City of Angels School Student

Similar documents
City of Angels School Student

Content Area: Visual and Performing Arts Subject: Visual Art Course: Studio 2-D Design

AP Summer Art Projects 2018

Greenwich Visual Arts Objectives Introduction to Drawing High School

Project 1: Value & Vanitas

Monroe Township Schools. Curriculum Management System

Mrs. Leggett Visual Art General Information & How to Keep a Sketchbook

Lesson Plans 3/4/13 3/8/13. Art : Scratchboard Painting: Choice Paintings Drawing: Scratchboard

NAME: DATE: HOUR: SEMESTER:

ASSIGNMENT THE HUMAN FIGURE

Chetek-Weyerhaeuser High School/Middle School

5 th Grade Career Unit Advertisement

Value in Line Grade 5 Lesson 2 (Art Connections, Level 5, pgs )

Observational Drawing

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: Four

Drawing II Art-124B Course Content Outline:

Elk Grove Unified School District Visual and Performing Arts Resources Art

HOW TO DRAW A FACE. By Samantha Bell.

First Semester Exam Review If packet is 100% complete and turned in the day of the exam, you can earn 10pts extra credit on your exam grade.

Pre-assessment: Students should have basic drawing skills and be able to recognize that artists use different techniques to create shading effects.

Lesson Title Art Form Grade Level. Media. Grade Level Theme Key Concept Link. Perception of Self Identity/Social Roles Watercolor Portraits

(the Little Ham) DRAW KEVIN BACON. Sketch Piglet Proportions. Sketch a piglet and add shading to capture his spotted fur and three-dimensional forms

Learning Plan. My Story Portrait Inspired by the Art of Mary Cassatt. Schedule: , Grades K-5, one class period of approximately 60 min.

Term 3. Explanations of assignments

Required sections and pieces for a complete AP Studio Drawing portfolio:

CURRICULUM ART DRAWING I

Perspective. Name: 7 th Grade Art Period

UMASD Curriculum Guide Grades D Exploration

Grade D Drawing 2. Commercial Art 3. Elements of Design 4. Modeling and Sculpture 5. Painting 6. Principles of Design 7.

Target: Renders an object in light and dark values. Criteria: Uses hatching and cross-hatching to render the shapes of the shadows s/he observes.

曉明女中 107 學年度 一人一藝文 特色選修課程 for Junior 1. Syllabus of Bring Art to Life

Term 3. Explanations of assignments

Tel:

Visual Arts I Curriculum Map

Term 3 Grade 6 Visual Arts

Techniques. Introduction to Drawing Final Exam Study Guide

HOW TO DRAW A REALISTIC HAND

ARTS 110: Fundamentals of Drawing Fall 2011 Professor Erik Shearer Contact: Office: / Cell: (707)

Shrewsbury Borough School District ART Curriculum Guide Grade

Visual Journals STEELI lesson plan

EMPHASIS STILL LIFE. Milito Art II

Advanced Placement Studio Art Syllabi: Drawing and 2-D Design Portfolios. Course Description

Create a Portrait. of JUMPIN JACK. Sketch Puppy Proportions. Outline a puppy s face, shade his eyes and nose, and add texture to his fur with hatching

Lesson Plans 5/13/13 5/17/13. Art 1: Perspective & Surreal Interiors Painting & Drawing: Perspective Paintings & Drawings

Objectives: Students will be able to define "joiners" and understand Hockney s process of creating a portrait photo collage.

WATER AND THE LANDSCAPE 1

ART 2 Summer Homework:

Brazosport College Syllabus: ART 1316, Drawing I Room H.214

FINE ART ADVANCED ART COURSE SYLLABUS. Instructor: Ms. Martin. Course Description:

Drawing and Watercolor. Grades: 10-12

Drawing + Painting. 1 The skills, techniques, elements, and principles of the arts can be learned, studied, refined, and practiced.

ART 137: Fundamentals of Drawing Summer Session 2010 Professor Erik Shearer

AP Studio Art Syllabi: Drawing and 2 D Design

Visual Arts. Secondary 5

ART 120 Drawing I ITEM ##0630 Fall 2018

RYMAN ARTS FOUNDATION OTIS CAMPUS SPRING INSTRUCTOR: CATHY STONE. SUNDAY, 1:00 4:30

Delta RV Art I Revised-2012

Arts, Media and Entertainment Media and Design Arts Multimedia

CAEA Enduring Ideas: Artists tell stories, both real and imagined, through visual imagery.

