Diazo C Microfilm 1957, 2957, 3957 Diazo D Microfilm 1956, 2956, 3956

Similar documents
IMAGELINK Diazo Duplicating Microfilms

Kodak Thermal Print Microfilms

Computer Output Microfilm Data Sheet

EASTMAN EXR 200T Film 5287, 7287

EASTMAN EXR 500T Film 5298

KODAK EKTACHROME 64T Professional Film

TECHNICAL DATA / COLOR REVERSAL FILM January 1998 E-154

KODAK VISION Expression 500T Color Negative Film / 5284, 7284

Camera Negative Microfilm Data Sheet

KODAK EKTACHROME 64 Professional Film

EASTMAN EXR 200T Film / 5293, 7293

KODAK EKTACHROME 100 Plus Professional Film

1 MPTVI DATA SHEET XXXXXXXXXXX

KODAK EKTACHROME 64 Professional Film

KODAK EKTACHROME 160T Professional Film / EPT

ELITE Chrome 100 Film

KODAK PRIMETIME 640T Teleproduction Film / 5620,7620

KODAK EKTACHROME RADIANCE III Paper

EASTMAN TRI-X Reversal Film 7278

KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX Grain as Fine as Your Art.

KODAK PROFESSIONAL ELITE Chrome 200 Film

EASTMAN PLUS-X Reversal Film / 7276

ELITE Chrome 400 Film

EASTMAN EKTACHROME High Speed Film (Tungsten) 7250

KODALITH Ortho Films 2556,6556, Type 3

KODAK AEROCHROME III MS Film 2427

KODAK PROFESSIONAL PRO IMAGE II Paper

KODAK PROFESSIONAL TRI-X 320 and 400 Films

KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film

KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film

KODAK ROYAL Digital Paper

TECHNICAL DATA / COLOR PAPER July 2003 E-23

KODAK EKTASCAN IR Laser Imaging Film / 1356 / EIR

KODAK PROFESSIONAL Display and Print Materials

IMAGELINK Reference Archive Media

KODAK TRI-X Pan and KODAK TRI-X Pan Professional Films

TECHNICAL DATA / COLOR PAPER July 2003 E-19

KODAK VERSALITE TDF Film

KODAK High Speed Infrared Film

KODAK PROFESSIONAL EKTACHROME Film E100VS

KODAK PROFESSIONAL EKTACHROME Film E100VS

KODAK High Definition 400 Film

KODAK VISION3 Color Digital Intermediate Film 5254 / 2254

KODAK Medical X-ray Film / General Purpose / Blue / 3528 / MXB

KODAK PROFESSIONAL ENDURA Transparency and Clear Display

TECHNICAL DATA / COLOR NEGATIVE FILM February 1998 E-44

AF3-024E COLOR REVERSAL FILMS 1. FEATURES AND USES 2. SPEED

FUJICHROME PROVIA 1600 Professional [RSP]

KODAK Infrared AEROGRAPHIC Film 2424

TECHNICAL DATA / COLOR TRANSPARENCY FILM

KODAK PROFESSIONAL ENDURA Transparency and Clear Display

KODAK Panchromatic Separation Film 2238

KODAK PROFESSIONAL EKTACHROME. Films E100S and E100SW TECHNICAL DATA / COLOR REVERSAL FILM KODAK PROFESSIONAL EKTACHROME DESRIPTION FILM E100S

FUJICOLOR NPC 160 PROFESSIONAL [NPC]

KODAK Simulation Film / 7157

FUJICHROME PROVIA 400F Professional [RHPIII]

KODAK INDUSTREX AA400 Film Versatility is the key.

