INTRODUCTION of MONOLEENA BANERJEE

Similar documents
CITIZEN S CHARTER WEAVERS' SERVICE CENTRE, JAIPUR

TAKE ME TO THE RIVER

Handout: WOVEN WORDS

Enriched by the valuable experience of more than 25 years, Dali is professional

OVERVIEW THE INDONESIA TEXTILE INDUSTRY

EXPO 2013 INNOVATIVE FABRICS, DYEING & DESIGN IN ASSOCIATION WITH AYUVASTRA

SOURCE EXPO 2012 ARTISANAL EXCELLENCE. Building on artisanal, cultural, and traditional skills in printing, CMT, weaving and special techniques.

FIBER TO FINISH GUILD NEWSLETTER

T^ÏSS^SM INFORMATION RECEIVED BY THE TECHNICAL SUB-GROUP IN RESPONSE TO GATT/AIR/UNNUMBERED A AND B. Addendum KOREA

Applications of Cross Dyeing with Natural Dyes

Textile Future at the Textielmuseum of Tilburg Netherlands

Wisconsin Museum of Quilts & Fiber Arts

In January 2016, Shrujan inaugurated its most ambitious project so far :

Leena Das. EDUCATION Fashion & Textile Designing National Institute of Fashion Technology, Gandhinagar, Gujarat. Batch

Wisconsin Museum of Quilts & Fiber Arts

TWO-DAYS NATIONAL WORKSHOP ON NATURAL DYEING OF TEXTILES: IN BATIK AND SHIBORI STYLE. at Kennedy Hall Department of Jute and Fibre Technology

Latvia s textile history

Textile & Craft TOURS

' MORALFIBRE fabrics free the environment from pollution and depletion & free people from poverty.

INDIA B MBYX. Bourbon - Handdyed Sari Rugs & Pillows. Tales of India

Linings / Interlinings Motifs Needles & Thread Rhinestone Accessories Ribbons Rubber Bands Trimmings Zippers & Many more...

Maggie May & Josh Kelly

GUJARAT TECHNOLOGICAL UNIVERSITY, AHMEDABAD, GUJARAT COURSE CURRICULUM. Course Title: Textile Craft - I Course Code:

CERTIFICATE OF ACHIEVEMENT IN SYNTHETIC DYEING SYLLABUS

Alberta Culture Days. Fall Paint-Out. Weekend Program FREE ADMISSION. An event for all the artists in the family! OCTOBER 1 & 2 10 AM - 4 PM

展后報告 Post Show Report

Understanding Indigo Indigo and shibori stitch resist

Textile Design Research Group

A Textile Enterprise As a Tool of Economic Development: Part I

Exhibitor Application Pack

Welcome to Lorena Canals

Name and Designation. Textile Technology/Fibre Science. Professional experience. 26 years Teaching and Research experience

WEDNESDAY TO SUNDAY Fairground Messe München

The Fabric Of India READ ONLINE

India is a land where every corner is evident with the

The art of shibori handcraft inspiration

' MORALFIBRE fabrics free the environment from pollution and depletion & free people from poverty.

Lucky Handicraft.

The Fabric Of India READ ONLINE

August, Monthly Meeting Monday, August 20, 2018 Business Meeting: 10:00 am James City County Library 7770 Croaker Rd, Williamsburg

WDCC. The Wisconsin Designer Crafts Council. Promoting fine craft and the artists who create it

TRADITIONAL CRAFT WORKSHOPS

It's your newsletter!

CITIZEN S CHARTER WEAVERS SERVICE CENTRE, NAGPUR

CULTURE AND POVERTY ALLEVIATION. Hangzhou, May Bonapas Onguglo, Senior Economic Affairs Officer, UNCTAD

ABOUT CRAFT OF GUJARAT

14-Dec

MARKING SCHEME TEXTILE CHEMICAL PROCESSING (779) STD XII ( ) Time: 2.5 Hrs. MM: Define the following term (Do any 10) (1x10=10)

Read & Download (PDF Kindle) Memory On Cloth: Shibori Now

Textile and Fibre Arts Network Newsletter 21 March 2018

South Asia s Largest Biannual Textile Industry Fair

Central IV County Fairs Premium List HOME ENVIRONMENT. *class exhibited at county fair only not eligible for state fair

History of Weaving. It has been around for thousands of years.

