Jean Dubuffet: Art Brut and Symbolic Figures

Similar documents
Standard 1 (Making): The student will explore and refine the application of media, techniques, and artistic processes.

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

KEY IDEAS THAT CONNECT TO VISUAL ARTS CORE CURRICULUM:

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

Native American Heritage Day: Friday, November 25, 2016 Printmaking Honoring history and story through symbolism

Standard 1: The student will explore and refine the application of media, techniques, and artistic processes.

Standard 1: The student will explore and refine the application of media, techniques, and artistic processes.

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Stenciling With Collage

LEVEL: 2 CREDITS: 5.00 GRADE: PREREQUISITE: None

Engages in the creative process to generate and visualize ideas.

COURSE TITLE: ART GRADE 7 LENGTH: FULL YEAR SCHOOLS: PIERREPONT SCHOOL UNION SCHOOL RUTHERFORD, NEW JERSEY DATE:

Delta RV Art I Revised-2012

AVI20 ELEMENTS OF DESIGN COLLABORATIVE POSTER

Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Illustrating Characters

Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 4, 2010

Office of Curriculum, Instruction & Professional Development VISUAL ARTS (562) FAX (562) VISUAL ARTS

Expressive Arts Curriculum Map

Subject Area. Content Area: Visual Art. Course Primary Resource: A variety of Internet and print resources Grade Level: 3

5 6 High school Student examples: westsideartshow.com/was_current_show.htm

RUTHERFORD PUBLIC SCHOOLS GRADE 6 ART CURRICULUM. Revision to Remove CCSS and Replace with NJSLS Approved by the RBOE:

CURRICULUM MAPPING. I. Unit - Drawing. A. Content/Essential Questions

Shrewsbury Borough School Visual and Performing Arts Curriculum 2012 Visual Arts Grade 3

North Kitsap School District GRADE 2 Essential Academic Learning Requirements ELEMENTARY VISUAL ART

Shrewsbury Borough School Visual and Performing Arts Curriculum 2012 Visual Arts Grade 4

Lesson: Beautiful Fallen Leaves Approximate Time Frame: 3 Periods Essential Questions Enduring Understandings

Northshore School District Lesson & Activity Framework

Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010

Scott Foresman Art. Grades K-8. Arkansas Fine Arts Curriculum Framework - Visual Art Grades K-8

Unit I Review 9/9/2015

LIVE Arts with Jean-Sébastien Gauthier : Living Sculpture and Drawing. Curriculum Aims & Goals. Artist Biography. Creative/Productive:

Art Vocabulary Assessment

Final Project Guidelines Artwork + Statement + E-portfolio Rubric

SAMPLE COURSE OUTLINE VISUAL ARTS GENERAL YEAR 12

Before your Artist s Visit

Visual Self-Portraits in the Style of Jaune Quick-to-See Smith

3D Discovery First Grade Integrated Visit

ART DEPARTMENT ART COURSES CAN BE USED AS ELECTIVE CREDITS

AFRICAN BATIKS CLASS EXPERIENCE TOOTHPASTE BATIKS ART AND MUSIC GRADES: K-4 BASED ON

Studio Art I. in creating two-dimensional and three-dimensional. two-dimensional and threedimensional

VCE Studio Arts Study Design. Implementation briefing July August 2016

After your registration is complete and your proctor has been approved, you may take the Credit by Examination for Art 6A, 7A, or 8A.

DEEP SPACE 60-MINUTE ART SESSION. Impressionist WATERSCAPE

Lesson 2: Color and Emotion

Name: Period: THE ELEMENTS OF ART

Academic Resources for Teachers & Students. Holly Manneck

RICHARD SERRA: PRINTS RICHARD SERRA PROMENADE NOTEBOOK DRAWING V 2009 RICHARD SERRA AND GEMINI G.E.L. LLC

Course: Grade One Year: 2019 Teacher: D. Remetta

VISUAL ARTS SCOPE & SEQUENCE Kindergarten Grade 2

Unit 5: Choice Projects & End of Year Art III

Livingston American School Trimester Lesson Plan

CAEA Lesson Plan Format. Specific Lesson Title: Sand Dollar Mixed Media Journal Spread, Grade Five (Figure 0 gives a sample spread, deconstructed)

Materials: Your choice! (Felt tipped or ball point pen, color pencils, or color sharpies) Black or white Paper Black or white graphite paper

Essential Academic Learning Requirements (EALRS) in the Arts

Grade 5 Portraits of Emotions. Color

Sharon Public Schools Art Curriculum K 5

Promoting partnerships!

