A panchromatic negative film for technical, industrial and aerial photography

Similar documents
A panchromatic negative film for technical, industrial and aerial photography

A panchromatic negative film for aerial photography.

Panchromatic negative film for aerial photography

A panchromatic negative film for aerial photography.

Panchromatic negative film for aerial photography

AVIPHOT ASP 400 S PE1/PE0

AVITONE PD 1 P-OS AND PD 3 P-OS

:AVIPHOT COLOR N400 PE1

Negative acting, orthochromatic continuous tone duplicating film.

EASTMAN PLUS-X Reversal Film / 7276

KODAK AEROCHROME III MS Film 2427

KODAK Infrared AEROGRAPHIC Film 2424

EASTMAN TRI-X Reversal Film 7278

RPF & OPF Technical Information

KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film

KODAK PROFESSIONAL TRI-X 320 and 400 Films

KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film

KODAK TRI-X Pan and KODAK TRI-X Pan Professional Films

SFR 406 Spring 2015 Lecture 7 Notes Film Types and Filters

EASTMAN EXR 200T Film 5287, 7287

TECHNICAL INFORMATION

EASTMAN EXR 500T Film 5298

KODAK EKTACHROME 64T Professional Film

KODAK Panchromatic Separation Film 2238

KODAK T-MAX Professional Films

KODAK High Speed Infrared Film

KODAK PROFESSIONAL T-MAX Films

KODAK EKTACHROME 160T Professional Film / EPT

KODAK EKTACHROME 64 Professional Film

KODAK VISION Expression 500T Color Negative Film / 5284, 7284

KODAK EKTACHROME 64 Professional Film

KODAK EKTASCAN IR Laser Imaging Film / 1356 / EIR

KODAK Medical X-ray Film / General Purpose / Blue / 3528 / MXB

ISO 400/27 o BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE

KODAK PROFESSIONAL ELITE Chrome 200 Film

ELITE Chrome 100 Film

KODAK EKTACHROME 100 Plus Professional Film

400 PROFESSIONAL FACT SHEET ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY. September 2002

EASTMAN EXR 200T Film / 5293, 7293

Chapters 1-3. Chapter 1: Introduction and applications of photogrammetry Chapter 2: Electro-magnetic radiation. Chapter 3: Basic optics

400 PROFESSIONAL ILFORD FACT SHEET ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY www

KODAK PRIMETIME 640T Teleproduction Film / 5620,7620

KODAK PROFESSIONAL EKTACHROME Film E100VS

DELTA PROFESSIONAL ILFORD FACT SHEET ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY F.

ISO 400/27º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE

KODAK INDUSTREX AA400 Film Versatility is the key.

Kodak Thermal Print Microfilms

KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX Grain as Fine as Your Art.

Chapters 1-3. Chapter 1: Introduction and applications of photogrammetry Chapter 2: Electro-magnetic radiation. Chapter 3: Basic optics

TECHNICAL DATA / COLOR TRANSPARENCY FILM

DELTA 400 PROFESSIONAL

KODAK X-OMAT BT Film / 4530 / XBT

1 MPTVI DATA SHEET XXXXXXXXXXX

TECHNICAL DATA / COLOR REVERSAL FILM January 1998 E-154

KODAK Simulation Film / 7157

TECHNICAL DATA / COLOR NEGATIVE FILM February 1998 E-44

Computer Output Microfilm Data Sheet

KODALITH Ortho Films 2556,6556, Type 3

ELITE Chrome 400 Film

BLACK AND WHITE, ORTHOCHROMATIC COPY FILM

EASTMAN EKTACHROME High Speed Film (Tungsten) 7250

AF3-024E COLOR REVERSAL FILMS 1. FEATURES AND USES 2. SPEED

KODAK MIN-R S Film / 4906

FUJICHROME PROVIA 1600 Professional [RSP]

KODAK PROFESSIONAL ELITE COLOR Films / 200 and 400

Film Sizes. 135 (24-and 36-exp.) 135 (36-exp. 20-roll packs) 35mm 30.5m (100ft) 120, 120 (5-roll packs)

KODAK PROFESSIONAL EKTACHROME Film E100VS

KODACHROME 25, 64, and 200 Professional Film

Aperture: Circular hole in front of or within a lens that restricts the amount of light passing through the lens to the photographic material.