UNIT 1 (of 5): Line (16 hours = 1 credit)

Shapes All Around Us Grade 3 Lesson 4 (Art Connections, Level 3, pgs )

Breadth Assignment: Cut Paper Relief Sculpture

SEPTEMBER 2015/SKILLS SHEET

COURSE OF STUDY GUIDE

Shrewsbury Borough School District Art Curriculum Guide Grade

Summer Art Assignments Handout Revised June 2018 Distributed in June prior to the AP year. AP Studio Art: An Overview

Objectives/Outcomes. Materials and Resources. Title/Description of Lesson Kandinsky Line and Watercolor project. Grade Level: 7th 12th

High School Design and Drawing Curriculum

COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel

Grade: Elementary (4 th 5 th ) 3 or 4 45 minute class periods

AP Studio Art: 2D Design Portfolio Summer Assignments

Review Questions for Design Final Exam Correct answers are highlighted in RED

STRANGE SHAPES: Sketching in Surrealism 7-9 TEACHER RESOURCES. Grade Level: 7-9 Lesson Length: 7-10 Days

Grade 5: Cycle 4 Art Curriculum Map. Curriculum Calendar Map Standards by Six Weeks Grading Periods

Grade 7 - Visual Arts Term 4. Life Drawing

This project is recommended for artists from age 10 to adult, as well as home schooling, academic and recreational fine art educators.

Story Writing & Modeling Clay Figures

Fairy Tale #5 The Twelve Brothers. by The Brothers Grimm

UNIT 2 (of 5): Shape, Form & Perspective (16 hours = 1 credit)

75 points D. Homework 50 points E. Critiques 10 point F. Total: 150 points

OFFICE OF CURRICULUM, INSTRUCTION & PROFESSIONAL DEVELOPMENT HIGH SCHOOL COURSE OUTLINE

Diane Jaquith What Were You Thinking? NAEA 2016

Drawing on Your Memory

KNES Art & Design Course Outline. Year 9

DRAWING. Grades: 9-12 Duration: 1 Trimester - 1 Credit Prerequisites: Design Topics of Study: The Psychological Roots of Drawing 1 week

Motion. & Design. fourth grade. integrated art/science lessons. Developed by ESD 105 Art Integration Mentor participant Pamela Wood

Art Essentials: 7 th Grade Project #1: Impressionist Sketchbooks

Elements of Art: Space

Final Project Guidelines Artwork + Statement + E-portfolio Rubric

Sketchbook Practice: Lesson 5 1

Length of Time: 10 class sessions; 44 minute time period. Meets State Goals: 25.A.1d, 25.A.3d, 25.A.3e, 26.A.3e, 26.B.2d, 26.B.3d

These lessons are very thorough. I like how each detail is explained, making art accessible to any level of artist (even me)!

Advanced Drawing and Painting High School

Elementary Visual Art Portfolio Collection. Exemplar. Perform Domain Grade 3

I have learned that what I have not drawn, I have never really seen... Frederick Franck

FA: Fine Arts. FA 030 FINE ARTS TRANSFER 1.5 credits. FA 040 FINE ARTS TRANSFER 1.5 credits. FA 050 FINE ARTS TRANSFER CREDIT 3 credits

Tel:

Sketching Technique Examples

Junior Drawing Artist

EASTERN ARIZONA COLLEGE Drawing/The Creative Process

Transcription:

City of Angels School Student Field Test Independent Study Teacher 01/09 Los Angeles Unified School District Beg. Date Drawing B Course # End Date STUDENT S Instructional Guide Final Mark Credits: 5 The following assignments are designed to meet CA Visual/Performing Arts Content Standards Proficient Gr. 9-12 Standards 1.0 Artistic Perception; 2.0 Creative Expression; 3.0 Historical and Cultural Context; 4.0 Aesthetic Valuing; and 5.0 Connections, Relationships, Applications. Refer to Discovering Drawing for National Standards. ** Students will need to make five (5) copies of the Vocabulary Collection Form and six (6) copies of the General Visual Arts Rubric found at the end of the Instructional Guide Assignment No. 1 Assignment/Activity: Chapter 6 The Built Environment 1. Explain how linear perspective can create an illusion of space in drawings of the human-made environment. 2. Explain the purpose of monuments and memorials. **Give examples to support your answers. Minimum length for each question is two (2) paragraphs. Assignment: Read: Discovering Drawing Ted Rose & Sallye Mahon-Cox, Chapter 6, pages 110-131. the following vocabulary words: built environment, vanishing point, linear line, one-point perspective, two-point perspective, three-point perspective, environmental art, interior, and Pop Art. A. For Your Sketchbook, page 129 (Sketchbook Connection - complete this AFTER Studio Experience) B. Try Its on page 112, 113 (How to: Use One-Point Perspective), 114, 115 (How to: Use Two-Point Perspective), 117, 119, and 126. Write down page number for each sketch. III. Chapter Review on page 131 Complete the following: IV. Aesthetics Complete a list of 5+ one-point perspective locations in your community. Complete a list of 5+ two-point perspective locations in your community. Complete a list of 5+ three-point perspective locations in your community. V. Studio Experience page 128-129 Review Rubric: Studio Assessment Page 1 of 9 3/6/10