Visual Arts Curriculum Standards Early Elementary: Grades K-2. State Goal 25 Know the language of the arts.

Introducing Cubism with A Self Portrait

Complementary Color Paper Sculpture

DESIGN CHALLENGE 6 Color Project Due: 11/20/17. Size : minimum dimension of 12 X 14. Project Objectives

elements of design worksheet

RUTHERFORD PUBLIC SCHOOLS GRADE 4 ART CURRICULUM. Revision to Remove CCSS and Replace with NJSLS Approved by the RBOE:

VA7MC.1 Identifies and works to solve problems through creative thinking, planning, and/or experimenting with art methods and materials.

Enduring Understanding Contour lines show the inner and outer edges of a form. Overlapping can imply depth.

Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010

Grade D Drawing 2. Commercial Art 3. Elements of Design 4. Modeling and Sculpture 5. Painting 6. Principles of Design 7.

Plein Air Painting: Utah s Plein Air Painters

Ganado Unified School District (Art 1/High School 9-12)

Learning Plan. Title: Neighborhood collage. Artist: Romare Bearden

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

Don Montileaux Hands as Symbols. Provided by the South Dakota Art Museum Brookings, South Dakota

7 th Grade ART SLO Study Guide

Course Overview: VISUAL ART Project Specialist: Taintor Davis Child

Target: Thinks critically. Criteria: Asks clarifying questions, uses evidence to question or explain creative choices, constructs meaning.

KS1-KS2 Art & Design Objective Overview ( )

AASD ART CURRICULUM Kindergarten. Art Kindergarten

Enduring Understandings 1. Design is not Art. They have many things in common but also differ in many ways.

5th Grade Art Scope and Sequence

Archdiocese of Washington Catholic Schools Academic Standards Art

CREATIVE COMPUTER GRAPHICS I

Tiered Assignments th Grade Art I

Michael Menchaca: MesoAmerican Codices

Shrewsbury Borough School District ART Curriculum Guide Grade

State of the Arts: Pre-Raphaelites

Ganado Unified School District (Visual Arts/Grades 9-12)

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

Third Grade Visual Arts Curriculum Overview

Shapes Grade 3 Lesson 3 (Art Connections, Level 3, pgs )

Year of the Spark! June 4, 2015 Lesson 11 with Carla (Part 1) Thoughts Are Things A Writing Assignment

Kindergarten MONTH GOAL MEDIUM PROJECT August discusss importance of a single mark, practice making small, medium, and large circles paper, markers,

Arts & Humanities Lesson Plan

VA:Cn Portfolio. -Design VA:Cn Art History

Expansion of grade 5 Metamorphosis Collage/assemblage Two-point perspective/landscape

Fall 2016-Spring 2017

Time Required: Three 45-minute class periods DAY ONE

East Penn School District Elementary Curriculum

Words and Images: Art of Iran Unit Plan

Transcription:

