Squirkle a Realistic. Spruce Tree

Similar documents
Curve Fur Around Canine Forms

Use Shading to Create Forms

Graduate Fur on a Dust Bunny

A smaller drawing space in proportion to these sizes works just as well.

Shade a Basic Dog Eye

Create a Portrait. of JUMPIN JACK. Sketch Puppy Proportions. Outline a puppy s face, shade his eyes and nose, and add texture to his fur with hatching

Bird of Paradise. Sketch and Outline Flower Proportions

Wanda. A Fish Named. Sketch Fishy Proportions with Pencils. ArtSpeak

beginner absolute for the Mark and Mary Willenbrink DRAWING absolute beginner Willenbrink A Clear & Easy Guide to Successful Drawing

Tapered Lines. Shade Shapes with. Practice Drawing Sets of Tapered Lines

(the Little Ham) DRAW KEVIN BACON. Sketch Piglet Proportions. Sketch a piglet and add shading to capture his spotted fur and three-dimensional forms

Project 4: Rhino in Pajamas

Realistic Petals on a Flower

Supplies: paper, pencils (2H, HB, 2B, 4B, 6B, and 8B), sharpener, sandpaper block, vinyl and kneaded erasers. Figure 1

Draw Keiko, a Manga Baby

HOW TO DRAW A REALISTIC HAND

Brenda Hoddinott. faint curved lines, in preparation for a more detailed contour drawing.

Identifying Straight Lines

Optical Illusion Sketchbook Project Art 1201

DRAWING ANIMALS WITH FUR

Complete Drawing and Painting Certificate Course

Transfer an Image to Drawing Paper

How to Draw with a Grid

OF A DOG Brenda Hoddinott

You will need 9x12 blue construction paper, SOFT LEAD pencil colors, an eraser, and a metric ruler.

Welcome to Drawing. from LINE to LIFE. Enriching Your Life with Drawing

Outlines in a Grid. Draw Seamless. Draw a Grid in a Drawing Space

INTERMEDIATE. Welcome to Drawing from Line to Life: Drawing Above the Mundane

LESSON PRESENTATION INSTRUCTIONS VALUE

Learn how to draw this World War II plane and other aircraft in this article.

8 Pages 10 Illustrations

Op Art Pinwheel Side 1 Choices

Name: Period: THE ELEMENTS OF ART

Suggested supplies include: paper, HB pencil, kneaded and vinyl erasers, and a pencil sharpener.

How to Draw with Erasers

ART 2 Summer Homework:

Paint Neat Edges. on Zebra Stripes. Draw a Symmetrical Zebra Face

Wonderlab The Statoil Gallery

Seeing the Values of Colors

F12 BEGINNER: HATCHING. seahorse look more realistic, by creating a contour drawing. illusion of form by shading the sections in shadow.

HOW TO DRAW A FACE. By Samantha Bell.

How to Plan and Create a PAINTING

This project is recommended for artists from age 10 to adult, as well as home schooling, academic and recreational fine art educators.

Module 5. Lecture-1. Triangle Rectangle Circle. Fig.49: Three basic shapes: the triangle, the rectangle and the circle.

elements of design worksheet

Lines in the World of Art

Body Proportions. from INFANT to ADULT. Using a Pencil to Measure Heads

Brenda Hoddinott 9 PAGES 12 ILLUSTRATIONS G-04 BEGINNER: SHADING FORMS

ONE-POINT PERSPECTIVE

REALISTIC DRAWING WITH CHARCOAL with Kirsty Partridge

How to Create a Landscape Wallpaper for your Desktop

11 PAGES 27 ILLUSTRATIONS

Brenda Hoddinott 13 PAGES 39 ILLUSTRATIONS V-06 ADVANCED: NATURE AND STILL LIFE

Suggested drawing supplies include good quality white drawing paper, various grades of pencils, kneaded and vinyl erasers, and a pencil sharpener.

