GLAZE TIPS & IMAGES. Eggplant with Black liner. Glazing and Firing Tips, Suggestions, and Images. Notes on each glaze. Glazing

Similar documents
COYOTE DRY GLAZE MIXING INSTRUCTIONS

R.I.C.H., Inc. P.O. Box 132, Bernville, PA

R.I.C.H., Inc. P.O. Box 132, Bernville, PA

GLASSTIPS: TRANSPARENTS

NEEDLEWORK PLUS. 11/25/18 Item Listing November 25, 2018

ANTIQUE: The entire piece using a 1:1 mix of Ginny Tan Twinkle and Buckskin Twinkle, wipe off excess with a soft cloth.

Materials List and Part Numbers

PREPARATION: Retexture all textured seam lines using the TL-9 texture tool. Fire to proper cone.

WOOD. All Types of Wood Paint Finish

America s Most Trusted Glazes. Cone 5-6. Reduction Looks for Electric Kilns. PC-4 Palladium. PC-2 Saturation Gold. PC-23 Indigo Float.

COLOUR CHART.

Woodland Friends. by Cindy Mann-Vitale

Times. For additional reading, Patti s book covering contemporary uses of acrylic for F+W Publications is titled Rethinking

CESCO GLAZES. 500ml $ L $ ml $ L $ ml $ L $ ml $ L $29.95

ANTIQUE: Basecoated areas with 1:1 mix of Ginny Tan Twinkle and Golden Buckskin Twinkle. Wipe off excess with a soft cloth.

What to expect from selected Bullseye torchworking rods.

MAYCO SPECIALTY PRODUCTS: AC-523

CHRISTMAS VERSE BIBLE Mold Number 1833 Christmas Verse Bible

Châtelaine Design by Martina Rosenberg

The Brush Place by Julie Polderdyke

Unique Glass Colors. Margot Clark and Dr. Saulius Jankauskas present. Unique Glass Colors Products:

Pouring Enamels Technique Nine


Glaze basics, including surface options & trouble-shooting

TRIPLE TREE STUMP MOLD NUMBERS 2801 TRIPLE TREE STUMP 12.5 T X 11 W $ TREE STUMP LIMB ATT. $10.00

NOTE: When using candle lights with a candle make sure candle flame is directly under the large vent hold of each piece.

Dessert First by Sandra Malone

Musical Daze. 18 x 20 Inches Flat Panel Canvas Acrylic Paints Gloss Finish Colors: Red, White, Black and Gold PRICE $75

P O W D E R C O A T I N G S Essentials. volume 1 A B E T T E R F I N I S H. F O R A B E T T E R W O R L D.

Product Features Application Recommendations Usage Variations & FAQs

Pineapple & Posies. by Cindy Mann-Vitale

ORIGINS OF GLAZE. Glaze was originally discovered by the Egyptians.

ceramic artsdaily.org 15+ tried & true cone 10 glaze recipes recipe cards for our favorite high fire pottery glazes

Summer s View by Debby Forshey-Choma

CUT VINYL & SPECIALTIES GUIDE MADE IN THE U.S.A.

Stages of Clay. Leather hard

Cobalt & Sunflower. by Kingslan & Gibilisco Studio

R.I.C.H., Inc. P.O. Box 132, Bernville, PA

Country Mill by Barb Halvorson

Making Bread Still Life

UNIT 2 UNDERGLAZE. Requirements:

Building the Bell Tower

Part 3 J. Serresseque, 2012

Pouring Enamels Technique Seven

Kingslan & Gibilisco Publications

HIPPITY, HOPPITY, HAPPITY AND BERIBBONED BUNNIES MOLD NUMBERS

Czech 10/0 & 11/0 Glass Seedbeads

Pressure Sensitive Vinyl

Spring Houses by Betty Bower

Raindrops on a Lily - PART 1 From a photograph - By Matthew Palmer

Pouring Enamels Technique Eight

Atelier Interactive Artists Acrylic

BASCECOAT: All pieces with Deep Brown.

