Arnold, G. SO200-1 Arnold, G. SO310-1 Arnold, G. AH354-1 Ayott, D. FN115-C Ayott, D. PN245-1 Cross, M. SI216-A/B DiRito, R. PH355-1 Self and Society Diversity in the United States History of Film 2D Design Contemporary Painting Practice Environmental Issues Global/Local Advanced Traditional Photo Processes - None beyond usual liberal arts study material - None beyond usual liberal arts study material - None beyond usual liberal arts study material - Sketchbook, pencil & eraser - 18 x 24 pad of white paper (not newsprint) - Bristol board (11 X 14 and 18 X 24 pads) - Heavy paper such as watercolor paper or printmaking paper - Variety of papers - Tracing paper - Scissors (X-acto knife, mat knife) - Ruler - Triangle - Glue sticks - Other adhesives (Elmer s Glue, Mat Medium) - Color Aid Package - Water based ink - Acrylic paints - Brushes and rags - Containers for water - In addition, specific materials will be requested for certain projects. Students should have the basic drawing and painting materials available at the start of the semester. Water-based media, such as acrylic will be used. Good quality paper is necessary for this class. Sketchbooks will also be used regularly for planning and for verbal and visual notes. - Internet access, something to take notes with (e.g. pencil and paper) - Pencil and Notebook to take notes and a camera if you have one Please bring a sketchbook and something to write with for our first class meeting. Please bring a sketchbook that you will use regularly for this course and something to write notes with. A more complete Materials List will be provided to students at the first class.
Ferreira, D. IL/DR225-1 Perspectives in Anatomy - Various Drawing Pencils, pens, markers, ink pens, etc...( for sketchbook) - Willow Charcoal (soft vine, jumbo and small sticks and compressed & variety of pencils) - White, black, brown (bistre)red (sanguine) conte 3 each. Conte pencils are a good option if you can find them. - Two sticks of soft white pastel or chalk. - A brush pen or something like. Pentel, Kuratake, Tombow all good. - One box of Charkole type black pastels or 6-8 pieces. Blending Stumps (optional) - Erasers (2 kneaded, vinyl white and eraser sticks) - Workable Fixative (bring to class and label your can) - Black and white acrylic paint & couple of small containers for mixing & water. - Two pads,18 x 24 white drawing paper (Canson s Biggie Jumbo is good) You may need more white but one each to start is fine. - Three sheets of large (22x30) heavy drawing paper (Stonehenge, Reeves BFK) - One 2 to 2 ½ inch flat brush, one, 1 inch and one #10-12 round for acrylics Portfolio for saving and maintaining all work - A (course designated) 11X14 Spiral Bound Sketchbook (Beinfang is good) to be used also as a notebook for taking notes during class and extended at home study. - A 20X24 drawing board/hardboard and some clips - A pad Tracing paper or Vellum 11x14 - A utility knife/exacto - A butter knife & a couple of sculpting tools, can get an inexpensive set for clay, or make some. - Artist tape, masking or blue tape - A 2-3 foot piece of string and ½ inch washer from hardware (I will provide An 8x10 piece of matt board (I will provide) - A camera for photographing work (phone camera is fine) - $10 in school print credits (you may be asked to print materials) - Vinyl gloves &/or a dust mask (optional) charcoal and clay can bother some people. - A mirror or set of mirrors, smaller and full length. Smaller ones can be purchased at dollar type stores.
