics Jan-Apr 2013.

Image Perception & 2D Images

Introduction to Multimedia Computing

Color vision and representation

12/02/2017. From light to colour spaces. Electromagnetic spectrum. Colour. Correlated colour temperature. Black body radiation.

Comparing Sound and Light. Light and Color. More complicated light. Seeing colors. Rods and cones

Images and Displays. Lecture Steve Marschner 1

Camera Image Processing Pipeline: Part II

Considerations of HDR Program Origination

Color. Computer Graphics CMU /15-662

Lecture 8. Color Image Processing

Color Image Processing

Transcription:

Sunderland, NE England Robert Grosseteste (1175-1253) Bishop of Lincoln Teacher of Francis Bacon Exhibit featuring color ideas of Robert Grosseteste Closes Saturday! Exactly 16 colors: (unnamed) White 7 near-white 7 near-black Black 3/8/18 World of Color 7 1

A World of Color Session 7 Color Recording and Reproduction OLLI at Illinois Spring 2018 D. H. Tracy

Motion Silencing 3/8/18 World of Color 7 3

3/8/18 World of Color 7 4

3/8/18 World of Color 7 5

Togo 3/8/18 World of Color 7 6

Course Outline 1. Overview, History and Spectra 2. Nature and Sources of Light 3. Eyes and Color Vision 4. Color Spaces and Color Mixing 5. Origins of Colors of Things 6. Visual Perception: Neurons and the Brain 7. Color Recording and Reproduction, Media 8. Color in Arts and Culture, Emotive Aspects 3/8/18 World of Color 7 7

Session 7 Outline Opponent Theory Color Imaging and Reproduction Electronic (cameras, video, movies) Print media 3/8/18 World of Color 7 8

Goethe s woman in red at an Inn Optical Illusion is Optical Truth J. W. Goethe 3/8/18 World of Color 7 9

Chromatic Opponents Hermann von Helmholtz (1821-1894) Ewald Hering (1834-1918) Proponent of Young-Helmholtz-Maxwell Tristimulus Theory In Goethe Tradition Proposed Opponent 4-Color Theory 3/8/18 World of Color 7 10

Questions Asked of Subjects Type A Questions: Objective Answers (e.g. Yes/No) Are these patches different? Type B Questions: Subjective Judgments/Opinions Describe this color. Is it reddish? Is it greenish? 3/8/18 World of Color 7 11

Questions Asked of Subjects Type A Questions: Objective Answers (e.g. Yes/No) What symbol do you see? Type B Questions: Subjective Judgments/Opinions Describe this color. Is it reddish? Is it greenish? 3/8/18 World of Color 7 12

Hering s Unique Colors Particular colors that are described as not containing any of the others Hering claimed these are particular types of Red Green Yellow Blue Unique Red Unique Green Unique Yellow Unique Blue and they form Opponent Pairs Red-Green Blue-Yellow White-Black 3/8/18 World of Color 7 13

Microsoft Office Color Model srgb Gamut 2/22/2018 World of Color 5 14

Approximate Unique Colors 2/22/2018 World of Color 5 15

Typical Unique Colors Pointer s Gamut srgb Blue ~470 nm Green ~ 510 nm Yellow ~ 575nm* Red ~650 nm (but with a little 490 added) Unique Yellow varies with individuals from 565-590nm, but is highly reproducible in each person. 2/22/2018 World of Color 5 16

Typical Unique Colors Blue ~470 nm Green ~ 510 nm Yellow ~ 575nm* Red ~650 nm (but with a little 490 added) Unique Colors do have meaning, and reflect some neurological reality. Almost everyone can learn to find them quickly. Works across cultures Broadly similar locations, but with some variation person to person Very stable in each individual Unique Yellow varies with individuals from 565-590nm, but is highly reproducible in each person. 2/22/2018 World of Color 5 17

Hering Color Wheel Unique Green, e.g. Note that Opponents Yellow and Blue never mix. Ditto for Opponents Green and Red Zero Sum Game Hering: There is a Green-Red Substance : Green is increasing amount of Substance Red is decreasing amount of Substance 3/8/18 World of Color 7 18

