ROOM SHAPE AND SIZE ESTIMATION USING DIRECTIONAL IMPULSE RESPONSE MEASUREMENTS

Similar documents
DESIGN AND APPLICATION OF DDS-CONTROLLED, CARDIOID LOUDSPEAKER ARRAYS

IMPULSE RESPONSE MEASUREMENT WITH SINE SWEEPS AND AMPLITUDE MODULATION SCHEMES. Q. Meng, D. Sen, S. Wang and L. Hayes

Validation of lateral fraction results in room acoustic measurements

Psychoacoustic Cues in Room Size Perception

DISTANCE CODING AND PERFORMANCE OF THE MARK 5 AND ST350 SOUNDFIELD MICROPHONES AND THEIR SUITABILITY FOR AMBISONIC REPRODUCTION

Measuring impulse responses containing complete spatial information ABSTRACT

DESIGN OF VOICE ALARM SYSTEMS FOR TRAFFIC TUNNELS: OPTIMISATION OF SPEECH INTELLIGIBILITY

Spatialisation accuracy of a Virtual Performance System

Reflection and absorption of sound (Item No.: P )

Composite square and monomial power sweeps for SNR customization in acoustic measurements

Measuring procedures for the environmental parameters: Acoustic comfort

Convention Paper Presented at the 130th Convention 2011 May London, UK

The effects of the excitation source directivity on some room acoustic descriptors obtained from impulse response measurements

ACOUSTIC MEASUREMENTS IN OPERA HOUSES: COMPARISON BETWEEN DIFFERENT TECHNIQUES AND EQUIPMENT

Advanced techniques for the determination of sound spatialization in Italian Opera Theatres

29th TONMEISTERTAGUNG VDT INTERNATIONAL CONVENTION, November 2016

Improving room acoustics at low frequencies with multiple loudspeakers and time based room correction

Proceedings of Meetings on Acoustics

EFFECT OF STIMULUS SPEED ERROR ON MEASURED ROOM ACOUSTIC PARAMETERS

New acoustical techniques for measuring spatial properties in concert halls

Estimating Room Impulse Responses from Recorded Balloon Pop

THE ACOUSTICS OF A MULTIPURPOSE CULTURAL HALL

ROOM IMPULSE RESPONSES AS TEMPORAL AND SPATIAL FILTERS ABSTRACT INTRODUCTION

Blind source separation and directional audio synthesis for binaural auralization of multiple sound sources using microphone array recordings

Modeling Diffraction of an Edge Between Surfaces with Different Materials

WHAT ELSE SAYS ACOUSTICAL CHARACTERIZATION SYSTEM LIKE RON JEREMY?

Airborne Sound Insulation

SIA Software Company, Inc.

EXPERIMENTAL INVESTIGATIONS OF DIFFERENT MICROPHONE INSTALLATIONS FOR ACTIVE NOISE CONTROL IN DUCTS

SOUND FIELD MEASUREMENTS INSIDE A REVERBERANT ROOM BY MEANS OF A NEW 3D METHOD AND COMPARISON WITH FEM MODEL

APPLICATION NOTE MAKING GOOD MEASUREMENTS LEARNING TO RECOGNIZE AND AVOID DISTORTION SOUNDSCAPES. by Langston Holland -

A Comparison of the Convolutive Model and Real Recording for Using in Acoustic Echo Cancellation

Convention e-brief 310

THE USE OF VOLUME VELOCITY SOURCE IN TRANSFER MEASUREMENTS

NEW MEASUREMENT TECHNIQUE FOR 3D SOUND CHARACTERIZATION IN THEATRES

Measurement System for Acoustic Absorption Using the Cepstrum Technique. Abstract. 1. Introduction

Technique for the Derivation of Wide Band Room Impulse Response

Proceedings of Meetings on Acoustics

Digitally controlled Active Noise Reduction with integrated Speech Communication

Acoustical Testing 1

The analysis of multi-channel sound reproduction algorithms using HRTF data

Convention Paper 6274 Presented at the 117th Convention 2004 October San Francisco, CA, USA