6 PAGES 21 ILLUSTRATIONS

How to Draw Eyelashes

Term 3 Grade 6 Visual Arts

-Betty Edwards, Drawing on the Right Side of the Brain

Shading and Form: How to render the illusion of 2 dimensional form on a flat page

Putting the Brushes to Work

Long & Short Stitch Lesson 5: Shading on a Curve

Line Line Characteristic of Line are: Width Length Direction Focus Feeling Types of Line: Outlines Contour Lines Gesture Lines Sketch Lines

Sketch technique. Introduction

Bargue Plates. Da Vinci Initiative Ambassador: Rob Kamin

Day 10. So we will start at the top left ear and work our way right and down, panel for panel. Almost as though we are sowing him together.

The Discount Airbrush Guide Series: Develop Basic Artistic Skills

Drawing Goats. Proceedings of the 28th Annual Goat Field Day, Langston University, April 27, 2013

Light Energy. By: Genevieve Rickey 5th Grade Mrs. Branin 2016

Exploring Hatching in Drawings

The Elements and Principles of Design. The Building Blocks of Art

Lesson #1 Secrets To Drawing Realistic Eyes

Gradations. Blend and Burnish. Shade and Burnish a Vertical Gradation

Learn How to Draw. Animals. Created exclusively for Craftsy by Antonella Avogadro

Drawing 101 2/4/2016. Basic Tools & Materials. Drawing Pencils. Drawing Pencils Erasers Blending Mediums Paper Other

An object that refracts light. A from of energy that travels in waves and can be seen when it interacts with matter

COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel

2.000 Sketching Example: Tractor transmission

Brenda Hoddinott 12 PAGES 5 ILLUSTRATIONS 4 WORKSHEETS B-06 BEGINNER: LEARN TO SEE

Carol Lakomiak's Astrosketching Tutorials - the Moon

How to Draw Bob the Minion

Observational Drawing

Lesson 12: Modeling Using Similarity

MADE EASY a step-by-step guide

Student Outcomes. Lesson Notes. Classwork. Example 1 (7 minutes) Students use properties of similar triangles to solve real world problems.

Light and Color Page 1 LIGHT AND COLOR Appendix

How to Sketch a Lion using Graphite Pencils

Student will learn Basic technique of pencil drawing, light and shadow.

Using Mirrors to Form Images. Reflections of Reflections. Key Terms. Find Out ACTIVITY

Introduction. Recall that your pretest was to draw a human face from your memory. You can compare them at the end of this unit.

With lines. Brenda Hoddinott 9 PAGES - 11 ILLUSTRATIONS H-03 BEGINNER: FOCUS ON PEOPLE

4 th Grade: March Lesson 5: Landscape Chalk Pastel

How to Draw Charizard

Kit Contents. The Power House experiment kit contains the following parts:

PINHOLES and TRIANGLES

City of Angels School Student


Product design: Communicating your design proposals

FRONTAL VIEW OF. Brenda Hoddinott

Light enables organisms

SHEEP MANTEL CLOCK. by Kerry Trout

Transcription:

Flesch-Kincaid Grade Level: 7.4 Flesch-Kincaid Reading Ease: 68.1-8 Pages and 17 Illustrations Squirkle a Realistic Spruce Tree Transform a single vertical line into a drawing of a majestic spruce tree on a sunny afternoon Resource: Module 3.1 Introduction to Shading Supplies: paper, 2H, HB, 2B, 4B, and 6B pencils, pencil sharpener, sandpaper block, vinyl and kneaded erasers Spruce trees come in many shapes and sizes (Figure 1). Even though their proportions are different, they all look like spruce trees so you can draw your tree any size or shape you want. 1. With an HB pencil, lightly sketch a line as the center of the trunk of the tree from the bottom of your drawing space almost to the top. ArtSpeak Foreshortening: A component of perspective that describes the distortion of objects and life forms when viewed from extreme angles. The term foreshortening applies to a single object or fi gure, whereas the term perspective refers to an entire scene. The border around Figure 2 (on the next page) shows you the rectangular shape of the drawing space used to draw the tree in this tutorial. Figure 1

