Before You Start. Program Configuration. Power On

Similar documents
Combined Effects Pedal

Combined Effects Pedal

CONTENTS JamUp User Manual

vintage modified user manual

AmpliTube for ipad User Manual

SOFTWARE: HARDWARE: K a t i e W a r d r o b e

AmpliTube User Manual

INTRODUCTION WARNING! IMPORTANT SAFETY INSTRUCTIONS. Congratulations on your purchase of this MG Gold amplifier from Marshall Amplification.

NUXFRONTLINE

Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona U.S.A.

Install and Authorize your New Plugin:

2017 VCE VET Music Industry: Sound Production examination report

profile pre-set Factory User how range not position not User User Saved Loaded DP2 DP3 Filter Type Not Used, Low Pass , High Pass , Band Pass

TONE TATTOO ANALOG MULTI-EFFECT PEDAL featuring METAL MUFF, NEO CLONE & MEMORY TOY

Additional Reference Document

AUDIO INSTRUCTIONS CAPTURE STUDIO ONE PRO TOOLS

ENGLISH. From Jim Marshall

Guitar Reamping Guide

VOICE BOX Harmony Machine and Vocoder

Owner s Manual. Page 1 of 23

Semi-modular audio controlled analog synthesizer

Operating Instructions 1000RB

EXPERT REVIEW: TECH 21 ACOUSTIC FLY RIG

Record your debut album using Garageband Brandon Arnold, Instructor

bx_bassdude Plugin Manual

aw_dp720_manual_g03_ pdf 1 17/5/24 09:15 DIGITAL PIANO C M Y CM MY CY CMY K

TABLE OF CONTENTS 1. MAIN PAGE 2. EDIT PAGE 3. LOOP EDIT ADVANCED PAGE 4. FX PAGE - LAYER FX 5. FX PAGE - GLOBAL FX 6. RHYTHM PAGE 7.

WELCOME TO SHIMMER SHAKE STRIKE 2 SETUP TIPS 2 SNAPSHOTS 3

DREAM DSP LIBRARY. All images property of DREAM.

Ample China Pipa User Manual

MG15CFX MG30CFX. From Jim Marshall

User's Manual. HUSH Licensed by

CLA VINET USER GUIDE

VB-99 V-Bass System. On-the-Gig Sound Settings. Workshop ÂØÒňΠVB99WS03

The Fantom-X Experience

Music Technology. Advanced Unit 4: Analysing and Producing. Thursday 31 May 2012 Afternoon Time: 2 hours (plus 10 minutes setting up time)

VOCAL FX PROJECT LESSON 9 TUTORIAL ACTIVITY

User Guide (Clarett USB Edition)

SYSTEM-100 PLUG-OUT Software Synthesizer Owner s Manual

Ai1 OWNER S MANUAL. Getting Started:

Recording guidebook This provides information and handy tips on recording vocals and live instruments at home.

Operation Manual. Introduction. Contents

Features, Benefits, and Operation

ProfessionalStompboxes

Pedal I/O 1U Manual. Pedal I/O 1U System. Effects Pedal Send/Return and High Impedance Instrument Input for Eurorack. Manual Revision:

- for CreamWare SCOPE -

SP 5600 portable grand keyboard

User Guide English 1

Table of Contents. Owner s Manual. 1. Overview & Getting Started. 2. Engines. 3. FX Modules. 4. Rhythms. 5. Flux. 6. X-Y Pad & Macros. 7.