Traditional Textile Designing Practices of Weavers of Uttarakhand. Alka Goel 1, Pushpa Maurya 2 and Bhawana Goel 3 ABSTRACT

b y B a r b a r a S h a p i r o

Fiber Studio: Textile Practices and Projects in the Arts; VISAR-UH YUAD Fall 2017; 4 credits

7 November 2015 Day School - Screen Printing and Stitching - Alison Templeton

Countryside Crafts: Dorset Tapestry Buttony Weaving. Tapestry Weaving. Page

CHAPTER 1 INTRODUCTION. process applies special technique called wax-resistant dyeing. The word Batik is

KNES Art & Design Course Outline. Year 9

EDUCATION GUIDE. Jim Bassler: Woven in Tradition LESSON OVERVIEW. Decisions I make are never based on how long it s going to take me.

KINSHIPas presented by PJ Aranador, Filipino international lifestyle designer Forecasts - Spring Summer 2018

August Week Theory Practical. 2 nd week - Body measurements - Care to be taken while taking measurements

Short introduction: Science festival OPEN SCIENCE DAYS

Janice Gunner MSDC. Fees 2018

ACTIVITY 26 POSTED BY NIKI WILSON ON DECEMBER 20, 2017

Egy Stitch & Tex. 27 February - 2 March 2014 Cairo int'l conference center - Egypt.

ABOUT THE ARTIST Bold, eye-popping colors and repetitive shapes (like stripes and targets) characterize contemporary New York-based artist Polly

Weaving Cognition, Technology, Culture 3rd Annual Embodied Cognition Workshop April 5-8, 2017 Columbia University in the City of New York

Fashion, Art and Design BTEC Certificate Level 2

(B) PAINTING Code No.: 049 ( )

SUMMER PROGRAMS 2015

THE STATUS OF HANDNLOOM INDUSTRY IN ANDHRA PRADESH. Nagiri Muneendra 1, Dr. N.R.Mohan prakash 2

YEAR 7 TEXTILES. Homework Booklet

Textiles: Secret Life of Fabrics

November, Monthly Meeting Monday, November 19, 2018 Business Meeting: 10:00 am James City County Library 7770 Croaker Rd

PREFERENCES OF CONSUMERS FOR DIVERSIFIED USE OF DURRIE MATERIAL

KALA RAKSHA VIDHYALAYA

2013 CALENDAR. September 14: Guild meeting at 10 AM at the LibertyTown Studio. Art Attack from 10 to 4 downtown Fredericksburg.

Handloom Weaver(Carpets)

US Market Watch (Apr-Nov 2016)

Designing and construction of Kurtis for adults by batik printing using crayons

CITIZEN S CHARTER WEAVERS SERVICE CENTRE, MEERUT

NATIONAL DESIGN POLICY. Approved by Government of India

TEXTILE TRIP. to India Jacquard and plain weave

HANDSPUN/HANDWOVEN DEPARTMENT #221 Cathy Walls (831)

Tzouhalem Spinners and Weavers Guild Newsletter

CARPET TAKE YOUR TIME

Designs For Printed Textiles In England From 1750 To 1850 (The Victoria & Albert Museum's Textile Collection) By Wendy Hefford

Discovering Vietnamese Art at Singapore's Affordable Art Fair...