How could Tristimulus and Opponency be Reconciled? Early on (1905), it was realized that subtracting tristimulus channels could implement opponency: Green Red or Red-Green Blue - Yellow = Blue (Red+Green) Much later, color opponent ganglion receptive fields were found in the retina (and also in the LGN) 3/8/18 World of Color 7 19

Color Detection Remember the Color Opponent Retinal Ganglion Cells? + + + + + + + + Yellow = R + G 3/1/18 World of Color 6 20

Current Understanding Opponent Ganglion Cell outputs could roughly explain subjective color sensations, but These low level signals are not directly available to higher vision regions They turn out not to produce the right Hering perceptions anyway Where and how we get our subjective color experiences remains unknown 3/8/18 World of Color 7 21

Digital Imaging 101101001 3/8/18 World of Color 7 22

Relative Sensitivity Relative Intenisty Spectrum of Light Reflected from Green Leaf S M L λ 2/15/2018 World of Color 4 23

Relative Intenisty Direct Approach: Measure the Whole Spectrum [every 10 nm, e.g.] ❶ ❷ ❸ ❹ 30 Spectrum of Light Reflected from Green Leaf λ 2/15/2018 World of Color 4 24

Digital Imaging with 30 Spectral Channels [30 intensity values] lots of data! $1 million boxes? This system would do a great job. The color gamut would be complete. It would work for color deficient people, as well as birds, fishes, etc. There would be no color reproduction errors. Projector needs 30 light sources [30 different colors (wavelengths) superimposed on each pixel displayed] 3/8/18 World of Color 7 25

If 30 Channels is too extravagant, what is the minimum number of spectral channels? 3/8/18 World of Color 7 26

If 30 Channels is too extravagant, what is the minimum number of spectral channels? 3 More would be better, but 3 is enough to be useful 3/8/18 World of Color 7 27

If 30 Channels is too extravagant, what is the minimum number of spectral channels? 3 CIE 1931 Chromaticity Diagram 3/8/18 World of Color 7 28

Digital Imaging with 3 Channels Acquire 3 Images: Red Green Blue 101101001 Not the same R, G & B spectra! Display 3 Images: Red Green Blue 3/8/18 World of Color 7 29

Most Common: Liquid Crystal Displays 3/8/18 World of Color 7 30

Show crossed polarizers 3/8/18 World of Color 7 31

3 Chip Liquid Crystal Projector 3/8/18 World of Color 7 32

3 Chip LCD Projector 3/8/18 World of Color 7 33

Organic LED Panel for Cell Phone,Monitor or TV OLED Small colored LEDs actually emit the light 3/8/18 World of Color 7 34

Digital Mirrors 3/8/18 World of Color 7 35

Digital Mirror Projection Micro mirrors in focal plane can reflect light into projection lens, or off to one side, with sub-millisecond timing 3/8/18 World of Color 7 36

Digital Mirror Projection 3/8/18 World of Color 7 37

Digital Mirror Projectors for Video or Cinema 3/8/18 World of Color 7 38

Official Gamut used for Computer Displays and HDTV: srgb Rec 709 Note: Colors shown are not nearly accurate! 3/8/18 World of Color 7 39

3/8/18 World of Color 7 40

3/8/18 World of Color 7 41

Newer Gamuts DCI-P3 Digital Cinema (+ Some 4K HDTV) srgb, Rec 709 (HDTV, BluRay) Pointer s Gamut 3/8/18 World of Color 7 42

Newer Gamuts Some Cell Phones reach P3 Gamut Apple X Samsung S8 Google Pixel-2XL Some recent 4K HDTVs reach 90% of P3 (WCG) BluRay uses Rec709 [UHD BluRay can use Rec2020] Pointer s Essentially no Gamut Rec2020 equipment available Rec 2020 (Goal for U-HDTV) DCI-P3 Digital Cinema (+ Some 4K HDTV) srgb, Rec 709 (HDTV, BluRay) 3/8/18 World of Color 7 43

Bigger Gamut with 4 Colors: RGB+Yellow Sharp s Aquos QuadColor LCD TV 3/8/18 World of Color 7 44