User Guide English 1

WK-7500 WK-6500 CTK-7000 CTK-6000 BS A

Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek This PDF

CONTENTS PREFACE. Chapter 1 Monitoring... 1 CHAPTER 2 THE MICROPHONE Welcome To The Audio Recording Basic Training...xi

! Memory Lane 2! Analog delay with tap tempo and dual independent delay times

ZOOM PLAYER. Operation Manual ADVANCED GUITAR EFFECTS PROCESSOR. Outstanding Features

* Apple, ipad, iphone, ipod touch, and itunes are trademarks of Apple Inc., registered in the U.S. and other countries. * All product names and

CONTENTS PREFACE. Chapter 1 Monitoring Welcome To The Audio Mixing Bootcamp...xi

PERSONAL BUNDLE QUICK-START GUIDE

Thank you for purchasing the Empress Buffer+ Stereo. This pedal

M-16DX 16-Channel Digital Mixer

Extreme Environments

Scarlett Plug-in Suite

Bass Slapper. User Guide

Welcome to the SHREDDER Synth for Guitar user

USER MANUAL EFFECT BOARD

VENUE Full Isolation D.I.

Jam and Practice Tool for Guitar. Owner s manual

MIDX Boss GT-1 - MIDI Implementation

Intro to Pro Tools. Pro Tools LE and Eleven Rack. Version 8.0.1

SP 5600 portable grand keyboard

Operators Manual. Rocktile GP-120 Guitar Effect Processor

QUICK START. How to Read This Manual. Thank you, and congratulations on your choice of the Roland

Vidur Tube Pre-amplifier Owner s Manual (v1.1)

User Guide. English. Manual Version 2.1

Spider IV 15. Pilot s Handbook Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto 取扱説明書

HARP EFFECTS BY MARKO BALLAND [1]

User Guide. English. Manual Version 1.2.1

LeMay Audio Products. MK-I Preamplifier Users Manual John P. LeMay All Rights Reserved Rev A

Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek

Get t ing Started. Adaptive latency compensation: Audio Interface:

Thank you for choosing the Vengeance Producer Suite Philta XL plug-in ('Philta' for short)

How to use Photo Story 3

PA WATT PORTABLE PA SYSTEM PRODUCT MANUAL

The Atmosphere. Res System Resolution, the sample rate of the digital effects engine. Turn down for slower, lower, longer, grainier, more lofi reverb.

GUITAR GUITAR PROCESSORS EFFECTS PRODUCT LINE PREAMPS EXPRESSION PEDALS MIDI CONTROLLERS BASS PROCESSORS

IGNITE BASICS V1.1 19th March 2013

Operation Manual. Basic FX Suite

AMPLIFi FX100 PILOT S GUIDE MANUEL DE PILOTAGE PILOTENHANDBUCH PILOTENHANDBOEK MANUAL DEL PILOTO 取扱説明書

NEMESIS NC-200A OPERATION MANUAL

USER MANUAL BLUE NEBULA TAPE ECHO AND GUITAR FX PEDAL. Blue Nebula User Guide, Firmware Revision 4 Page 1

bx_spredshread manual

Low Voltage Directive(s): 72/23/EEC 89/336/EEC (93/68/EEC) Electromagnetic Compatibility EN55013, EN , EN55020 Safety: IEC 60065

How to Present External Audio Stimuli from PC - Focusrite Soundcards using the Aurical Aud Audiometer

GLOSSARY. SECTION 8: Glossary. BARGRAPH A row of LEDs calibrated to indicate signal level.

ELECTRIC GUITAR AMP. Owner s Manual GX60R

AG C & AG C

Manual. Table of Contents

KXR. Owner, s Manual. One hundred KEYBOARD EXTENDED RANGE TYPE: PR 262 P/N

Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer Thanks to: Georg Bruns The information in this document is subject to change without

ZOOM STUDIO. Safety Precautions. Please observe the following safety tips and precautions to ensure hazard-free use of the 1202.

