Art and the History of Art 27: Printmaking II Professor Betsey Garand. First class visit:

Similar documents
The Art of Evan Summer: Landscapes, Nocturnes, and Pigs

Chapter 8. Printmaking. Kern ARH1000

William Strang, Self Portrait 1895 Etching on paper 202 x 150 mm (plate) The Golder Thompson Gift (2013)

Drawing Then and Now. The evolution & continued relevance of an ancient medium. Wednesday, August 29, 12

Jackson Pollock: A Collection Survey,

Introduction to Printmaking

MEDIA_Part 1 (2-D) Learning How Art is Made. Drawing, Painting, Printmaking,

2) In which century did drawing come into it's own as an art form? 4) This medium is used to violate the integrity of the painted surface.

Did you know that the numbers on a limited edition print actually mean something?

Exhibitions Student Curated Ink on Paper, Creating an Artistic Expression: Works on Paper from the Sacramento State Art Collection

4 After the Lynching, late 1930s Carborundum mezzotint Collection of Robert J. Brand and Elizabeth Werthan, Philadelphia (Catalogue raisonné no.

Print = a work of art made up of ink on paper and existing in multiples. It is created not by drawing directly on paper, but through an indirect

Part Two: The Formal Elements Chapter 4 Line

Dox Thrash: Revealed a companion site to the Philadelphia Museum of Art exhibit: Dox Thrash: An African American Master Printmaker Rediscovered

FA: Fine Arts. FA 030 FINE ARTS TRANSFER 1.5 credits. FA 040 FINE ARTS TRANSFER 1.5 credits. FA 050 FINE ARTS TRANSFER CREDIT 3 credits

60 terms in printmaking

SPECIAL EXHIBITION RESOURCE GUIDE FOR TEACHERS

Printmaking Lesson: Positive and Negative Prints

The Self-Portraits Of Francisco Goya By John J. Ciofalo

Exemplar for Internal Achievement Standard. Visual Art Level 2

Natural History checklist

Exploring Hatching in Drawings

Graphics. Lectures 4.1 Graphic Imagery 4.2 Visual Representation of Information and Data 4.3 Logos and Brand Identities. Fig

Artist: Pablo Picasso

Printmaking. Chapter 11

Woodcut. Emil Nolde. Danish, worked in Germany ( ). Prophet % x 8¾" (32.1 x 22.2 cm). Given anonymously

A print is an image or design printed from an engraved plate, wooden block, or similar surface. Sayre p. 212

Two-Dimensional Art. Drawing Painting Printmaking Imaging: Photography, Film, Video, and Digital Arts

Käthe Kollwitz Techniques

Goya By Robert Hughes

Politics on Paper: Art with an Agenda from the SUArt Collection Syracuse University Art Galleries Traveling Exhibition Program

Burton Selects FROM LACMA S COLLECTION

LACMA. Expressionism in Germany and France: From Van Gogh to Kandinsky. Image Sheet. Page 1

CENTER STREET STUDIO RECENT PROJECTS

ST IVES PRINTMAKING

Drawings. Addendum A. 1 Judith Cowan B Wrench /2 35 3/16 7/8 Oil Stick on Paper

Printmaking Unit. Art 3200

Art (ARTU) Courses. Art (ARTU) 1

ART STUDIES. Influences on Kathe Kollwitz

Great Goya Etchings: The Proverbs, The Tauromaquia And The Bulls Of Bordeaux (Dover Fine Art, History Of Art) By Francisco Goya READ ONLINE

BARBARA RAE RA PRINTS. a d a m. e: 24 CORK STREET LONDON W1S 3NJ t:

PRINTMAKING TERMS & I N F O R M A T I O N

Drawings Of Albrecht Dürer (Dover Fine Art, History Of Art) By Heinrich Wolfflin, Stanley Applebaum READ ONLINE

LESSON FOUR: Modern Landscapes

Introduction to Western Art, Architecture, & Design. Summer 2017 Session II Emily J. Hanson

BASIC PRINTMAKING Fall Semester SAR 5004, Section 001 Monday, Vasey, Easel Room 207

Prints And Drawings Of Käthe Kollwitz (Dover Fine Art, History Of Art) By Carl Zigrosser, Käthe Kollwitz READ ONLINE

Exploring the Art and History of Printmaking

1. ART HISTORICAL TERMS AND CONCEPTS

91. Eliza Draper Gardiner (American, )

Curriculum Plan 2014/15. Subject: Art and Design. Year 7 8

Lithographs. Boy on Zebra - Graciela Rodo Boulanger Jester Marc Chagall Composition - Joan Miro

Goya's Caprichos: Aesthetics, Perception, And The Body By Andrew Schulz

Pure Photography: Pictorial and Modern Photographs from the Syracuse University Art Collection

Art III. Fine Arts Curriculum Framework. Revised 2008

Artist: Rembrandt van Rijn Title: The Anatomy Lesson of Dr. Nicolaes Tulp Medium: Oil on canvas Size: 5'3¾" X 7'1¼" (1.6 X 2.