KODAK X-OMAT BT Film / 4530 / XBT

KODAK PROFESSIONAL KODABROME II RC Paper

EASTMAN EKTACHROME Film 7240 (Tungsten)

Using KODAK Control Strips for Processes AR-5 and AN-6

KODAK VERICOLOR III Professional Film

FUJICHROME Sensia 100 [RA]

ISO INTERNATIONAL STANDARD. Imaging materials Ammonia-processed diazo photographic film Specifications for stability

KODAK PROFESSIONAL PORTRA ENDURA Paper and. KODAK PROFESSIONAL SUPRA ENDURA Paper TECHNICAL DATA / COLOR PAPER. September 2008 E-4021

FUJICOLOR CRYSTAL ARCHIVE PAPER SUPREME HIGH DEFINITION

KODAK VISION 5263 / T Color Negative Film

KODAK RELIABLE IMAGE TIP # 14

KODAK MIN-R S Film / 4906

KODAK T-MAX Professional Films

FUJIFLEX CRYSTAL ARCHIVE PRINTING MATERIAL

KODAK PROFESSIONAL ELITE COLOR Films / 200 and 400

KODAK PROFESSIONAL T-MAX Films

KODACHROME 25, 64, and 200 Professional Film

FUJICOLOR CRYSTAL ARCHIVE PAPER TYPE CA

KODAK PROFESSIONAL AZO Paper

FUJICOLOR CRYSTAL ARCHIVE PAPER SUPREME <NEW>

:AVIPHOT COLOR N400 PE1

KODAK Matchprint M150DP KODAK Matchprint M120DP

Panchromatic negative film for aerial photography

KODAK PROFESSIONAL PORTRA ENDURA Paper and KODAK PROFESSIONAL SUPRA ENDURA Paper

Guide to Manual Processing of NDT Films

PRODUCT INFORMATION BULLETIN

KODAK EKTACHROME Professional Infrared EIR Film

A panchromatic negative film for aerial photography.

FUJICHROME ASTIA 100F Professional [RAP100F]

FUJICHROME PROVIA 400X Professional [RXP]

UJICOLOR PORTRAIT ILM NPZ 800 PRO ESSIONAL [NPZ] (Daylight)

KODAK PROFESSIONAL POLYCONTRAST IV RC Paper

KODAK IMAGELITE ESY Scanner Film KODAK GEN 5 GAI Recording Film KODAK IMAGELITE IRF Scanner Film KODAK GEN 5 GIR Recording Film

FUJICHROME ASTIA 100 PROFESSIONAL [RAP]

KODAK VISION3 250D Color Negative Film 5207 / 7207

Microfilm & More Endure. the tests of time with reliable. microfilm

Light) Conditions. Lens Aperture Shutter Speed (sec.) NOTES. Light. Conditions. Lens Aperture Shutter Speed (sec.) None LBB-12** (or Wratten No.

BLACK AND WHITE, ORTHOCHROMATIC COPY FILM

AVITONE PD 1 P-OS AND PD 3 P-OS

KODAK VISION2 100T Color Negative Film 5212 / 7212

RA Duplicating Film X-OMAT 5000 RA Processor; RP X-OMAT Chemicals; 90 Second Cycle; Diffuse Visual Densitometry. Density

KODAK PROFESSIONAL ENDURA Metallic Paper

KODAK EKTACHROME Professional Infrared EIR Film

Transcription:

Diazo C Microfilm 1957, 2957, 3957 Diazo D Microfilm 1956, 2956, 3956 D-41 Datasheet November 2009

Kodak Duplicating Microfilm Kodak Diazo C Microfilm 1957, 2957, 3957 Kodak Diazo D Microfilm 1956, 2956, 3956 Diazo microfilm (Estar Base) is a fast-speed non-silver print film suitable for generating direct-duplication copies in fiche or roll form from silver or reprintable diazo films. It can be processed in the usual commercially available diazo processors, using either aqueous or anhydrous ammonia vapor at various temperatures and pressures. The colored title stripes facilitate fiche identification and the translucent stripe permits title reproduction on the next generation copy. Product applications A typical use is for producing negative-appearing copies; i.e., clear lines with dark background made from reversal-processed computer output microfilms (COMs). These films can also be used to duplicate copies of source documents, engineering drawings, and continuous-tone negatives. Diazo C: This film is formulated to produce a blue dye upon development. Its blue-dye image has high visual contrast on a reader. (See Spectral Dye Density curve.) Diazo D: Upon development, unexposed areas of these films produce a mixture of yellow and blue dyes, which together form a black image with anhydrous or aqueous development. These dyes peak in absorption at about 470 and 580 nm, respectively. The blue dye gives visual contrast and the yellow dye controls the contrast of next-generation prints onto this product or other blue-sensitive materials. (See Spectral Dye Density curve.) Features Direct duplication positive from positive, negative from negative Ultraviolet-blue sensitivity Fast printing speed Ultra-high resolving power Clear polyester base Title stripe available in a full range of colors and widths Thin base product offers reduced loading frequency and reduced film storage requirements Excellent image stability in readers Diazo C Blue diazo film is formulated to be developed in either aqueous or anhydrous ammonia vapor, producing a blue background Designed for duplication of reversal-processed computer output microfilms Static-resistant backing High visual contrast D-41 November 2009 1

