The Renaissance. Timeline Cards

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The Renaissance Timeline Cards

ISBN: 978-1-68380-075-0 Subject Matter Expert Ann E. Moyer, PhD, Department of History, University of Pennsylvania Illustration and Photo Credits Title School of Athens, from the Stanza della Segnatura, 1510 11 (fresco), Raphael (Raffaello Sanzio of Urbino) (1483 1520) / Vatican Museums and Galleries, Vatican City / Bridgeman Images Chapter 1, Card 1 Richard Cummins/SuperStock Chapter 1, Card 2 DeAgostini/SuperStock Chapter 1, Card 3 Effects of Good Government in City, detail from Allegory and Effects of Good and Bad Government on Town and Country, 1337 1343, by Ambrogio Lorenzetti (active 1285 1348), fresco, Room of Peace, Palazzo Publico, Siena, Lorenzetti, Ambrogio (1285-c.1348) / Palazzo Pubblico, Siena, Italy / De Agostini Picture Library / G. Dagli Orti / Bridgeman Images Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share to copy, distribute, and transmit the work to Remix to adapt the work Under the following conditions: Attribution You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial You may not use this work for commercial purposes. Share Alike If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: https://creativecommons.org/licenses/by-nc-sa/4.0/ Copyright 2017 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge, Core Knowledge Curriculum Series, Core Knowledge History and Geography and CKHG are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. References herein should not be regarded as affecting the validity of said trademarks and trade names. Chapter 1, Card 5 Ms Fr 2810 f.51, Transportation of spices to the west and unloading spices in the east, miniature from Livre des merveilles du monde, c.1410 12 (tempera on vellum), Boucicaut Master, (fl.1390 1430) (and workshop) / Bibliotheque Nationale, Paris, France / De Agostini Picture Library / J. E. Bulloz / Bridgeman Images Chapter 1, Card 6 Interior of a 16th century printing works, copy of a miniature from Chants royaux sur la Conception couronnee du Puy de Rouen (colour litho), French School, (16th century) (after) / Bibliotheque Nationale, Paris, France / Bridgeman Images Chapter 2 School of Athens, from the Stanza della Segnatura, 1510 11 (fresco), Raphael (Raffaello Sanzio of Urbino) (1483 1520) / Vatican Museums and Galleries, Vatican City / Bridgeman Images Chapter 3, Card 1 Cosimo de Medici (Il Vecchio) (1389 1463) 1518 (oil on panel), Pontormo, Jacopo (1494 1557) / Galleria degli Uffizi, Florence, Italy / Bridgeman Images Chapter 3, Card 2 The Carta della Catena showing a panorama of Florence, 1490 (detail of 161573) Chapter 4 Self Portrait, c.1506 (tempera on wood), Raphael (Raffaello Sanzio of Urbino) (1483 1520) / Galleria degli Uffizi, Florence, Italy / Bridgeman Images Chapter 4 Pope Leo I (c.390 461) Repulsing Attila (c.406 453) 1511 14 (fresco), Raphael (Raffaello Sanzio of Urbino) (1483 1520) / Vatican Museums and Galleries, Vatican City / Alinari / Bridgeman Images Chapter 5, Card 1 The Miracle of the Relic of the True Cross on the Rialto Bridge, 1494 (oil on canvas) (see also 119437), Carpaccio, Vittore (c.1460/5 1523/6) / Galleria dell Accademia, Venice, Italy / Bridgeman Images Chapter 5, Card 2 Self Portrait, c.1562 64 (oil on canvas), Titian (Tiziano Vecellio) (c.1488 1576) / Galleria degli Uffizi, Florence, Italy / Bridgeman Images Chapter 5, Card 3 Portrait of Isabella d Este (1474 1539), Titian (Tiziano Vecellio) (c.1488 1576) / Kunsthistorisches Museum, Vienna, Austria / Ali Meyer / Bridgeman Images Chapter 6 Westend61/Superstock Chapter 6 Fine Art Images/Superstock Chapter 7 Portrait of Michelangelo, ca 1535, by Jacopino del Conte (1510 1598) / De Agostini Picture Library / Bridgeman Images Chapter 7 Pieta by Michelangelo (1475 1564), St Peter s Basilica in Vatican City / De Agostini Picture Library / M. Carrieri / Bridgeman Images Chapter 8, Card 1 akg images/superstock Chapter 8, Card 2 Peter Willi/Superstock Chapter 9, Card 1 Self Portrait at the Age of Twenty-Eight, 1500 (oil on panel), Dürer or Duerer, Albrecht (1471 1528) / Alte Pinakothek, Munich, Germany / Bridgeman Images Chapter 9, Card 2 Melancholia, 1514 (engraving), Dürer or Duerer, Albrecht (1471 1528) / Private Collection / Bridgeman Images Chapter 9, Card 3 Portrait of Miguel de Cervantes y Saavedra (1547-1615), Jauregui y Aguilar, Juan de (c.1566 1641) / Private Collection / Bridgeman Images Chapter 9, Card 4 Portrait of William Shakespeare (1564 1616) c.1610 (oil on canvas), Taylor, John (d.1651) (attr. to) / National Portrait Gallery, London, UK / Bridgeman Images

CHAPTER 1: A New Dawn People living during the Renaissance were interested in the writing of great thinkers and writers from ancient Greece (2500s 300s BCE), such as Plato and Socrates. Big Question: What factors helped bring about the age known as the Renaissance?