Memory Box Sweet Nest By Phyllis Tilford, CDA Copyright 2008

Early 19 th to Mid 20 th Century Ceramics in Texas

BRUSHES: #4 CB-604 #8 CB-618 #6 CB /0 CB-110

MATERIALS NEEDED OPAQUE STAINS: Vanilla, Deep Brown, Walnut, Medium Brown and Black.

Elderberry Crafts. Mrs Angela Herring 17 Elderberry Drive Dereham Tel Norfolk NR20 3ST

Pansies & Raspberry by Kingslan & Gibilisco Studios

ALMOST WINTER. by Barb Halvorson. artistsclub.com 1

Items Needed: Be sure to read and fully understand all Instructions before beginning.

Autumn Splendor. by Debby Forshey-Choma

Notes on colour mixing

EN Product Information

The Mill by Barb Halvorson

Woven rug in pure wool

MATERIALS NEEDED GLAZE: Mushroom Spice. UNDERGLAZES: Lake Blue and Dutch Blue.

Peaches & Blueberries. by Donna Hodson

Atelier Interactive Artists Acrylic

BLACK CHILDREN AND PRAYING BLACK JESUS CROSS

TRANSLUCENT STAINS: Glistening Rose, Glistening Blue and Shimmering Brown. SPEICIALTIES: Twilight Blue and Baby Kisses Shimmers. Water Base Gold.

The Ceramic Surface: Glazing

BROWN FOX CALLIGRAPHY WEDDING GUIDE 2017 CUSTOM STATIONERY GUIDE. Photo by Alison Yin

SCENE CANDLES AND CANDLE BASES MOLD NUMBERS T 9 W 5.75 D $ T 8 W

Catalog It! Free Designs Color Sequence Chart*

Helping You Celebrate All Occasions!

SPECTRUM GLAZES INC. 94 FENMAR DRIVE TORONTO, ONT. M9L 1M5 (800) FAX (416) U.S. S.R. Price List JAN.

acrylic supplies Nancy Medina Art LLC Copyright 2018 ~ All Rights Reserved.

Color. Webinar

55-LINE CHROMATIC COLOR WHEEL

Building the Gothic Church

SWEETHEARTS N STRAWBERRIES. by Cindy Mann Vitale

Using Latex Paint LEARN TO PAINT: For durable paint that is easy to blend, try latex house paint. By Betty Padden

Acrylic Paint. Tools, Tips and Techniques

WITCHES, PILGRIMS & SNOWMEN

Easy Jewelry Box. Easy Jewelry Box 1

Fancy. Flowers. Step 1: Flatten pieces of clay between your fingers to about 1/8. Hand build ceramic blooms in a bowl.

COLOR CHART AND DESCRIPTION FOR GUNTHER RAYON CHENILLE SCARVES

EASY WATERCOLOR TECHNIQUES CFE 3235V

Streaked Apples on Tissue Box Still Life

Summer Lilacs by Donna Hodson, CDA

STAINED GLASS URN Paula McCoy All Rights Reserved

Building the Circular Tower

Something Wicked Coaster Set by Linda Samuels

WHAT A NICE DAY FOR BUILDING A SNOWMAN!

Happy Fall Pup. by Barb Halvorson

California Revival Collection

Yellow Roses in Clear Vase By Priscilla Hauser

Bright Precious Metal Preparations for the Production of Decals for Glass

Tuscany Trompe L oeil II

Transcription:

