Photography in the World of Advertising

Similar documents
Portraits. How to take a flattering and interesting portrait

Juncture. Iowa Research Online. University of Iowa. Whitney Marcella Wright University of Iowa. Theses and Dissertations.

ART DEPARTMENT HIGH SCHOOL VISUAL ART PATHWAYS 3-D STUDIO (CERAMICS/SCULPTURE) 1 Studio 1 Ceramics/Sculpture 1 Digital 1 Photography 1

PALOS VERDES PENINSULA SUMMER SCHOOL HIGH SCHOOL COURSE DESCRIPTION

Marcellin college Visual Arts. Subject selection Year

Photoshop Master Class Tutorials for PC and Mac

Course Description: Prerequisite: ART 137 Course Goals:

ART. Art I 1/2 credit

Assessment: Course Four Column FALL 2016

ART DEPARTMENT POSSIBLE ART SEQUENCES. Ceramics/Sculpture. Photography. Digital. Commercial Art* Digital 2* Studio

U N I T 3 ~ PA R T 2. Developed by Sonia Coile, Madison County HS ~ Jan 2016

University of New Mexico-Taos Certificate in Applied Arts and Crafts

Digital Photography. Lesson Three ~ Mrs. Johnson

AWQ 30 Photography - Grade 11 Open McEwan

Anatomy in Action. OpenSIUC. Southern Illinois University Carbondale. Erik Steven Herman

Digital Photography II: Discovering Your Creative Potential

Important Dates In lecture Tuesday March 6th Covers lab procedures, bring 4521 NCS answer sheet

Guidance for applying to study design

Photography Certificate Program 2016

Photography

PH: Photography. PH 003 Basic Photography Studio 0 credits; 1 lab hour

Jessica Grant. Photography Portfolio

Communications Design

Unit Title: Photography Techniques

ART DEPARTMENT. Foundations of Art - 1 semester. Prerequisite: None

Fall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University

1. Demonstrate the ability to manipulate shutter speed, aperture, and other camera controls to correctly expose an image using the camera meter.

Chapter 1-Possibilities

Marking Period 1(Quarters 1 & 2) Marking Period 3. Photography 2 Using Your Camera: Visual Foundations & 22

Digital Photography Assignment Portraiture

Diploma of Photography and Photo Imaging

Macy s Fireworks Display New York City July 4th 2013

Murrieta Valley Unified School District High School Course Outline August 2004

Digital Photography II: Discovering Your Creative Potential

FINE ARTS. 9 th -12 th Grade New Media Design 1 Semester ½ Credit Requirements and Limitations: 2-D Design.

AP Studio Art Syllabi: Drawing and 2 D Design

Mrs. Holly Conradi - - Room 101

Q & A. Hilarie Lambert

VISUAL STUDIES 2 CONCEPT STUDIO: PHOTO IMAGING / DARKROOM Syllabus

Grade 12: IB Visual Arts Summer Assignment :

Macro Photography. A tiny world made huge

FAIRLEIGH DICKINSON UNIVERSITY SCHOOL OF THE ARTS FILMMAKING MASTER OF FINE ARTS

USING LENSES A Guide to Getting the Most From Your Glass

Shutter Speed. Introduction. Lesson Four. A quick refresher:

FORM STUDY WORKSHOP DESIGN & MAKE A TOOTHBRUSH. thedesignsection.com

Making Your Work Flow

DIGITAL PHOTOGRAPHY MASS MEDIA 4321 SPRING 2017

Is Photo 143 Right for Me Page 1. N. David King

Dr. Mary E. Pritchard, PhD, HHC,

Elements. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Minnesota State University, Mankato

Do photographic techniques reinforce message? Will a crop help content, composition?