CHAPTER 1: A New Dawn The architecture, art, and writings from ancient Rome (700s BCE 400s CE) also inspired people living during the Renaissance. Big Question: What factors helped bring about the age known as the Renaissance?

CHAPTER 1: A New Dawn In the late Middle Ages (1200s 1300s), Europe experienced the growth of towns, an increase in trade, and the rise of a money economy. Big Question: What factors helped bring about the age known as the Renaissance?

CHAPTER 1: A New Dawn The Italian Peninsula in the Renaissance FRANCE Milan REPUBLIC SAVOY OF VENICE MILAN Venice MANTUA Genoa MODENA FERRARA Florence LUCCA FLORENCE GENOA PAPAL Siena STATES Corsica Siena Rome Adriatic Sea OTTOMAN EMPIRE W N S E The Italian Renaissance began in Italy in the mid-1300s. Sardinia Naples Tyrrhenian Sea KINGDOM OF TWO SICILIES Sicily 0 200 miles Mediterranean Sea Big Question: What factors helped bring about the age known as the Renaissance?

CHAPTER 1: A New Dawn In the 1400s, trade expanded within Europe and between Europe, Asia, and the Middle East. Big Question: What factors helped bring about the age known as the Renaissance?

CHAPTER 1: A New Dawn In about 1450, Johannes Gutenberg developed movable type in Europe. Big Question: What factors helped bring about the age known as the Renaissance?

CHAPTER 2: From Artisan to Artist In the 1400s, Brunelleschi and Alberti invented the technique of perspective in painting, brilliantly demonstrated in Raphael s School of Athens. Big Question: What were some of the changes that occurred during the Renaissance for artists and the work they produced?

CHAPTER 3: The Cradle of the Renaissance By 1429, Cosimo de Medici became the leader of the Medici family, which had banks in several important cities in Italy as well as in other European cities. Big Question: How did the success of merchants and bankers during the Renaissance benefit artists?

CHAPTER 3: The Cradle of the Renaissance 1400s 1770s: Florence was governed by the Medici family. Big Question: How did the success of merchants and bankers during the Renaissance benefit artists?

CHAPTER 4: Rome and the Renaissance Popes The great Renaissance painter Raphael lived from 1483 to 1520. Big Question: How did the Roman Catholic Church use the many talents of Renaissance artists?

CHAPTER 5: Venice: Jewel of the Adriatic In about 1500, Venice was the leading commercial center in the Western world, controlling trade routes through Europe, the Middle East, and the rest of Asia. Big Question: Why was Venice known as the Jewel of the Adriatic during the Renaissance period?

CHAPTER 5: Venice: Jewel of the Adriatic The Renaissance painter Titian (left) lived from about 1485 to 1576. He painted many celebrated portraits of men and women, such as the one on the right. Big Question: Why was Venice known as the Jewel of the Adriatic during the Renaissance period?

CHAPTER 6: Leonardo da Vinci The Renaissance man Leonardo da Vinci (below) lived from 1452 to 1519, and he painted such masterpieces as The Last Supper (left). Big Question: Why might Leonardo da Vinci be described as a symbol of the Renaissance?

CHAPTER 7: Michelangelo Michelangelo (left) was a master painter and sculptor who lived from 1475 to 1564. Among his greatest works is this sculpture of the Pieta (right). Big Question: What does the art that Michelangelo created tell us about the Catholic Church at this time in history?

CHAPTER 8: Two How-To Men In 1513, Machiavelli wrote The Prince. The printed version was first published in 1532. Big Question: Why might people have been shocked by Machiavelli s book The Prince?

CHAPTER 8: Two How-To Men In 1528, Castiglione published The Courtier. Big Question: Why might people have been shocked by Machiavelli s book The Prince?

CHAPTER 9: The Renaissance in Northern Europe German artist Albrecht Dürer (left) lived from 1471 to 1528. He created many outstanding paintings and engravings, such as the one shown on the right. Big Question: How did the ideas of the Renaissance spread to other parts of Europe?

CHAPTER 9: The Renaissance in Northern Europe Spanish author Miguel de Cervantes lived from 1547 to 1616. Big Question: How did the ideas of the Renaissance spread to other parts of Europe?

CHAPTER 9: The Renaissance in Northern Europe The English playwright and poet William Shakespeare lived from 1564 to 1616. Big Question: How did the ideas of the Renaissance spread to other parts of Europe?