Transcription:

StompBox is a program that turns your Pocket PC into a personal practice amp and effects unit, ideal for acoustic guitar players seeking a greater variety of sound. StompBox allows you to chain up to 9 effects in any order and then save your settings as patches files that can be recalled at a later date. Before You Start StompBox uses either the internal microphone or external microphone/line input (where applicable) as a sound source. If you are using the internal microphone as a sound source you must be listening via a set of headphones otherwise you will hear feedback from the Pocket PC's internal speaker. If you are connecting your instrument directly via an external microphone/line input, then you can use external amplification as it should eliminate any feedback problems. This allows you to place StompBox between instrument and amplification just as you would with hardware effects pedals. Program Configuration Many popular makes of Pocket PC's have a multi-function 3.5mm headset jack which has both microphone and headphones in a single socket. To use this jack you will most likely require a headset adaptor allowing you simultaneous both input and output. The Dell Axim x50v, x51v and HP-4700 are just a few examples of Pocket PC that support this type of adapter. Please check your Pocket PC user manual for details on whether a headset is supported. Please note that the 3.5mm headset jack has 4 connections. When you launch StompBox you will see the configuration screen. By default StompBox will select the High Quality 44Khz mode which should work fine in most cases. If your Pocket PC has a 200Mhz processor and you are suffering from a breakup of sound then you may want to consider dropping to 22Khz mode. In order for the program to work efficiently then it is important you find the correct Latency setting to work with your model of Pocket PC. Latency is defined as the time taken for the input signal to be processed and finally passed to the output device. Setting a low latency value will decrease the delay but can often result in sound breakups. A high latency value will increase stability but result in a longer delay. The best latency setting is that which gives the shortest delay with stable sound. This will vary from one Pocket PC to another. You can obtain a better latency using 22Khz mode, at the expense of sound quality. Power On To start the program, press the big Red Rocker button on the configuration screen. If you hear feedback then this is because you haven't plugged in a set of headphones or headset adapter.

Effects Chains The configuration screen shows a list of all effects available and whether they are currently on or off. The effects are routed in the order that they appear in the list. You can move any effect up or down in the chain which can result in a very different sound. For instance, placing a Phaser before the overdrive will sound totally different to placing the Phaser after the distortion. You can move an effect by highlighting an effect in the list then pressing the Move Up or Move Down buttons. Pressing the Default button will undo any effect ordering you may have made. Pressing the Edit Effect Button allows you to change the effect parameters. Pressing the On/Off button or double clicking an effect toggles it's status between on and off. Navigating the Effects The direction pad on your Pocket PC can be used to quickly move between the various StompBox screens. Pressing the left and right arrows scroll between the following areas of the program. Configuration <> Effects Pedals <> Load/Save Presets <> Metronome <> Loop Recorder So from the configuration screen pressing the right arrow will display the effects pedals screen. Pressing right a second time displays the Load/Save Presets and so on. Program Areas Pressing the up and down buttons whilst an effects pedal is on display will allow you to move up and down the all 9 effects in the chain. The order they appear is the order the sound is being processed. The following diagram represents the order of navigation using the direction pad. Pressing left and right move between program modes whilst up and down to navigate the effects chain. Previous Effect Configuration Effects Pedals Load Presets Metronome Loop Recorder Next Effect