Summer Art Assignments Handout Revised June 2018 Distributed in June prior to the AP year. AP Studio Art: An Overview

Photography (PHOT) Courses. Photography (PHOT) 1

Prerequisite(s): None

Greeley-Evans School District 6 High School Photography I Curriculum Guide

Photoshop and Lightroom for Photographers

THE MAKING OF SUPER MODEL. Portraiture

WEEKEND PHOTOGRAPHY WORKSHOP. Big Sur, CA July 29th - August 1st. Photo via Darling Magazine by Ben Cope

Cleveland Institute of Art Creativity Matters. Building a great portfolio

How to correct a contrast rejection. how to understand a histogram. Ver. 1.0 jetphoto.net

CAMERA REQUIREMENTS for LdM PHOTOGRAPHY COURSES Updated June 17, 2015

SPNC Photography Club Image Sizing and Naming Rules

BTEC LEVEL 1 DIPLOMA CREATIVE MEDIA PRODUCTION. UNIT 8 Exploring Digital Photography

Christina Martin, Cr.Photog., CPP Julie Kim, CPP MDPPA Co-Print Chairmen

You will also present, during the first class, your best 10 photographs, as an entrance portfolio. Be prepared to do this!

Digital Photography I: Creating Images with Impact v

Art (ARTU) Courses. Art (ARTU) 1

PHOTOGRAPHY II SYLLABUS. SAMPLE SYLLABUS COURSE: AR320 Photography II NUMBER OF CREDIT HOURS: 3 PREREQUISITE: AR120

Photo of the Month Competition and Advancement Photography Club of Sun City Hilton Head Guidelines and Rules Effective January 2019

THE BRONX PHOTOGRAPHIC SOCIETY RULES OF COMPETITION (Revised July 2018)

Intro to Digital Compositions: Week One Physical Design

ADVANCED PHOTOGRAPHY

AP ART SUMMER ASSIGNMENTS 2018: Digital Photography (2D Design)

Black & White Photography Course Syllabus

Breadth Assignment: Cut Paper Relief Sculpture

AWQ 3M - Exterior Photomontage Landscape Project

CALL FOR ENTRIES FLORIDA STATE FAIR. February 8 19, 2018

Photoshop Elements 5 Sample Workflow

Staff/group headshots

BROOKE SHADEN CAPTURE INSPIRATION Creative Retreat

Buxton & District U3A Digital Photography Beginners Group

Topspin: Oval-Track Puzzle, Taking Apart The Topspin One Tile At A Time

VHT New Photographer Training

Kankakee Community College

PHOT 296 Outdoor Photography Study Abroad Three (3) Credits

CURRICULUM COURSE OUTLINE

JEFFERSON COLLEGE COURSE SYLLABUS ART150 DIGITAL PHOTOGRAPHY I. 3 credit hours. Prepared by: Blake Carroll

Chicago Photography. One-year Certificate Program. Classes:

Open College of the Arts

Humans of Planet Earth. Capturing life on film, one roll at a time. Est rolls contributed to the project so far.

Associate of Fine Arts

ARTS 106: Photography I

ART 151 BASIC BLACK AND WHITE PHOTOGRAPHY

ADVANCED DIGITAL PHOTOGRAPHY MASS MEDIA 4321 SPRING 2018

Image Manipulation Unit 34. Chantelle Bennett

PH: Photography. PH 003 Basic Photography Studio 0 credits; 1 lab hour

A New History Of Photography PDF

TTC Catalog - Visual Arts (ARV)

The Basic SLR

How to Take a Great Booth Picture by Larry Berman

Transcription:

Salem State University Digital Commons at Salem State University Honors Theses Student Scholarship 2016-05-01 Photography in the World of Advertising Michelle Patrice Gibbons Salem State University Follow this and additional works at: http://digitalcommons.salemstate.edu/honors_theses Recommended Citation Gibbons, Michelle Patrice, "Photography in the World of Advertising" (2016). Honors Theses. 97. http://digitalcommons.salemstate.edu/honors_theses/97 This Thesis is brought to you for free and open access by the Student Scholarship at Digital Commons at Salem State University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons at Salem State University.

