Roots of an Era 1
Origins: Origins in Italy (1300; especially the north) o Genoa, Venice, and Florence o Urban centers that possessed and influenced the practice and appreciation of art Merchant class= wealthiest; competed as patrons, as well Spread ideas from Byzantine civilization 2
http://www.google.com/imgres? imgurl=http://freechristimages.org/images_birthofchrist/flight_into_egypt_giotto_di_bondo ne.jpg&imgrefurl=http://freechristimages.org/biblestories/flight_into_egypt.htm&usg= mn6 MzDJeojDq3MVUwbzPI8wI6Dg=&h=827&w=1024&sz=629&hl=en&start=50&zoom=1 &tbnid=32x yqnoylxbvm:&tbnh=120&tbnw=160 &ei=l1eutfnva9cutwfgk9inda&prev=/images%3fq%3dgiotto%2bdi%2bbondone% 26um%3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs%3Disch:1&um=1&itbs=1 &iact=rc&dur=172&oei=zveutzxbl4icgae_4vtfdw&page=4&ndsp=17&ved= 1t:429,r:0,s:50&tx=96&ty=83 Ch 15 Sec 1 Roots of the Renaissance.notebook Giotto di Bondone (Painter) o Fresco= painting on wet plaster o Painted human figures that looked real and had depth (perspective); a change of pace at the time http://www.google.com/imgres? imgurl=http://en.academic.ru/pictures/enwiki/85/uffizi_giotto.jpg&imgrefurl=http://en.acade mic.ru/dic.nsf/enwiki/48301&usg= u67ehrtjvalchhwz 1 2zOkjuGQ=&h=2091&w=1111 &sz=190&hl=en&start=15&zoom=1&tbnid=zoxwbxsffbcfzm:&tbnh=146&tbnw=79 &ei=bveutffji4k4tgeyh_zvcw&prev=/images%3fq%3dgiotto%2bdi%2bbondone%26um% 3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs%3Disch:1&um=1&itbs=1 &iact=rc&dur=203&oei=zveutzxbl4icgae_4vtfdw&page=2&ndsp=18&ved= 1t:429,r:7,s:15&tx=46&ty=40 3
http://www.google.com/imgres? imgurl=http://www.danshort.com/dc/b/dante0112.jpg&imgrefurl=http://www.danshort.com/dc/ page1.php%3fp%3d112&usg= EqLBco n_5uooaj25oxbgww0ou0=&h=602&w=483&sz= 82&hl=en&start=47&zoom=1&tbnid= FRu6LnNwiPsUM:&tbnh=132&tbnw=107 &ei=p1iutahzb4i3tgfstb3qcw&prev=/images%3fq%3ddante%2balighieri%2bthe% 2Bdivine%2Bcomedy%26um%3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs% 3Disch:10%2C1152&um=1&itbs=1&iact=hc&vpx=777&vpy=221&dur=4859&hovh=251 &hovw=201&tx=164&ty=193&oei=6leutcp5jivugqf67sgyca&page=4&ndsp=18&ved= 1t:429,r:5,s:47&biw=1004&bih=583 &iact=rc&dur=188&oei=vleutadnnmmcgqfgm8txca&page=1&ndsp=18&ved= 1t:429,r:6,s:0&tx=66&ty=73 Ch 15 Sec 1 Roots of the Renaissance.notebook Dante Alighieri (writer) o The Divine Comedy= long poem with 3 parts (the Inferno, Purgatory, and Paradise); included real people; political commentary; religious worries of the past and present &usg= daqhr3n6sxipx7gud6nbbm7rj6i=&h=280&w=316&sz=30&hl=en&start=0 &zoom=1&tbnid=wj94nfhhggfbym:&tbnh=137&tbnw=146 &ei=vleutadnnmmcgqfgm8txca&prev=/images%3fq%3ddante%2balighieri%26um% 3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs%3Disch:1&um=1&itbs=1 o Wrote in vernacular; more people were able to read his work http://www.google.com/imgres?imgurl=http://in formatio.com/wpcontent/uploads/2009/09/dante_alighieri.jpg&imgrefurl=http://in formatio.com/%3fp%3d1107 http://www.google.com/imgres? imgurl=http://cache2.allpostersimages.com/p/lrg/15/1505/x11bd00z/posters/dore gustave virgil and dante illustration from the divine comedy by dante