THE PATTERNS OF THE SOUND INTENSITY DISTRIBUTION OF MIDRANGE LOUDSPEAKER

3D impulse response measurements of spaces using an inexpensive microphone array

Pre- and Post Ringing Of Impulse Response

The Effect of Television Decors on the Change of Reverberation Time of the Studio

On the Acoustics of the Underground Galleries of Ancient Chavín de Huántar, Peru

Audio Engineering Society. Convention Paper. Presented at the 119th Convention 2005 October 7 10 New York, New York USA

AN AUDITORILY MOTIVATED ANALYSIS METHOD FOR ROOM IMPULSE RESPONSES

A mobile reverberation cabin for acoustic measurements in an existing anechoic room

RECENT EXPERIENCES WITH ELECTRONIC ACOUSTIC ENHANCEMENT IN CONCERT HALLS AND OPERA HOUSES

Analysis of Frontal Localization in Double Layered Loudspeaker Array System

Development of multichannel single-unit microphone using shotgun microphone array

Reverberation time and structure loss factor

RIR Estimation for Synthetic Data Acquisition

Field experiment on ground-to-ground sound propagation from a directional source

Room Acoustics. March 27th 2015

Speech and Audio Processing Recognition and Audio Effects Part 3: Beamforming

Aalborg Universitet. Published in: Acustica United with Acta Acustica. Publication date: Document Version Early version, also known as pre-print

WAVELET-BASED SPECTRAL SMOOTHING FOR HEAD-RELATED TRANSFER FUNCTION FILTER DESIGN

From concert halls to noise barriers : attenuation from interference gratings

Introduction to Audio Watermarking Schemes

DESIGN OF GLOBAL SAW RFID TAG DEVICES C. S. Hartmann, P. Brown, and J. Bellamy RF SAW, Inc., 900 Alpha Drive Ste 400, Richardson, TX, U.S.A.

Impulse Response Measurements Using All-Pass Deconvolution David Griesinger

6-channel recording/reproduction system for 3-dimensional auralization of sound fields

DESIGN OF ROOMS FOR MULTICHANNEL AUDIO MONITORING

ODEON APPLICATION NOTE ISO Open plan offices Part 2 Measurements

FIR/Convolution. Visulalizing the convolution sum. Convolution

SUBJECTIVE STUDY ON LISTENER ENVELOPMENT USING HYBRID ROOM ACOUSTICS SIMULATION AND HIGHER ORDER AMBISONICS REPRODUCTION

STUDIO ACUSTICUM A CONCERT HALL WITH VARIABLE VOLUME

An Investigation on Factors That Cause Error in Reverberation Time Measurement (ISO 3382) in UTHM Lecturer Room

Virtual Sound Source Positioning and Mixing in 5.1 Implementation on the Real-Time System Genesis

What applications is a cardioid subwoofer configuration appropriate for?

Sound engineering course

FIR/Convolution. Visulalizing the convolution sum. Frequency-Domain (Fast) Convolution

Multiple Sound Sources Localization Using Energetic Analysis Method

University of Huddersfield Repository

ENGINEERING STAFF REPORT. The JBL Model L40 Loudspeaker System. Mark R. Gander, Design Engineer

The NEVATON BPT - "Blumlein-Pfanzagl-Triple" 3-capsule Stereo- and Surround-Microphone with Center-Zoom Function: ready for 5.1, 7.

Polar Measurements of Harmonic and Multitone Distortion of Direct Radiating and Horn Loaded Transducers

Audio Engineering Society. Convention Paper. Presented at the 115th Convention 2003 October New York, New York

Phase Correction System Using Delay, Phase Invert and an All-pass Filter

Three-dimensional sound field simulation using the immersive auditory display system Sound Cask for stage acoustics

University of Huddersfield Repository

Active noise control at a moving virtual microphone using the SOTDF moving virtual sensing method

Exploitation of frequency information in Continuous Active Sonar

Holographic Measurement of the 3D Sound Field using Near-Field Scanning by Dave Logan, Wolfgang Klippel, Christian Bellmann, Daniel Knobloch

Do wavelet filters provide more accurate estimates of reverberation times at low frequencies.

