Marbling Please read through the directions before starting.

Similar documents
a visual reference guide for the marbling process

MARBLING WITH ACRYLIC PAINTS ON FABRIC INSTRUCTIONS. Printable Version. Copyright 2017 Clara Nartey All Rights Reserved ClaraNartey.

Pokeberry Dye for Wool and Yarns

Learn to dye. rainbow one pot yarn

Dyeing Fabric - Shibori Techniques By: ApeApe

Learn to dye. rainbow one pot dyeing fibre

Ba#k. Tub Dye Method

Procion MX Instructions Read through all instructions before beginning your project.

Materials: Preparing your materials: Use your towel to protect your work surface. Layout one length of bubblewrap, bubbles facing up.

E3 UV-30 Resist Film Instructions

TOOLS & SUPPLIES (Included in ProTops Tool Kit)

Basic Instructions. Preparing the Moulds


SANDCASTING. by Joyce Clarin

THE DIPPING TECHNIQUE

Mirrorcraft Project Especially for Dogs

Temperaprint. Preparing the Egg. By Alex Chater

Terrific Textiles and Fabulous Fabrics

Eerie Halloween by Nunn Design

Objective: Use the process of dying fabrics to illustrate chemical reactions, equilibrium, chemical bonding, and ph.

Sensory Paint Recipes

DIY Shaving Cream. Ingredients:

Embedding Techniques

Collaborative Weaving

Contains chemicals to make approximately 24 8 x 10 prints

Do Art Pottery Studio Refill #14596

WE MAKE NO EXPRESS OR IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE

Cleaning your painting tools

caulking gun pocket duster brush wire brush filament brush comb ladder bucket canvas drop sheet plastic protection sheet rollers roller frame

Making Paper. A Wood Magic Show Project for Kids

CARBORUNDUM MEZZOTYPE dark field & reductive techniques

SILICONE CAULK MOLD MAKING TUTORIALS

Student Sheet. P003S: Making Paint with Minerals

Washing Fiber by WoolWench

Indigo Dye Library Program

Resin Tree Drop Earrings We look forward to bringing you exclusive innovations and distinctive products this year and beyond.

FORMULARY P.O. Box 950 Condon MT FAX

Tipnut's Homemade Laundry Detergent

PREMIUM CONCRETE COUNTERTOP MIX INSTALLATION INSTRUCTIONS

GARDEN IN A GLOVE. Supplies. What to do. disposable glove permanent marker 5 cotton balls water 5 different kinds of seeds craft stick pipe cleaner

EXPLORING SCIENTIFIC PROCEDURES. Freebies!!!!

UNIT 3: Textiles and Fabric # Assignment

MAKE YOUR OWN GLUE. DESIGN CHALLENGE Make and test your own homemade glue. For each team or each glue-making station:

P.O. Box 219 Batavia, Illinois Visit our website at: Tie-Dye Designs

C O M P A N Y C O M P A N Y

a WOW Lab Prep Instructions

Alterna Grouting Tiles & Planks

Ancient Textile Dyes: Cochineal

AMRIT INDO CANADIAN ACADEMY HOLIDAYS HOMEWORK ART & CRAFT VI th

Sealer, Primer, Isolation Coat, & Varnish

Art of Ancient Times, Studio 1 5

Using Transparent or Semi Transparent Fabric Paints

Application of 3M Pressure Sensitive Films to 3M Panagraphics Substrates

Repairs. Chapter 10 Repairs 10. 1

Common Threads Presents Bettye Kimbrell s Cherokee Leaf Pounding Workshop

How to Make Faux Porcelain Pendants with Transfer Sheets & Gel Du Soleil

imaging guide metalphoto 400 PROCESSING

SA Additional Projects

DASH KIT INSTALLATION

Wimberley Developer #2, Version D+ 1 liter kit (Dry) CATALOG NO TO MAKE 50 LITERS OF WORKING SOLUTION

LESSON 9 DYES AND DYEING PROCESS STRUCTURE 9.0 OBJECTIVES 9.1 INTRODUCTION 9.2 THE DYES AND THE DYEING PROCESS 9.3 CHECK POINTS 9.4 TIE AND DYE TODAY



Basic Stenciling Techniques

Tabletop Epoxy Resin Instruction Guide

* STATION 1: Guess the Fiber Category *

COMPOSITES LAB MANUAL

Instructions for pasting paper archery target faces on cardboard. Joe Rozmus NCFAA President / Director 03/11/2018

INSTALLATION INSTRUCTION Square-Top gully

VACATION CHURCH SCHOOL. Crafts

If Print Results Are Not Satisfactory

DIPPING IN WAX copyright *2007 by Libby Bryant These are finished wax dipped items.