Using Effects StompBox passes the audio input though a chain of up to 9 effects before outputting the sound to your headphones. Each effect has it s own unique set of controls, but one parameter is common to them all, the input level. This is very important as it controls the amount of input signal to be processed. If you can hear distortion, and an effects Peak LED is lit, then you need to turn down the input signal on that effect. Most effects also have a Mix knob. This controls the amount of effected signal to pass though the effect. Turning the Mix knob to the left will pass a dry signal, whilst turning the mix to the right will pass a wet signal. The following effects are available:- Overdrive: Adds a distortion or crunch effect to the input sound. This is widely used by rock / heavy metal guitar players, but can also used on other instruments or even vocals. The Drive parameter controls the level of input signal, and Saturation the amount of distortion. Separate Bass, Middle and Treble parameters allow you to control the tone of the distortion. Parametric EQ: This is used to boost a certain frequency giving a nasal filtered quality to the sound. The Frequency knob and Boost are used to boost a frequency whilst the Resonance controls the bandwidth of the boosted frequencies. This type of equalizer is often used in conjunction with Overdrive to give greater control over the tone. Pitch Shifter: Allows you to transpose the input signal up or down by a given number of semitones. Please note that the pitch shifter imposes a 100ms delay into the signal path. Use the Semitones knob to select the amount of shift. Turn the Mix fully clockwise to hear only the shifted sound. Phaser: Creates a swirling spiraling sound by attenuating a series of notches in the frequency spectrum. The position of these notches is modulated over time. The Rate and Depth knobs control the modulation whilst Feedback is used to control the amount of output signal fed back into the input. Increasing the feedback makes the effect more noticeable. Chorus / Flanger: Used to expand or thicken the sound by playing multiple versions of the input signal with slightly different delays and changes in pitch simulating an ensemble of the input sound. The Speed and Depth control the modulation whilst the Feedback makes the effect more noticeable. Digital Delay: An effect that is used to add depth or space to an audio signal by repeating the input one or more times after a brief pause of a few milliseconds to a few seconds. Delay is also often referred to as echo. The Delay knob controls the distance between echoes and the Decay controls the number of repeats. The Cutoff knob controls the brightness of the delays, acting as a frequency cutoff filter. Digital Reverb: This effect uses is similar to echo, but instead of discrete, long delay repeats, it is a series of very short delays that add up to create a sense of spaciousness in the tone. When sound is produced in an enclosed space multiple reflections build up and blend together creating an ambience or reverberation. The Delay controls the distance between reflections and the Decay controls the repeats. The Filter knob allows you to cut/boost the high and low frequencies, depending on the LP/HP button. Graphic Equalizer: This effect simply cuts of boosts certain frequencies within the signal. It can be used to prevent feedback by cutting offending frequencies or for adding extra bass and treble to the mix. Tremolo: This effect simply modulates the volume at a given rate using Speed and Depth controls.

The Metronome The metronome can be used to provide a sense of tempo whilst practicing. In order to use the metronome the StompBox must be turned ON in the configuration screen, otherwise you will not hear any sound. Press the Start/Stop button to hear the metronome. Adjust the BPM (beats per minute) knob to achieve the desired tempo. The Accent knob can be used to change the time signature. Setting the accent to 4 will result in every forth beat being louder and effectively give you a 4/4 time signature. Place the stylus on the knob and drag from left to right to adjust the setting. The metronome volume can also be adjusted from this screen. The metronome volume is adjusted relative to the global StompBox volume on the configuration screen. Another handy feature is the ability to play a 440Hz test tone which can be used to check if your instruments are in tune. The Mute Mic button is handy if you want to hear the metronome through your internal speaker or external amplification without the unwanted feedback. Pressing the Mute Mic button effectively cuts the microphone or headset input. When this option is selected it is therefore not possible to use any of the internal effects as there is no input sound to process. The output of the metronome does not pass through the effects unit. Saving Presets Once you have configured your effects and setup the desired sound you are looking for, you will want to save these settings as a patch / preset. Use the left and right direction pad buttons to move to the Presets page which is shown below. Press the Save button to save the current settings to a.preset file. You will be prompted for a description under which the settings will be saved. Type in the name of the preset, then press OK save to save or Cancel to abort. Pressing the Load button will recall the currently highlighted preset. All effects and effect order will be loaded from the saved preset. To delete a preset, ensure the desired preset name is highlight in the list then press the Delete button. You will be asked to confirm the deletion to which you must press OK A patch not only saves the settings for each of the effects but also the order in which the effects are processed. This gives a great deal of flexibility over the sounds that can be produced.