A Partnership Between: Lesson2 Jean Dubuffet: Art Brut and Symbolic Figures How do artists use elements of art to create symbolism? What kind of effects can color create? LESSON OVERVIEW/OBJECTIVES Students will learn about the artist and work of Jean Dubuffet, including the Art Brut movement, and his graphic style Hourloupe. Exploring Dubuffet s iconic color use of red, white, blue and black, students will create 2D and/or 3D symbolic figures and objects in the Hourloupe style of Jean Dubuffet. KEY IDEAS THAT CONNECT TO VISUAL ARTS CORE CURRICULUM: Based on Utah State Visual Arts Core Curriculum Requirements (3rd Grade) Standard 1 (Making): The student will explore and refine the application of media, techniques, and artistic processes. Objective 1: Explore a variety of art materials while learning new techniques and processes. a. Practice using skills for beginning drawings. b. Use simplified forms, such as cones, spheres, and cubes, to begin drawing more complex forms. h. Explore the design possibilities of a 3-D object by examining views of it from many angles. Objective 2: Use a broad range of art materials in supporting the visual arts needs at school. b. Use new art materials and newly learned techniques and processes to celebrate important days and historical events. Objective 3: Handle art materials in a safe and responsible manner. a. Ventilate the room to avoid inhaling fumes from art materials. b. Dispose and/or recycle waste art materials properly. c. Clean and put back to order art making areas after projects. d. Respect other students artworks as well as one s own. Standard 2 (Perceiving) : The student will analyze, reflect on, and apply the structures of art. Objective 1: Analyze and reflect on works of art by their elements and principles a. Determine how artists create dominance in their work; e.g., size, repetition, and contrast. b. Examine significant works of art and point out how the artists have created illusion or feeling of depth. Objective 2: Create works of art using the elements and principles. a. Identify dominant elements in significant works of art. e. Create a work of art that uses contrast to create a focal point. Use that to convey the most important idea or part of the work. LESSON 2 DuBuffet - Art Brut - Hourloupe Page 1

Standard 3 (Expressing):The student will choose and evaluate artistic subject matter, themes, symbols, ideas, meanings, and purposes. Objective 1: Explore possible content and purposes in significant works of art a. Explain possible meanings or interpretations of some significant works of art. Objective 2: Discuss, evaluate, and choose symbols, ideas, subject matter, meanings, and purposes for their own artworks. a. Group significant works of art according to theme or subject matter b. Judge which works of art most clearly communicate through the use of symbols. c. Create symbols in art that express individual or group interests. d. Create a work of art that uses a similar subject matter, symbol, idea, and/or meaning found in a significant work of art. INSTRUCTIONAL OBJECTIVES: Students will: Understand that the elements of art are the building blocks for creating works of art. Recognize qualities of symbolism and be able to create symbolic art. Learn about the artist Jean Dubuffet and his work. Learn about Art Brut and Dubuffet s graphic style, Hourloupe. Learn about composition, symbols and color. SUPPLIES Images and art samples of the work of Jean Dubuffet both 2D and 3D Art pencils H& B, markers Large drawing paper (16 x 20 or 11 x 17 or 8.5 x 11 ). One large sheet and several smaller sheets of paper per student Recycled thin cardboard (cereal boxes, etc.) White blockout paint Red, blue and black (permanent) markers various widths Scissors Glue Foamcore for base Poster with organic shape examples Hourloupe style examples from beginning stages to finished LESSON 2 DuBuffet - Art Brut - Hourloupe Page 2

VOCABULARY Symbolism - is the practice or art of using an object or a word to represent an abstract idea. An action, person, place, word, or object can all have a symbolic meaning. Color theory - In the visual arts, color theory is a body of practical guidance to color mixing and the visual effects of a specific color combination. Primary Colors: Red, yellow and blue In traditional color theory (used in paint and pigments), primary colors are the 3 pigment colors that can not be mixed or formed by any combination of other colors. All other colors are derived from these 3 hues. Color Harmony - Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, color, or even an ice cream sundae. Hourloupe - Hourloupe style developed from a chance doodle while Dubuffet was on the telephone. The basis of it was a tangle of clean black lines that forms cells, which are sometimes filled with unmixed color. He believed the style evoked the manner in which objects appear in the mind. This contrast between physical and mental representation later encouraged him to use the approach to create sculpture. Art Brut - Art Brut, or in French raw/rough art, was a label made by French artist Jean Dubuffet to describe art that was created by self-taught, naïve artists. INSTRUCTIONAL PLAN Introduction Before beginning the lesson, show images of both Jean Dubuffet s Hourloupe graphic 2D drawings and his 3D sculptures in this same style. Give them a few minutes to respond to the images. Encourage comparisons and contrasting statements as well as descriptions of what they see. Introduce your students to concepts of symbolism, color and composition. These ideas may be new to your students but you have the visual art pieces to help explain the concepts. Explain that artists can use objects (real or imaginary), color, words and letters to represent an idea. Its how artists represent their ideas that showcase the style of art and elements of art that were used in the making of the work. Tell students that you will be discussing Jean Dubuffet, Art Brut, Hourloupe technique, and the symbolic colors of red, white, blue and black. They will be creating their own version of characters and imagery in Dubuffet s Hourloupe style using the iconic color palette. About the Artist Jean Philippe Arthur Dubuffet (31 July 1901 12 May 1985) was a French painter and sculptor. His idealistic approach to aesthetics embraced so called low art and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement Art Brut, and for the collection of works Collection de l art brut that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. Dubuffet s Hourloupe style developed from a chance doodle while he was on the telephone. The basis of it was a tangle of clean black lines that forms cells, which are sometimes filled with unmixed color. He believed the style evoked the manner in which objects appear in the mind. This contrast between physical and mental representation later encouraged him to use the approach to create sculpture. LESSON 2 DuBuffet - Art Brut - Hourloupe Page 3

