PS 260T DUAL CHANNEL AUDIO INTERFACE USER MANUAL

Similar documents
BS 17 SINGLE CHANNEL BELTPACK. User Manual. January 2017 V1.0

PS 19 AM SINGLE CHANNEL BELTPACK IN METAL CASE WITH PGM (AUX) INPUT

WS-29 DUAL CHANNEL WIRELESS BELTPACK

TM-800 Main Station. Instruction Manual. TELIKOU Systems All Rights Reserved

SQN Electronics Ltd. SQN-4S Series IVe Miniature 4:2 Sound Mixer The original broadcast quality stereo portable mixer for TV, film and radio locations

WTI-100 Simplex wireless Interface Instruction Manual

T L Audio CRIMSON SERIES. User Manual EQ-3012 PARAMETRIC EQUALISER. Tony Larking Professional Sales Limited, Letchworth, England.

T L Audio CRIMSON SERIES. User Manual EQ-3011 EQUALISER. Tony Larking Professional Sales Limited, Letchworth, England.

Chameleon Labs Model 7602

PB 700 PB 1000 PB 1100 PB 1500 PB 2600 PB 1200 PB 1700 PB 2200 PB 2700 USER'S MANUAL.

ALM473 DUAL MONO \ STEREO AUDIO LEVEL MASTER OPERATION MANUAL IB

SQN Electronics Ltd. Page 1 of 6

TELIKOU Intercom System

T L Audio. User Manual EQ1 VALVE EQUALISER. Tony Larking Professional Sales Limited, Letchworth, England.

DPA74/154 AUDAC PROFESSIONAL AUDIO EQUIPMENT. DPA74/154 Quad Channel Class-D Amplifier. User Manual & Installation Guide

Operating Instruction Manual ELECTRONIC MUSIC AMPLIFICATION SYSTEM. Model KD-1. Toa Electric Co., Ltd. KOBE, JAPAN

Bosch Communications Systems Get your message across, effectively.

4000 & 5000 Series. Professional UHF Wireless Systems. Installation and Operation

Power Amplifier D2 D3 D4 D5 AUDAC PROFESSIONAL AUDIO EQUIPMENT. Dual Channel Power Amplifier D2 D3 D4 D5. User Manual & Installation Guide

TOA 500 SERIES MIXER POWER AMPLIFIER

THS 1 FEATURES. THS-1T and THS-1M

441 DUAL CHANNEL 15 BAND 2/3 OCTAVE GRAPHIC EQUALIZER 451 SINGLE CHANNEL 31 BAND 1/3 OCTAVE GRAPHIC EQUALIZER

MIXING CONSOLE CX-124 CX-164. TOA Corporation. Operating Instructions

PARTY-LINE INTERCOM SYSTEM INSTALLATION MANUAL

User Manual. MA 21 Two zone mixing amplifier

SQN-5S Miniature 5:2 ENG Audio Mixer

SETUP and OPERATING MANUAL ADVANCED MULTI-CHANNEL VEHICLE INTERCOM SYSTEM (AMCVIS)

Lehle Sunday Driver XLR

Aura Audio D2i MANUAL Version 1.0 SAFETY INSTRUCTIONS

TOA NEW 900 SERIES MIXER PREAMPLIFIER M-900A

RIO A2 DIRECT BOX NF

E-800 power amplifier. user manual

poly-planar ME-51 Subwoofer Amplifier Waterproof Marine Audio

HQ-31 HQ-15 USER S GUIDE SINGLE CHANNEL 31 BAND 1/3 OCTAVE GRAPHIC EQUALIZER DUAL CHANNEL 15 BAND 2/3 OCTAVE GRAPHIC EQUALIZER

SI-125 Power Amplifier Manual 6205 Kestrel Road; Mississauga, Ontario; Canada; L5T 2A1 November 2016, Rev 0.5

Model WM1000/WM2000. Wall Mount Intercom Stations. User Instructions

VENUE Full Isolation D.I.