Vogue DIY. Armée Suisse

How to Needle Tat: A Beginner s Guide Book. By Laura Evans

Activity Gluing It All Together

The Basics & Common Problems

printing Layered sun before turning to fiber art, I studied printmaking by Martha Wolfe

Illustrated Art Lessons

INSTRUCTIONS ASSEMBLY SAFETY USE

AranaMuerta.com. Molding Skulls with Dragon Skin

MEDIA INFORMATION CRAYONS

Chapter 44: Fabrics and Their Care. Objectives: Compare different types of fibers, fabric construction, methods, and finishes.

INSTRUCTIONS FOR REFINISHING A UBERTI STOCK.

Taking the mystery out of working with Acrylic By S. Taylor Hedges

Trim areas that may have overlapped and heat again if necessary.

Scraps of Wool Felt for Calico Markings on Kitty and Penny. 3/4 Yard Warm 'N Natural for Pillow Lining. 1 Pkg. Jumbo Black Rick Rack

STEAM-ing Prints! Materials: *Quantities depend on the amount of students per activity.

designed by Andrea Schewe

just below the screen. Data collection will begin, and a graph will show your data being plotted in real time.

GOZO COLLEGE HALF YEARLY EXAMINATION 2012 NINU CREMONA LYCEUM COMPLEX, VICTORIA, GOZO.

Repairing Sheet-Molded Compound (SMC) With Epoxy

Sutherland Welles Ltd.

There are three primary units to this box: two three-sided trays (one made to fit over the other) and one case that wraps around the trays.

Looking for educational mentoring activity ideas? Look no further

Stenciling on Fabric. with Renegade (vinyl) Stencils. All Things Silhouette Early Edition

5 Using KODAK EKTACOLOR RA Chemicals with Tray, Drum, and Rotary-Tube Processors

SCREEN MAKING PROCESS

The Hong Kong Polytechnic University Textile Design ITC 3760 Dr. Jiang Final Project J A S M I N E I N D I G O L O C K W O O D X

Poured Paint. Create with Yarn and. Use yarn and poured paint to create a vibrant folk-art style painting

PROJECT BEGINNER/INTERMEDIATE METAL/RESIN

Transcription:

Marbling Please read through the directions before starting. For cotton, silk or any fabric that is absorbent including cotton/polyester blends, 100% polyester or nylon. It is possible to marble on any surface that is capable of absorbing alum: paper, tennis shoes, eggs, wood, white painters gloves, etc. Experimentation is always necessary when you re Marbling. Always do test samples before working on a large project. For additional information visit our website at www.prochemical.com Supplies Alum M101 Methyl Cel M112 Clear Household Ammonia * * See Helpful Information Marbling Colors Marbling Surfactant (optional) Distilled Water (optional) White Distilled Vinegar (optional) PRO Dye Activator (or Soda Ash) Synthrapol OR Heavy Duty Laundry Detergent Equipment waterproof tray that is 2" to 3" deep (5 to 7.5 cm) and a couple of inches longer and wider than the fabric to be marbled. White or light color is important so the Marbling Colors are visible while they are floating on the surface of the prepared Methyl Cel M112. A cardboard box that has been cut down to approximately 3" (7.5 cm) in height inside a white plastic garbage bag or a white photo tray will work well. A good size to begin with is 10"x10" (25 x 25 cm). newspapers (also, newspapers cut in quarter page size.) roll of paper towels clothes line & clothes pins (to hang fabric after marbling) stylus, teasing comb or toothpick 1 teaspoon measure buckets pair of rubber gloves clean sponge plastic drop cloth or newspapers to cover work space Shake paints well, before using.