alighieri paris published 1885.jpg&imgrefurl=http://www.allposters.com/ sp/virgil and Dante Illustration from The Divine Comedy by Dante Alighieri Paris Published 1885 Posters_i1590635_.htm&usg= 2KR8Ip0ueRpqFOV0bTul2ekzN0Q=&h=300&w=400&sz=27&hl=en&start=0&zoom=1 &tbnid=8k3_gdwjqpwrmm:&tbnh=145&tbnw=204&ei= 6leUTcP5JIvUgQf67sGyCA&prev=/images%3Fq%3Ddante%2Balighieri%2Bthe%2Bdivine% 2Bcomedy%26um%3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs%3Disch:1 &um=1&itbs=1&iact=hc&vpx=719&vpy=82&dur=1062&hovh=194&hovw=259&tx=208&ty= 104&oei=6leUTcP5JIvUgQf67sGyCA&page=1&ndsp=15&ved=1t:429,r:4,s:0 4
Dante Alighieri: Conintued The inferno http://www.google.com/imgres? imgurl=http://members.tripod.com/aj_gonzalez/dante.gif&imgrefurl=http://members.tripod.co m/aj_gonzalez/bible_essay.html&usg= iydtvkiza8lj_ycumojsvo9qwea=&h=416 &w=363&sz=13&hl=en&start=15&zoom=1&tbnid=cdhyecfmzrfemm:&tbnh=129&tbnw= 117&ei=h1iUTYvtJYu6tgeh 7mEDA&prev=/images%3Fq%3Ddante%2Balighieri%2Bthe% 2Bdivine%2Bcomedy%26um%3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs% 3Disch:1&um=1&itbs=1&iact=rc&dur=360&oei=6leUTcP5JIvUgQf67sGyCA&page=2 &ndsp=17&ved=1t:429,r:8,s:15&tx=66&ty=30 5
Francesco Petrarch (poet) o Simple and pure style; emphasized beauty (like The Classics) 'Voi ch'ascoltate in rime sparse il suono' ("O ye who hear in these my scattered rhymes") You who hear the sound, in scattered rhymes, of those sighs on which I fed my heart, in my first vagrant youthfulness, when I was partly other than I am, I hope to find pity, and forgiveness, for all the modes in which I talk and weep, between vain hope and vain sadness, in those who understand love through its trials. http://www.google.com/imgres?imgurl=http://www.allaboutitaly.info/wpcontent/uploads/2011/03/francesco_petrarca.jpg&imgrefurl=http://www.allaboutitaly.info/% 3Fp%3D3146&usg= knhrq9foq4inp7tglcgad0dpmgq=&h=400&w=348&sz=73 &hl=en&start=0&zoom=1&tbnid=ffx2hs3fy HkVM:&tbnh=145&tbnw=116 &ei=qliutdaqjynogqfb6rntca&prev=/images%3fq%3dfrancesco%2bpetrarch%26um% 3D1%26hl%3Den%26biw%3D1004%26bih%3D583%26tbs%3Disch:1&um=1&itbs=1 &iact=hc&vpx=230&vpy=57&dur=328&hovh=241&hovw=209&tx=89&ty=146 &oei=qliutdaqjynogqfb6rntca&page=1&ndsp=20&ved=1t:429,r:1,s:0 recited in Italian by Moro Silo Yet I see clearly now I have become an old tale amongst all these people, so that it often makes me ashamed of myself; and shame is the fruit of my vanities, and remorse, and the clearest knowledge of how the world's delight is a brief dream. 6
New values in the renaissance Celebration of the individual (fame and popularity were largely desired; portrait painting and autobiographies) Love of Classical learning (Ancient Greece and Rome were of focus; the humanists) Everything would be seen as a work of art 7
ideal people Ideal man= polite, charming, artistic, athlete, etc. Ideal woman= educated, artistic, had manners, didn t seek as much fame as males 8
9CP Homework: ***Read the last TWO pages of Chapter 15, Section 1 ***Read and complete the questions for the Machiavelli primary source 9
9honors Homework: ***Complete the following: 1) SRQs for Chapter 15, Section 1 10