Here, There and Everywhere: The Preservation of Our Photographic Heritage

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Here, There and Everywhere: The Preservation of Our Photographic Heritage Hosted by ALCTS, the Association for Library & Technical Services, April 23, 2013

Here, There and Everywhere: The Preservation of Our Photographic Heritage Heather Brown, Winterthur/University of Delaware Program in Art Conservation Fellow Debra Hess Norris, Chair and Director of Art Conservation, University of Delaware

Or.. Don t Leave Grandma in the Attic!

Understand the value and vulnerability of these treasures Anonymous ca. 1845 salted paper print, hand colored Private Owner

Understand the value and vulnerability of these treasures Anonymous c. 1959 Chromogenic Color Photograph Private Owner

Photographic Collections are Endangered Tintype Private Owner Albumen photograph Private Owner

Photographic Collections are Endangered Gelatin silver developed-out print Private owner

Photographic Collections are Endangered Image courtesy of Nora W. Kennedy

Photographic Collections are Endangered Image courtesy of Nora W. Kennedy

Easy-to-Access Resources Long, J. S., and R. W. Long. 2000. Caring for Your Family Treasures. Harry N. Abrams. Landrey, G. 2000. The Winterthur Guide to Caring for Your Collection. Winterthur. Lavedrine, B. 2003. A Guide to the Preventive Conservation of Photograph Collections. Getty Conservation Institute.

GENERIC STRUCTURE OF PHOTOGRAPHIC MATERIALS Albumen Photograph Binder Final Image Paper Support

Photography: Component Parts Support (paper, glass, iron, silver plated copper, plastic, textile, leather, wood and more)

Photography: Component Parts Binder (albumen, collodion, gelatin) Support (paper, glass, iron, silver plated copper, plastic, textile, leather, wood and more)

Photography: Component Parts Final Image Material (silver organic dyes, pigments, platinum, gold, iron salts) Binder (albumen, collodion, gelatin) Support (paper, glass, iron, silver plated copper, plastic, textile, leather, wood and more)

Photographic Collections are Varied Early direct positive processes Quarter plate daguerreotype www.daguerreotype.nl

Daguerreotype 1839 1865 Silver-plated copper support Gold-mercury-silver amalgam image material Evans, Charles Girl with doll, holding mother's hand Daguerreotype George Eastman House, 77:0240:0024

Daguerreotype 1839 1865 Silver-plated copper support Gold-mercury-silver amalgam image material Anonymous Daguerreotype with glass degradation Private owner

Photographic Collections are Varied Early direct positive processes Tintype Private owner

Tintype 1856 1890 Japanned iron support Silver image in collodion binder Typically varnished. Hand coloring in cheeks common Anonymous Hand-colored Tintype Private Owner

Tintype 1856 1890 Japanned iron support Silver image in collodion binder Typically varnished. Hand coloring in cheeks common Anonymous Hand-colored Tintype Private Owner

Tintype 1856 1890 Japanned iron support Silver image in collodion binder Typically varnished. Hand coloring in cheeks common Heather Brown Self-portrait, 2012 Tintype on coated aluminum, varnished with synthetic resin Wet collodion workshop at the Center for Alternative Photography, NY

George Eastman House Photographic Process videos: http://www.youtube.co m/playlist?list=pl4f91 8844C147182A Easy-to-Access Resources

Photographic Collections are Varied Early direct positive processes Print Materials Tone gelatin silver developed-out photograph Private owner

Photographic Collections are Varied Early direct positive processes Print Materials Ca. 1920s-30s Hand-colored Silver Gelatin Photograph Postcard Image Permanence Institute

Common 19 th Century Photographic Print Materials Salted Paper Albumen Silver Gelatin Collodion Chloride Printing Out Platinum Cyanotype Mathew B. Brady Madame Medori ca. 1857 Salted paper print from glass negative Gilman Collection, The Metropolitan Museum of Art

Common 19 th Century Photographic Print Materials Salted Paper Albumen Silver Gelatin Collodion Chloride Printing Out Platinum Cyanotype Anna Atkins Equisetum Sylvaticum Cyanotype J Paul Getty Museum

Print Processes PHOTOGRAPHIC PRESERVATION: RISK ASSESSMENT & IMPLEMENTATION salted paper 1840-55 albumen 1855-95 gelatin & collodion printed-out papers 1895-1905 black & white developed-out papers 1905-60 chromogenic color paper 1960-present 1840 1860 1880 1900 1920 1940 1960 1980 PRESENT

Image Permanence Institute s Graphics Atlas

Albumen Photograph Anonymous Albumen Photographs Private Owner

Albumen ALBUMENIZED LIGHT- SENSIVE PAPER

Albumen ALBUMENIZED LIGHT- SENSIVE PAPER

Albumen ALBUMENIZED LIGHT- SENSIVE PAPER CONTACT PRINT WITH NEGATIVE EXPOSE TO SUNLIGHT

Reproduced from the National Museum of Photography, Film and Television collection, by courtesy of the Science and Society Picture Library. http://www.collodion.org/

Albumen ALBUMENIZED LIGHT- SENSIVE PAPER CONTACT PRINT WITH NEGATIVE EXPOSE TO SUNLIGHT

Portrait Formats: Carte-de-Visites approx. 2 ½ x 4 to 4 ¼ in.