INSTRUCTIONAL PLAN CONTINUED Create: Your own Hourloupe style of character or image in the style of Dubuffet. 1. To understand the use of color in symbolism, first show students the American flag. Talk about the role of color in this flag. Ask them what they think of when they see this same color palette in other images like I Heart NY, clothing, costumes, etc. 2. Show students some examples of Dubuffet work both the Hourloupe drawings and his sculptures. Look at the color palette and ask students to talk about the color choices and how they are the same ones used in the American Flag. Also look at the way Dubuffet uses form and shape to make designs and or characters. Remind students about color and how important their choices are as colors make us feel certain ways when we see them. 3. Give students white paper and black markers. Ask them to doodle in the Hourloupe style by drawing lines, spirals, intersecting lines etc. across the whole page. An optional request is to have students make their doodles continuous line drawings. 4. Using red and blue markers, have students identify parts that can be colored or patterned with these markers to make their image. Looking closely, have them see if they can find a figure in their doodles to bring to life. See samples below. LESSON 2 DuBuffet - Art Brut - Hourloupe Page 4

LESSON 2 DuBuffet - Art Brut - Hourloupe Page 5

5. Once the image or character is identified, students can cut that image/character out in its entirety and add additional details, facial or other. Then mount the artwork on a red, white, blue or black background. Using foam tape gives the image dimension when mounted. 6. Alternative/Additional Lesson Plan After students experiment with the Hourloupe doodling and coloring method on paper, talk about organic shapes and forms versus geometric shapes and show examples. Reiterate how Dubuffet worked primarily with organic shapes. 7. Take new or recycled cardboard and paint it white on both sides. Have students draw at least five organic shapes--1 large blob, 2 medium blobs, and 2 squiggles etc. on the cardboard. Cut the shapes out. 8. Referring to Dubuffet s sculptural works, have students create similar motifs on their pieces with the same red, white, black and blue color palette. Have students outline the shapes on the border with permanent marker and then section them off into three or four areas to fill in with red or blue lines. 9. To create their sculptures, have students fold one edge of the shapes and glue them to both the base and to each other with a thin layer of glue. Depending on their designs, they may be sculptures of design and form, or of an animal or character. Discuss composition so that students can determine the best placement of their 3D form. 10. Return to the idea of symbols and how colors, images, shapes etc. can have meaning. Talk about the colors and shapes of the the American flag and what they represent. Ask students what symbolism their forms may have. See images below. lesson inspired by LSARTATKINKAID.BLOGSPOT.COM Resource Materials wikipedia: Jean Dubuffet, Art Brut LSARTATKINKAID.BLOGSPOT.COM http://www.theartstory.org/artist-dubuffet-jean.htm (please note that there is a wealth of information here including articles, videos, sample artwork etc.) http://www.dubuffetfondation.com LESSON 2 DuBuffet - Art Brut - Hourloupe Page 6

VISUALS Sample Images LESSON 2 DuBuffet - Art Brut - Hourloupe Page 7

VISUALS Sample Images of Jean Dubuffet artwork LESSON 2 DuBuffet - Art Brut - Hourloupe Page 8

VISUALS Sample Images of Jean Dubuffet artwork continued LESSON 2 DuBuffet - Art Brut - Hourloupe Page 9

SPECIAL THANKS TO OUR EVA SPONSORS LESSON 2 DuBuffet - Art Brut - Hourloupe Page 10