CWU Jazz Specialization Degree Jury Rubric

Similar documents
page title type location genre video audio

11. Jazz Standards and Forms

Lego Field Guide (page 1) Bob Keller, Corrected Draft. Please see Acknowledgment and Disclaimer on last page. 8 July 2008

Flute scale syllabus (proposals: November 2014)

Tutorial 3K: Dominant Alterations

SCALES (SIMILAR MOTION)

You can upload a maximum of six files, so you ll need to combine several scales and arpeggios into one or two files.

Chord Essentials. Resource Pack.

Flute scale syllabus (proposals: May 2015)

Bassoon scale syllabus (proposals: May 2015)

THEORY ASSIGNMENTS. H = Half Step, W = Whole Step, -3 = Minor Third (3 half steps)

The Fundamental Triad System

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin

The Fundamental Triad System

Let s think about music theory

The Real Dr.Jellyfish Book

Table of Contents SESSIONS PAGE

Saxophone scale syllabus (proposals: May 2015)

Table of Contents SESSIONS PAGE

THE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC)

UNT Percussion - Applied Lesson Syllabus. Mallets - Jazz. Weekly Assignments and Barrier Information

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007

Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales

Treble Recorder scale syllabus (proposals: May 2015)

Jazz Port Townsend 2018 Trombone Application Guidelines for New or Returning Applicants

Analysis Of A Tune Based On The Changes To Solar

Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style.

Chord Progressions Primer

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch.

Tutorial 1B: Chords and Scales

Harmonizing Jazz Melodies Using Clusters

Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants

Level 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Developing lines. œ œ œ œ œ œ œ Œ Ó. Break the bebop scale up into 4 parts that connect chord tones using scale motion

10 Must Know Jazz Guitar Chords

Sample Pages for Online Display only. May not be printed or copied

Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

Basic Fingering charts (no sharps or flats)

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

Jazz Lesson 20. Technique. Harmony & Theory

Harmony for Jazz Guitar

œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ n œ ? b b ? b b œ # œ ? b b œ œ b œ ? b b œ œ œ b œ

Fingerpick Manual. Main Page

Lesson 10 The Eb/D# sequence

II V I. for solo or two electric guitars. Larry Polansky. for Brian McLaren and Carter Scholz

Tutorial 1C: Melodic Color

5 Miles Davis ii V I licks.

JazzyPiano.net Glen Rose Professional Piano Techniques (2 parts)

Foundation Piano Level 1

10 Must Know Jazz Guitar Licks

Piano Voicing Mnemonics

University of Texas String Project Promotional Guidelines

2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved

Chromatic Chord Tone Patterns

Level 6. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Contents. CD-Track Listing...5. Introduction Pentatonic Scales Creating Pentatonic Lines Rhythmic Variation...

Contents. Bassic Fundamentals Module 1 Workbook

Group Piano. E. L. Lancaster Kenon D. Renfrow BOOK 1 SECOND EDITION ALFRED S

West Michigan Homeschool Fine Arts Solo and Ensemble Festival Instrumental Honors Track:

Useful Music Theory For Guitarists:

The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120

Altered Dominants: The Polytonal Approach Matt Olson, Furman University, Conn-Selmer Endorsing Artist

The University of Texas String Project Promotional Guidelines (Revised: ) Pre Ensemble B

Voicing Modes - 2nd edition Revised & updated Etudes in Standard notation & TAB

Theory of Music Grade 5

PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS

The University of Texas String Project Promotional Guidelines (current as of 2/26/2015) Pre Ensemble B

Please feel free to share this 38-page sample ebook with all other musicians and music students!

Jim Hall Chords and Comping Techniques

Jim Hall Chords and Comping Techniques

The Evolution of Jazz Blues Chords

Audition Requirements

LEVEL SIX. The THEORY 2 written examination must be completed successfully for the awarding of the Level 6 Practical Certificate.

SECTION I: JIMMY RANEY S IMPROVISED LINE (ORIGINAL RELEASE: 1986, EDITED & UPDATED: 2012) Copyright, Jon Raney All rights reserved.

Pete Simms Chord Construction 101 1

Jazz Standard Study Guide Corcovado

DOUBLE BASS scale requirements

THE. SaxBook. 2 nd Edition. By Kelsey J. Lien

Electric Guitar Foundation Level 1

The Big Book of Pentatonics & Fourths

Target Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar

Woodshed. Methods For Fighting The Epidemic Of Tune Illiteracy. MASTER CLASS by J.B. Dyas, Ph.D

Jazz Lesson 4. Technique. 1. Phrasing a. Phrasing is a very important part of technical exercises. If you can get in the habit of

Conway Middle School Band Karate

What is an Interval?