Excelsior Audio Design & Services, llc

Audio Engineering Society Convention Paper Presented at the 110th Convention 2001 May Amsterdam, The Netherlands

The spatial structure of an acoustic wave propagating through a layer with high sound speed gradient

APPLICATIONS OF A DIGITAL AUDIO-SIGNAL PROCESSOR IN T.V. SETS

Small Room and Loudspeaker Interaction

Active Control of Energy Density in a Mock Cabin

Envelopment and Small Room Acoustics

Reducing the influence of microphone errors on in- situ ground impedance measurements

How Accurate is Your Directivity Data?

Low frequency sound reproduction in irregular rooms using CABS (Control Acoustic Bass System) Celestinos, Adrian; Nielsen, Sofus Birkedal

Acoustics II: Kurt Heutschi recording technique. stereo recording. microphone positioning. surround sound recordings.

EFFECT OF ARTIFICIAL MOUTH SIZE ON SPEECH TRANSMISSION INDEX. Ken Stewart and Densil Cabrera

Transcription:

ROOM SHAPE AND SIZE ESTIMATION USING DIRECTIONAL IMPULSE RESPONSE MEASUREMENTS PACS: 4.55 Br Gunel, Banu Sonic Arts Research Centre (SARC) School of Computer Science Queen s University Belfast Belfast, BT7 NN, UK Tel: ++44 () 8 97 476 Fax: ++44 () 8 97 488 E-mail: b.gunel@qub.ac.uk ABSTRACT Impulse response of a room carries abstract information on the size and shape of that room. Acoustics research has focused on obtaining reflectograms from these physical characteristics using acoustical modelling techniques. However, estimation of the physical structure is also possible by analyzing the impulse responses for early reflections, echo amplitudes, arrival times and reverberation time. This paper proposes a new method to estimate the physical structure of a room using the features of directional impulse response (DIR) measurements obtained by applying the MLS-technique with a directional loudspeaker and a soundfield microphone. The results for 4 rooms were also displayed. INTRODUCTION The acoustical behaviour of a room is defined by the impulse response (IR), which is strongly related to the room s physical structure. This relationship is often exploited to predict the IR of a room from the room s shape, size and surface materials using methods like ray tracing, image source or hybrid methods [][]. However, it is also possible to estimate the physical structure of a room using this relationship. It has been shown before that the reverberation carries information on the characteristics of the space and provides information on the room size []. The reflections up to 8ms are called early reflections and were previously found to be useful for the human perception of room size [4][5]. The usage of echoes for distance estimation forms the basis of radar and sonar applications [6][7]. The reverberation time also depends on the volume, surface area and the surface materials [8]. Specifically, the echo amplitudes, arrival times and the reverberation time can be listed as the features of the IRs that convey information on the physical structure of the room. The accuracy of the information these features provide can be increased by the directional impulse responses (DIRs), which are measured by a directional loudspeaker and a soundfield microphone. The method of obtaining DIRs based on the MLS-technique will be explained in the first section. The analysis carried on these DIRs to estimate the physical structure a room and the effect of using directional loudspeaker on the reverberation time will be explained in following section. The results of the tests for 4 rooms with varying shapes and sizes are displayed next.