KODAK PROFESSIONAL EKTACHROME. Films E100S and E100SW TECHNICAL DATA / COLOR REVERSAL FILM KODAK PROFESSIONAL EKTACHROME DESRIPTION FILM E100S

Density vs. Contrast

KODAK EKTACHROME Professional Infrared EIR Film

KODAK High Definition 400 Film

FUJICOLOR NPC 160 PROFESSIONAL [NPC]

KODAK VERSALITE TDF Film

Camera Negative Microfilm Data Sheet

KODAK EKTACHROME Professional Infrared EIR Film

SFX FACT SHEET BLACK AND WHITE CAMERA FILM WITH EXTENDED RED SENSITIVITY FOR CREATIVE PHOTOGRAPHY. April 2004

Guide to Manual Processing of NDT Films

KODAK IMAGELITE ESY Scanner Film KODAK GEN 5 GAI Recording Film KODAK IMAGELITE IRF Scanner Film KODAK GEN 5 GIR Recording Film

KODAK EKTACHROME RADIANCE III Paper

KODAK PROFESSIONAL PRO IMAGE II Paper

RA Duplicating Film X-OMAT 5000 RA Processor; RP X-OMAT Chemicals; 90 Second Cycle; Diffuse Visual Densitometry. Density

KODAK PROFESSIONAL Display and Print Materials

IMAGO 320 BLACK AND WHITE FILM TECHNICAL INFORMATION

Technical Data Range of AgfaPhoto standard films

FUJICOLOR PRO 160 C PROFESSIONAL

How to correct a contrast rejection. how to understand a histogram. Ver. 1.0 jetphoto.net

KODAK PROFESSIONAL ENDURA Transparency and Clear Display

Diazo C Microfilm 1957, 2957, 3957 Diazo D Microfilm 1956, 2956, 3956

KODACHROME 40 Movie Film (Type A) / 7268, 7270

DSLR FOCUS MODES. Single/ One shot Area Continuous/ AI Servo Manual

Cinematographer s Field Guide KODAK MOTION PICTURE CAMERA FILMS

KODAK T-MAX 100 Direct Positive Film Developing Outfit

KODAK PLUS-X Reversal Film 7265

Dr. Achim Z i c k 1 e r JENOPTIK JENA GmbH, GDR 69 Jena, Carl-Zeiss-Platz 1

Light) Conditions. Lens Aperture Shutter Speed (sec.) NOTES. Light. Conditions. Lens Aperture Shutter Speed (sec.) None LBB-12** (or Wratten No.

KODAK PROFESSIONAL ENDURA Transparency and Clear Display

KODAK PROFESSIONAL T400 CN Film (Process C-41)

IMAGELINK Diazo Duplicating Microfilms

Transcription:

:AVIPHOT PAN 200 A panchromatic negative film for technical, industrial and aerial photography :Aviphot Pan 200 PE1 is a panchromatic negative film, coated onto a transparent polyester base providing excellent dimensional stability. Thickness of the polyester base: 0.10 mm (.004 ). :Aviphot Pan 200 PE0 is a similar film coated onto a 0.06 mm (.0025 ) polyester base. :Aviphot Pan 200 PE0 AR, coated on a 0.06 mm (.0025 ) polyester base is designed for LED exposure through the back. :Aviphot Pan 200 is suitable for technical, industrial and aerial photography. Applications Aerial photography assignments from low to medium altitudes, for gathering, interpreting and processing information intended for cartography, inventory purposes and exploration studies. This film can be used in industrial recording systems, such as equipment for plotting graphs in control and monitoring devices. It can also be used in stereo image recording devices, either airborne or in ground-based facilities for subsequent production of three-dimensional plans, maps, etc. Characteristics With its expanded colour sensitivity into the near infra-red range of the colour spectrum, :Aviphot Pan 200 offers excellent penetration through haze, fog and other atmospheric conditions liable to affect the image quality. Obviously, this yields an improved image contrast and therefore more information. With the uniform distribution of the panchromatic sensitivity within the range of visible light, the terrain can be imaged very faithfully without having to revert to the use of special spectral recording filters. Yellow filters can be used to get a higher image contrast. They also decrease the overall film sensitivity. Variations in average gradient ranging between 0.9 and 1.9 are attainable in processing conditions specified by Agfa. The necessary contrasts in the photographic image are obtained by processing the film at the appropriate developing time. The high sensitivity means: Shorter exposure times, creating less image blur due to image motion. Smaller apertures improving the sharpness across the entire image. Possibility to shoot even in less favourable weather conditions, and consequently increasing the number of flying hours per day. With the film s specific sensitization and its capability to reproduce small details and a flexible image contrast, different shades in the vegetation, waterfront shores and information in the shadow areas are rendered with outstanding detail. :Aviphot Pan 200 can be processed in a continuous tone processor or by hand (rewind development). The polyester base and the back layer of the film (designed to achieve optimum vacuum draw down) ensure dimensionally stable processing. 1