2 Figure 2 Don t try to draw the line perfectly straight; trees look more natural with a few bends and curves in their trunks. 2. Use squirkles to add the ground or base from which the tree grows. You can make the ground either bumpy or fairly level by varying the shapes and sizes of the squirkles. 3. Use squirkles to make the tree trunk progressively wider from the top to the bottom (Figure 3). Figure 3 The trunk is very thin at the top and wide at the bottom. 4. Add a few tiny branches to the top of the tree trunk. As an Aside Trees that have thin leaves (needles) and produce cones are called coniferous trees. Traditional Christmas trees in cold climates are usually coniferous because they stay green all year round (evergreens). Pine, fir, juniper, larch, spruce, and yew trees are all members of the coniferous family. Refer to Figure 5 and the close-up view in Figure 6. Make each branch progressively narrower the farther it extends outward from the trunk. Keep in mind the old expression: less is more! It s easy to add more branches later if your tree looks too sparse, but erasing branches that are too full or thick is very diffi cult.

3 As you draw, constantly remind yourself that the branches of a spruce tree also grow outward from the trunk at the front and back not just from the sides. Figure 4 Figure 5 For instance, when viewing a tree from a single vantage point, you can t tell how wide or long the branches closest to you really are. An element of perspective called foreshortening creates the illusion that the branches that are growing toward you are much shorter than they really are. In addition, the branches at the back are growing away from you and therefore appear smaller than those on the front and sides. These rear branches are also partially hidden from view by other branches and the tree trunk. Figure 6 5. Add additional branches to the middle section of the trunk (Figures 6 to 9). Figure 7 Don t forget to add branches that appear to be in front of and behind the trunk.

4 Figure 8 Tip! For a more realistic looking spruce tree, draw the lower branches wider and longer than the higher branches. Tip! Keep a pencil sharpener and sandpaper block handy so you can keep your pencil points sharp. Figure 9 As an Aside With lots of practice squirkling and examining spruce trees in nature, you can easily learn to sketch a tree in a couple of minutes. However, you should work your way through this exercise slowly to give yourself a chance to fully understand the process.

6. Add larger branches to the bottom section of the tree (Figures 10 and 11). Figure 10 Figure 11 A couple of the lowest branches appear shorter than those above them. These branches are either in front of or behind the trunk. 7. Add some squiggly and raggedy lines extending from the earth to look like shrubs and grass (Figures 12 and 13). Figure 12 5

6 Figure 13 Challenge! Examine your drawing and imagine your tree growing in a fi eld. It s late afternoon and the sun is shining from the right, creating dark shadows on some sections of the tree. The sun is beginning to set, but still high enough that its light cannot reach the undersides of the branches. Rays of sun peek through the branches, and a few sections of the trunk appear lighter on the right. The left side of the trunk is mostly in shadow. A cast shadow from the tree darkens the ground foliage on the left and under the tree. The grass and shrubs on the right (closer to the sunlight) are lighter than those in the shadows. 8. Use 4B and 6B pencils and squirkles to add shadows to some sections of the branches, trunk, and ground foliage (Figures 14 to 17). Figure 14

Don t add additional shading to the light sections that are closer to the sun. Figure 15 Also, be careful not to add too many shadows! Dark shading should be added sparingly only to the shadow sections. Figure 16 Tip! Whenever you have a chance to visit a wooded area, take time to walk around individual trees and examine their branches from different perspectives. 7

8 Figure 17 Challenge! Take a sketchbook and pencils outside during the late afternoon on a sunny day. Find a tree and draw it ten times. Change your position each time you begin a new drawing so that the sunlight appears to be coming from different directions. Draw the light and shadows exactly as you see them. Sign and date your drawing, give yourself a big hug, and go hug a tree.