DIRECTIONAL IMPULSE RESPONSE (DIR) METHOD Obtaining the impulse response of a room is possible by using several methods such as exciting the room with the impulsive sources like balloons or pistol shots, or more robust methods like time-delay spectrometry (TDS) and maximum length sequence (MLS) techniques [9]. MLS-technique is preferred over the impulsive source methods in terms of its robustness and over the swept-sine technique in terms of the higher time resolution it provides []. MLS-technique is based on the usage a maximum-length sequence, which has a flat magnitude spectrum like a single impulse. Therefore, the impulse response of a room can be calculated by cross-correlation of the MLS stimuli and the recording of the sound within the room during the excitation by the same stimuli []. The ISO 8 standard states that the measurement of the room impulse responses should employ an omnidirectional loudspeaker and an omnidirectional microphone []. This ensures the uniform excitation of the room and recording of the room response. However, for the purpose of modelling the room physical structure, a directional loudspeaker and a directional microphone can be employed. Therefore the measurement focuses on a region of the room enabling more accurate detection of the echo amplitudes and arrival times. The directional loudspeaker used for this purpose should have improved directivity, which causes more direct sound and less reverberant sound to be delivered. On-axis response of the loudspeaker should be as flat as possible to prevent distortion. A soundfield microphone is required for recordings. Since the analysis requires the B-format signals recorded on a digital audio tape (DAT) without any processing, a proper combination of figure-of-eight and omnidirectional microphone can also be used to obtain the W, X, Y and Z signals []. The generation of the cardioid patterns from these signals can be carried out using the MATLAB program after transferring the contents of the DAT to a PC. By the addition of the omni signal W and X, Y, Z or their combinations, cardioid patterns looking at different directions can be synthesized. The cross-correlation of these cardioid recordings and the MLS sequence yields the DIRs. Loudspeaker and Microphone Locations for DIR Measurements The number of the measurement locations is a compromise between the details of the room structure and the amount of the data analysed. The locations of the loudspeaker and the microphone can be chosen relative to each other, but not relative to the room surfaces, since it is assumed that no prior information about the room size is available. For convenience, the locations of the microphone are chosen on a circle of m radius with equal intervals of angle and the loudspeaker is placed at the centre of this circle, which was arbitrarily chosen. The height of the loudspeaker and the microphone was fixed at.5m and it was made sure that the front of the loudspeaker and the microphone look at each other for all the measurement positions. Therefore the echoes from the walls arrive at the soundfield microphone always behind the microphone (see Fig. ). 8 -x 4 4 m 8 +y 4 4 8 Fig..- Loudspeaker and microphone locations for 8 points with intervals Modification to this placement is possible as long as the distance of the microphone from the loudspeaker and the angle between the microphone positions are known.

ANALYSIS OF THE DIRECTIONAL IMPULSE RESPONSES (DIRs) The physical structure of the room can be drawn by determining the wall sizes, shapes, the number of walls and the height of the room. If the directivity of the loudspeaker is known, the reverberation times calculated theoretically and measured experimentally can be compared to validate the results. Sweeping Cardioid Patterns Since the reflection angle from the wall is not known, the arrival angle of the sound waves to the microphone is found by sweeping cardioid patterns for different angles. The cardioids sweep the horizontal plane from - to + with 5 intervals. Therefore, for each microphone position, 5 directional impulse responses are generated. The polar equation involving the B-format signals and the sweeping angle used for generating cardioid patterns is shown below: C = W X cosλ+ Y sin λ = (cosθ cosλ+ sin θsin λ), λ =, 55,... Echo Detection and Distance Computation The impulse responses for each swept angle and position are normalized and shifted so that the direct sound has db amplitude and starts at t= sec for each cases. The algorithm for detecting the first echo depends on finding the signals with the maximum amplitude after the direct sound and a silence period. The arrival angle of the reflected sound, the arrival time of it and the amplitude can be found by comparing the echoes for different sweeping angles (see Fig. ). This method works even if the microphone is placed at a distance less than the critical distance, which changes according to the room surface area, absorption coefficients and the directivity of the loudspeaker. DIR for λ = -45 ο DIR for λ = - ο DIR for λ = 5 ο.9.9.9.8.8.8.7.7.7 Amplitude.6.4 Amplitude.6.4 Amplitude.6.4..........5..5..5. Time (sec.).5..5..5. Time (sec.).5..5..5. Time (sec.) Fig..- First ms of DIRs for the scanning angles λ=-45, - and 5 from left to right. A table is obtained showing the echo arrival angle, λ, amplitude, A and time delay, t d for each recording position at the end of this analysis. The distance, d that the sound travels from the loudspeaker to the wall and the wall to the microphone is calculated using the equation below: d o = m + t (m / s +.6m / s T C) d The distance, d and the arrival angle, λ are used to find the distance, d, using the formula below, whose lengthy derivation was skipped for convenience (see Fig. ). The polar plot of the angle, β and distance, (+d ) for each measurement point gives a model of the room shape.

