English II: Reading: Module 3: Lesson 2: Section 6: Your Turn Archetypes/Motifs and Plot in Drama Using Archetypes

Similar documents
The Hero s Journey.

The Hero s Journey s Eight Character Archetypes. The Central Characters Fall into one of these rolls

ACT ONE. Setting and set-up: place and time, main characters, central problem or conflict, and what happens to get the plot started

8/13/16 MYTHS, LEGENDS AND FOLK TALES WHAT IS THE HERO S JOURNEY? STEPS IN THE HERO S JOURNEY THE HERO S JOURNEY

Creating a Compelling Plot by Using the Mythic Hero's Journey. by Caridad Pineiro

The Heroic Quest. Based on the work of Joseph Campbell

The Heroes Journey. Harry Potter

HOOVER TIMES LATE SPRING 2013 HOOVER TIMES. Hoover Street Elementary School Vol. 1, No. 2. The Life of Matt Martin

GRADE 6: MODULE 1: UNIT 1: LESSON 8 The Hero s Journey text

A Short Guide to The Hero s Journey Copyright 2010 by Christopher Vogler

The Hero s Journey. Joseph Campbell

My Story Can Beat Up Your Story! The Missing Chapter. Jeffrey Alan Schechter

Star Wars Viewing Guide

Archetypes & The Hero s Journey. What Do Harry Potter, Luke Skywalker, Simba, King Arthur, Moses, and Frodo all have in common?

Star Wars. Penguin. Star Wars Visual Encyclopedia Adam Bray. DK Readers L3: Star Wars: Rebel Heroes Shari Last. The Amazing Book of LEGO

The origin of archetypes

Hero s Journey NONE. Step 1 HOMEWORK. A Day: 9/12/16. Step 2 Notes heading. B Day: 9/13/16

Chapter & Scene Summary

THE EPIC & EPIC POETRY

The Hero s Journey Diagram. Humble Beginnings Once Upon a Time in a Galaxy Far Far away..

Hello, welcome to ENC I m Dr. Michael Baker, and today we will be talking about plot.

Psychological Mentoring: A Dialogue about The Hero s Journey and the Mentor

Exploring. Archetypes

DO NOT TYPE THEM ON THE COMPUTER.

Free The Star Wars Little Golden Book Library (Star Wars) (Little Golden Book: Star Wars) Ebooks Online

Behind the Mask: Superheroes Revealed Sample Course Syllabus

HOW TO CREATE A SERIOUS GAME?

Problem N1 Star Wars Logo

This booklet belongs to

Book Box Agenda Notebook--open to yesterday's notes On the floor with 6 o'clock partners-facing the board

Narrative - Part 2. Keynote Version

CHAPTER I INTRODUCTION. problem, research objectives, significance of research, clarification of key terms,

The Hero as a Character

Storytelling is about two things; it s about character and plot. -George Lucas, Father of Star Wars movies

** The review form is also available online at whplibrary.org/review-crew ** Your Name: Book Title: Author:

VV 301 FILM STUDIES STORY ANALYSIS. Prepared by: WAN FARHANAH BINTI WAN ISMAIL (PTSS, 2012)

Episode XXXVII Brass Knobs On

Ebook Code: REAU1043. Ages 10+ Teaching With Movies. Thematic and integrated learning through the use of. two popular movies.

Instead, when we say act break we re talking about a literary concept. We use act breaks to discuss critical turning points in the story:

Foreword. The Stages of the Hero's Journey

Fully compatible with all the other Arcanum expansion, you will find this just adds more fun and options to the already fun mix.

Summer reading for 7 th grade Rithmatist By Brandon Sanderson Linda Breitenkamp

Character Types. The Good! The Bad! and the round?... Protagonist. Confidante. Stock Character Antagonist Static. Flat Character. Round.

a ticket to the world

Graphic texts. Focusing on visual choices

Lights, Camera, Film Literacy! Adapting a Book into a Screenplay The Wizard of Oz ANSWER KEY

The Art Of Star Wars Episode VI Return Of The Jedi By Lawrence Kasdan, George Lucas READ ONLINE

Star Wars Wheres The Wookiee Search And Find Book

Star Wars Darth Vader Vol 4 End Of Games Star Wars Marvel

Why read on summer break?

A Bad Baby Product, All rights reserved, version 1.0, All comments, suggestions and contacts can be made at

Lecture 3: Narrative Form. Professor Michael Green

Star Wars Episodes I-VI: The Skywalker Saga Poster-A-Page (Star Wars Poster-a- Page) By Disney

This was the required textbook in DM10 for about 5 years. A very good book and needed an updated edition, the reason we no longer require it.

Good evening fellow readers. Wednesday, August 01, 2012

Separation: Hero dragged from the comforts of home to experience growth and change.

Star wars shabby blue stories

Star Wars: The Last Jedi (Star Wars - Legends) By Maya Kaathryn Bohnhoff, Michael Reaves READ ONLINE

Legends of Ancient Greece

Rogue Robot. Fiction. Title Text Type Word Count. Rogue Robot. The Last Straw. Asteroid Attack. Go to Your Room. The Potter s Son.