Portrait Formats: Cabinet Cards approx. 4 ¼ x 6 ½ in.

Albumen Albumen Binder Photolytic Silver / Gold Toned 100% Rag Paper Support

Albumen 1851 1890 Thin paper support Silver image Egg white binder Image fading Binder will crack Portrait of Jaswant Singh II of Jodhpur (1873 1896) Photographer unknown, overpainted by Shivalal ca. 1875 Hand-colored Albumen Photograph The Metropolitan Museum of Art

Albumen 1851 1890 Thin paper support Silver image Egg white binder Image fading Binder will crack Albumen Photograph, Cabinet Card from Graphics Atlas http://www.graphicsatlas.org/identification/?process_id=5

Albumen Binder will crack Albumen Photograph, Cabinet Card from Graphics Atlas http://www.graphicsatlas.org/identification/?process_id=5

Silver Gelatin 1895 1960 Paper support coated with baryta Silver image Gelatin binder Image fading Silver mirroring Gelatin silver developed-out photograph Private owner

Silver Gelatin 1895 1960 Paper support coated with baryta Silver image Gelatin binder Image fading Silver mirroring Gelatin silver developed-out photograph Private owner

Silver Gelatin 1895 1960 Paper support coated with baryta Silver image Gelatin binder Image fading Silver mirroring Silver gelatin developed-out photograph Private owner

Chromogenic Color 1940 2010 Dye-based image Gelatin binder Dye fading Chromogenic photograph Private owner

Chromogenic Color 1940 2010 Dye-based image Gelatin binder Dye fading Chromogenic photograph awkwardschoolpictures.com

Photographic Collections are Varied Early direct positive processes Print Materials Negative Materials

Photographic Collections are Varied Early direct positive processes Print Materials Negative Materials

Photographic Collections are Varied Early direct positive processes Print Materials Negative Materials Photographic Albums

Photographic Collections are Varied Silver Gelatin Photograph Album Private Owner

Basic Preservation Advice House collections in good-quality plastic or paper enclosures and box for protection The Metropolitan Museum of Art, credit Taina Meller

Basic Preservation Advice House collections in good-quality plastic or paper enclosures and box for protection

Some Recommended Suppliers Archival Products: http://www.archival.com/ 1-800-526-5640 Gaylord: http://www.gaylord.com/ 1-800-962-9580 University Products: http://www.universityproducts.com/ 1-800-628-1912 Talas: http://www.talasonline.com/ 212-219-0770 Hollinger Metal Edge: http://www.hollingermetaledge.com/ 1-800-862-2228 Archivart: http://s390435715.onlinehome.us/ 1-888-846-6847

Basic Preservation Advice Store family photographs in interior closets where environment is best protected. Control temperature and RH as possible.

Basic Preservation Advice Secure collections against emergencies. Be prepared. Handle carefully. HBCU Photograph Preservation Institute, Image from Evan Krape, University of Delaware

Basic Preservation Advice Limit light levels for display. Exhibit digital or other copies. Environmental study for digital print materials, Image Permanence Institute Richard Stenman, The Metropolitan Museum of Art

Easy-to-Access Resources Library of Congress Collections Care Preservation: http://www.loc.gov/preservation/care/ CCAHA Preservation Resources: http://www.ccaha.org/publications/technical-bulletins Northeast Document Conservation Center Resources: http://www.nedcc.org/resources/family.php National Park Service Conserve O Grams: http://www.nps.gov/museum/publications/conserveogram /cons_toc.html

Basic Preservation Advice Seek advice from experts. Local museums or The American Institute for Conservation.

Silver Gelatin Photograph from the Conservation Center for Art and Historic Artifacts, Philadelphia (CCAHA) Before Treatment Private Owner, c. 1920s

Silver Gelatin Photograph from CCAHA Before Treatment After Treatment Private Owner, c. 1920s

Art Conservation Department Undergraduate Master s-level Doctoral Program in Preservation Studies

Group of people at the pyramids Selim Abu Izzeddin Guizeh, Egypt, 1902 Arab Image Foundation Global Partnerships

Photograph Preservation in the Middle East Anonymous Silver Gelatin Photograph Kamran Collection, Iran Anonymous photographer Aicha (center) and Hajja Habiba Amor. Morocco, 1936-1937 Copyright Arab Image Foundation

Photograph Preservation in the Middle East Instructors and participants in the November 2012 MEPPI, Abu Dhabi, NYU AD

Many Thanks!