Diazo D Black diazo film is formulated for pressure development in either anhydrous or aqueous ammonia vapors, producing a neutral-black background similar in appearance to silver film Designed for document duplication where fast throughput and low contrast are desirable Static-resistant backing Excellent reprint characteristics with comparable contrast Medium visual contrast Physical properties Nominal thickness data (mils) Unprocessed Film Diazo C Film Diazo D Film Total Film Thickness 1957 1956 4.4 2957 2956 3.6 3957 3956 2.5 Before-Process Handling and Storage Store these films in the original, unopened packages for up to 6 months at 21 C (70 F) at 50% relative humidity or below. For longer periods of time, store film at the same humidity, but at 10 C (50 F) or below. These films can be handled, exposed, and processed under gold fluorescent lights. Normal room light is also suitable for short periods. Open the package only when film is ready to be used, and return unused film to light-protective storage when duplicating equipment is shut down. Prolonged exposure to sources high in ultraviolet radiation, such as sunlight or white fluorescent light, will fog the film, resulting in a loss of density. To prevent pre-development, avoid exposure to high temperatures and ammonia fumes or other alkaline contaminants. 2 November 2009 D-41

Diazo C Microfilms 1957, 2957, 3957 Print and Reprint Visual Diffuse Density Silver Tablet Diffuse Density Exposure: Mercury-arc lamp Process: Anhydrous ammonia, 1 second at 71 C (160 F), OP-50 Bruning Am. Std. Diffuse Visual Density Diazo D Microfilms 1956, 2956, 3956 Print and Reprint Visual Diffuse Density Silver Tablet Diffuse Density Exposure: Mercury-arc lamp Process: Anhydrous ammonia, 1 second at 79 C (175 F), OP-50 Bruning Am. Std. Diffuse Visual Density D-41 November 2009 3

Photographic Properties ARMM Speed Diazo C: 51 Diazo D: 42 Exposure: Determine exposure for acceptable quality by running an exposure series on your equipment. Suitable sources of intense ultraviolet-blue radiation (330 to 500 nm) for exposing this diazo film include mercury-arc and xenonflash lamps. This film is formulated to use with most high-speed duplicators, such that a typical exposure in this wavelength range, using an undoped mercury lamp is about 2.5 million erg/cm sq. for Diazo C microfilm and 3.2 million erg/cm sq. for Diazo D microfilm. This exposure will reduce net density to nearly zero (burn-out density) with recommended processing. NOTE: It is recommended that the manufacturer of high-intensity ultraviolet lamps be consulted for safety information pertaining to ultraviolet radiation and ventilation requirements due to ozone generation. Reciprocity: When using a practical range of exposures, this film has no discernible reciprocity failure. Image Structure Resolving power ISO-RP 1250 lines/mm (TOC 1000:1) Determined according to the method described in ISO 6328-1982 (except that the light source used was a high-pressure mercury arc). This value applies with all recommended processes. Processing Conditions: Suitable commercial diazo processors for this film include the following: Anhydrous ammonia for about 1 second at a pressure of 483 to 552 kpa (70 to 80 psi) and a temperature of approximately 60 to 93 C (140 to 200 F) for Diazo C microfilms or approximately 66 to 73 C (150 to 170 F) for Diazo D microfilms. Aqueous ammonia vapor for 10 seconds or longer at ambient pressure and temperature of approximately 60 to 93 C (140 to 200 F) for Diazo C microfilms or approximately 66 to 73 C (150 to 170 F) for Diazo D microfilms. 4 November 2009 D-41