Classic Elite Yarns As many of you have now heard, Classic Elite Yarns will be closing its doors in the very near future It was a difficult decision

A&S Documentation: What Do They Want? By Mistress Ealasaid nic Suibhne

JANUARY APRIL 2018 TEXTILECENTERMN.ORG

Newsletter. ARTrails Meetings. Open Studio Tour and Gala Reception. Of Southwest Washington. Aug/Sep 2017

His Excellency Ambassador Ibrahim Yousif Abdullah Fahkroo, Chief of Protocol

Kay Cheever Without Limitations. Provided by the South Dakota Art Museum Brookings, South Dakota

FIBER & FLEECE Department X LOOM WOVEN. FAIRGROUNDS Entry Irwin Exhibits:

2011/SMEWG33/SEM1/007. Tai-Hwa Pottery. Submitted by: Chinese Taipei

The Letter. Meera Mahadevia s Masterpieces. Discover Meera Mahadevia s timeless «sacs-bijoux» creations in exclusivity at ROUGE COROMANDEL

(An ISO 9001:2015 Certi ed Company) Website:

Transcription:

INTRODUCTION of MONOLEENA BANERJEE Professional Background: Monoleena Banerjee is a textile professional. She has worked intensively with a multitude of Craftspeople, Textile and Design institutes, Museums, Textile Resource Centers and other textile experts in India & abroad. Research & Development, paper presentations, conducting workshops on resist dyeing with chemical & natural dyes in India & abroad and lecturing as a visiting / guest lecturer at different organizations has been a vital part of her profession for more than two decades. Besides this, Monoleena has nurtured and developed the textile production unit of about sixty people at RANGEEN-III the production unit of Weavers Studio, Kolkata - as Chief Designer and Administrative Head from 1995 to 2012 with Introduction, development and execution of different new methods in printing, weaving, shibori, surface decoration, felting and knitting and got opportunity to interact and develop designs for leading National and International brands and Designers. During this tenure many students from textile and fashion institutes of India and abroad had the opportunity to complete their Industrial Internship under her supervision for almost eighteen years. Today, she is working as a freelance textile artist, designer & textile consultant and creates both wearable & art textiles, based in Kolkata, India. As a textile professional she has worked with a vast array of surface decorations; ranging from traditional heritage methods to contemporary design explorations. She has worked mainly with different textile creations and decoration techniques or "made by hand" mediums throughout her career as well as with natural fibers such as silk cotton, wool etc. As an all round professional and for commercial reasons, she has worked with different chemical dyes but natural dyes is her passion especially Indigo. Practice of resist dyeing including advanced Shibori is her favorite process. She has visited Japan to learn this technique several times. In her two-decade textile career she has traveled to different parts of the world such as Japan, USA, England, France, Holland, Scotland, Thailand, Hong Kong, Singapore, Taiwan and Australia, China and all over the Indian sub-continent to learn and also share her Knowledge on Natural dyeing, wax resist [batik] printing, shibori, old traditional printing e.g. Ajrakh Printing and different advanced Azo-free printing techniques and felt making. Photo: MID NIGHT BLUES ; An Indigo Dyed Shibori ART textile by Monoleena Banerjee

Her Participation in the Field of Natural Dyes and Shibori She has participated and presented papers in many conferences and seminars; here is a glimpse of her participation in the following seminars/conferences: 1] 2000-Contemporary Indigo vats-hyderabad [India]-presented a paper on comparative studies on Indigo vats of different countries. In 2000, she joined Jenny Balfour Paul in her search for NEELKUTHIS [old Indigo plantation centers] following a 150 years old Bengal map. In 2015, Jenney has published her book on this search Deeper than Indigo. 2] 2005-Sansia Indigo festival-taiwan-presented a paper on INDIGO and conducted two workshops of fifty people on advanced shibori, and multicolor batik. 3] Nov, 2006-International Dye Symposium First ISEND - Hyderabad [India] by Crafts Council of India and UNESCO, published a paper in the Seminar Publication on Bluing [indigo]. 4] June, 2008, presented a paper SHIBORI-Control Dyeing Unleash Imagination at Textile center, Minneapolis, USA. Also her two artworks 1] shades of Indigo an eleven meter long shaded Indigo Arashi shibori. 2] Solid and sheer -a nine meter triple layer shibori inlay panel was also selected for the exhibition SHIBORI CUT LOOSE. 5] 2011 participated at ISEND international conference on natural dyes held at France [La Rochelle] April 26 th 2011 participated in Round Table talk on INDIGO, 28 th April conducted advanced category workshop on dye-demo of multicolor shibori and also participated in the art and fashion show by displaying my three art textiles. The blue wave - 11mtr Arashi shibori dyed in shades of indigo. The Solid & sheer-12 meter 3layer inlay panel. The River-10mtr woven shibori panel dyed in natural indigo. 6] Sept 2012, Paper presentation on Marigold Dyes Journey of Marigold: Trash to Treasure, Marigold dyeing workshop on intricate shibori at ISEND