E-400 power amplifier. user manual

E-800 power amplifier. user manual

KXR. Owner, s Manual. One hundred KEYBOARD EXTENDED RANGE TYPE: PR 262 P/N

SoundPals. DAC-24 User Guide. Stereo D-to-A converter

XO-Series Crossovers OPERATING MANUAL AND USER GUIDE. XO-Series Crossovers XO-204 XO-206 XO-204X XO-206X.

User Instructions. Model PS-2001L. Power Supply. Model SPS Power Supply. Audiocom Intercom Systems Rev. A, 4/2001.

User Manual. MA 240 Mixing amplifier

RC2 REMOTE LEVEL CONTROL MODULE OPERATING INSTRUCTIONS

FISCHER AMPS MANUAL. In Ear Amp 2

T-link8. SPLITTER/MIXER T-link8. T-link8

Kaskode One Phono Preamplifier Owner s Manual

E4-130, E4-250 power amplifier. user manual

ELECTRONIC COMPONENTS LP4 32 USER MANUAL

PRE16/26 AUDAC PROFESSIONAL AUDIO EQUIPMENT. PRE16/26 6 Channel Pre-Amplifier Single/Double Output Zone. User Manual & Installation Guide

5570M Series Intercom Installation and Operation Guide

OWNER S MANUAL CPS 3 / CPS 4 CONTRACTOR PRECISION SERIES

ZM-6. Professional 19 Rack Mixer USER MANUAL. Content

Trace Elliot Elf Bass Instrument Amplifier

User Manual. imix 63 Stereo mixing preamplifier

mix 502, mix 802, mix 1202FX mixer user manual

MAX Series Bass Amplifiers

Instruction Kit MIXER AMPLIFIER GT 60C GT 125C. GROMMES-PRECISION SINCE-46

AELIUS YPSILON POWER AMPLIFIER. OWNERS MANUAL V1 01/01/20010 All rights reserved

PA WATT PORTABLE PA SYSTEM PRODUCT MANUAL

Amplifier Series BASIC. Installation & Operations Manual

E-400 endstufe. user manual

USER MANUAL QSM-606AZ QSM-612AZ QSM-624AZ MIXER AMPLIFIER

CX-A6 Amplifier Installation & User Guide V8.0

CMA-100. Counter Measures Amplifier. Owner s Guide

ULTRASOUND DETECTOR D240x OPERATING INSTRUCTIONS. Pettersson. Phone: Fax:

CX-A6 Amplifier Installation & User Guide V9.0

IMPORTANT SAFETY INSTRUCTIONS

HOOKING IT UP. Unpacking and Inspection. Installing in a Rack CHAPTER 3: Hooking It Up

ELECTRONIC COMPONENTS LP444 USER MANUAL

TSA 4-700, TSA 1400, TSA 2200, TSA 4000, TSA 4-300, TSA power amplifier. user manual

model 101 single channel microphone preamplifier owner s manual Rev C

TOA NEW 900 SERIES MIXER POWER AMPLIFIER A-901A. General Description. TOA Corporation. Operation Instruction Manual

OPERATORS MANUAL CP 52

Boulder W Class A Stereo Power Amplifier

PROFESSIONAL POWER AMP

USERS MANUAL EBS MICROBASSII BLACK LABEL SERIES. EBS MicroBassII. EBS Professional Bass Equipment SPECIFICATIONS

T L Audio INDIGO SERIES. User Manual VP-2051 VALVE VOICE PROCESSOR. Tony Larking Professional Sales Limited, Letchworth, England.

IMPORTANT SAFETY INSTRUCTIONS

BENCHMARK MEDIA SYSTEMS, INC.

PagePac Plus AmpliCenter V /V /V

Synthesized Base Station Transmitter

The Future of Sound. Made Perfectly Clear.