The Loop Recorder The Loop Recorder is a great practice tool which allows you can use this to capture a few bars or even a whole song (memory permitting). This can then be used as a backing track for you to play along with. For example, a guitarist may want to record a few bars of rhythm over which he can practice a lead solo. In order to use the loop recorder you must first ensure StompBox is turned ON using the switch on the configuration screen. If you decide to record a whole song, it is possible to select which part of the song is played in a continuous loop. This allows you to practice different sections of the song. Please Note: The sample recorder stores sound in raw format which means samples occupy large amounts of storage space. If you are wishing to record very large loops please install the software on an expansion card. Follow these instructions to record a loop:- 1) Press the Record button to begin recording. 2) Press Stop when recording is complete. 3) Press Play to listen to the sample. If you wish to repeat the sample, press the Repeat button. You can suspend playback at any time by pressing the Pause button. Pressing Pause again will continue playback. Loop Points If you wish to repeat only a section of your recording, move the playback slider to the start of the section you wish to repeat and press the Loop Start button. Move the slider to the end of the section to repeat and press the Loop End button. Pressing Play will now only play the section of the recording you ve just specified. Recording With Effects If you enable any of the effects then these will also be recorded. If you are sampling a section of a CD then you will need to disable the effects before you make the recording. If however you are recording a few bars of rhythm guitar you may wish to add effects to the recording. Please Note: Loop recordings occupy very large amounts of storage space. Only one loop recording can exist at any one time, and you will be prompted to delete the recording when you exit the program. Loop recordings cannot be exported or loaded into external applications.

Troubleshooting The following are a set of questions and answers which should help you solve any problems you might be having with Pocket StompBox. Q) When I turn StompBox on all I hear is a loud squealing noise, why is this? A) This is something called feedback, which is caused when the sound from a speaker is being passed back through a microphone. This created an infinite loop and results in a loud squealing sound. To resolve this issue you need to connect a set of headphones or a headset adapter to your Pocket PC. Q) I can t hear anything through my headphones, what am I doing wrong? A) Have you turned StompBox on using the On/Off switch in the configuration screen? You should also check that the master volume is turned up and that your Pocket PC s audio device isn t muted. Q) The sound is breaking up and I can hear loud clicks through the headphones. A) You probably need to adjust the Latency setting in the configuration screen. Increasing the latency makes the program more stable but increases the delay between sound coming into your Pocket PC and that coming out of the headphones. Q) There is a lengthy delay between me playing my guitar and what comes out of the headphones. A) You need to adjust the latency setting in the configuration screen. Decreasing the latency will help solve the problem, but using excessively low values may cause instability and breakup of sound. In some cases setting a very low latency may result in an ever increasing delay of sound. This is because your Pocket PC can t keep up with the latency value you have selected. To resolve this issue try setting a larger latency value. Q) I m setting the Latency very low but it doesn t seem to make any difference. A) Your Pocket PC will have an internal overhead which will vary from one model of Pocket PC to another. Setting below a certain threshold will have no effect on the overall speed of audio processing. You Pocket PC receives blocks of audio samples from the microphone. These blocks are then passed through several effects before finally being passed on to the audio output device. This all takes time, hence the delay. Reducing the Latency setting will reduce the size of the block of data being processed, but the operating system may impose it s own physical limits in terms of how smaller blocks it can handle. This can either result in a breakout of sound or an ever increasing delay. If you wish to achieve lower latencies you could try reducing the sample rate to 22Khz. Q) Why can t I hear any output from the metronome or the 440Hz test tone? A) You must turn on Pocket StompBox before you start the metronome, otherwise you won t hear anything through your headphones. Q) I can hear distortion being introduced when I enable certain effects. A) Each effect has a peak LED which lights if you exceed the maximum input. To avoid signal clipping turn down the input level for the effect who s peak indicator is lit. Q) There seems to be excessive noise when I m not playing, why is this? A) Your Pocket PC has an automatic gain control (AGC) which amplifies quiet sounds rather like an audio compressor. This is useful for the voice recorder application but it does tend to amplify unwanted noise.. You can turn off this feature from your Pocket PC s settings screen. Q) Can I load the loop recording into an external program. A) No, the loop recording is not stored in a standard file format.

Q) The loop recorder doesn t appear to be working correctly. When I press Play nothing happens? A) The loop recorder will only function if StompBox is turned on in the configuration page. Technical Support If you have and problems or questions not covered by this manual, you can contact us as follows: Web Site: www.4pockets.com Support Email: support@4pockets.com