(Wall) B D d = AB + BC d' = CD sinλ arctan d = cos λ cos( λ + ) d' = cos cos( λ + ) C (Mic.) m λ β A (Loudspeaker) m Fig..- Calculation of the actual distances from the sweeping angle and the found distance Finding the Number of Walls The distance value, d and the angle, β for each recording position can be used for estimating the number of walls. Clustering analysis computes the Euclidean distance between the vectors [d n cos(β n ) sin(β n )] for each recording position n. A tree is obtained by using these distances and the groups are made by cutting the tree slightly below the maximum inconsistency value. The number of groups gives the number of walls present in the room. Finding the Room Height Room height estimation uses the principle of sweeping cardioid angles, which employs W, X and Z signals. The height of the room (h+.5m) can be found with the help of the distance, d and the sweep angle, λ (see Fig. 4). (Ceiling) tanλ = h sin λ = = d / d d/ d/ h m m λ.5m (Floor) Fig. 4.- Calculation of the room height from the sweeping angle and the found distance Comparison of the Theoretical and the Experimental Reverberation Times To find the reverberation time, the impulse responses obtained from the omnidirectional W signal only, are filtered with octave band filters, designed as the 6 th order Butterworth filters with f c =5 to 4. Next, the Schroeder integral is computed from these impulse response. The reverberation times, T obtained from the slope of this integral are always found to be much longer than the theoretical T values, computed using the Sabine equation: RT V =. 6 Sa where V is the volume and Sa is the total absorption, in sabins. The difference between the theoretical and the experimental values is due to the directional loudspeaker used. The reverberation time is inversely proportional to the directivity of the loudspeaker. Therefore the reverberation times, which are computed with the omnidirectional loudspeaker should be divided by the directivity factor of the loudspeaker taking into account that this factor changes with frequency.

.6m.65m.5m 7.5m.6m.46m.6m.47m.6m.7m.5m.9m 5m.45m.5m.54m. m.87m. 5 m.m.5m RESULTS Directional Impulse Response (DIR) method described above was tested on 4 empty rooms with varying sizes and shapes. Rooms, and had carpet and room 4 had wood floor. The temperature of the rooms and the background noise levels (A weighting) during the measurements were recorded as 4 C, C, 9 C, 7 C and 8dB, db, db and 4dB for rooms to 4, respectively. The recordings were made using a Genelec A loudspeaker, a soundfield microphone and a TASCAM DA-98 (6-bit) multichannel digital recorder. The MLS sequence was played from the first channel of the DAT and the B-format signals were recorded on the channels 5 to 8. Polar Plots Showing the Size and Shape of the Rooms The polar plots drawn after the cardioid sweeping, echo detection and distance computation are shown below together with the floor plans of the rooms (see Fig. 5). The mean absolute error of the estimated wall distances is.7m (%4),.6m (%6),.9m (%6) and.44m (%) for rooms to 4, respectively. Polar Plot of Room 9 5 Polar Plot of Room 9 Polar Plot of Room 9.5 Polar Plot of Room 4 9 4 5 5 5.5 5 8 8 8 8 4 7 4 7 4 7 4 7.5m.85m.m.8m.9m.7 8 m.m.9 m.7 m.4 m.6 m. m. 5m. m.76m.m. m. m. m. 4 5 m. 5 m. m.7 m. 46m 4.8 m.55m. 5 m. m.8 m 4. 6 5 m. m.98 m.54m.4m.99m. 54 m. m. 8m (a) Room (7.5mx4.75mx.4m) (b) Room (4.8mx.45mx.m) (c) Room (.mx.mx.m) (d) Room4 (4.85mx.5mx.m) Fig. 5.- Polar plots and the floor plans of the rooms (not to scale) An Example Result of the Analysis to Estimate the Number of Walls Clustering analysis for room yields the number of walls as 5 (see Fig. 5a) and groups them as [,,8] (right wall), [,4,5,6,7] (up wall), [8,9] (the small place on the left wall), [,,] (rest of the left wall) and [,4,5,6,7] (down wall) (see Fig. 5a and 6). 4 Cluster Tree Distances.5.5.5 4 5 6 7 8 9 8 4 5 6 7 Measurement points Fig. 6.- Cluster tree for room, showing the groups of measurement points