GLAZE TIPS & IMAGES Eggplant with Black liner. Glazing and Firing Tips, Suggestions, and Images. Notes on each glaze. Glazing Some glazes are very runny while others are quite stable. Please see following list of info on each glaze. If you want to double dip glazes, only do so on the inside or the top half of the exterior. If your piece is glazed right to the foot, has double or triple dipped glaze on the whole piece or has glaze flaking off, it will probably run. Basic Glazing Instructions First you want to apply wax resist to the foot of your pot (where you don't want any glaze). When you dip your pot in a bucket of glaze, the glaze won't stick where you have waxed. The glazes become molten glass in the kiln, so if there is any glaze on the bottom, your pot will stick to the shelf. This will wreck your pot and your kiln shelves! Paint a thin coat of wax on the bottom, as well as up the sides at least ¼ inch. All glazes move a little in the firing, and some are quite runny. Always leave enough room for your glaze to flow some without sticking to the kiln shelf. Until you are familiar with a particular glaze, it is better to leave some extra room. Use a thin coat of wax. It works better and dries faster. Let the wax dry for at least 15 or 20 minutes before dipping a pot in glaze. Use an old cruddy brush, they are never the same after using for wax. Clean your wax brush in warm water with a drop or two of dishwashing soap. Be careful not to get the wax where you don't want it, i.e. waxy fingerprints. Before you glaze your work, you should quickly rinse it under cold water. Thoroughly mix the glaze just before you use it. Dipping To coat the whole piece in a single glaze, the easiest technique is to pick it up with a pair of glaze tongs, dip it in, count to three and pull it out. Make sure to empty it as you withdraw it. If you pull a bowl out still full of glaze it will weigh so much that the tongs will break through. Hold it upside down over the bucket to drain the excess glaze. There will probably be some glaze sticking to the waxed areas; wipe off what you can while you are holding it with the tongs. Set the piece down and let it dry. After it is dry enough to handle, turn it over and sponge off any glaze still remaining on the bottom. The foot must be perfectly clean before it can go in a kiln.

Brushing For brushing, most glazes need 2 to 3 coats. It is easier to get even coverage if you brush the first coat side to side, then the next coat up and down. Firing These glazes work best when fired between cone 5 and 6 (Orton large cones). If you use a kiln sitter you usually have to use a cone six in the sitter to achieve a good cone 5. For automatic kilns, we fire to cone 5 (fast) with a 15 minute hold. Every kiln is different, so you may have to fine tune your firing to achieve the best results. Coyote Cone Six Glazes Alabaster Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Alabaster satin and Mocha Shino Almost Teal Archie's Base over Almost Teal Archie s Base Single dip (2-3 coats brushed) Slightly runny, breaks tan to pink. Good over slips, underglazes and other glazes. Try it over Almost Teal, Chrome Green, etc. Satin to glossy Baby Blue Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Black Single dip (2-3 coats brushed) Very stable, no running, no breaking. Nice under Shino or Archie's Base. A glossy

Shino over Black Blue Crawl the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt Blue Crawl Blue Green Archie's over Blue Green Blue Matt Single dip (2-3 coats brushed) Fairly stable, light blue where thick, yellowish brown where thin. Not recommended for food use, may change color or texture. A matt Blue Shino Single dip (2-3 coats brushed) Fairly stable, medium blue where thick, breaks to black/brown over texture and where thin. A glossy Shino and Blue Shino

Blue Purple Runny! Single Dip (2-3 coats brushed) Blue purple where thin, breaking to darker blue where thick. This glaze is very pretty if you dip the whole piece once, then dip the rim or the top third or so a second time (not the whole piece). Nice when overlapped with gun metal green, red gold or archies base. Great over cobalt blue or black. Satin to glossy Blue Slate Single dip (2-3 coats brushed) Fairly stable, dark blue-grey where thick, breaks to black/brown over texture and where thin. A variant of the Shino family. A glossy Buttercup Contains cadmium inclusion stain, food safe in our testing. Butterscotch Shino Nice over texture, slips, underglazes and other glazes. Contains cadmium inclusion stain, food safe in our testing. A glossy Cactus Crawl the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt Cactus Green Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. A glossy Cedar Shino Single dip (2-3 coats brushed) Fairly stable, no running, breaks brown to orange over texture and where thin. Pinkish red color where thicker. Nice over texture, slips, underglazes and other glazes. Try it over black, really red, etc. A glossy Contains cadmium inclusion stain, food safe in our testing. Cerulean Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Charcoal Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Cherry Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Contains cadmium inclusion stain, food safe in our testing. Chocolate Crawl the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt Chrome Green Single dip (2-3 coats brushed) Very stable, no running, no breaking. Nice under Archie's Base. A glossy