Learning the Extended Range Bass Guitar Neck (Key of C-Major) By Byron Santo

Companion to the Cape Breton Piano Accompaniment Online Workshop Winter 2012

INTRODUCTION TO CHORDS

Learned your scales what s next? By John Cipolla

Pentatonic Scale Studies Second Edition (2003)

The Great American Songbook

Chapter 1 - Jazz Guitar Chords Essential Jazz Guitar Chords For Beginners How to Transpose Guitar Chords... 13

album for Impulse!, simply titled Duke Ellington & John Coltrane. The bassist and

LEVEL FOUR. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING ONE SUPPLEMENTARY 10

The intervallic method is central for the jazz vocabulary. A) INTERVAL NUMBERS AND NAMES FOR CHROMATIC 12-TONE SERIES

Table of Contents SESSIONS PAGE

CONTEMPORARY COMPOSING

Concept 1 The Pebber Brown Scaletone Form System Concept 2 The 4-sided triangle Tetrahedron concept. Concept. Concept 3 4 Triangle Groups 3A 3B 3C 3D

Voice Leading By Jim Stinnett

Transcription:

CWU Jazz Specialization Degree Jury Rubric Name Quality Ratings: must be rated at 8 or above or the item will not be passed off Ratings: 0-5 = unacceptable performance, 6-7 = developing, but not fully formed concepts, 8-9 = concepts fully formed with minor deficiencies, 10 = every facet of performance is outstanding. Ratings will encompass the following musical skills: time & rhythmic feel, intonation, articulation and phrasing. Tempos on tunes: these are all from the Aebersold series except those marked with an asterisk, which will use BIAB tracks. Term 1: F W Sp (year) Evaluator(s) Major scales, 2 octaves, 16th notes at q=92 Major triad arpeggios, two octaves, triplets, q=60 So What q=116 All Blues e=120 Blue Bossa q=200 Cantaloupe Island q=132 Autumn Leaves q=170 Satin Doll q=128 Take the A Train q=172 Page 1 CWU Jazz Jury Check Off Form

Term 2: F W Sp (year) Evaluator(s) Minor scales, 2 octaves, 16th notes at q=92 Natural: C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B Melodic: C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B Harmonic:C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B Minor triad arpeggios, 2 octaves, triplets, q =60 Little Sunflower q=128 Solar q=190 Song For My Father q=142 My Romance* q=96 Milestones (new) q=220 Rhythm Changes (Oleo ) q=226 Scrapple From The Apple q=208 Page 2 CWU Jazz Jury Check Off Form

Term 3: F W Sp (year) Evaluator(s) Major scales in thirds, 8 th notes at q = 92 Maj. 7 & Min. 7 arpeggios, all inversions, 8 th notes, q =72 Billies Bounce/ Now's The Time q=152 There is No Greater Love q=196 Recordame q=172 Body and Soul q=60 Four q=144 Pent Up House q=220 Well You Needn't q=216 Page 3 CWU Jazz Jury Check Off Form

Term 4: F W Sp (year) Evaluator(s) Minor scales in 3rds, 8 th notes at q = 92 Natural: C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B Melodic: C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B Harmonic:C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B Dominant 7th Arpeggios, all inversions, 8 th notes q =72 Keys: C, Db, D, Eb, F, Gb, G, Ab, A, Bb, B Stella By Starlight q=176 Cherokee q=260 Blues For Alice q=166 Ladybird q=152 All the Things You Are q=156 Ornithology q=232 Bye Bye Blackbird q=144 Page 4 CWU Jazz Jury Check Off Form

Term 5: F W Sp (year) Evaluator(s) Diminished scales, 2 oct., 16 th notes at q = 72 Whole tone scales, 2 oct., 16 th notes at q = 72 Half dim. 7 th arps, all inversions, 8 th notes at q =60 Beautiful Love* q=152 Night in Tunisia q=138 Anthropology q=240 Groovin' High q=144 Confirmation q=208 Airegin q=238 I Love You q=232 Page 5 CWU Jazz Jury Check Off Form

Term 6: F W Sp (year) Evaluator(s) Diminished scales in 3rds, 2 oct., 8 th notes at q = 92 Whole tone scales in 3rds, 2 oct., 8 th notes at q = 92 Full diminished 7 th arpeggios, all inversions, 8 th notes at q =60 Major scales in 4 th s, 8th notes at q = 92 Donna Lee q=224 Round Midnight q=60 Up Jumped Spring q=136 Just Friends (Key of F) q=192 Joy Spring q=168 Dolphin Dance q=128 Byrdlike q=204 Page 6 CWU Jazz Jury Check Off Form

Term 7: F W Sp (year) Evaluator(s) Minor Scales in 4 th s, 8 th notes at q = 92 Two melodic fragments (compression) Mode change of melodic fragment (compression) 1 Daahoud q=162 Stardust q=60 Nica's Dream q=200 Invitation q=192 Whisper Not q=112 Giant Steps q=220 Speak No Evil q=132 Page 7 CWU Jazz Jury Check Off Form