White Patch Spectra as seen on 2 RGB Display Types Original (roughly) srgb Display P3 Display 3/8/18 World of Color 7 45

3/8/18 World of Color 7 46

Demo: Compare White Patch Spectra from tungsten lamp, Epson 3LCD Projector, and cell phone OLED display 3/8/18 World of Color 7 47

A bit about color encoding 3/8/18 World of Color 7 48

Luminance is the main element in human vision Color is added in as a bonus 3/1/18 World of Color 6 49

Video Encoding RGB stored as YUV (Y CbCr) R G B Y = Luminance Chroma U Chroma V 3/1/18 World of Color 6 50

Video Encoding RGB stored as YUV (Y CbCr) but video broadcast, stored on BluRay, or streamed on internet to consumers is subsampled! R G B Y = Luminance Chroma U Chroma V 1 in 4 Pixels sent! 1 in 4 Pixels sent! 3/1/18 World of Color 6 51

8 Pixels from Original Scene Same 8 Pixels after Chroma Subsampling Compare! Y (Luma) Chroma Eyes Can t Tell the Difference! 4:4:4 4:2:0 3/1/18 World of Color 6 52

8 Pixels from Original Scene Same 8 Pixels after Chroma Subsampling Compare! Y (Luma) Chroma 4:4:4 Data transmitted: 8 Y Luma values 8 Chroma U values 8 Chroma V values Total: 24 numbers Eyes Can t Tell the Difference! 4:2:0 Data transmitted: 8 Y Luma values 2 Chroma U values 2 Chroma V values Total: 12 numbers 3/1/18 World of Color 6 53

Digital Imaging with 3 Channels Acquire 3 Images: Red Green Blue 101101001 Data Storage Display 3 Images: Red Green Blue 3/8/18 World of Color 7 54

Digital Imaging with 3 Channels Acquire 3 Images: Red Green Blue 101101001 Data Storage Display 3 Images: Red Green Blue 3/8/18 World of Color 7 55

Relative Sensitivity What Should the 3 Camera Channels Be? A logical choice. why not use human Cone responses? S M L Human Cone Responses λ 2/15/2018 World of Color 4 56

Using Cone Responses for 3 Camera Channels allows color and luminosity to be uniquely identified. Display Gamut 2/15/2018 World of Color 4 57

Some Typical Camera Response Curves NIR needs Blocking! 2/15/2018 World of Color 4 58

Using Response from the 3 Camera Channels allows color and luminosity to be only roughly guessed*. Display Gamut * when camera RGB filters differ from human cones 2/15/2018 World of Color 4 59

Building a Camera Sensor (CCD or CMOS) Microlenses with color filters on each sensor pixel Bayer Pattern Doubling up on Green pixels improves luminance spatial resolution 2/15/2018 World of Color 4 60

Sensor (CCD or CMOS) Building a Camera Front and back cell phone cams Bayer Pattern 2/15/2018 World of Color 4 61

Building a Camera Sensor (CCD or CMOS) DSLR Bayer Pattern 2/15/2018 World of Color 4 62

3 Chip Camera Optics: High End Blue Channel Used with CCD sensors, less necessary with newer CMOS sensors Red Channel Glass Prisms Green Filter Green Channel Permits more accurate control of RGB filter profiles, and much higher sensitivity at low light levels. 3/8/18 World of Color 7 63

3-Chip Cameras for Cinematography and Broadcast TV 3/8/18 World of Color 7 64

CMYK Printing on Paper Key Yellow Magenta Cyan White Paper Transparent Inks Have Subtractive Color (8 including White) C M Y K Halftone Dots Rotated Seen from a distance Halftone Dots Allow Lighter, Less Saturated Colors Allows random overlaps of dots 3/8/18 World of Color 7 65

CYMK Halftone Close Up 3/8/18 World of Color 7 66

More Gamuts [Software Bug!] [Consumer Displays] Hexachrome 6-ink Subtractive Printing [Standard 4-ink Printing] Printed Ink Gamuts do not approach saturated spectral locus 3/8/18 World of Color 7 67