Archie's Base over Chrome Green Cinnamon Stick Single dip (2-3 coats brushed) Very stable, no running, no breaking. Red gold is very nice over cinnamon. A glossy Red Gold over Cinnamon Stick Clear Single dip (2-3 coats brushed) Very stable, no running, no breaking. This glaze can get milky if applied too thickly. Good over underglazes. A glossy Cobalt Blue Single dip (2-3 coats brushed) Very stable, no running, no breaking. Nice under oasis blue, mottled blue, shino, etc. A glossy surface Copper Blue Runny! Single dip (2-3 coats brushed) Light blue with some breaking. A glossy Coral Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Contains cadmium inclusion stain, food safe in our testing. Crazed Copper Runny! Single dip (2-3 coats brushed) Apply a stable glaze like black to the bottom 1/3 of your pot, then overlap the Crazed Copper slightly. This helps to keep it from running. Fires translucent turquoise with lots of crazing. A glossy Creamy Matt Single dip (2-3 coats brushed) Fairly stable, no running, no breaking. A matt Creamy Matt w/specks Single dip (2-3 coats brushed) Fairly stable, no running, no breaking. A matt surface with lots of speckles. Croc Blue Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. A glossy Croc Crawl

the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt Dark Brown Dark Shino Single dip (2-3 coats brushed) Fairly stable, no running, breaks to orange/brown where thin. A glossy Desert Sage Single dip (2-3 coats brushed) Great glaze, very reliable. Fairly stable, no running, breaks to orange/brown where thin. A variant of the Shino family. A glossy Desert Sage outside, Saturated Iron inside Eggplant Single dip (2-3 coats brushed) Fairly stable, some running, breaks to blue/green where thin. Very pretty glaze with lots of surface variety. Nice over black and pansy purple. Satin to glossy Eggplant vase Eggshell Espresso Bean Single dip (2-3 coats brushed) Fairly stable, no running, breaks and streaks from dark brown to black with a pleasant waxy A variant of the Shino family. Fire Opal Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy Forest Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin

Goldenrod Shino Single dip (2-3 coats brushed) Fairly stable, no running, breaks dark yellow over texture and where thin. Golden tan color where thicker. Great glaze, very reliable, nice over texture, slips, underglazes and other glazes. A glossy Green Matt Single dip (2-3 coats brushed) Fairly stable, no running, some mottling and breaking. Not recommended for food use, may change color or texture. A matt Green Shino Single dip (2-3 coats brushed) Great glaze, very reliable. Fairly stable, shiny metallic green, breaks to orange/brown where thin. Not recommended for food use, may change color or texture. A glossy Gun Metal Green Runny! Single dip (2-3 coats brushed) Breaks Green to Metalic Black where thick. Nice over other glazes like Cinnamon Stick and Black. Satin to glossy Hazelnut Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Ice Blue Runny! Single dip (2-3 coats brushed) Lighter blue breaks to darker blue where thick. Nice over other glazes like Cobalt and Black. Satin to glossy Iron Matt Single dip (2-3 coats brushed) Failry stable, some mottling and breaking. Not recommended for food use, may change color or texture. A matt JB s Brown Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. A glossy Lapis Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Lemon Cream Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Contains cadmium inclusion stain, food safe in our testing. Leopard Shino Single dip (2-3 coats brushed) Stable, no running, lots of breaking brown to orange over texture and where thin. Speckled cream to tan color where thicker. Great glaze, very reliable, nice over texture, slips, underglazes and other glazes. Try it over black, really red, cobalt blue, etc. A glossy Light Blue Single dip (2-3 coats brushed). Very stable, no running, no breaking. A glossy Light Blue Shino Single dip (2-3 coats brushed) Fairly stable, no running, lots of breaking brown to orange over texture and where thin. Faded denim color where thicker. Great glaze, very reliable, nice over texture, slips, underglazes and other glazes. Try it over black, really red, cobalt blue, etc. A glossy Light Green Shino Single dip (2-3 coats brushed) Fairly stable, no running, lots of breaking brown to orange over texture