VI. Student Rubric and Final Grade for Assignment #1 Page 2 of 9 3/6/10

Assignment No. 2 Assignment/Activity: Chapter 7 - Portraits 1. Describe what makes a successful portrait. 2. Explain the difference purposes and styles of portraits. **Give examples to support your answers. Minimum length for each question is two (2) paragraphs. Assignment: Read: Discovering Drawing Ted Rose & Sallye Mahon-Cox, Chapter 7, pages 132-157. the following vocabulary words: portrait, self-portrait, contour portraits, frontal portrait, profile portrait, and three-quarter portrait. A. For Your Sketchbook, pages 139, 142, 144, 145 (How To: Draw the Eye), 147, 148, 149 (How To: Portrait Basics), and 153 (How To: Draw Facial Expressions). B. Try Its on page 141, 145, and 152. Write down page number for each sketch. III. Chapter Review on page 157 Complete the following: IV. Studio Experience page 154-155 - Review Rubric: Studio Assessment V. Student Rubric and Final Grade for Assignment #2 Page 3 of 9 3/6/10

Assignment No. 3 Assignment/Activity: Chapter 8 The Figure 1. Explain why an understanding of anatomy is needed for a good figure drawing. **Give examples to support your answer. Minimum length is three (3) paragraphs. Assignment: Read: Discovering Drawing Ted Rose & Sallye Mahon-Cox, Chapter 8, pages 158-181. the following vocabulary words: cartoon, canon, humanism, mannequin, anatomy, foreshortening, ideal figure, and negative shapes. A. Try Its on page 166, 168, 171, 172, 174, and 175. Write down page number for each sketch. III. Chapter Review on page 181 Complete the following: IV. Studio Experience page 178-179 - Review Rubric: Studio Assessment V. Student Rubric and Final Grade for Assignment #3 Page 4 of 9 3/6/10

Assignment No. 4 Assignment/Activity: Chapter 9 Drawing Animals 1. Describe the different purposes of animal drawings. 2. Explain why animal drawings are created from observation, memory, or a combination of each? 3. Make a list of at least five (5) contemporary animal stories. For each story, explain how well the artist understood the animals they drew. **Give examples to support your answers. Minimum length is for each question is two (2) paragraphs. Assignment: Read: Discovering Drawing Ted Rose & Sallye Mahon-Cox, Chapter 9, pages 182-199. the following vocabulary words: domestic, exotic, symbolic form, and thumbnail sketch. A. For Your Sketchbook, page 187 (Animal Value Study). B. Try Its on page 184, 190, 191, 192, and 194. Write down page number for each sketch. III. Chapter Review on page 199 Complete the following: IV. Studio Experience page 196-197 - Review Rubric: Studio Assessment V. Student Rubric and Final Grade for Assignment #4 Page 5 of 9 3/6/10

Assignment No. 5 Assignment/Activity: Chapter 10 The Expressive Language 1. Describe how an artist might combine observation and imagination in their work of art. **Give examples to support your answer. Minimum length is three (3) paragraphs. Assignment: Read: Discovering Drawing Ted Rose & Sallye Mahon-Cox, Chapter 10, pages 200-219. the following vocabulary words: formalism, conceptual art, rhythm, nonobjective art, abstract, symbolism, and aesthetic experience. A. For Your Sketchbook, page 205 (Abstract Drawing) and 217 (Sketchbook Connection). B. Try Its on page 202, 210, 211, and 213. Write down page number for each sketch. III. Chapter Review on page 219 Complete the following: IV. Studio Experience page 216-217 Review Rubric: Studio Assessment V. Student Rubric and Final Grade for Assignment #5 Page 6 of 9 3/6/10