Classroom Ideas (Instructional Strategies) What is texture? or object in art. demonstrate

PRICES REALIZED DETAIL - Comic and Illustration Art - Summer 2016 Auction 87, Auction Date:

Han Mook, Disque Intaglio Noir, 1973, Etching, 55 45cm, EA, MMCA Collection

THE ERNEST HASKELL COLLECTION AT AMHERST COLLEGE

STUDIO ARTS. Certificate of Achievement. Monterey Peninsula College Catalog

Frank Stella Unbound: Literature and Printmaking

Enrique Chagoya. ELAINE L. JACOB GALLERY 480 West Hancock, Detroit, MI 48201

PAINTING AND PRINTMAKING, BACHELOR OF FINE ARTS (B.F.A.) [VCUQ]

Being Human: The Graphic Work of George Baldessin

"MODERN BIBLE ILLUSTRATION" TO BE EXHIBITED AT MUSEUM

The Media of Art. week three. painting media. printmaking methods. sculpture media and methods. mosaic. other media

DOWNLOAD OR READ : THE ART OF BOUNCING BACK PDF EBOOK EPUB MOBI

AP STUDIO 2D ART SUMMER ASSIGNMENT AP Studio Art 2D is a college class and requires a significant amount of time outside of class to

ROBERT RAUSCHENBERG: SELECTED SERIES June 1 September 30, 2017 PLANK MARK ARK SINK KAR RANK PRIZE

Paris Etching Society and Sydney Z. Lucas

CATEGORIES FOR THE DESCRIPTION OF WORKS OF ART (CDWA) High Level Categories

Art (ART) Contact the Art Department for further information. (760) , ext Office: D-14. Digital Animation, Compositing, and Music

This course is designed for beginning students who wish to experience traditional hands on printmaking techniques/methods and materials.

Eric Kennington: An Inventory of His Art Collection at the Harry Ransom Center. Descriptive Summary. Administrative Information

~Contemporary Japanese Relief Printing ~ ~Fumio Fujita~

PAINTING AND PRINTMAKING, BACHELOR OF FINE ARTS (B.F.A.)

Vocabulary Glossary Visual Arts K-4

PRINTMAKING WOODCUT DESIGN

METRO PICTURES. Sheets, Hilarie. At the Garage Museum, Robert Longo Builds Chapels to Goya and Eisenstein, Artsy.net (September 16, 2016).

2D visual communication

Chapter 2.2: Media. Tools and Materials Artists Use

Out-of-body Dreams & Animated Realities

Ar#st: Pablo Picasso

Tuesday, February 21, Composition & Value

With every painting I find myself completely. absorbed in my work. I love the challenge. and excitement of starting a new piece,

ART (ART) Art (ART) 1

Drawing and Painting 1.1

A selection of etchings & lithographs by the leading figurative artists of the 20th century.

F I N D L A Y G A L L E R I E S

NCEA Level 3 - Visual Arts Examples of Candidate Work Printmaking

Images & Ideas FLINT INSTITUTE OF ARTS VOL. 1 NO. 2 NOVEMBER 2006

Maven of Modernism: Galka Scheyer in California Checklist

AMEX Art & Antique Collection

Global Visions: Artists Reaching Beyond Borders

Prebles' Artforms An Introduction to the Visual Arts

Cosmologies Williams College Museum of Art September 29 December 16, 2012

Art/Art History: Selections from the Permanent Collection Anne Gary Pannell Center Gallery Sweet Briar College January 20-April 4, 2010

Then & Now Exhibition CENTRAL BOOKING OffLINE Space New York, NY

Elements Of Art Study Guide

Transcription:

Art and the History of Art 27: Printmaking II Professor Betsey Garand First class visit: East Side Interior, n.r. Bequest of William Ives Washburn (Class of 1908) AC 1947.61 Käthe Kollwitz German (1867-1945) Arbeiterfrau mit Blauen Tuch, n.r. 3-colored lithograph Gift of Dr. C. J. Robertson AC 1950.203 Francisco José de Goya y Lucientes Spanish (1746-1828) The Disasters of War (Los Desastres de la Guerra), executed 1810-1823, first posthumous edition, published 1863 and drypoint AC 1951.1115.xx Francisco José de Goya y Lucientes Spanish (1746-1828) Fierce Monster, from Los Desastres de la Guerra, 19th Century and dry point Museum purchase AC 1963.171 American, (1935-2009) Composition with Floor, from "The Artist and the Model", 1968 with plate tone (pitted); black ink on American white paper AC 1970.35