PART 1 Preparation 1. Scour the fabric by machine washing in HOT 140 F (60 C) water, or by hand in a pot on the stove with ½ tsp (2 gm) PRO Dye Activator or Soda Ash and ½ tsp (2.5 ml) Synthrapol per pound of fabric (454 gm, or 3 to 4 yards cotton muslin, or 8 yards 8mm China Silk, or 3 Medium T-shirts, or 1 sweatshirt), or use Heavy Duty laundry detergent. Rinse thoroughly and put into Alum Soak or let dry and Alum Soak at a later date. 2. Make the Alum Soak. Measure 1 gallon (4 liter) of 120 F (50 C) water into a 2 gallon bucket. Add 4 level Tbl (60 g) of Alum and stir until dissolved. While wearing rubber gloves, add the washed fabric (wet or dry) to the Alum Soak. Soak it for 10 to 15 minutes with intermittent stirring. Make sure the fabric is completely submerged and can move freely. While wearing rubber gloves, remove the fabric and wring out excess soak solution, allowing alum soak to run back into the container for future use. DO NOT RINSE! Hang the fabric from a clothes line to dry and make sure it is not folded back on itself. DO NOT use a clothes dryer to dry Alum soaked fabric. Press with a COOL iron to remove any creases, if necessary. DO NOT press with a hot iron. After fabric is prepared with alum and dried, cut fabric to fit the inside dimensions of the tray. Discard Alum Soak after 2 to 3 months or if Alum has crystallized around the edges of the soaking bucket. See Helpful information #8 at the end of this direction sheet. Do not store Alum Soaked cotton fabric for longer than 2 to 3 weeks before marbling, as the alum disintegrates cotton fibers. 3. Make the Methyl Cel M112. Measure 1 gallon (4 liters) of room temperature water 75 to 95 F (24 to 35 C) water into a 1 gallon (4 liter) bucket. Slowly stir in 3½ Tbl (25 gm) of Methyl Cel M112 powder. Continue stirring and add 1 tsp (5 ml) of CLEAR household Ammonia. Keep stirring for 1 to 2 minutes or until the Methyl Cel solution begins to look clear. Then stir intermittently for 30 minutes. Methyl Cel M112 base is ready for Marbling after 30 minutes. For best results let sit 12 hours or overnight. Prepared Methyl Cel M112 can be stored for 3 to 4 months at room temperature without loss of thickness. If you have very alkaline water, we ve found it helpful to add 1 tsp (5 ml) of White Distilled Vinegar to each gallon (4 liters) of prepared Methyl Cel M112. This brings the marbling base back to a neutral ph and seems to help the marbling colors float better. PART 2: Marbling 1. Prepare the work space. Cover your work space: table, rinse area and under the clothesline with newspaper or a drop cloth. Position your marbling tray near the edge of the table with a garbage can or bag under it to catch excess drips. Fill the marbling tray with 2" to 3" (5 to 7.5 cm) of prepared Methyl Cel M112. Set up a rinse area with a 5 gallon (20 liter) bucket of room temperature water. Hang up the clothesline and have clothes pins handy. Before marbling store prepared Methyl Cel M112 and Marbling Colors in the same room, as they should be the same temperature, ideally between 60 to 80 F (16 to 27 C). 2. Skim the surface of the Methyl Cel M112 by dragging one of the strips of newspaper across the surface of the Methyl Cel M112 and discard the paper. This evens out the surface tension, clears the bubbles and removes any Marbling Color left

over from the previous print. Do not worry about the few bubbles or Marbling Color that will remain along the edges of the marbling tray as they will not disrupt the pattern. 3. Shake the Marbling Colors well before each use and periodically during the Marbling session. With a push pin poke a very fine hole in the nozzle of the applicator bottle. It is important to test the Marbling Colors before beginning to Marble. To do this, hold the Marbling Color very close to the Methyl Cel surface and place one drop of color on the surface. The Marbling Color should float and spread out into a circle anywhere from one half inch to two inches (1.5 to 5 cm). Repeat this process with each color. Test them together to make sure that they all float when sharing the same surface. If the Marbling Color does not spread as desired see Helpful Information #2 at the end of the directions. 4. Drop the color. Once all the colors have been tested, begin Marbling by placing drops of your first color on the Methyl Cel. Place as many drops as desired. Move on to the second color, the third, until the surface is covered. Drops may be placed side by side or on top of the previous color so that concentric circles are made. The more drops of color applied, the deeper the color. 5. Make the pattern. Manipulate the Marbling Colors on the surface with a stylus, teasing comb or toothpick into the pattern desired. Make free form or traditional patterns. 6. Lay the fabric on the Methyl Cel, by holding it in both hands by diagonal corners. Make a gentle fold in the center of the fabric and allow it to drop first so that the center makes contact first. Then allow the fabric to drop steadily out to the edges, in a smooth fluid motion. 7. Remove the fabric and rinse lightly by dipping into the 5 gallon bucket filled with room temperature water. Do not rub the fabric. Several dips may be required to remove excess Methyl Cel M112. Very gently squeeze excess water from the fabric and hang on a clothesline to dry. 8. Dry fabric. After marbled fabric is air dried, allow to cure for seven to ten days before washing. This will insure proper adherence of Marbling Color. Then fabric may be washed with luke-warm water, gentle agitation and mild soap. Rinse in room temperature water 75 o to 95 o F (24 o to 35 o C) and dry. MARBLING PAPER Paper is very easy to marble. Just follow the same procedure as for fabric, with only the two differences listed below. 1. Alum Soak for paper 4 level Tbl (60 g) Alum 2 quarts (2 liters) HOT 120 o F (50 o C) water Stir until dissolved. While wearing rubber gloves, use a clean sponge and apply the alum solution to one side of the paper and hang it to dry. You can also pour the alum soak into a shallow tray that is large enough to hold the paper and lay a sheet of paper on the surface. Make sure the entire sheet is dampened. Lift the paper off of the surface and hang to dry. Mark the untreated side so you will know what side to marble. Stack the sheets facing the same direction and place a heavy book on top to press the sheets as flat as possible. Paper must be dry to pick up the marbling colors.

