F I N D L AY G A L L E R I E S WORKS ON PAPER P R I N T S PRINTS MULTIPLES & M U L T I P L E S WATERCOLORS GOUACHES LITHOGRAPHS
Cathelin Landfield Miro Calder Heine Chagall Finn Gorriti Dufy Aizpiri Browne Gen Paul Braguin Stella Jack Wright Lachaise Ward Jackson Matisse Nelson Findlay Galleries is pleased to present our Summer Exhibition, featuring a collection of lithographs, multiples, prints, pen and ink drawings, and recent works on paper. The collection is a glimpse into the extensive collection of works that the gallery represents, celebrating just a few of Findlay s superb artists. Included in the exhibition are modern masters Alexander Calder, Joan Miró and Pablo Picasso; colorist Simeon Braguin, and many others. Findlay Galleries has an extensive collection of works on paper. Works on paper can bring into focus the sense of composition and structure the artists use throughout their oeuvre. For example, Picasso s use of line covers a wide range of styles, spanning from the flowing and elegant to the bristling and expressive - markings which seem to express not only the drama in the composition but also the inner force of the creator. With Alexander Calder a degree of stylistic and iconographic continuity exists among his prints, yet they were all created with very diverse purposes, including literary illustrations, poster designs, and studies related to sculptures and paintings. The prints provide a glimpse into the artist s working process while capturing his iconic style. This Summer Exhibition also showcases some of the internationally renowned contemporary artists that Findlay Galleries proudly represents. The gallery s contemporary collection encompasses a wide variety of styles, including abstract works and landscapes, as well as works by modernist artists and representational artists. Findlay Galleries invites you to explore this exhibition, providing a glimpse into our extensive and varied collection of art.
BYRON BROWNE (1907-1961) Crustacean II, 1948 India Ink and Casein Wash 26 1/2 x 20 1/2 Inches FG 205179
joan miro Spanish (1893-1983) COVER: Le Pelerin de Compostelle, 40/75, 1969 Lithograph in Colors on Rives BFK Paper 23 1/2 x 17 1/2 Inches FG 134519
Frank Stella Priscilla heine Offset Lithograph & Screenprint in Colors on Arches Paper 45 1/4 x 39 3/4 Inches FG 136347 Oil, Gouache, Pastel, & Pencil on Paper 46 x 261/2 Inches FG 136399 American (B. 1936) Shards III, 80/100 American (B. 1956) Teatro Solis II MARc Chagall Russian-French (1887-1985) Le Fleuve Vert, 40/50, 1974 Lithograph in Colors on Arches Paper 16 3/8 x 26 3/8 Inches FG 134837
Paul Aizpiri French (1919-2016) Port de Honfleur Gouache on Paper 25 9/16 x 19 11/16 Inches FG 138545 David finn American (B. 1922) DF 10-8-07 DF 10-5-08 DF 11-1-09 Watercolor 24 x 18 1/8 Inches FG 135989 Watercolor 24 x 18 1/8 Inches FG 136013 Watercolor 24 x 18 1/8 Inches FG 135993
PAUL aizpiri French (1919-2016) Vue de Venise Watercolor on Paper 12 15/16 x 19 5/8 Inches FG 135801 zvonimir mihanovic Croatian (B.1946) Resting Sails Aquarelle 11 1/2 x 14 1/2 Inches FG 133849
pablo picasso Spanish (1881-1973) Exposition Vallauris, 34/200, Linocut in Colors on Wove Paper 30 1/2 x 23 3/8 inches FG 136077 The works on paper by Pablo Picasso (1881-1973) embrace many different media and techniques. He drew constantly using pencil, pen and ink, pastel and watercolor. Some of these works are very complete studies, others are doodles sketched on café tables. Picasso s works on paper also include a lifetime of creating intaglio prints. These etchings, drypoints and aquatints range from his Saltimbanques of 1904-1905 and his Suite Vollard of 1930-1937 to his 347 Series and 156 Series, respectively dating from 1968 and 1970-1972. Finally, lithography and linocut were used extensively by Picasso, particularly from 1945-1964. Picasso was responsible almost single-handedly for what was a fifth major period in the history of lithography since its invention at the end of the eighteenth century. In 1958 z-1964, with his new and revolutionary technique of the one-block, multicolored linocut, Picasso added still another dimension to his works on paper.