Ferreira, D. IL215-C Gagne, J. GD256 Illustration I: Drawing for Communication Web Authoring I: Markup & Style - A variety of medium to fine point markers/inking materials. Sharpies or other preferred inking pens are fine, be sure there are some BIG ones. - 6-8 large/chisel tip (Nothing pointed, big for coverage) 6-8 medium tip, 6-8 fine - An 11x14 spiral bound sketchbook. - A variety of drawing pencils, erasers sharpeners etc. Be sure to have some regular HB pencils. - A good 18in metal cork backed ruler and a right angle. - 2 pads of tracing paper 12 x 16 or closest size is best. - A couple of pieces of 22 x 30ish double thick smooth illustration board. Matt board can work fine as well. - A variety of color materials (paints, pastels etc, not just markers) of your choice.. I recommend tube acrylic, gouache or watercolor paint. Winsor Newton, Liquitex, Golden, & Holbein are all nice paint with quality pigment. As we will not use these in class right away I will review. - Decent brushes and gesso, a pallet, rags water container etc. - If you like oil paint you will need a drying agent like Liquin and some natural/soft brushes. - A few good [dark drawing pencil] (https://www.leadfast.org/blog/2017/3/9/apsara-absolute-pencilreview), black pen or fine marker - A highlighter marker comes in handy too - A folder or thin 3-ring binder to organize class handouts, sketches, etc. - A sketch pad with graph, grid, or dot paper or [make you're own] (http://sneakpeekit.com) - A smartphone, new or old, for testing webpages For color, bring preferred paint and brushes first day, we may use we may not but I want to see what you have. Email the instructor with any questions or concerns at justin.gagne@montserrat.edu
FACULTY / FN111-A/B Painting: Color and Light - A Box set of Water Mixable Oil Paint (water based oil paint): Titanium White (200ml.) Ivory Black (37ml.) Yellow Ochre (37ml.) Cadmium Yellow Hue (37ml.) French Ultramarine Blue (37ml.) Cadmium Yellow Deep Hue (37ml.) Cadmium Red Deep (37ml.) Cadmium Orange Hue (37ml.) Burnt Sienna (37ml.) Cerulean Blue Hue (37ml.) Alizarin Crimson Hue (37ml.) - Paint Medium: Small Fast Drying Medium for Water Mixable Oil Paint (55ml.) * are items that may or may not be included in a freshman starter package, and strongly recommended. - Brushes: (Winton) Flat #6, #8 Filbert #2 (x2), #6 *Round (any small size #2, #3 recommended/optional) *Palette Knife - Disposable paper palette - Palette cups (double cups) - Brush cleaning glass jar (tomato sauce jar, etc- required) - *Cotton rugs/ paper towels - Masking tape ¾ Blue Painter s tape - A packet of Bristol boards 14x 11 (for painting) - Masonite board with clips (to carry paintings) - Canvas boards: 4 ----24x 18 2 ----22x 28 or 30x 24 *White Gesso (16oz) *Gesso brush (form paintbrush optional)
FN100-A/B DR316 Painting: Color and Light Continued Drawing III: Nature and Abstraction Painting: Color and Light Continued: - Basic drawing materials (everything you use in a drawing class- required) *Sketchbook Pencils Charcoals Vine charcoals Conte crayon Eraser Ruler Drawing pad (a few white papers 24x 18 ) - Paper: **18x24 white paper pad **Good quality papers such as Stonehenge, Arches, Rives BFK (16x 20, 22x 30, 30x 44 ). Other kinds of papers: Bristol paper, Canson paper, tracing paper, vellum, mylar, rice paper (not required, but recommended). **Sketchbook - Basic tools: Masonite drawing board (24x 32 ) **Extra brown paper, newsprint if you are using the wall (to keep the wall clean) **Blue masking tape (removable masking tape) **Workable fixative (splay only in spray booth next to H303 or outside) - Dry and wet drawing mediums: **Charcoal: jumbo vine, thin vine, charkole, charcoal pencils **Conte crayon: black and white Oil sticks: black and white Acrylic paint, watercolor paint, ink, gouache, brushes, palette, water container, paper towels **Eraser (pink eraser, soft kneaded eraser) Scissors * are items that may or may not be included in a freshman starter package, and strongly recommended. It is optional for students to use oil paint in a part of your drawing practice. If painting is used on paper, the paper has to be primed with gesso. ** items are required materials and strongly encouraged for maintaining the quality and a better outcome of the project.