Photographic data Colour sensitivity Panchromatic, up to 750 nm. Absolute spectral sensitivity Sensitivity is reciprocal of the esposure (mj/m 2 ) required to produce the indicated density. Processed in :Gevatone 66, in G 74 c developer at 30 C, for 42 seconds. Resolution According to ANSI PH 2.33 standard: TOC (Target Object Contrast) 1000:1= 181 lp/mm or 362 dots/mm. TOC 1.6:1 = 51 lp/mm or 102 dots/mm. 2

RMS granularity Measured at 50µm spot size. Processed in :Gevatone 66, in G 74 c developer at 30 C and gamma = 1.20. Photographic modulation transfer function 3

Production guidelines Darkroom lighting :Aviphot Pan 200 has to be handled in complete darkness. Exposure The film speed can vary according to processing. :Aviphot Pan 200 can be exposed as a 125 to 250 ASA film. Consequently, it can be used with all classic aerial recording cameras (ZI, LH, Vinten, Recon Optical,...). Working with EAFS/ISO.A exposure values also yields good results, although these values differ for every processor and developer. Exposure depends on the required image contrast; the light reflected from the earth; altitude and speed of the aircraft. Filter factors If filters are used, the exposure time should be increased by a filter factor. With filter L 453 yellow L 519 orange-yellow L 599 red Filter factor 1.5 1.8 3.0 4.0 L 622 red Absorption curves of the filters used: If the filters are supplied by the manufacturers of aerial photography recording cameras, we recommend to follow the filter factors supplied by them. 4

Processing :Aviphot Pan 200 PE1/PE0 can be processed either in a continuous-tone processor, or by hand if there is no processor available. Automatic processing in :Gevatone 66, in G 74 c developer Optimum quality can be attained at 20 to 70 seconds of developing time, depending on the required gradation and sensitivity. Main sensitometric curves Characteristic curves 5

Exposure/time curves EAFS: Exposed using a 5800K xenon flash. Daylight measured 400 nm to 740 nm. ASA: Exposed using a 5800 K xenon flash. Daylight measured with a visual filter. Average gradient/time curve 6

Fog/time curve Rewind processing Example: working method using a Zeiss FE rewind unit. Wind the exposed film on the rewind frame. Rewind the film once by hand in water at 20 C. Only afterwards you can start to develop the film. Developer: G 74 c. The optimum developing time can be derived from the average gradient/time and exposure/time curves. Rapid fixer: G 333 c or :Vfix, with 12 ml of :Aditan hardening agent added for every litre of fixer. At least 6 passages required (1 passage at 76 m and 38 m = 2.5 minutes). Rinsing: 8 passages in running water. Drying: Add 1 ml of :Agepon per litre of final wash water, to ensure drying of the film. 7

Rewind development in G 74 c Mixing solution: 1.5 l of part A + 10 l water + 1.5 l of part B + 0.335 l of G 74 s (starter) + 16.7 l water. Developer temperature: 20 C. The most important sensitometric curves for 240 mm x 76 m rolls: Characteristic curves 8

Exposure/time curves Average gradient/time curves Fog/time curve 9

Assortment Standard sizes* Size Spool/Winding/Perforation Order code 240 mm x 76 m 9 1/2 in x 249 ft AH897 EI NP 3DEPF 240 mm x 152 m 9 1/2 in x 500 ft AM897 EI NP 3DEQH * For all other sizes, please contact your local Agfa representative. :Aviphot Pan 200 PE0 and :Aviphot Pan 200 PE0-AR are also available. Subject to change without prior notice. AGFA, the Agfa-Rhombus, :Aviphot and :Gevatone are trademarks of Agfa-Gevaert Belgium and Germany. 2004 Agfa-Gevaert N.V., B2640 Mortsel-Belgium. February 2004 10