PHOTOGRAPHY IN THE WORLD OF ADVERTISING Honors Thesis Presented in Partial Fulfillment of the Requirements For the Degree of Bachelors of Art in Art & Design In the School of Arts & Sciences at Salem State University By Michelle Gibbons Professor Richard Lewis Faculty Advisor Department of Art & Design *** Commonwealth Honors Program Salem State University 2016 1

Table of Contents Artist Statement..... 3 Reflection...... 4 Portfolio OPI Nail Polish.... 6 Alex & Ani Bracelets.... 7 OPI Confetti Nail Polish... 8 Proactiv..... 9 Adidas Soccer Cleats.... 10 Herbal Essence Shampoo... 11 L.L. Bean Boots.... 12 Yankee Candles.... 13 Swiss Miss Keurig.... 14 Fluffed Marshmallow Smirnoff.. 15 2

Artist Statement My portfolio, titled Photography in the World of Advertising is a series focusing on commercial product photography. Each image is designed to display a product in a fitting environment, as well as proper lighting, positioning, and coloring. From an artistic point of view, the image should look perfect with no blemishes, crooked objects, or anything that would distract your eye from the product. From an advertising point of the view the photos should give you an idea of what the product is, how and where it used, and even persuade the viewer into buying it. My interest in product photography began after taking a commercial product photography class. In this class, we explored the ways to photograph different products. For each assignment, the class was given a similar challenge with instructions and guidelines on how to use proper lighting, fill cards, props, and backgrounds. After taking this class, I decided to take on an advertising minor to learn more about the commercial product world. For my portfolio, I decided to explore the crossover between advertising and photography by branching out on my own without instructions or guidelines. Each photo in my portfolio explores a different category of products. I decided to use a mix of on location photo-shoots as well as studio shoots to not only have a range of backgrounds but to match each environment with the product to give the viewer a better understanding of what the product is. Each product presented me with a new creative challenge of making a technically sound photograph as well as a potential advertisement. Through this series, I was able to explore my passion for both photography and advertising. 3

Reflection Once my portfolio was complete, I had the privilege of having my work reviewed by two professional photographers. Before going into the review I had some personal critiques of my work that were also mentioned by one of the photographers. I noticed that my prints were slightly brighter than the original digital file. This normally would not be an issue, but because the point of product photography is to show the viewer the absolute best image of the product possible, light prints show that they are not the absolute best image possible. This then gives the reviewer the idea that I had overlooked this issue while editing the images. Overall, the critique went well, aside from the light print issue. Both reviewers gave me some great pointers and advice. They both began the reviews by asking me how I shot each image technically (meaning what light sources I used, what location I was at, and what camera settings I used). They then went on to tell me which images were my strongest (both reviewers agreed that my Marshmallow Vodka and my Yankee Candle photos were my strongest). They also told me which photos were my weakest (both reviewers agreed that my shampoo and Alex and Ani bracelets were the weakest for technical issues. Because both images were cropped in so much, photo quality was lost and the images were more pixelated than the others when printed on 8x10 paper). The first reviewer discussed Photoshop techniques with me and explained to me the importance of having strong Photoshop skills in this field in order to make each image absolutely perfect visually. A few examples that she pointed out were the spacing between nail polish bottles should be exactly the same, small scuffmarks should be erased, and anything 4

that distracts the viewer should be taken out. I attempted to do this in my portfolio, but her professional eye was able to see a few imperfections that my eye could not see. The second reviewer focused more on the importance of lighting. In the world of photography there are many different lighting techniques that a photographer can use to enhance a photo, especially in a studio. Overall, he said that my lighting was good, but to make it even better I should try to light objects from both sides as well as from the front in order to create more shadows to give each product more shape and make them more dynamic. At the end of each review, both reviewers asked me my plans for the future, and what steps I have taken so far to make those plans a reality. After spending the semester working on a commercial product portfolio, I decided that I would like to continue working with commercial product photography by pursuing a career in it. Both reviewers agreed that my portfolio was excellent and that a career in commercial product photography was definitely a possibility. 5

6

7

8

9

10

11

12

13

14

15