AEQ BC Broadcast Audio Mixer USER S MANUAL ED. 01/03

Device Interconnection

CMA-100. User Manual. Counter Measures Amplifier

Telex. User Instructions. Model SPS2000A Power Supply Audiocom Intercom Systems SPS2000A. Volume RESET

PST 100 YPSILON PRE AMPLIFIER MKII. OWNERS MANUAL V2 01/01/2010 All rights reserved

WMA 4300 Professional Series Installation Power Amplifer Owner s Manual

USER MANUAL. GOLDMUND Metis 5 Analog Integrated Amplifier

Lehle Stereo Volume. User Manual. Lehle GmbH Grenzstr. 153 D Voerde Germany Tel +49 (0)

TOA 900 SERIES POWER AMPLIFIER P-924A

User Manual VOLUME PTT 1 MIC/LINE 2 MIC/LINE 3 MIC/LINE 4 MIC/LINE 5 MIC/LINE 6 MIC/LINE 7 MIC/LINE 8 MIC/LINE 9 MIC/LINE 10 LEVEL LEVEL TREBLE 6 MIC

DNA Pro series 10K8 3K8

HI-LEVEL PM10000 PRODUCTION MIXER - Instruction Manual

CXV-225 & CXV-425 AMPLIFIERS

Registration 3. Owners Record Setup 4. Unit Connections 6. Front Panel Controls 8. Remote Control 9. Unit Care Technology 10. Designer s Note 12.

UMA 4300 Professional Series Installation Power Amplifer Owner s Manual

Overview Installation & Connection Mounting

Transcription:

PS 260T DUAL CHANNEL AUDIO INTERFACE USER MANUAL October 2013 This product is designed and manufactured by: ASL Intercom B.V. Zonnebaan 42 3542 EG Utrecht The Netherlands Phone: +31 (0)30 2411901 Fax: + 31 (0)30 2667373 E-mail: info@asl-inter.com Web: www.asl-inter.com

CONTENT OF THIS USER MANUAL 1.0 GENERAL DESCRIPTION. 3 2.0 MECHANICAL INSTALLATION 3 3.0 FRONT PANEL CONTROLS 3 4.0 REAR PANEL CONNECTORS. 4 5.0 BLOCK DIAGRAM PS 260T 4 6.0 SUM OUTPUTS 6 7.0 TECHNICAL SPECIFICATIONS. 6 8.0 PARTY LINE, TECHNICAL CONCEPT 7 9.0 CABLING 7 10.0 POSSIBLE SYSTEM CONFIGURATION. 8 11.0 EARTHING CONCEPT 8 PAGE 2

1.0 GENERAL DESCRIPTION The PS 260T is designed to interface the party lines of the ASL intercom system to external audio equipment or 4-wire communication systems. Applications may be: temporarily extending a fixed installed 4-wire intercom system with a portable ASL intercom set for use on location connecting an ASL intercom system to a (4-wire) camera CCU injecting an external audio signal into an ASL intercom party line monitoring the audio of an ASL intercom party line by external equipment such as recorders or paging systems, etc. The PS 260T includes two separate and identical interface modules. Each interface has its Intercom Line and its Audio Line connectors (input and output), positioned on the rear of the PS 260T. The electronic circuitry of each interface is powered by the 30V DC power supplied via the intercom party line. The unbalanced signal on the audio wire of the ASL party line appears on the PS 260T audio output connector after being converted to a balanced signal. The signals brought to the audio input connector are placed on the audio wire of the intercom line connector. Two-stage side tone trimmers avoid that audio input signals appear at the audio output connector. The input/output separation is better than 30 db from 200 Hz to 20 khz. The built-in test tone generator assists to adjust or check the side tone levels. The audio inputs and audio outputs of the PS 260T are transformer balanced. 2.0 MECHANICAL INSTALLATION To connect the PS 260T to an ASL party line intercom system and to external audio equipment or a 4-wire intercom system, use professional flexible microphone cable with 2 wires and 1 shield only. The party line cables are to be connected to the INTERCOM LINE connectors on the rear of the PS 260T. The cables from/to external audio equipment or of a 4-wire intercom system are to be connected to the AUDIO LINE connectors (input & output), which are also on the rear of the PS 260T. There are no separate power connections to install since the necessary DC voltages are derived from the ASL party line. The PS 260T is fully protected against wiring mistakes (reverse power) or short circuit in the interconnecting cables. 3.0 FRONT PANEL CONTROLS The unit contains two identical interface modules. Each interface has the following front panel controls: 1 POWER LED indicator This LED illuminates if line power is supplied by an ASL separate power supply or an ASL master station, via the intercom party line 2 INPUT LEVEL control knob This knob controls the level of the audio input signal before it is placed on the intercom line 3 OUTPUT LEVEL control knob This knob controls the level of the intercom audio signal appearing at the output connector 4 SIDE TONE LEVEL trimmer This trimmer controls the input/output separation 5 SIDE TONE HI trimmer This trimmer controls the input/output separation in the high frequency range 6 SIDE TONE TEST knob This hidden push button activates a test tone generator which adds a 200 Hz tone to the audio input circuitry. This to assist adjusting or checking the side tone trimmer settings. PAGE 3

