Writing Short Film Scripts

Similar documents
COVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION

Stage Managing 101. Oxford High Theatre

Your Production Schedule Note to the Director: a Word about Continuity Production! Shooting Your Movie The Editing Process Forms and Contracts

The Ultimate Career Guide

Back to the English. Please Your Senses The Age-Old Debate: Books vs. Movies

in SCREENWRITING MASTER OF FINE ARTS Two-Year Accelerated

FILM MAKING STORYTELLING

WRI 356/FS 256: Screenwriting Workshop Dr. Deborah C. Mitchell Fall Semester 2018 PH 302, Ext. 7030

Lights, Camera, Literacy! LCL! High School Edition. Glossary of Terms

PRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated

YOUR IMPACT INITIATIVES

Improve Your Odds of Winning a Screenplay Contest ScriptMag.com

Writing The First Screenplay II Instructor: Chris Webb

Evergreen Patient Attraction and Practice Growth Workbook A 30-Day Action Plan. Keith Rhys

Movie Production. Course Overview

ACADEMIC LESSON PLAN

PRODUCTION BOOK GUIDE AND TEMPLATE By Jinane Bahlawan

Associate of Fine Arts

TABLE OF CONTENTS TOPIC AND THEME RESEARCHING THESIS CRAFTING AND ANALYSIS SHOW WHAT YOU KNOW FINAL TIPS

E3T Lesson Plan Creator

Now that you have achieved your Bronze Award, where you could pick any book you wanted, it s time to broaden your horizons!

MAKE IT LOOK AWESOME CINEMATOGRAPHY THE CAMERA IN THIS GUIDE. THE CAMERA You ll need one of these magic boxes to capture the action

HEALTH & WELLNESS BOOK

Creating Movie Scripts

GCSE Bitesize revision audio scripts

A digital story is a short digital video that combines your voiceover, photos, video clips, and music to tell a true story from your own life.

(Children s e-safety advice) Keeping Yourself Safe Online

STORYWiSE. Where the Wild Things Are

Target Market & USP Blueprint For Virtual Assistants

Etiquette for Theater Artists

Short Scripts Simple Stories Well Told

Writing Stories for Film THEORY AND PRACTICE FROM CONCEPT TO SCREEN

INTRODUCTION TO SCREENWRITING I X 430.A

How to Write a Novel Part 1: Plan & Outline

How to Have Your Best Year Every Year.

Academic Lesson Plan

English Topics in Creative Writing: Writing Screenplays

COURSE CONTENT. DF3009 Film Directing DF2000 and DF AUs for BFA students admitted before AY2017; 39 hours studio contact

00_LEI_1699_FM_i-xxviii.indd 14

ReadBox Project -Graphic Novel-

THE NFI: TRAINING PRODUCTION ARTISTS FOR SUCCESSFUL CAREERS IN THE FILM INDUSTRY

Questioning Strategies Questions and Answers

BAA Course: Script and Screen Writing 11

The Journaling Club. A Journey in Writing

IELTS Listening Pick from a list

Unit 8 task 2. By omer muratoglu and George Kabasubabo-koni

Drama Elements. English 7

AMERICAN FILM INSTITUTE SCREEN EDUCATION CENTER PROTOCOL AND MATERIALS GUIDE TO THE SCREEN EDUCATION PROCESS

INTRODUCTION TO SCREENWRITING II Works-in-Progress April 1 June

STEAM FORWARD EPISODE 9 Lights! Camera! Action!

Demonstration Lesson: Inferring Character Traits (Transcript)

Copyright Pontcanna Publishing 2016 All rights reserved.

Short Video Writing and Production English 254A / MCOM 290G Spring Tue/Thu 3:30 4:45 Fisk 313

The 3 Fundamental Problems of Screenplay Development

Section One: Prep PREP YOUR MOVIE

Independent Novel Study

CUT! EARLIER AT LEAST

Cambridge Discovery Readers. Ask Alice. Margaret Johnson. American English CEF. Cambridge University Press

Langara College Spring archived

Screenwriting Script to Screen

Divisibility Rules I: Base 10 Number System

Drama as Literature 2 Playwrighting D10-D12 Young Playwright Assignment

MODULE 7 WHY AM I NOT MAKING MONEY?

Success Mastermind. Defining Your Niche & Effective Messaging that Stands Out

Ebook Code: REAU1043. Ages 10+ Teaching With Movies. Thematic and integrated learning through the use of. two popular movies.

Sample file. Contents

Calm Living Blueprint Podcast

Advice on writing a dissertation. Advice on writing a dissertation

6 Sources of Acting Career Information

Disclaimer: This is a sample. I was not hired to write this, but it demonstrates my writing style.

Humans of Planet Earth. Capturing life on film, one roll at a time. Est rolls contributed to the project so far.