2. Rinse After Marbling, carefully lift the wet print by the corners and lay the paper patterned side up on a rinse board that is larger than your paper. Rinse it by gently pouring cool water over the patterned surface. This will remove any residue of Methyl Cel M112. Hang marbled paper from a clothes line with clothes pins to dry or lay flat on a smooth surface. Helpful Information to know The marbling components are non-toxic and water based. Methyl Cel M112 base is bio-degradable and is safe to dispose of down the drain or into any septic or city disposal system. All of these products are environmentally safe and user friendly. All Marbling colors may be intermixed to blend a full rainbow of colors. * AMMONIA Use only a clear household ammonia that contains a clear ammonia or ammonium hydroxide solution. Some ingredients that are added to ammonia are alcohols, non-ionic surfactants, perfumes, detergents or color. Any of these ingredients can disrupt the surface tension and will not allow the marbling colors to float. Old ammonia will not allow the Methyl Cel M112 to set up, resulting in a thickened layer of Methyl Cel M112 forming at the bottom of the solution. Keep work area and tools clean. DO NOT clean equipment with soap, use only water and a stiff brush. If you have hard water try using Distilled water to make the Methyl Cel base. Water impurities can disrupt surface tension so that colors will not float. Sinking Colors 1. Skim Methyl Cel M112 surface just before laying down drops of color. 2. Marbling Color needs additions of Marbling Surfactant. Add Marbling Surfactant, 3 or 4 drops at a time directly to the Marbling Color, and shake. Test again and continue adding the Marbling Surfactant until the color floats and spreads out. Make sure Methyl Cel M112 is skimmed before each test drop and test between additions of Marbling Surfactant. The more Marbling Surfactant that is added to the Marbling Color the better it will float and the wider it will spread and consequently the lighter the color. Be careful not to add too much Marbling Surfactant as it can not be removed after it is added. You can also try Synthrapol, dishwashing soap or rubbing alcohol as the surfactant, but use one drop at a time. 3. Methyl Cel M112 is too thick. Thin with tap or distilled water. Fast spreading Colors 4. Methyl Cel M112 may be too thin. Make another thicker batch of Methyl Cel M112 thicker by mixing 10 Tbl (35 g) Methyl Cel M112 powder per gallon of water. 5. Drop Colorless Extender on Methyl Cel M112 before Marbling Colors. This will change the surface tension and slow down the Marbling Colors. Grainy Colors 6. Shake Marbling Colors well before each use. Marbling Colors are little pieces of colors that settle, so they need to be shaken well before being used.

Jagged edged Colors 7. Skim surface and drop Marbling Colors again. Alum solution has crystals around the edges of the bucket 8. Heat until Alum crystals re-dissolve or discard and make new solution. Colors wash off in the rinse bucket 9. Fabric had not been washed adequately before Alum was applied, inhibiting penetration of alum. Wash fabric in HOT water with detergent. 10. Alum soak solution is too weak: colors will not bond well to the surface and will be pale, uneven and or streaked. 11. Alum soak solution is too strong: Colors will adhere to alum and will flake off in the rinse. Fabric has white fold marks in the marbled areas 12. Fabric did not uniformly absorb alum. Soak less fabric in Alum solution at a time and stir intermittently. 13. Fabric was not laid on the M112 surface with a fluid movement. Fabric is tender and ripping after marbling 14. Alum soaked fabric was put in the clothes dryer or ironed. Line dry fabric after Alum soak. Use ONLY cool iron on fabric treated with Alum. Copyright 2013