The momentary push button can be reached with a pin or pen. Side tone adjustment procedure: Connect a monitor amplifier + speaker to the audio output Turn up output level of the PS 260T to approx. 50% Bring the side tone trimmers in start position: Level trimmer: turn fully clockwise Hi trimmer: turn fully anti clockwise Activate the test tone generator. Minimize test tone level by turning the level trimmer anti clock wise. Minimize the remaining high frequencies of the test tone by turning the hi trimmer clockwise. Repeat the two last mentioned procedures to obtain the lowest possible test tone levels. The test tone is also heard by the users of the party line intercom, which is rather disturbing. ASL advises to not activate the test tone when the party line intercom system is in use. 4.0 REAR PANEL CONNECTORS The unit contains two identical interface modules. Each interface has the following rear panel connectors: 7 AUDIO INPUT connector (XLR-3) The input is transformer balanced. Pin assignments : Pin 1: 0V / ground shield Pin 2: signal + Pin 3: signal - 8 AUDIO OUTPUT connector (XLR-3) The output is transformer balanced and capable of driving a 600 ohms load. For pin assignments see #7: 9 INTERCOM IN connector (XLR-3) This connector is for connecting the intercom party line. Pin assignments : Pin 1: 0V / ground shield Pin 2: +30V power wire Pin 3: audio wire 10 INTERCOM LINK connector (XLR-3) This connector is for extending the intercom party line to other user stations or interface units. For pin assignments, see #9. 5.0 BLOCK DIAGRAM PS 260T PAGE 4

PAGE 5

6.0 SUM OUTPUTS Each intercom line can be monitored via the audio output of each interface module. This the factory setting. If required, one interface module can monitor both intercom lines: the intercom audio signals of both intercom lines appear on the audio output connector of that interface module. To achieve this, certain internal connections have to be made : Procedure: a. Unscrew the upper cover plate and slide it backwards b. Place the unit in front of you, facing the front panel c. Depending on which output connection is required, follow one of the procedures described below d. Screw the cover plate back in place Connection scheme A Function: Output of interface 1 monitors intercom lines 1+2 Actions: Connect the right tag of interface 2 with the middle tag of interface 1. Connect the left tag of interface 2 to the left tag of interface 1. Connection scheme B Function: Output of interface 2 monitors intercom lines 1+2. Actions: Connect the right tag of interface 1 with the middle tag of interface 2. Connect the left tag of interface 1 to the left tag of interface 2. 7.0 TECHNICAL SPECIFICATIONS Intercom Line Driver Max. output current: 3 ma rms output impedance: > 150 Kohm Input Amplifier input impedance: 600 ohm (transformer balanced) input level: +30 dbu to -10 dbu frequency response: 150 Hz 20 khz (-3 db) Output Amplifier output impedance : 600 ohm (transformer balanced) maximum load: 600 ohms max. output level: +20 dbu to -20 dbu frequency response: 150 Hz - 20 khz (-3 db) Side Tone Trimming better than 30 db Dimensions & Weight width 19" (483mm) height 1U (1,75 / 44.5mm) depth 126 mm weight 1565 grams Party Line Specifications operation voltage: 24 32 V DC supply current: 33 ma quiescent / each audio line level: -18 dbu to 0 dbu station bridging impedance: > 150 kohm PAGE 6 0 dbu is defined as 775 mv into open circuit ASL reserves the right to alter specifications without prior notice