Joseph Campbell. The Hero s Journey

6. TESTS, ALLIES AND ENEMIES. The hero is tested and sorts out allegiances in the Special World.

SHORT FILM DISCUSSION QUESTIONS EPISODES 1-10

MYTHMAKERS MARCH mr nancy. the eel and sina

Star Wars Darth Vader Vol 4 End Of Games Star Wars Marvel

Mythic Structure in Storytelling Course Syllabus Psy (Spring 2012) Place: Stevenson 3050 Office Location: Stevenson 3057

The Wall and the Wing by Laura Ruby. Trade ISBN: Library ISBN: Pages: 336 Ages: 10 and up

GD201 Digital Games. M Bethancourt

Drama Elements. English 7

The Heroic Journey. A hero is someone who has given his or her life to something bigger than oneself. - Joseph Campbell

PURPOSE: To excite your audience with an adrenaline-stirring, fast-paced, big-event story.

Get Down What You Think You Know

The Lightning Thief. Literature Unit Packet. Name:

STEAM FORWARD EPISODE 9 Lights! Camera! Action!

Is There A Guide Book For Lego Lord Of The Rings >>>CLICK HERE<<<

You Can Draw: Star Wars Books

Unit 3: World Myth The Little Mermaid & ONDINE

World Literature (H) Assignments for Friday, January 22, 2016

The Star Wars Films : Moral and Spiritual Issues

Sketch Nation Create Lesson Ideas: Creating Multi Level Games

Do Now. Copy Homework: 1. Reading 30mins and complete log 2. Storyboard (due tomorrow)

Novel Study Project Ideas

Using Archetypes to Find Your Story. HOPE RAMSAY Facebook: HopeRamsayAuthor

ks/neil-gaiman-norse-mythology.html

- Version 9.0- December 2nd, 2018

A Practical Guide to THE HERO WITH A THOUSAND FACES by Joseph Campbell

THE RULES 1 Copyright Summon Entertainment 2016

Classic Literature Summer reading 2017

Science Fiction and Heroism. Science Fiction is dated to be a genre as far back as The Epic of Gilgamesh, an early

The Lord of the Rings: An Exploration of the Films & Its Literary Influences

A plot must make sense! The characters, time, place, and other background information that provides the context for the play.

The One-Hour Drama: Writing the First Draft Winter 09

TeamBuilding in the Office

WHERE DID GEORGE LUCAS GET THE IDEA FOR HIS CHARACTERS IN STAR WARS?

Latest Press Release. Decline loan

Yoda the powerful Jedi Master: Perception of the character of Yoda in five of the first six Star Wars films

Star Wars Workbook: 1st Grade Reading (Star Wars Workbooks) PDF

APPENDICES. Synopsis of Star Wars Episode 1: The Phantom Menace. This movie begins with two Jedi Knights, QuiGon and his apprentice, Obiwan

HOW TO SURPRISE YOUR READERS

Star Wars Workbook: 1st Grade Writing Skills (Star Wars Workbooks) PDF

Transcription:

Archetypes/Motifs and Plot in Drama Using Archetypes Instructions: Use this graphic organizer to create two archetypal characters, sketch out a plot, and decide what motif will advance your plot. Use the spaces provided in the fields to enter your answers. You will then use the information to write a short scene between your characters. Source: Wicked Poster, ZakVTA, Flickr Source: obi-wan-kenobi, William cromar, Flickr Source: p14, cmostell, Flickr 1. Create at least two characters. One character needs to be a hero. In the first column, give your character a name. In the second column, record which archetype represents your character. In the third column, list the characteristics of your character that are representative of that archetype. In the fourth column, name an example from literature (or movies or television) that typifies that character. An example has been provided. Name Archetype Characteristics Example from Literature Bugs Bunny Trickster Uses jokes and tricks to Gollum from The escape from trouble Lord of The Rings 2. Choose a plot archetype to shape your character s actions. Choose from the hero s journey, rags to riches, journey to the underworld, or overcoming the monster. Then, answer the questions that follow. Plot Archetype:

Using Archetypes (continued, page 2) The Ordinary World: Describe the ordinary world your character lives in. Think about Luke s life on Tatooine or Harry s life with his aunt and uncle. What does your hero or heroine want? Call to Adventure: What happens that sets the hero or heroine off on an adventure? Who or what delivers the call? What does this character set out to accomplish? Is there a villain to defeat? Think of Eliza Doolittle wanting to act like a duchess or Hagrid taking Harry to Hogwarts to be trained as a wizard (and to learn how to defeat Lord Voldemort, hopefully).

Using Archetypes (continued, page 3) The Special World: Describe the new world your hero or heroine encounters and how it differs from home. Are there any special rules that must be followed? (Think of the alien worlds and beings Luke encounters in the Star Wars movies.) Who mentors your character on how to navigate this new world? (Think of Haymitch and how he trains Katniss in The Hunger Games.) Allies and Enemies: Does your hero or heroine make helpful friends or mortal enemies who want to support or sabotage the adventure? (In the Star Wars movies, Han Solo becomes Luke s ally, and Jabba the Hutt is definitely an enemy.) What happens?

Using Archetypes (continued, page 4) Defeating the Shadow: How does your hero or heroine complete the task? (Think of Luke blowing up the Death Star in Star Wars Episode IV: A New Hope or Dorothy and her friends meeting the Great and Powerful Oz). Return to the Ordinary World: How does your hero or heroine return home? What is learned that makes it easier for him or her to live in the ordinary world? (In The Wizard of Oz, Dorothy learns that she can rely on herself to solve her own problems.) 3. Choose a motif. A motif is a recurring element in a work of literature that symbolizes something else. As we discussed in the lesson, the motif of disguise in Shakespeare s Twelfth Night symbolizes the idea that love is nothing but trouble. In this play, the motif means. Now, in the space provided on the next page, use all of the above information to write a scene between your two characters. Who knows? Maybe you ll enjoy yourself and decide to write an entire play!

Using Archetypes (continued, page 5)