Not-Too-Silly Stories

GLOSSARY for National Core Arts: Theatre STANDARDS

Y O U R B R A N D I S N O T T H E H E R O

Young Reporters Scotland

Start Date 9/13/2011 End Date 12/6/2011

Use pen; you may type your work Aim for about 300 words

Teacher s Guide Reading Support Collections with Downloadable Teacher s Guides

SCHEME OF EXAMINATIONS. Examinations Duration MARKS Hrs. 1 Paper I - Introduction to Direction 3 100

The Real Secret Of Making Passive Income By Using Internet At Your Spare Time!

ADVICE FOR USING THE BLUEPRINT

HOW TO: Write Like a Pro

A: My Brother, the robot B: new neighbors

COM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed :50am L & L 307

200 Blog Post Ideas. When you get a little stuck trying to think of Blog Post Ideas here s 200 that just might get you going.

Why do people set goals?

POETRY ADVICE FROM THE EDITORS

Session 3. WHOSE FUTURE GOAL 3: You will identify some of your own transition needs that are based on your preferences and interests.

Alternative English 1010 Major Assignment with Activities and Handouts. Portraits

CHAPTER SIXTEEN: YOU VE GOT ALL THE TIME IN THE WORLD

ANIMATION V - ROCK OF AGES PROJECT. The student will need: The DVD or VHS Walking With Cavemen

Reader s Notebook Name: Grade: School:

TIMECODE NAME Dialogue

SEO & Content Marketing Strategy

What is the Law of Attraction?

IT S NOT. by Jamie Van Dycke Music: Five for Fighting Superman. Two of the hardest things for people with disabilities to do are:

Content that shapes the future CLIENT GUIDE. Content that shapes the future CLIENT GUIDE WORKING WITH THE MODERN REEL

2. Study the local magazines, ascertain what their editors want, and learn to target your stories correctly;

HIKI NO What I Learned AMEE NEVES

Brand Planner WORKBOOK

Transcription:

Writing Short Film Scripts A Student Guide to Film-making Samuel Taye Writing Short Film Scripts for Educational Purpose

Contents A Note for Teachers Iv Script 1 Plot 6 Character 12 Theme 15 Language/Dialogue 18 Music/Rhythm 27 Spectacle/Surprise 29 Summary 31 Formatting 34 Support 38 Producer 40 Writer 42 Director 43 Other possible roles 46 Storyboard 54 Tedsam Entertainment Publication 2015

Structure 62 Respect the hierarchy 64 Hold meetings 67 Accept change 71 Make lists 71 Prepare schedules and call sheets 74 Do your research and work hard 81 Stick to short and long-term deadlines 82 Communicate on all matters 84 Shoot 87 Shape 101 Film editing 103 Editing techniques 104 Crucial factors in post-production 108 Screen 111 Evaluation and self-assessment 112 Get your film out there 114 Making another film 117 Writing Short Film Scripts for Educational Purpose

A Note for Teachers Index of Films 119 Photocopiable sheets 120 About the Author 122 Acknowledgements 122 What Writing Short Film Scripts A Student Guide to Film-making is designed to: a) help students learn the basics of writing and producing a short film, including how to get started; writing the short film as a screenplay; storyboarding the screenplay; and shooting, editing and screening the short film for an audience b) examine where ideas come from, what makes a good idea for a film, how to structure the story, and provide students with a step-by-step instructional guide to write and create their own short films c) provide exercises and stimulus to assist students in developing their ideas, forming teams and making their films d) direct students to relevant websites and resources to help them write and produce their films, and explore the general art and industry of film-making. Why The book is invaluable for secondary school teachers and their students in the areas of Media, Drama and English as it is: a) relevant, focusing on aspects of the curriculum in the areas of media, production, teamwork, communication, creative writing and expression b) comprehensive in its information on all areas of screenwriting and the steps involved in writing and making a short film c) easy to navigate, making it possible to locate material on all areas of the subject quickly and efficiently Tedsam Entertainment Publication 2015

d) practical, providing examples, activities, quotes, definitions and web references for teachers to use in class. How The book is divided into seven chapters, based on an inverted pyramid style of film creation and production and the seven Ss. Writing Short Film Scripts for Educational Purpose

v S C R I P T SUPPORT STORYBOARD STRUCTURE 1. SCRIPT Focusing on story, dialogue, formatting, character, plot, theme, momentum and the document itself. 2. SUPPORT The Seven Ss of Film-making Focusing on the film-making team producer, director, cast, crew, and their roles and responsibilities. 3. STORYBOARD Focusing on how to turn the script into a series of pictures and images able to be filmed. 4. STRUCTURE Focusing on structuring and synchronising all aspects of the film before it is shot, such as the design, locations, make-up, hair, catering and any specific requirements of the film. SHOOT SHAPE SCREEN 5. SHOOT Focusing on the shoot itself, things to consider and be aware of. 6. SHAPE Focusing on the post-production stage including the editing, music, sound effects and pick-up shots required. 7. SCREEN Focusing on putting your film in front of an audience and using it as a calling card to get into the industry.