8.0 PARTY LINE, TECHNICAL CONCEPT User stations in an ASL intercom system are connected via one or several 'party lines'. A party line offers two way ( full duplex ) communication and consists of standard microphone (multi-pair) cable. One wire is used as an audio line, one as a power line and the screen of the cable functions as earth/return. Current drive is used for signal transfer. Each station utilizes a current amplifier to amplify the microphone signal and place it on the common audio line where, due to the constant line impedance (situated in the power supply between XLR pin 3 and 1), a signal voltage is developed which can be further amplified and sent to the headphones or loudspeakers. This principle has three advantages: the use of a single audio line allows several stations to talk and listen simultaneously due to the high bridging impedance offered by each station, the number of stations on the party line has no influence on the level of the communications signal power and audio to the intercom stations use the same cable The Call signal is also sent as a current on the audio line. It develops a DC potential over the line impedance which will be sensed by each station and interpreted as a Call signal. 9.0 CABLING The intercom lines (the party lines ) are of the shielded two-conductor microphone cable type. The intercom line connectors are of the XLR-3 type. Audio and Call signals are on XLR pin 3, DC power is on XLR pin 2. XLR pin 1 is connected to the shield of the cable which functions as the common return for audio and power. The audio signal is transferred in an unbalanced way (see Party Line, Technical Concept ). To avoid earth loops (hum), the possible effect of electromagnetic fields and to minimize power loss, certain rules have to be obeyed when installing the cabling of an intercom system : Use high quality cable Use high quality microphone cable (shielded two conductor cable, minimum 2x 0.30 mm2). In case multi-pair microphone cable is used, it should be of high quality and each pair should consist of two conductors (minimum 2x 0.15 mm2) with separate shield and an overall shield. Use flexible cable Use flexible single and multi-pair microphone cable instead of cable with solid cores, especially when the cable is subjected to bending during operation or installation. construction part. Keep cables parallel as much as possible When two (multi channel) units in a network are connected by more than one cable, make sure that these cables are parallel to each other over the whole distance between those units. When using multi-pair cable, parallelism is ensured in the best possible way. Avoid closed loops Always avoid that intercom cables are making a closed loop. So-called 'ring intercom' should not physically be cabled as a ring Cable screens to XLR pin 1 The screen of each separate microphone cable and/or the screen of each single pair in a multi-pair cable, should be connected to pin 1 of each XLR-3 connector. Do not connect these screens to the metal housing of ASL unitst or XLR-3 wall boxes. See section Earthing Concept. Connect metal cable trunks, wall boxes and overall multi-pair cable screens to clean earth Metal cable trunks, metal wall boxes and overall multipair cable screens should be interconnected and, at the 'central earth point' in the intercom network only, be connected to a clean earth or a safety earth. See section Earthing Concept ). Keep metal connection boxes and cable trunks or pipes isolated from other metal parts Metal trunks or pipes for intercom cables and metal connection boxes should be mounted in such a way that they are isolated from any other metal housing or PAGE 7 Keep cables away from electromagnetic sources Keep intercom cables away from high energy cables, e.g. 115/230/400V mains power or dimmer controlled feeds for spotlights. Intercom cables should cross high energy cables at an angle of 90º only. Intercom cables should never be in the same trunks as energy cables. Place power supply in a central position In case of a system powered by a separate power supply: In order to diminish power losses, place the power supply as close as possible to where most power consumption occurs, in other words most user stations are placed. ASL powered units to a 'clean' mains outlet Master stations or power supplies should be connected to a mains outlet with a clean earth. Other audio equipment may be connected to this mains outlet, but avoid using an outlet which also powers dimmer controlled lighting systems.

10.0 POSSIBLE SYSTEM CONFIGURATION 11.0 EARTHING CONCEPT PAGE 8