Chapter Art of the 16 th Century

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Chapter Art of the 16 th Century

Transcription:

Chapter 18-2 Art of the 16 th Century

Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, Artist: Raphael Title: School of Athens Medium: Fresco Size: 19 X 27" (5.79 X 8.24 m) Date: c. 1510 11 The picture has long been seen as "Raphael's masterpiece and the perfect embodiment of the classical spirit of the High Renaissance. Why? One-point perspective Plato and Arositle

1: Zeno of Citium 2: Epicurus 3: Federico II of Mantua? 4: Anicius Manlius Severinus Boethius or Anaximander or Empedocles? 5: Averroes 6: Pythagoras 7: Alcibiades or Alexander the Great? 8: Antisthenes or Xenophon? 9: Hypatia (Francesco Maria della Rovere)10: Aeschines or Xenophon? 11: Parmenides? 12: Socrates 13: Heraclitus (Michelangelo) 14: Plato (Leonardo da Vinci) 15: Aristotle 16: Diogenes 17: Plotinus or Michelangelo? 18: Euclid or Archimedes with students (Bramante)? 19: Zoroaster 20: Ptolemy? R: Apelles (Raphael) 21: Protogenes (Il Sodoma, Perugino, or Timoteo Viti)

Artist: Raphael Title: Pope Leo X with Cardinals Giulio de Medici and Luigi de Rossi Medium: Oil on wood panel Size: 5'⅝" X 3'10⅞" (1.54 X 1.19 m) Date: c. 1517 It is housed in the Uffizi Gallery of Florence. realism rather than idealism. The Pope is depicted with ample features and apparent near-sightedness. The uneasy tone reflects a period of unrest and turmoil for the papacy; Martin Luther had challenged papal authority, Leo X's method of selling indulgences to fund work on St Peter's. The ball on top of the Pope's chair- Medici Family. The illuminated manuscript Bible

Artist: Shop of Pieter van Aelst, Brussels, after cartoons by Raphael and assistants Title: Miraculous Draft of Fishes Medium: Wool and silk with silver-gilt wrapped threads Size: 16'1" X 21' (4.9 X 6.4 m) Date: Woven 1517, installed 1519 in the Sistine Chapel Raphael created cartoons for tapestries of the apostles Two boats create a frieze like composition Rapheal studies other arts to create a realistic sense to his work Cranes in foreground symbolize the alert and watchful pope

Artist: Michelangelo Title: Pietà Medium: Marble Size: height 5'8½" (1.74 m) Date: c. 1500 Source/ Museum: Saint Peter s, Vatican, Rome Learned to sculpt from Bertoldo di Giovanni, Donatello pupil Commission by a French cardinal Pietas were popular in the north but rare in the south Need to find Marble that the statue already existed in Meant to be viewed up close Inconsistency SNEAKING AROUND>>>

Artist: Michelangelo Title: David Medium: Marble Size: height 17' (5.18 m) without pedestal Date: 1501 04 Source/ Museum: Galleria dell Accademia, Florence Why so big Meant to be placed on top of the Florence cathedral. Before the event, frowns and is thoughtful Represents the power of right or might Oversized hand is mean to represent the hand of God Michelangelo captures women's ideals in a man, that in human beings only lasts a few years.

Title: Interior, Sistine Chapel Medium: n/a Size: The ceiling measures 45' X 128' (13.75 X 39 m) Date: Built 1475 81; ceiling painted 1508 12; end wall, 1536 41 Source/ Museum: Vatican, Rome Painted architectural elements Putti, ignudi (heroic figures or nude men), and biblical scenes adorn the ceiling Narratives begin over the altar and move to the entrance Composition became broader and simpler as he progressed why?

Artist: Michelangelo Title: Moses Medium: Marble Size: height 7'8½" (2.35 m) Date: 1513 16, 1542 45 Source/ Museum: Tomb of Julius II. Church of San Pietro in Vincoli, Rome Big pain in the butt, pope died, then diverted money from the project to build St.Peter s What on his head? Why? Later descedents of the pope offered him money to complete it, then cut money of so the grand tomb became less and less Suppose to be one of 4, only remaining figure from original design A lot of controversy surround the moses, he is odd go to PBS.org to learn more http://video.pbs.org/video/1214340861/

Artist: Michelangelo Title: New Sacristy (Medici Chapel) Date: 1519 34 Made chief architect of the Medici in 1515 Created the tombs of Lorenzo, Giuiliano and also to young dukes in the San Lorenzo Chapel Idealized portrait of the deceased turn towards the tomb of the ancestors

Guiliano Night and Day Night- owl, moons and stars, tiara of Poppies, Mask is thought to be death Pilasters-engaged columnar element used as decoration