Assignment No. 6 Assignment/Activity: Final Project Assignment: Self-Portrait The Face in the Mirror Self-Portraits Facial features are aligned, well proportioned, and realistically relate to one another. Pencil grades are varied to achieve a full range of values from light. Values are created by using different graduations from black to white (page 221) Review Chapter 7 Portraits See examples on page 141, Fig. 7-14 Self Portraits of Kathe Kollwitz, page 152, Fig. 7-30 Rembrandt van Rijn Self Portrait in a Cap, and page 154, Fig. 7-34 Jade Fiedtkou-Leonard Self Portrait. Purpose: To document your face. Materials: Sketch paper Drawing paper - minimum size: 8 1/2 x 11 Drawing pencils Eraser Mirror Chair Procedure: 1. Find a mirror large enough to sit in front of it and still be able to see your entire face. 2. Spend time observing your face in the mirror. Look for creases, folds, bends, and shadows. Do you have freckles or tan lines? What about your eyes, mouth, bone structure, hairlines, or facial lines? 3. List all the facial details you observed on a piece of scratch paper. 4. Practice sketching your face until you are able to record all facial details in your drawing. 5. Look and Touch! 6. The portrait must include a hat (without logos) and/or shawl. 7. The portrait will also include a hand resting against your face. 8. No letters, numbers, or gang symbols are allowed in your self-portrait. 9. The portrait can be drawn from a frontal, side, or three-quarter view. 10. Decide which direction the light will come from so that parts of your face will be darker than other areas. 11. Draw lightly so that if you need to erase, your pencil lines will not show. 12. Add detail after you have sketched your basic face. 13. If parts of the face are difficult to draw such as the eyes, practice on a piece of scratch paper and return to the drawing when comfortable. 14. Smearing pencil lines with fingers or an eraser to shade is not allowed. All negative spaces are to be filled with different types of line. The closer lines are placed together, the darker areas will appear. The further away lines are drawn, the lighter the areas will appear. 15. Must include at least four (4) different types of line in your self portrait such as gesture, straight, contour, cross-hatching, stipples (dots), side of the pencil, back-and-forth marks, round, or scribbles. 16. Work slowly and carefully. 17. Observe. Observe. Observe. 18. You may stop anytime during the process and return where you left off at a later time. Analysis: Explain why you choose each of the items, your pose, and expression for your self portrait. What feelings were you trying to evoke? Give examples to support your answer. Minimum length three paragraphs Complete Generic Visual Arts rubric Page 7 of 9 3/6/10

Vocabulary Collection Form Vocabulary Word Definition of the Vocabulary Word Vocabulary Word Used in a Sentence Memory Cue Page 8 of 9 3/6/10

GENERIC VISUAL ARTS RUBRIC A/A+ = Level 5 WOW!!!! It is amazing! You showed initiative and originality. You did something extra special or You went beyond all expectations or - You broke the rules in a creative way. Your craftsmanship is exceptional! Excellent solution to the problem You out-did the teacher on this one. (90 to100 points) name B/B+ = Level 4 C/C+ = Level 3 D/D+ = Level 2 F = Level 1 It is good. It was all that I asked for. You were a self starter. You did everything I requested followed all directions the first time. You met all expectations but did not push the boundaries. You did a very good job. Good use of design principles. Shows mastery of skills and craftsmanship. (80 to 89 points) Well, OK It s not up to stuff You did just enough to get by. You did minimum requirements necessary for a C nothing more. You might have thrown it together? Didn t care much for this project? Poor craftsmanship lacks skill. Design principles off. You did not try very hard. (70 to 79 points) Woops! It is not finished! You did not meet the lesson objectives. You did not follow directions You did not try very hard. You forgot to finish it. Or you hurried through. Lacks understanding of design principles. Low effort below expectations for skills. Poor craftsmanship. You didn t finish Shall I leave your grade unfinished too? (60 to 69 points) Big Fat 0!! It is missing. Did you forget to put your name on it? Were you absent? Did you loose it or throw it away? I saw you working on it but cannot find it no? No effort no participation. Poor work. No project no grade. (0 to 59 points) Use these criteria as you evaluate your own work. Just because you finish a project doesn t mean you deserve an A Study your work with the above criteria and determine your own grade. Student comments: Teacher comments: Page 9 of 9 3/6/10