Calculated Room Heights The calculated room heights were found to be significantly less than the actual values. The heights found are.m,.7m,.75m,.99m for rooms to 4, whose actual heights were.4 for room and. for the remaining. The error can be reduced by making one more recording by turning the front of the loudspeaker to the ceiling with a small known angle. Comparison of the Reverberation Times The reverberation times of the rooms were computed using the Sabine s equation and the DIRs (see Fig. 7a and b). The solid line in these curves is for room 4, which has higher reverberation at high frequencies since that room s floor is not covered by carpet, which absorbs high frequencies. The measured reverberation times were higher than computed values because of the directivity of the loudspeaker. This directivity coefficient was found by dividing the theoretical reverberation times by the computed ones (see Fig. 7c). The directivity coefficients change with the frequency but keep almost constant for all the rooms. Theoretical Reverberation Times vs. Frequency.6.4...8.6.4.. 5 5 5 4 T (sec.) Frequency (Hz.) T (sec.) Measured Reverberation Times vs. Frequency 6. 5. 4..... 5 5 5 4 Frequency (Hz.) Loudspeaker Directivity vs. Frequency 8 7 6 5 4 5 5 5 4 Directivity Ratio Frequency (Hz.) (a) (b) (c) Fig.7.- (a),(b) Theoretical and measured reverberation times RT at 6 octave bands for 4 rooms, (c) The directivity of the loudspeaker calculated from the reverberation times. CONCLUSIONS AND FUTURE WORK A directional impulse response (DIR) method, which employs MLS sequences with a directional loudspeaker and a soundfield microphone, was proposed to estimate the room shape and size. The analysis of the data depends mainly on the sweeping cardioid patterns for the horizontal plane. Extra information about the room can be obtained by clustering analysis, vertical sweeping of the cardioids and reverberation time calculations at octave bands. The results show that the method works well for creating rough drawings of the room s top view but needs some corrections for height estimation. The future work includes improving the method for more accurate height estimation and extending the analysis for determining the absorption coefficients from the echo amplitudes. ACKNOWLEDGEMENTS The author gratefully acknowledges Mr. Chris Corrigan for the technical support he provided during the measurements. BIBLIOGRAPHICAL REFERENCES [] J. H. Rindel, The use of computer modelling in room acoustics, Journal of Vibroengineering, No. (4) pp. 4-7, International Conference Baltic-Acoustic ()

[] M. Vorlander, Simulation of the transient and steady state sound propagation in rooms using a new combined ray-tracing/image source algorithm, J. Acoust. Soc. Am. 86, 7-78 (989). [] J.S. Bradley, G.A. Soulodre, The influence of late arriving energy on spatial impression, J. Acoustic. Soc. Am., 97, 6-7 (995) [4] D. R. Begault, -D Sound for Virtual Reality and Multimedia, Academic Press, London, (994) [5] B. G. Shinn-Cunningham, Distance cues for the virtual auditory space, Proceedings of the IEEE-PCM, Sydney, Australia () [6] R. O. Neilsen, Sonar Signal Processing, Artech House, Boston (985) [7] N. Levanon, Radar Principles, Wiley, New York (988) [8] L. L. Beranek, Acoustics and the concert hall, J. Acoust. Soc. Am., 57, pp. 58-6 (975) [9] A. Farina, P. Fausti, Acoustic Measurements in Opera Houses: Comparison Between Different Techniques and Equipment, Journal of Sound and Vibration, vol., no., pp. -9 (). [] F. A. Everest, Master Handbook of Acoustics, 4 th Edition, McGraw-Hill () [] M. R. Schroeder, Integrated-impulse method measuring sound delay without using impulses, J. Acoust. Soc. Am., 66(), pp. 497-5 (979) [] ISO 8, Acoustics Measurement of the reverberation time of rooms with reference to other acoustical parameters [] A. Farina, E. Ugolotti, Software implementation of B-format encoding and decoding, Pre-prints of the 4th AES Convention, Amsterdam (998)