joan miro Spanish (1893-1983) The Bird Catchers, 41/75, 1951 Arlequin Circonscrit, 60/75 Lithograph in Colors on Rivers BFK Paper 27 7/8 x 14 7/8 Inches FG 134599 Lithograph in Colors on Arches Paper 29 1/2 x 20 3/4 Inches FG 135697 Alexander calder American (1898-1976) Two Spirals, 30/75 Color Lithograph 29 1/4 x 43 1/4 Inches FG 136250 Loops and Spheres, 53/95 Lithograph in Colors 29 1/2 x 43 Inches FG 135792
byron browne American (1907-1961) Mayan Woman II, 1940 India Ink, Watercolor, Crayon and Pencil on Paper 21 x 13 3/8 Inches FG 205626
JEAN dufy French (1888-1964) Paris, La Seine vers Notre Dame Gouache on Paper Laid on Canvas 18 1/16 x 21 5/8 Inches FG 135783 Caleches et Cavaliers Gouache on Paper 12 1/2 x 19 Inches FG 138172
Bernard cathelin French (1919-2004) Nature Morte, 1987 Oil on Paper Mounted on Canvas 16 1/8 x 12 3/4 Inches FG 137427 gilles gorriti French (B.1939) La Partition de Musique Mixed Media on Paper 19 5/8 x 25 9/16 Inches FG 136973
pablo picasso Spanish (1881-1973) Jeune Homme Presentant Un Miroir a Une Femme, Pl. 9, Series 347, 23/50 Etching and Drypoint on Wove Paper 22 7/8 x 17 7/8 Inches FG 136079
Priscilla Heine American (B.1956) Bees Balance Charcoal, Gouache and Oil on Cotton Rag Paper 80 x 51 1/2 Inches FG 136240 GEN PAUL French (1895-1975) Le Steeplechase Gouache on Paper 19 11/16 x 25 9/16 Inches FG 135932
john ferren American (1905-1970) UT # 1, 1968 Ink, Pastel and Oil Spray on Paper 23 1/2 x 17 1/2 Inches FG 207495 In moving from geometric abstraction to the academically based figure and stilllife paintings he did after the war, and finally to the freely painted expressionist work of his later years, Ferren searched for a way to express moral truth. Throughout his life, he viewed painting as a means of seeking the reality behind appearance. His early appreciation of Kandinsky and a fascination with Zen that dated from his youth helped define the way he thought about painting throughout his life. He called art the great common denominator between knowledge and insight, and said it should explore the intuitive the spiritual, mental, social, or psychological forces of life. 1 1. Typescript entitled Address to Advanced Painting Class, Brooklyn Museum Art School, 8 April 1949, Ferren Papers, Archives of American Art, roll N69 98: 143.
WORKS ON PAPER PRINTS & MULTIPLES e x h i b i t i o n COLLECTION ON VIEW This exhibition is accompanied by an online catalogue. Please visit www.findlaygalleries.com or contact the gallery for additional information on these artists. Stay up to date on current gallery events by following us on Facebook, Instagram, Pinterest and Twitter. For further information and pricing of these artworks please contact the gallery: NEW YORK 724 Fifth Avenue 7th Floor New York, NY 10019 +1 (212) 421 5390 newyork@findlayart.com Gallery Hours: Monday Friday 10 am 6 pm PALM BEACH 165 Worth Avenue Palm Beach, Florida 33480 +1 (561) 655 2090 palmbeach@findlayart.com Gallery Hours: Tuesday Saturday 10 am 6 pm W W W.FINDLAY G A L L E R I E S.COM Published Palm Beach, 2018. No part of the images or text in this catalogue may be duplicated without permission of Wally Findlay Galleries International Inc. Prices and availability of artwork featured in this catalogue are subject to change without notice.