PN205-1 Painting II: Nature and Abstraction - Oil Paint: Titanium white or Lead white Zinc white Ivory black Cadmium yellow light Cadmium yellow medium Cadmium red light Cadmium orange Alizarin crimson Ultramarine blue Cobalt blue Cerulean blue Viridian Permanent green light Yellow ochre Naples yellow Raw umber Burnt sienna Burnt umber - Brushes: Bristol brushes--#2, 4 round #2, 4, 6, 8, 10 flat and/ or filbert Palette knives - Painting mediums: Glass jar with lid-*no student will be allowed to paint without a proper solvent container Medium: one part dammar varnish one part linseed oil or stand oil if you make your own two parts turpentine (odorless) or Painter s Medium made by Winsor & Newton
FACULTY / PN205-1 Painting II: Nature and Abstraction Continued Painting II: Nature and Abstraction Continued Odorless turpentine-plenty of it for frequent replacing Acrylic paint (mainly for large area underpainting) Palette: Wood or glass would be ideal---a window glass with white paper sandwiched between glass and corrugated cardboard. Tape around edges. Support: Canvas: cotton or linen, pre-primed or raw Acrylic gesso Stretcher bars (different sizes) Others: Panels: Masonite panels, birch plywood Good quality papers---arche, Rives BFK, and etc. You need to apply gesso on the paper before painting with oil and medium Masking tape Rugs for cleaning brushes and palettes Staple gun Sand paper: various grade to smooth a wood surface before coating with gesso Sketchbook (*requirement) Drawing materials----vine charcoals, charcoal pencils, conte crayons, etc 18 x 24 newsprint/ white bond paper Oil sticks (black and white)
FACULTY / Moody, B. DR310-1 Advanced Objective Drawing I will inform you about what materials to bring for each class; please come prepared with appropriate materials. I will provide some India ink, black tape and various other materials and tools throughout the semester, but you will need to pay small amounts for the cost of these items. Email me with any questions: barbara.moody@montserrat.edu Roy, R. FN115-A 2D Design - Paper This 300 level course requires good paper. You ll need at least 20 sheets of paper like Stonehenge (22 x 30 and/or 30 x 44 ) over the course of the semester. To save you time, the 22 x 30 Stonehenge paper will be available in class for sale at cost ($2.75/sheet.) Please bring money to purchase it. Paper is a recyclable investment-- if the drawing doesn t work out, you can use the other side, or gesso over it. Other papers used in this class may include Yupo, tracing, vellum, mylar, Bristol, and larger scale paper cut from a roll (These are also available for purchase in class). - Sketchbook to record your ideas - Masonite drawing board (24 x 32 or larger), or make sure you get to class early enough to find one. Some students prefer to work directly on the wall instead of using an easel and board. For most projects we will be working flat on tables. - Clips, blue masking tape - Charcoal: jumbo vine, char-kole, charcoal pencils, black and white conte - Erasers, including magic rub and pen erasers - Workable fixative: Spray only in spray booth or outside. - Nupastels or other pastels (not oil pastels) - Acrylics (basic colors) and acrylic medium - Brushes (including 2 wide cheap) - Disposable palette (11 x 14 preferred), water containers, paper towels (Viva) - Scissors, Xacto knife - Camera (or cell phone camera) - Access to Google images to print - Access to photocopy machine (your ID) - 18" X 24" pad of white paper (no newsprint) - Ruler - Glue sticks - Scissors - Paint Brushes (small, medium) - Acrylic Paint (black, white) - Pack of color-aid paper - Small sketchbook or pad
FACULTY / Spenard, D. EN100-B/C Swett, M. SC305-1 Swett, M. SC207-A English Comp I N/A See book list Sculpture Workshop None required Department orders to need Sculpture: Multiples and Series None required Department orders to need