American (1935-2009) Two Views, from "The Artist and the Model" portfolio, 1968 and aquatint with plate tone; black ink on American white paper AC 1970.60 The Bullfight, ca. 1917 Gift of William Allison (Class of 1920) AC 1974.45 American Landscape, 1920 Drypoint Gift of William Allison (Class of 1920) AC 1974.50 Käthe Kollwitz German (1867-1945) Beggar Family, 1924 Lithograph on brown paper Gift of William W. Collins (Class of 1953) in Memory of Wortham Collins AC 1975.8 Käthe Kollwitz German (1867-1945) Kleiner Mannerkopf Ohner Hande (Small Man's Head Without Hands), 1922 Woodcut on paper Gift of Dr. Paul E. Kaplan (Class of 1962) AC 1992.14 Kiki Smith American, born 1954 Kiki Smith 1993, 1993 Two-color intaglio Purchase with Charles H. Morgan Fine Arts Fund AC 1994.23 Lesley Dill

American, born 1950 A Word Made Flesh: Back, 1994 Photolithograph with etching on mulberry paper, hand-sewn on Arches buff paper Museum purchase AC 1994.147.2 Lesley Dill American, born 1950 A Word Made Flesh: Throat, 1994 Photolithograph with etching on mulberry paper, hand-sewn on Arches buff paper Museum purchase AC 1994.147.4 American (1935-2009) L'Inferno Dante Portfolio, 1997-2000 unbound etchings and aquatints on Arches Cover White paper (text printed on UV Ultra paper) in two Red silk covered portfolio boxes housed in large red silk covered outer box Museum Purchase AC 2002.358.1-41 Cat Boat, 1922 Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb Collection of American Art AC 2010.110 Nude Facing Front, 1919-1923 Drypoint Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb Collection of American Art AC 2010.111 Night Shadows (from the Six American s, (Series I), 1921 (published 1924) Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb Collection of American Art AC 2010.113

Second class visit: The Swan, 1915 Bequest of William Ives Washburn AC 1947.76 Dalecarlian Peasant (Levards Anders), 1919 AC 1951.2231 Gulli II, 1918 AC 1951.2233 Mona, 1911 AC 1951.2234 Vicke, 1918 AC 1951.2237 American (1935-2009) Artist Model Container, from "The Artist and the Model" Portfolio, 1968 and aquatint; green-black ink on American white paper

AC 1970.28 American (1935-2009) Confrontation across Two Shadows, from "The Artist and the Model", 1968 Aquatint with plate tone; green-black ink on American white paper AC 1970.36 American, (1935-2009) Overlap, ca. 1968 and aquatint with plate tone; green-black ink on American white paper AC 1970.51 American (1935-2009) Two Views, from "The Artist and the Model" portfolio, 1968 and aquatint with plate tone; black ink on American white paper AC 1970.60 Princess Marguerite, Gift of Dr. Edward F. Babbott (Class of 1945) AC 1975.82 Carol Summers American, born 1925 Arab Tent, 1963 Woodcut Gift of Rowell A. Schleicher (Class of 1921) and Susan T. Schleicher AC 1994.647 Carol Summers American, born 1925 Sicily, 1962 Woodcut Gift of Rowell A. Schleicher (Class of 1921) and Susan T. Schleicher

AC 1994.648 Carol Summers American, born 1925 Stromboli Dark, 1966 Woodcut Gift of Rowell A. Schleicher (Class of 1921) and Susan T. Schleicher AC 1994.649 Opus 1, 1950 AC 2001.554.1 Russian (1890-1977) A Portfolio of Twelve Monoprinted Wood Engravings, various dates Wood engravings AC 2001.554.1-12 Opus 2, 1950 AC 2001.554.2 Opus 3, 1950 AC 2001.554.3 Opus 4, 1950

AC 2001.554.4 Opus 5, 1950 AC 2001.554.5 Opus 6, 1953-1954 AC 2001.554.6 Opus 7, 1956-1973 AC 2001.554.7 Opus 8, ca. 1967 AC 2001.554.8 Opus 9, 1973 AC 2001.554.9 Opus 10, ca. 1967-1972

AC 2001.554.10 Opus 11, ca. 1952 AC 2001.554.11 Opus 12, ca. 1952 AC 2001.554.12 Carol Summers American, born 1925 Cheops, ca. 1965 Woodcut on paper Gift of Mr. and Mrs. H. Nichols B. Clark AC 2001.655 By the Oven, 19th - 20th century Gift of Katherine Rounds AC PR.1929.37 Gulli, 1918 Gift of Katherine Rounds AC PR.1929.47 Sappo, 1917 Gift of Katherine Rounds

AC PR.1929.49 The Three Graces, 1910 Gift of Katherine Rounds AC PR.1929.53