pt pt resents Learn Bass The Method for a New Generation Written Method By: John McCarthy Adapted By: Jimmy Rutkowski upervising Editor: Joe alombo Music Transcribing Engraving: Jimmy Rutkowski roduction Manager: Joe alombo Layout, Graphics Design: Jimmy Rutkowski hotography: Jimmy Rutkowski, Rodney Dabney Copy Editors: Cathy McCarthy Cover Art Direction Design: Jimmy Rutkowski HL68 IBN: 978--768-7-8 roduced by The Rock House Method Fred Russell ublishing, LLC All Rights Reserved
pt Table of Contents pt Digital ebook... The Rock House Method Learning ystem... Icon Key... arts of the Bass.... 6 Holding the Bass..... 8 Names of the Open trings Tuning.. 9 Finger Numbers Reading Tablature. Alternating....... Counting Beats... Using a Metronome.. Timing Explanations Note Values Your First Bass Line. Time ignatures. Counting with a Drum Beat.. Body Clock.. Rhythm laying with the Drums 6 Bass Line #: Gear hifter. 6 Blues rogression.. 7 huffle Feel.. 7 Blues huffle rogression.. 8 Attaching Your trap 9 Finger Flexing.. 9 Bass Line #: Hit it Hard... Eighth Notes. Rhythm laying Eighth Notes. Open tring Bass rogression.. Riff Challenge.. The Chromatic cale.. Notes in the First osition.. ths 6 Applying ths: Rock Climbing... 7 ingle Note Riff: The Mission 7 How to Read a cale Diagram. 8 Minor entatonic cale : First osition Key of A.. 9 9 Minor entatonic ingle Note attern.. Complete ong rogression: Clockwork.. Minor entatonic cale: ositions Minor entatonic ingle Note attern: ositions Blues Riff Rhythm.. Bass ower Chords.. Applying ower Chords: Double Trouble.. 6 Triplets. 6 Triplet attern. 7 taccato... 9 taccato Groove.. 9 The Major cale: Key of G. Major Triads. Major Triad rogression: Cherry ky.. Minor Triads. Minor Triad rogression: Unbreakable Major Minor Triads: A pell on Me Octaves 6 Octave Rock rogression. 7 Applying Octaves: The Chase. 7 Minor entatonic cale: ositions 8 Minor entatonic Triplet attern: ositions 9 Finger Flexing # Using a ick. alm Muting.. Applying the Mute Technique: Rockit Center.. Basic lap op Technique lap op Exercise.. Applying the lap op Technique Warm Up Exercises Heavy Bass rogression 6 ingle Note Riff Rhythm... 6
Appendix pt. 8 Word earch... 9 Musical pt Words... 6 Crossword uzzle... 6 Changing a tring 6 Bass Triads... 6 About the Author.. 7 Words from the Author laying music is a rewarding art form that will last you a lifetime, I discovered that fact shortly after I was given my first instrument. I have spent my career sharing the passion I have for music with others. With my teaching method, I truly believe you too will enjoy years of fun and will pass on the passion you discover. If you follow the method step-by step you will be successful and enjoy playing bass for years to come. When I designed The Rock House Method, my mission was to create the most complete and fun way to learn. I accomplished this by developing and systematically arranging a modern method based on the needs and social demands of today s players. I not only tell you where to put your fingers, I show you ways to use what you learn so that you can make music right from the start. I know it is hard to imagine, but even the all-time greats started somewhere, there was a time when they too didn t even know what a chord was. As you progress as a bass player, keep your mind open to all styles of music. et-up a practice schedule that you can manage, be consistent, challenge yourself and realize everyone learns at a different rate. Be patient, persistent and remember music is supposed to be fun! NOW, GET EXCITED, this is it. YOU are going to play bass! John McCarthy
pt pt Quick tart Video Download this free video from our On Demand ystem at RockHousechool.com. It will help guide you through the important fi rst steps of getting started with your bass. arts of the Bass W A bass is made up of three main sections: the body, the neck and the headstock. All of the other parts of the bass are mounted on these three sections. Body Neck Head The bridge is the assembly that anchors the strings to the body. ickups are also mounted to the body and work like little microphones that pick up the sound from the strings. A cable is plugged into the bass s input jack to send the signal into the amp. Most bass guitars will also have a pickup selector switch along with volume and tone knobs. A strap can be attached to the strap buttons to play the bass standing up. The metal bars that go across the neck are called frets. The dots between certain frets are called position markers and help you know where your hand is on the neck while playing. At the end of the neck is the nut which guides the strings onto the headstock and keeps them in place. On the headstock, the strings are wound around the tuning posts, and the tuners (also called machine heads) are used to tune the strings to pitch. 6
pt Your First Bass Line pt 7-8 Get excited! It s time to learn your fi rst bass line. This bass line is played using alternate plucking in steady quarter notes. Follow the tablature below and be sure to use the proper fi nger for each note. Once you can play this without hesitation play it along with the backing track to create a full band sound. etc. Time ignatures Time signatures are written at the beginning of a piece of music. The sole function of a time signature is to tell you how to count the music you are about to play. The top number tells you how many beats there are in each measure and the bottom number tells what type of beat is receiving the count. Number of beats per measure. = = A quarter note receiving one beat. Indicates four beats per measure. Four beats per measure. Also known as common time.
pt pt Rests W The following examples contain your fi rst rests. A rests is a period of silence. Like whole, half and quarter notes you keep time only there is no sound. ee what each rest looks like below: Whole Rest Beats Half Rest Beats Quarter Rest Beat Eighth Rest / Beat Count: Rhythm laying Eighth Notes 6-7 When playing eighth notes in a bass line you can create syncopated rhythms. These rhythms contain notes played on the up beat or count. In example you will play notes on the counts along with the drum backing track. Example In example you will play on the count followed by three up beat notes played on the counts. This creates a very syncopated rhythm. Example
pt Major Triads pt 6 A triad is the three notes that make a chord. Many bass lines are written using triad patterns. In this lesson you will learn a common major triad pattern. These are movable triad patterns and by just playing the same pattern at other frets you will change keys. Often when playing with a guitar or keyboard player you can follow the chords they play with the triad of the same key. This is a great way to begin creating bass lines. G Major C Major G Finger: C Music Assignment Take the triad shapes from this lesson and move them around the neck. You need to become familiar playing these anywhere on the neck. Remember that the fi rst note is the name of the triad. Dotted Quarter Notes The dot after a note increases the duration of the note by half of its original value. A dotted quarter note would receive ½ beats or counts. Dotted / Beats Dotted Quarter Quarter Note = Note + = +
pt lap op Exercise pt 9 In this example you will slap the open E string and pop the open G string. Once you have the bass line so you can play it smoothly play it along with the backing track. Count: Applying the lap op Technique 9-9 Now let s apply the slap pop technique into a song. Below is a simple song that will incorporate three octave shapes. lay each separately fi rst then put them together with the backing track. This song is played with a swing or shuffl e feel so pay close attention to the backing track for the rhythms timing. Example 7 7 Finger: Example 7 7 Finger: