Chinese Porcelain. (Box 1)

Similar documents
Tin Glazed Earthenware

Transfer Printed: Bowls

Haggarty, George (2013) Ceramic Resource Disc: Later Pottery & Porcelain from Ronaldson Wharf Leith. National Museums Scotland, Edinburgh.

Early 19 th to Mid 20 th Century Ceramics in Texas

Johnsontown Artifact Inventory

Assessment of Ceramic Assemblage Cromarty Community Excavations 2014

Bernard Leach graphic artist 21. Covered hexagonal box Oxidised stoneware, incised seaweed motif on lid.

MICHAEL CARDEW AND HIS PEERS

DAACS Cataloging Manual: Ceramic Genre Appendix. Compiled by: Lynsey Bates and Leslie Cooper

Ceramic Glossary. Laboratory of Archaeology. University of British Columbia

$325 $60. 1 LSDArt.com - Leonard Davenport Fine Arts. Plate - good luck symbols (2)

Ceramic Report Conservatorium Site, Sydney. Rowan Ward

Local ceramics from Songo Mnara, Tanzania. A. B. Babalola And J. Fleisher Rice University Houston, Texas

Images Porcelains. March 2008 Third Thursdays For Teachers

Information on Porcelain Tableware Shapes and Ordering Procedures covering the de Gournay Dinner Service Collection

Pennsylvania Redware

ROMANO-BRITISH POTTERY l(iln AT GREETHAM, RUTLAND

Sleepy Eye Milling Company Collectibles

IDENTIFYING POTTERY. A beginner s guide to what to look for: [1]

Harold Blakey

Stages of Clay. Leather hard

To Gazetteer Introduction. Gazetteer - Swarling Belgic Cemetery, Kent

Pottery from Nayland Test-Pits (NAY/12)

ANTHONY STONEWARE AN AMERICAN POTTERY

DSS-0102 Sea Life at low-fire temperature.

A Celebration of British studio Pottery. 4th - 28th MARCH 2015

GRADE 1, 3 LESSON PLAN FLOWER VASE / PLANT POTTER CLAY SCULPTING

These pots are crafted in China from freeze-proof stoneware clay, and are suitable for year-round use in most climates.

Experience Maths through Construction Play

Pottery from the Brundall Test-Pits (Site BRU/15)

DESCRIPTION. 1 A large green glass genie bottle with stopper. Height: 57cm. 2 A collection of 5 unusual shaped green glass wine bottles.

All engraving is FREE! All items subject to vendor availability. Quantity discounts available.

Figure 1: Excavation of Test-Pit 6. Looking west.

13487 Winter Catalogues_v3:13487 Winter Catalogues_v3 1/3/10 16:32 Page 1 ALBERT AMOR LTD. 18th Century English Porcelain A PRIVATE COLLECTION

HIGHWAY HOSPICE SILENT AUCTION Saturday 25 February 2017 Saturday 4 March 2017

HOME - KITCHENWARE. Japanese Knife

PORCELAIN AND TRANSLUCENT PORCELAIN CATALOG

John Bartlam's Porcelain at Cain Hoy: A Closer Look

TERRA-COTTA VASES FROM BISMYA. By EDGAR JAMES BANKS,

CERAMICS IN CONTEXT: MIDDLE ISLAMIC POTTERY FROM THE NORTHWEST QUARTER OF JERASH

Fancy. Flowers. Step 1: Flatten pieces of clay between your fingers to about 1/8. Hand build ceramic blooms in a bowl.

37 Bury Street, St James s, London SW1Y 6AU

Figure 1: Excavation of Test-Pit 4. Looking east. Figure 2: Test-Pit 4 post-excavation. Looking east.

Catalogue. Starting at:12:00 AM Starting at:

Specialist Report 3 Post-Roman Pottery by John Cotter

CARLTON WARE NEWSLETTER #34 From Ian Harwood & Jerome Wilson

G 1. G 3 Hand blown green glass vase. Height: 50cm. G 4 A set of 6 etched sherry glasses with amber stems. G 5 G 7 G 8 G 9 G 10 HIGHWAY HOSPICE

Deconstructing Self: Ceramics in China. Construction and deconstruction whether it is on a macro scale, such as a

JK, SK, GRADE 2 LESSON PLAN INSECTS CLAY SCULPTING

Ceramics, China, Porcelain

Introduction to Pottery & Ceramics

SLIP-CASTING. Learning the basics

Basic Vocabulary Clay Mold Ceramics Pottery Earthenware

October 5, 2013 Greentown Glass Museum Auction. 000 Dolphin, Sawtooth w/o Lid, Canary Austrian Wine, Amber 675

A Colorful World Illustrated Art Lessons

Place Value. Get in Place. WRITE how many tens and ones you see. Then WRITE the number they make. 5 3 = 53

THE CHARLESTON LAKE ROCK SHELTER

Saucer. Tea Party Hat

Society, History, & Culture Through the Arts of Korea

Art-Drawing-Painting. 3-D or 3 dimensional when all 3 dimensions: length, height, and width can be touched and felt.

Iron Age and Roman Salt Making in the Thames Estuary

Tania Rollond Between Going And Staying

Building material Misc Trench 1 Context Curtain ring 1 7 Nails 7 5 Pipe pieces

MOLLIE BOSWORTH THE NATURE OF BLUE PRICE LIST CONTACT THE GALLERY SHOP WITH PURCHASING ENQUIRIES

JUN TAKEGOSHI CONTEMPORARY KUTANI WARE

ALBERT AMOR LTD. Recent Acquisitions SUMMER Bury Street, St James s, London SW1Y 6AU Telephone: Fax:

exposure for complete calendar listings see

Illustrated Art Lessons

A SAXO-NORMAN POTTERY I(ILN DISCOVERED IN SOUTHGATE STREET, LEICESTER, 1964

CONCENTRATION CAMP MEMORYWARE

SEIZE THE CLAY. Shape your success as a sculptor with these six easy projects. TRY IT

Lars Rank Keramik. A ceramic studio based in Copenhagen

Welcome to our Wee Work section that will provide you and your child. with a learning activity that will engage their senses and emerging

HIGHWAY HOSPICE SILENT AUCTION Saturday 13 May 2017 Saturday 20 May 2017

My Body. How many? Look and count. seven. Ediciones SM

Appendix A: Ceramic Ware Types

We are grateful to St Albans Museums for permission to republish the photographs of the Verulamium excavations.

1 A painted tub chair. 2 A good hardwood two door display cabinet. 3 A pine cupboard. 4 A group of four good framed and glazed etchings.

ON CENTRE 2019 AIMS STRUCTURE

CERAMICS, SILVER AND COLLECTABLES WEDNESDAY 25TH APRIL 10H45

To save time on entry day, please pre-register by July 28. Your entry tags will be ready to pick up in Bldg. B when you bring your exhibits.

the point of interest: function and the art of pottery

To save time on entry day, please pre-register by July 27. Your entry tags will be ready to pick up in Bldg. B when you bring your exhibits.

Elements of Art. Line. Shape. List the types of shapes seen in the teapot organic How were the shapes made? painting and carving

America s Most Trusted Glazes. Cone 5-6. Reduction Looks for Electric Kilns. PC-4 Palladium. PC-2 Saturation Gold. PC-23 Indigo Float.

Atmospheric Biomorphism

You will need 9x12 blue construction paper, SOFT LEAD pencil colors, an eraser, and a metric ruler.

NOTES ON ANCIENT FOUNDATIONS

Drink Up! 32 september

First Grade Student Data Notebook

Strawberries and Daisy Teapot 2004 Donna H. Richards

Durham E-Theses. Newby, Martine Sarah

Codes: CC1&2 White and cream chair covers. Code: WES White elegant swirl table linen. Code: AC Antique cream table linen

ANTIQUE AND MODERN FURNITURE WEDNESDAY 30TH NOVEMBER 12H00

Lot #2: Chinese Famille Rose-Style Porcelain Candlestick Lamp Enameled with peonies, blossoms and rockwork; 19 1/2 in. Estimate: $ $ 50.

DAACS Cataloging Manual: Ceramics. by Jennifer Aultman, Nick Bon-Harper, Leslie Cooper, Jillian Galle, Kate Grillo, and Karen Smith

British Antique Porcelain Catalogue 2015

April Instructions Willem van Aelst Study 2008 David Jansen

SUNSHINE & DAISIES. The Red Boot Quilt Company

PR.EHISTORJC SOUTHWEST POTIERYTYPES AND WAR.ES: DESCRIPTIONS AND COLOR ILLUSTRATIONS. Norman "Ted" Oppelt

Transcription:

1 Chinese Porcelain (Box 1) KEY P Complete profile L Large S Small Context Context or contexts from which the ceramic material was recovered. Unique Cit of Edinburgh Accession Number Photographs of complete vessels used for comparative purposes have been given identifiable letters beginning with A. It is hard to be sure when the shards are so small but based on the evidence from the other 18 th century pottery in the same contexts the Chinese shards should date from the earlier end to the middle of the Qianlong 1736-1796, but some look to the author if they could be a bit earlier, Yongzheng 1723-35 or from the Kangxi 1662-1722. Illustration courtesy of Jan-Erik Nilsson gotheborg.com (No 1-1) Context Vessel Type Shards Height Base Diam Marked Illus No 1035 Saucer 1 1 One small shard from the basal angle of a Chinese porcelain saucer decorated on its interior with a small stylized cobalt blue flower. Shard 43mm in length

2 (No 1-2) Context Vessel Type Shards Height Base Diam Marked Illus No 1035 Bowl 1 2 One small shard from the basal angle of a Chinese Ch ien Lung period porcelain bowl decorated on its interior with dark cobalt blue painting. Deep foot rim (No 1-3) Context Vessel Type Shards Height Base Diam Marked Illus No 1111 Saucer/dish 2 c. 100mm 3 Two conjoining shards from a small painted Chinese porcelain saucer dish decorated with dark cobalt blue stylized flowers. Shard Length 95mm

3 (No 1-4) 1139 Teabowl. S. P 3 40mm 80 & 34mm 4 Three shards of which two conjoin from a small cobalt underglaze painted Chinese porcelain teabowl, painted on its interior below its rim with a frieze and on its exterior with a tree rocks and foliage. Brown painted rim. (No 1-5) 1139 Teabowl. S. P 7 40mm 70mm 34mm 5 Seven conjoining shards from a small cobalt painted Chinese porcelain teabowl, decorated on its interior with a small dark blue open flower and below its rim with a frieze. The exterior has traces of a painted bamboo clump.

4 (No 1-6) 1139 Teabowl. S. 2 6 Two shards from a small Chinese porcelain teabowl with an everted rim decorated underglaze on its interior with dark blue flowers and foliage and on its exterior with a brown wash in the so-called Batavian style. These wares are thought to have been produced mainly for the Dutch market but a number of shards have recently been recovered from excavations in Scotland; for example at the salt and porcelain producing site of West Pans (Haggarty 2006, Folder 9, Word File 1, illus 629), the salt works at Brora, Haggarty in preparation and Stirling Castle seen by the author in Historic Scotland s store. At one time thought to be Kangxi 1662-1722, it is now known that they had a long life span as examples with a variety of painted decoration have been recovered from the wreck of the Ca Mau a shipwreck dated to 1723-35 (Nguyén 2003), and the Geldermalsen, wrecked in 1752 (Sheaf & Kilburn 1988, 114). (No 1-7) Context Vessel Type Shards Height Base Diam Marked Illus No 1139 Small bowl. 1 c. 50mm 7 One shard from the basal angle of a probable Chinese porcelain bowl decorated on its exterior with cobalt scrolls? Deep foot rim

5 (No 1-8) 1139 Saucer. P 4 18mm 120 & 72mm 8 Four shards, conjoining to form a fragment from a Chinese porcelain famille-rose saucer, decorated on its interior with a large peony and foliage in and rose and green enamels. Traces of gilding (No 1-9) 1139 Plate 1 9 One small shard from a Chinese Ch ien Lung period porcelain plate decorated with cobalt blue painted friezes on its rim and shoulder between which is a flower. It also has a fine brown rim band and small hole possibly from a rivet repair. Shard length 42mm

6 (No 1-10) Context Vessel Type Shards Height Rim Diam Marked Illus No 1139 Bowl 1 220mm? 10 One rim shard from a Chinese porcelain bowl decorated with thick green enamel within thin black painted foliage. (No 1-11) 1160 Teabowl. S. P 3 50mm 75 & 34mm 11 Three conjoining shards from a small cobalt painted Chinese porcelain teabowl, decorated on its interior with a small dark blue flower and on its exterior with what may be a simple continuous stylized band of flowers and foliage. Touch of brown on rim.

7 (No 1-12) 1162 Teabowl 3 140 & 46mm 12 Three small shards which may be from the same small cobalt blue painted Chinese porcelain teabowl decorated on both surfaces with painted hatched leaves and flowers in dark blue pots. (No 1-13) Context Vessel Type Shards Height Rim Diam Marked Illus No 1162 Teabowl 1 c. 80mm 13 One rim and body shard from a very small and thinly potted Chinese porcelain teabowl, with an everted rim. It has been decorated on its exterior with what may be very small crudely painted stylized islands almost like Chinese characters floating in water? The interior has two finely painted bands.

8 (N0 1-14) Context Vessel Type Shards Height Rim Diam Marked Illus No 1162 Teabowl 1 c. 80mm 14 One small rim shard, from a small Chinese porcelain teabowl decorated with a fine brown rim and on its interior with a crude cobalt blue frieze. (No 1-15) 1162 Teabowl 1 15 One shard from a small cobalt painted Chinese porcelain teabowl with an everted rim, painted on its exterior with stylized bamboo and flower and on its interior with a crude freeze.

9 (No 1-16) 1162 Saucer 2 16 Two conjoining rim shards from a Chinese porcelain saucer decorated with a simple iron red frieze on its interior. (No 1-17) Context Vessel Type Shards Height Rim Diam Marked Illus No 1162 Cup/can 2 c. 80mm 17 Two conjoining shards from a Chinese Ch ien Lung period porcelain cup or can decorated on its exterior with a light brown wash around a vignette containing painted flowers in black, white, rose, green, brown and yellow enamels.

10 (No 1-18) 1162 Teabowls 4 18 Four small shards of Chinese Ch ien Lung period porcelain from more than one teabowl all decorated with blue cobalt painting. (No 1-19) 1220 Saucer. P 2 26mm c. 100 & 60mm 19 Three shards of which two conjoin from a Chinese porcelain saucer, decorated with flowers and a frieze in Imari colours (iron red and blue).

11 (No 1-20) 1220 Tea bowl 1 20 One tiny shard from the rim of a Chinese porcelain teabowl decorated on its interior with a frieze and on its exterior with a black, green, yellow and rose coloured flower. There is also a trace of gilding. Shard length 22mm No 1-21) 1220 Saucer 1 21 One shard from a Chinese porcelain saucer whose decoration includes a figure painted in a range of enamels which includes black, green, orange, rose and yellow. There are also traces of gilding. Shard length 41mm

12 (No 1-22) 1220 Saucer 1 22 One small shard from a Chinese Ch ien Lung period porcelain saucer decorated with a gnarled tree in iron red. Shard length 52mm (No 1-23) 1220 Various 5 Five undecorated shards of Chinese porcelain which may be from one of the vessels catalogued above? Not illustrated

1 White Salt Glazed Stoneware (Box 1) KEY P Complete profile L Large S Small Context Context or contexts from which the ceramic material was recovered. Unique Cit of Edinburgh Accession Number Photographs of complete vessels used for comparative purposes have been given identifiable letters beginning with A. (No 2-1) 1139 Bowl. P 17 77mm 162-79 & 82mm 23 Seventeen white salt glazed stoneware shards conjoining to form a complete thinly thrown bowl decorated below its rim and middle with thin lath cut bands. The vessel is misshapen to the point of its rim almost being oval. Above its footrim is a band of heavy scaring from a ring stilt.

2 (No 2-2) 1139 Teapot. P 14 103mm 66 & 84mm 24 a & b Fourteen white salt glazed stoneware shards conjoining to form the body and simple handle of a bullet shaped teapot. It has been decorated with two fine lath cut bands above its expanded footrim and its shoulder. Its strainer comprises five random crudely punched 5mm holes. (No 2-3) (3shards from context 1139 and 4 from 1160) 1139/60 Mug. P 7 82mm 81 & 54mm 25 Seven shards conjoining to form a large fragment from a small white saltglazed stoneware baluster shaped mug with handle scar. It has been decorated below its everted rim with two bands of fine lath cutting. The footrim has is slightly out turned bead and must have been a second as it has a large lump of kiln debris sticking to the centre of its interior.

3 (No 2-4) (3shards from context 1139 and 3 from 1160) 1139/60 Plate. P 6 20mm 200 & 120mm 26 Six shards conjoining to form a large fragment from small white saltglazed stoneware plate with a moulded border of the (dot, diaper and basket pattern). There is evidence for a rim crack being riveted in antiquity. (No 2-5) (2shard from context 1139 and 2from 1162) 1139/62 Sauceboat 4 27 Four shards of which 2 and 2 conjoin and almost certainly from the same moulded white saltglazed stoneware sauceboat with dolphin and shell foot

4 (No 2-6) 1139 Cup. P 5 64mm 85 & 55mm 28 Five white salt glazed shards of which three and two conjoin to form two fragments from what is probably a cup. It is in what looks like the later London shape, being carinated above its base. It has been decorated with a fine lath cut band below its rim and its footrims is slightly out turned ending in a bead. (No 2-7) (5 shards from context 1139 and 9 from 1162) 1139/ 62 C/pot. P 14 132mm 183 & 120mm 29 Fourteen white saltglazed stoneware shards of which eleven conjoin to form the complete profile of a small chamberpot

5 (No 2-8) 1139 Bowls 27 Various 30-70mm. The interior of one base shard has some reddish ash glaze. Twenty seven white saltglazed stoneware shards, two rims, five bases and nineteen body; from a minimum of six small bowls. The base diameters vary from 61mm down to 42mm which is probably a teabowl. The two rim shards are slightly everted and have a diameter of 150mm and (No 2-9) Context Vessel Type Shards Diam Width Marked Illus No 1139 Various 6 8-12mm 10, 22 & 25mm 31 Six white saltglazed handle shards of which three conjoin from four different vessels; one crude round handle (see teapot above), with a variable 8-12mm diameter has been pulled; The other three are reeded straps with a width of 10, 22 & 25mm and these have been extruded.

6 (No 2-10) Context Vessel Type Shards Height Rim Diam Marked Illus No 1152 Plate. P 1 19mm 240mm 32 One rim and body shard from a plain thrown white saltglazed stoneware plate (No 2-11) 1162 Saucer. P 4 30mm 120 & 60mm 33 Four shards of which three conjoin from a small white saltglazed stoneware saucer

7 (No 2-12) 1162 Teabowl. S. P 2 42mm 78 & 37mm 34 Two shards from a very small white saltglazed stoneware teabowl (No 2-13) 1162 Bowl. P 7 85mm 145 & 82mm 35 Seven white saltglazed stoneware shards conjoining to form a large fragment and complete profile of a bowl

8 (No 2-14) 1162 Bowl 8 180 & 78mm 36 Eight white saltglazed stoneware shards of which three and three conjoin forming fragments of a bowl in a slightly darker buff colour. (No 2-15) Context Vessel Type Shards Height Diam Marked Illus No 1162? 1 6mm 11mm 37 One tiny mushroom shaped knop from a white saltglazed stoneware vessel

9 (No 2-16) Context Vessel Type Shards Height Rim Diam Marked Illus No 1162 Plate 1 c. 222mm 38 One white saltglazed stoneware rim shard from a plate with a serrated edge (No 2-17) Context Vessel Type Shards Height Rim Diam Marked Illus No 1162 Bowls 14 220 & 80mm 39 Fourteen shards of which three conjoin form a number of small bowls. Three of the bowls including a teabowl have been decorated with either one or two cut bands beneath their rims.

10 (No 2-18) 1220 Saucer. P 5 30mm 140 & 90mm 40 Five shards of which two and two conjoin from a small white saltglazed stoneware saucer (No 2-19) (LRW 03) Finds from New Trench 1 7/5 (5913) Context Vessel Type Shards Height Rim Diam Marked Illus No 1220 Plate 1 41 a & b One rim shard from a moulded white salt glazed stoneware plate in the barley pattern. Both the top and underside of this shard show evidence for stacking in the kiln by the use of distinctive saddle stilts see example below. To date these have only been discovered at the sites of the Old Kirk and Bankfoot potteries in Prestonpans (Haggarty 2007. 218-30).

1 Scratch Blue Decorated: White Saltglazed Stoneware (Box 1) KEY P Complete profile L Large S Small Context Context or contexts from which the ceramic material was recovered. Unique Cit of Edinburgh Accession Number Photographs of complete vessels used for comparative purposes have been given identifiable letters beginning with A. The technique of scratch blue decoration on white salt glazed stoneware was developed in 1740, by which time a thinly potted and durable body had been perfected. It lasted into the 1780s during which time two distinctive decorative patterns were in vogue. One was a stylistic, geometric type of design and two was a primitive stylized floral and leaf design occasionally incorporating a bird or animal. The floral and leaf motifs probably replaced the geometric quite early on. (No 3-1) 1139 Bowl. P 1 53mm 110 & 52mm 42 One shard from a small thinly made white salt glazed stoneware bowl decorated with a scratch blue, stylistic, geometric swag like design on its exterior and simple small swags on its interior. These were made using a three toothed implement. The bowl also has a circle of stacking scars, on its base, inside its footrim, from a stacking ring.

2 (No 3-2) 1139 Bowl 4 120mm + 43 Four conjoining shards from the rim and body of a small white salt glazed stoneware bowl decorated on its exterior with a scratch blue floral and leaf stylized band below a band of chevron rouletting and on its interior below its rim with a band of simple shallow swags. (No 3-3) 1139 Teabowls. S 5 44mm c. 80 & 33mm 44 Four shards of which two conjoin from two or three very small thinly made white salt glazed stoneware teabowls decorated on their exterior with bands of floral and leaf stylized scratch blue, below bands of left and right facing chevron rouletting.

3 (No 3-4) 1220 Bowls 3 45 Three base shards from three white salt glazed stoneware bowls all with scratch blue decoration. (No 3-2) 1220 Teabowl 1 46 One rim shard from a small thinly made white salt glazed stoneware teabowl decorated on its exterior with a band of stylized scratch blue floral and leaf blue flowers? below a band of chevron rouletting.

1 Creamware (Box 1) KEY P Complete profile L Large S Small Context Context or contexts from which the ceramic material was recovered. Unique Cit of Edinburgh Accession Number Photographs of complete vessels used for comparative purposes have been given identifiable letters beginning with A. (No 4-1) 1139 Teapots 2 70mm 47 Two creamware shards from the rim and cover of a teapot decorated with sponged or ragged Wheildon colours. (No 4-2) 1160 Vase 21 120mm & 140mm 48 Twenty one shards of which 7, 3 and 2 conjoin from what seems to be a pedestal vase; top left rim and body, top right and bottom shards from the base. The shards are decorated with feather edge and feather moulding.

2 (No 4-3) 1220 Mug 12 49 Twelve creamware shard from a mug; decorated below its rim and above its base with a band of rouletting. Some of the body shards show evidence for broad shallow, lath cut bands and the handle has a sprigged terminal. (No 4-4) 1220 Teabowl. S 4 & 40mm 50 Four small creamware shards probably from the same small teabowl

3 (No 4-5) 1220 Bowl. 36 150 & 74mm 51 Thirty six creamware shards which conjoin to form a substantial fragment of a bowl decorated with a band of green over fine lath cut bands below its rim. Below this the body has been decorated with joggled light and dark slips.

1 Pearlware (Box 1) KEY P Complete profile L Large S Small Context Context or contexts from which the ceramic material was recovered. Unique Cit of Edinburgh Accession Number Photographs of complete vessels used for comparative purposes have been given identifiable letters beginning with A. (No 5-1) 1139 Bowls 10 52 Ten shards of which two and two conjoin from two pearlware bowls similarly decorated with cobalt blue hand painting and loose sponging. One of the bowls has a blue painted band on its interior below its rim.

1 Cane coloured Banded Bowls (Box 1) KEY P Complete profile L Large S Small Context Context or contexts from which the ceramic material was recovered. Unique Cit of Edinburgh Accession Number Photographs of complete vessels used for comparative purposes have been given identifiable letters beginning with A. (No 6-1) 3002 Bowl. 2 53 Two conjoining shards in a cane coloured body decorated with nine narrow white bands spaced in three groups of three.

2 (No 6-2) 3002 Bowl. 1 54 One rim shard in a cane coloured body decorated with two groups of narrow white bands and one black. (No 6-3) 3003 Bowl. 55 One rim shard in a cane coloured body decorated with two groups of narrow white bands and one black.

3 (No 6-4) 3003 Bowl. 14 180mm 56 Fourteen thick late pearlware shards of which a number conjoin to form fragments of a London shaped bowl decorated with dark brown and light blue banding and poor worming in the same colours.