2012, KUCHING, SARAWAK, MALAYSIA [was selected by the organizer but the presenter has withdrawn her paper for personal reason]. 7] Mar 2013 Presented a paper entitled - Indigo Once the color of kings, Now-the king of colors - in the Technological Conference conducted by the Textile Association [India] at Kennedy Hall, Department of Jute and Fiber Technology, University Of Calcutta. 8] FEB 2014, Paper presentation on Marigold flower as textile and paper Dyestuff: Journey of Marigold: Waste to Wealth, at 4th SUTRA TEXTILE STUDIES event Colours of Nature held at, ICCR, Kolkata, India. Also Monoleena was the designer, coordinator and director of the Dye Workshops held at the same conference. 9] MARCH 2014 presented a paper entitled- Journey of Indigo - Rags to Riches - Conducted by the Textile Association of India at Kennedy Hall, University of Calcutta. 10] Her paper is Indigo once the Color of kings, now--the king of colors presented at 9 th International Shibori Symposium [held in CHINA] on Oct 2014 11] 2017, 17th April: Inaugurated Centenary celebration of Champaran Movement by Textile Ministry of India at NIFT, KOLKATA by dyeing cloth in Indigo, and lectured on INDIGO as guest lecturer with ppt presentation On 22 nd April concluded the centenary celebration with Resist dyeing workshop on with indigo dyeing at NIFT. 12] NOV 2017, organizing all workshops as Workshop Cordinator for the upcoming INDIGO SUTRA An international conference on natural dyes will be hold in Kolkata. From 9-12 th Nov. Continued to page 4.

Workshops & Trainings: Here is some mention of her workshops on different techniques of surface decoration using Indigo and other natural dyes in India & Abroad, Champaran Movement Centenary Celebration with Resist dyeing workshop with indigo dyeing at NIFT, Kolkata, 2017. Monoleena Banerjee s Shibori workshop with Natural dyes at ISEND 2011 La Rochelle France. Participants in her Shibori workshop at France! Block printed Batik workshop with Natural Dyes, at Taiwan, 2005 Participants with their creation at Shibori workshops at Indigo revival festival Taiwan 2005

Vocational Training Workshop for Special Children Block printing workshop as special vocational training for the students of Indian Institute of Cerebral Palsy [IICP] Lectures as Guest: 1] 2011: As a guest lecturer of the day, she presented a PPT presentation on Diversified Use of Natural Dyes in Contemporary Fashion & Textile Designing for the final year students of National Institute of Fashion Technology [NIFT], 2] 2012: Presented a lecture on DEFFERENT METHODS OF SURFACE DESIGNING with PPT presentation for the final year textile students of National Institute of Fashion Technology [NIFT], Kolkata. 3] 2013: Presented a paper on Indigo [PPT presentation] as guest lecturer at National Institute of Research on Jute & Allied Fiber Technology [NIRJFT], Calcutta. 4] 17 th April 2017, Lectured on INDIGO as guest lecturer with ppt presentation. 5] 2017, 22 nd April; lecture on Product Development concepts with KANTHA EMBROIDERY for High end market as guest lecturer at NIFT for sixth semester students and invited artisans. Also On 22 nd April concluded the Champaran Movement Centenary Celebration with Resist dyeing workshop on with indigo dyeing at NIFT.