Script FILMS ARE A SERIES of pictures or images that tell a story communicating an idea about the world. A film script, or document (regardless of the length), containing dialogue and directions that actors, designers, directors and producers use to make a film, is called a screenplay. Myth buster Is it possible to make a film without a screenplay? Yes, definitely. Many short films are developed, produced and screened without using any kind of written document. Even some feature films have been produced without a script, relying on the characters improvising (making stuff up on the spot) and leaving the camera rolling so the editor, after everything s been filmed, can edit together the best bits. Is it advisable to make a film without a screenplay? Definitely not! Why not? For many reasons: 1. Number of people involved Because so many people can be involved in the making of a film (actors, director, producers, and potentially countless others), it is crucial everyone Tedsam Entertainment Publication 2015

2 Writing Short Film Scripts understands the goal trying to be achieved who the characters are, the locations required, what they should look like, props, costumes, lighting and so on. 2. Ideas can change If the writer or director changes their mind about the film, the best way to communicate these changes is via the script, which is then redistributed to all involved. 3. Others want to contribute A written document allows the story, plot, characters, dialogue and all ideas contained in the script to be honed, clarified, improved and reconsidered for the sake of making a better film, without shooting it first only to find out later that some early discussion and rewrites would have been useful. 4. Money and resources Even student films cost time, money and resources, whether it s using class time, a school camera, someone s house or a particular location. Cast, crew, producers and everyone else involved will be more inclined to give their time if there is a blueprint document the director is following and everyone knows what s being filmed and (roughly) how long it will take. 5. Audience expectations To be kept engaged or interested, audiences generally expect a good story, a character pursuing a goal, a beginning, middle and an end. These sorts of story elements can be improved in the process of writing a script. They are harder to refine and improve without writing them down and knowing scene by scene, how the story unfolds. So, we agree. To make a film, we need a screenplay. But how do you write one and what if you can t think of anything? Myth buster What if I m not a writer? Every writer thinks that at some point, even the most professional writers, even writers who have won awards and had their films produced. Chapter 1: Script 3 Tedsam Entertainment Publication 2015

The truth is that ANYONE CAN WRITE. Yes, writing can be hard, whether you re a new writer or have years of experience. The difference is that new writers (or people who say they can t write) use it as an excuse to stop, or never get started. Experienced writers know writing is hard, but write anyway, whether or not they are in the mood. Yes, there may be people who are naturally better at telling a story, but don t let it stop you writing. If you want to write, you can learn the craft. Your ability to tell a story will improve with persistence and dedication. Reading this book is a great start. If you are struggling to write something, be patient. It is common for writers to spend time simply staring at a blank page. The answer might come when you least expect it. If you re worried about getting it wrong, don t! Failing is learning and the sooner you mess it up, the sooner you can fix it and get it right. Writing a screenplay is like doing a jigsaw puzzle. There are many bits to fit together; the puzzle won t be complete if all the bits aren t included and placed exactly where they need to be. What makes a good screenplay? A good script essentially refers to one that entertains an audience or makes an audience respond or feel the way you want them to. Where do you start? An idea for a script or short film can come from anywhere a news story you read or heard, a person you know who you think would make a great character, an adaptation of a fairy tale or something you heard on a bus or at school. There are several websites on how to write and make a short film. Here are a few to inspire you and get you started: http://www. wikihow.com/make-a-short-film or http://www.digitalfilmcrew. com/2007/09/18/how-to-make-a-short-film-for-tropfest/ or http://www.wheresthedrama.com. You can also google how to make a short film and see what comes up. 4 Writing Short Film Scripts What makes a good idea for a film? Firstly, drama is about conflict, so good ideas for short films are those that can sustain conflict throughout. Someone refusing to do the dishes in itself is not enough. But if Tedsam Engineering PLC Publication 2015

that action was the last straw between two siblings and triggered the destruction of their relationship, the conflict might keep an audience interested for the length of a short film. Films are about a central dramatic question Central dramatic questions are always in terms of your main character and must last the entire film. As soon as the question is answered, the film is often over. Will Harry and Sally ever be more than friends? Short films also require a dramatic question, even if the film is only a few minutes long. For example: A tennis star s hands are damaged in an accident. Will she ever play tennis again? A student wants to cheat in an exam. Will he get away with it? A young boy has a fight with his best friend. Will they resolve it? Subject matter getting started A good way to start is by choosing a subject you re interested in or an experience you ve had. Try the following steps to get you thinking: Write down all your interests or passions, in any order. Group your interests together to find a pattern or link between them. Select the thing or subject you are most passionate about and consider something you want to express on that idea; for example, a thought, message or opinion you want to convey to a reader or an audience. Write some possible thoughts for messages or opinions underneath the actual subject or area of interest. Some ideas to get you started: a holiday you ve been on (message there s no place like home) a childhood memory (sometimes one must let go of the past to move on) the day you kidnapped a celebrity (fame isn t all it s cracked up to be). Other triggers for ideas might be: something in your bedroom that holds a magic power Tedsam Entertainment Publication 2015