Color Management For Digital Photography

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Color Management For Digital Photography By: RAYMOND CHEYDLEUR ICC VICE CHAIR, CGATS CHAIR, USTAG ISO TC130 CHAIR PRINTING AND IMAGING PORTFOLIO MANAGER X-RITE INC 2

What s out, what s in for today Out Spectral Profiling In ICC profiles for Digital cameras Raw Profiles for Digital cameras In and Out Scene-referred, Output-referred Display Calibration Printer Calibration

Input to output

Scene Referred Output Referred Scene Referred: The measured scene color the camera captures Output Referred The transformation necessary to produce the desired interpretation for screen or print Done in the camera for tiff and jpeg files if you set srgb or Adobe RGB If shooting RAW you become the renderer along with your RAW converter

Scene Referred Output Referred Scene Referred Camera A srgb rendering Camera B srgb rendering

More Information ICC White papers http://color.org/whitepapers.xalter ICC_white_paper_17_ICC_profiles_with_camera_images.pdf ICC_white_paper_20_Digital_photography_color_management_basic s.pdf Creating Scene Referred images http://www.color.org/scene-referred.xalter

Why profile a digital camera Two common scenarios: Desire to have colorimetrically accurate reproduction ICC workflow Desire to have pictorially consistent starting point DNG or RAW calibration

Camera Color Management ICC workflow - TIFs and JPEGs Processed in the camera srgb or Adobe RGB DNG or RAW Processed in software All data is captured Large file size Greater editing capabilities

Common workflow elements White Balance the Camera Survey reports 3 hours a week lost in just post capture white balance edits Software to create the profile Physical target compatible with software using to render the profile.

Common input profiling targets

Custom profiling targets Used primarily for tight colorimetric reproduction Use the actual materials to be reproduced Artist pigments Fabric swatches Other materials Most common is to emulate the Classic ColorChecker New work in ISO 12641-2 to allow easier creation of custom input targets

How often to profile When something changes ICC Colorimetric accuracy primary concern is the lighting RAW Lighting less of a concern with dual illuminant profile

Capturing target Even lighting No glare Proper exposure Square on to the camera

Building the ICC profile Capture the target TIFF RAW JPG Process in the software of choice May need to have a reference file Various degrees of complexity

Typical software interfaces

Building an ICC Profile

Applying the ICC Profile in Photoshop Edit > Assign Profile

Raw Profiling in Lightroom Export with Preset > ColorChecker Passport

Applying the profile in Lightroom Develop > Camera Calibration

Result of profiling original Capture Profile applied

What could go wrong Biggest variables: Camera settings Variable internal image processing being applied Auto white balance Exposure Lighting Was the lighting on the target even Was lighting on the target the same as corrected image

The new originals

Display calibration The foundation for the digital darkroom If editing on screen - display calibration is required If sending to a lab or printing locally - display profiling reduces cost and rework In many cases the final destination is the display

Mobile Devices Mobile devices do not support system-wide color color management Assumption of srgb Application based color management is the only option

Survey results Lack of display calibration resulted in an average of 4.5 extra hours of work per week in color correction In a recent survey 66% of respondents answered that display calibration did affect their design process Cut down time adjusting colors Provided More Confidence More efficient in achieving the right color on a print out, based on what's on the screen Majority used the word accurate when responding to how display calibration made a difference More accurate photo reproduction Photos look better

What about film? Film is really a question of scanner profiling Scanner profiling process is equivalent to ICC camera profiling Profiling scanner issues are primarily related to settings within the scanner software In most scanner applications the ICC profile can be directly applied to the resultant scan

Conclusions Camera Profiling or Calibration provide quantifiable benefits to digital photographers Monitor calibration is required for the new digital darkroom If printing closing the loop may require profiling your local printer, your lab or using their supplied profile