Who was Francisco de Goya?

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GOYA Who was Francisco de Goya? When and when did he born/ The biography. Resume the main stages. Write about the relation between Goya and Independence War. Why did Goya have to go into exile? Goya anticipated to Impresionism,Expresionism and Sumalism. Write examples of masterpieces where these characteristics can be watched. 01/02/18

Who was Francisco de Goya? A famed painter in his own lifetime, Francisco de Goya was born on March 30, 1746, in Fuendetodos, Spain. He began his art studies as a teenager and even spent time in Rome, Italy, to advance his skills. In 1770s, Goya began to work for Spanish royal court. In addition to his commissioned portraits of the nobility, he created works that criticized the social and political problems of his era.

MADE BY: PEPA MORENO POLANCO MARTA ARAGÓN CARO PAULA BARROSO PONCE Ies La Pedrera Blanca

Resume the main stages The son of a guilder, Goya spent some of his youth in Saragossa. There he began studying painting around the age of fourteen. He was a student of José Luzán Martínez. At first, Goya learned by imitation. He copied the works of great masters, finding inspiration in the works of such artists as Diego Rodríguez de Silva y Velázquez and Rembrandt van Rijn. Later, Goya moved to Madrid, where he went to work with brothers Francisco and Ramón Bayeu y Subías in their studio. He sought to further his art education in 1770 or 1771 by traveling to Italy. In Rome, Goya studied the classic works there. He submitted a painting to a competition held by the Academy of Fine Arts at Parma. While the judges liked his work, he failed to win the top prize.

Write about the relation between Goya and Independence War On May 2, 1808, hundreds of Spaniards rebelled. On May 3, these Spanish freedom fighters were rounded up and massacred by the French. Their blood literally ran through the streets of Madrid. Even though Goya had shown French sympathies in the past, the slaughter of his countrymen and the horrors of war made a profound impression on the artist. He commemorated both days of this gruesome uprising in paintings. Although Goya s Second of May (above) is a tour de force of twisting bodies and charging horses reminiscent of Leonardo s Battle of Anghiari, his The Third of May, 1808 in Madrid is acclaimed as one of the great paintings of all time, and has even been called the world s first modern painting.

Why did Goya have to go into exile? Goya decided to go into exile in Bordeaux disappointed and afraid of the absolutist policy of Ferdinand VII. There he took refuge in 1824 after the liberal triennium. Francisco de Goya was there between 1824 and 1828. He went as an exile, with Leocadia Weis and his two sons Guillermo and Rosario and found a group of friends and artists that allowed him to live and develop his art despite his advanced age. The city of Bordeaux remembers him with affection and dedicated a street to him.

Goya anticipated to Impresionism,Expresionism and Sumalism. Goya's stylistic development was not a conventional one. He excelled in the late Baroque and Rococco styles in his youth, but he never fully incorporated the influence of Neo-Classicism which was predominant in Spain and Europe in the final decades of the18th century and the beginning of the 19th. Goya was an artist ahead of his time, who created works full of personality, both in painting and in engraving without ever conforming to the conventional. In effect, he predicted the predominant movements of the 19th and 20th century. Romanticism, Impressionism, Expressionism and Surrealism were the principal movements to be influenced by his work.

Write examples of masterpieces where these characteristics can be watched. Goya was pictorially trained within the confines of the late Baroque and Rococco styles, as can be seen in the work produced in his youth. His journey to Italy Write examples of masterpieces where these characteristics can be watched. pictorial styles of Classicism and Neo-Classicism, the influences of which can be seen in some of his work on the Carthusian monastery of Aula Dei in Zaragoza. At Court he used different styles. In the tapestry cartoons, the Rococco was predominant when dealing with subjects full of joy and vivacity. He allowed the new winds of Neo Classicism to influence him in some of his religious and mythological works, but he felt uncomfortable with the new style which was becoming increasingly fashionable. He decided to follow his own aesthetic sensibilities. In his old age he stated that his masters were Velazquez, Rembrandt and Nature. In the portraits and other works, the influence of Velazquez can be seen in Goya's treatment of space, light and staining techniques. This tendency became more and more pronounced to an almost impressionistic degree, from 1800 onwards. Goya's portraits, direct, psychological and realistic, renewed the genre. Etching and aquatint were the predominant types of engraving used by Goya in which he created a series of works which were inspired by his personality and imagination. In the Caprichos fantasy and realism combined to produce a savage, daring social critique. Crude and desolate realism dominate The Disasters of War. The world of the subconscious blossomed in the mysterious, impactful images of the Black Paintings, painted in the Quinta del Sordo in Madrid. These images were to be appreciated years later by Expressionists and Surrealists as precursors of their movements.