Diazo C Microfilm 1957, 2957, 3957 Spectral Dye Density Diffuse Density Wavelength (nm) Exposure: None. Processed to maximum density Process: Anhydrous ammonia at 552 kpa (80 psi), 1 second at 71 C (160 F), Am. Std. Diffuse Visual Density Log Sensitivity Sensitivity = reciprocal of exposure (ergs/sq. cm) required to produce specified density. Diazo C Microfilm 1957, 2957, 3957 Spectral Sensitivity Wavelength (nm) Exposure: 1 to 390 seconds/20 nm intervals (as required for indicated density) Process: Anhydrous ammonia at ambient pressure, 9 seconds at 71 C (160 F), Am. Std. Diffuse Visual Density D-41 November 2009 5

Diazo D Microfilm 1956, 2956, 3956 Spectral Dye Density Diffuse Density Wavelength (nm) Exposure: None. Processed to maximum density Process: Aqueous ammonia at ambient pressure, 9 seconds at 71 C (160 F) Anhydrous ammonia at 552 kpa (80 psi), 1 second at 71 C (160 F), Am. Std. Diffuse Visual Density 6 November 2009 D-41

Diazo D Microfilm 1956, 2956, 3956 Spectral Sensitivity Log Sensitivity Sensitivity = reciprocal of exposure (ergs/sq. cm) required to produce specified density. Wavelength (nm) Exposure: 1 to 390 seconds/20 nm intervals (as required for indicated density) Process: Aqueous ammonia at ambient pressure, 9 seconds at 71 C (160 F), Am. Std. Diffuse Visual Density Absorption of excess ammonia: For minimum discomfort from ammonia fumes with processors using an aqueous or acidic tray, the use of Kodak Indicator Stop Bath, diluted 1:5 with tap water, is recommended. This solution will gradually change from a yellowish to a purplish color as it turns alkaline from excess ammonia, at which time it should be discarded. This is not intended to replace existing ammonia-absorption recommendations of equipment manufacturers except in critical applications such as unusual individual sensitivity or a confined processing environment. D-41 November 2009 7

After-Process information These films offer excellent resistance to the effects of high humidity, fungi and bacteria. However, image stability is best when this film is stored in the dark and at low temperatures. Use normal handling precautions to avoid scratches and abrasions. Do not store in the same roll or container or in contact with other types of films; i.e., silver or vesicular films. Storage prints: storage prints are prints which will be utilized infrequently for viewing (primarily as a record) or for reprinting to generate additional copies. Diazo C films meet the image stability limits as specified for ammoniaprocessed diazo film as a Class B long-term film outlined in ISO 18905. Diazo D films meet the image stability limits as specified for ammoniaprocessed diazo film as a Class A long-term film outlined in ISO 18905. Record films must be stored under archival conditions as stated in ISO 18911 and outlined in pertinent ANSI Standards and in Kodak Publication D-31. These conditions include storage at 21 C (70 F) and 15 to 40% relative humidity, air conditioning to avoid temperature and humidity cycling, and stringently clean air. In addition, the film should be stored in the dark in approved light-tight containers. These conditions will extend the film s lifetime to be a minimum of 100 years. Working prints: as with other diazo films, working prints on Diazo C film normally are handled and viewed extensively and frequently are subjected to degradation from dirt, abrasion and fingerprints, as well as high temperatures and image fading associated with extended viewing. Accordingly, no minimum time for usability can be assigned. However, replacement working prints can be readily generated from storage prints which are on silver-gelatin films or on reprintable diazo films. Dye stability Final color rendition of the dye is influenced by process conditions such as development temperature, type of ammonia, amount of pressure, etc. A shift in the final color of the film can occur from variations in these conditions. NOTE: Films and sizes are subject to change or may be discontinued without notice. For specific sizes and formats, contact your Document Imaging Systems Media Products representative. Disclaimer The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified. They are representative of production coatings and, therefore, do not apply directly to a particular box or roll of photographic material. They do not represent standards or specifications which must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time. 8 November 2009 D-41

Eastman Kodak Company 343 State Street Rochester, NY 14650 U.S.A. Kodak, 2009. All rights reserved. TM: Kodak, Estar, Prostar