and where thin. Pale celery color where thicker. Great glaze, very reliable, nice over texture, slips, underglazes and other glazes. Try it over black, chrome green or almost teal. A glossy Light Shino Single dip (2-3 coats brushed) Fairly stable, no running, lots of breaking brown to orange over texture and where thin. Great glaze, very reliable, nice over texture, slips, underglazes and other glazes. Try it over black, red, cobalt blue, etc. A glossy Malt Medium Blue Mint Nice under Gun Metal Green or Green Shino. Mocha Shino Single dip (2-3 coats brushed) Stable, no running, breaks brown over texture and where thin. Nice over texture, slips, underglazes and other glazes. Try it over black, really red, cobalt blue, etc. A matt to satin Mottled Blue Single dip (2-3 coats brushed) Fairly stable, no running, some breaking. A very reliable glaze. Try it with Cobalt Blue under or over. A glossy Oasis Blue Runny! Single Dip (2-3 coats brushed) Try it thicker on the inside of a bowl and thinner on the outside so it doesn't run. Nice blue with lots of breaking and depth. Good over slips, nice over Cobalt Blue. A high gloss Oatmeal Single dip (2-3 coats brushed) Very stable, no running, no breaking, lots of specks. A glossy Opal Runny! Single dip (2-3 coats brushed) Try it thicker on the inside of a bowl and thinner on the outside so it doesn't run. Nice semi-transparent varied blue with lots of breaking. A glossy Orange Single dip (2-3 coats brushed) Very stable, no running, no breaking. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy Orchid Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Pam's Blue Single dip (2-3 coats brushed) Fairly stable, some running, lots of breaking from grey to blue to black. A glossy Pam's Green Single dip (2-3 coats brushed) Fairly stable, some running, lots of breaking from green to brown to black. A glossy

Pansy Purple Peaches & Cream Peachy Shino Pale orange color where thicker. Nice over texture, slips, underglazes and other glazes. Contains cadmium inclusion stain, food safe in our testing. A glossy Pistachio Shino Pistachio green color where thicker. Nice over texture, slips, underglazes and other glazes. A glossy Plum Shino Pink/purple color where thicker. Nice over texture, slips, underglazes and other glazes. Contains cadmium inclusion stain, food safe in our testing. A glossy Pumpkin Single dip (2-3 coats brushed) Very stable, no running, no breaking. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy Purple Matt Single dip (2-3 coats brushed) Fairly stable,no running, no breaking. Nice deep purple Not recommended for food use, may change color or texture. Satin to matt Really Red Single dip (2-3 coats brushed) Very stable, no running, no breaking. Screaming bright red! Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy Red Single dip (2-3 coats brushed) Very stable, no running, no breaking. Earthy brick red color. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy Red Crawl the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt Contains Cadmium stain. Red Gold Runny! Single dip (2-3 coats brushed) Breaks gold to red to blue where thick. Nice over other glazes like Cinnamon Stick and Black. Nice when overlapped with Gun Metal Green or Blue Purple. Satin to glossy Red Orange Single dip (2-3 coats brushed) Very stable, no running, no breaking. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy

Rhubarb Single dip (2-3 coats brushed) Fairly stable, some running, breaks peach to deep pink. Good over slips, underglazes and other glazes. Try it over Almost Teal, Really Red, etc. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. Satin to glossy Royal Blue Single dip (2-3 coats brushed) Very stable, no running, no breaking. Satin to glossy Rust Brown Single dip (2-3 coats brushed) Fairly stable, no running, breaks brown to tan. A matt Sandstone Shino Single dip (2-3 coats brushed) Stable, no running, breaks brown over texture and where thin. Nice over texture, slips, underglazes and other glazes. A matt to satin Saturated Iron Single dip (2-3 coats brushed) Fairly stable, no running, lots of breaking. Deep iron color where thin with golden green flecks where thicker. Very nice over and under any of the Shino family. A glossy Seafoam Satin Single dip (2-3 coats brushed) Very stable, no running, no breaking. A nice satin Shino Single dip (2-3 coats brushed) Fairly stable, no running, lots of breaking. Great glaze, very reliable, nice over texture, slips, underglazes and other glazes. Try it over black, red, cobalt blue, etc. A glossy Shino over Gun Metal Green Smokey Shino Nice over texture, slips, underglazes and other glazes. A glossy Steel Gray Shino Single dip (2-3 coats brushed) Stable, no running, some breaking. Nice over texture, slips, underglazes and other glazes. A glossy Sunrise Shino Nice over texture, slips, underglazes and other glazes. Contains cadmium inclusion stain, food safe in our testing. A glossy surfac

Sunset Pink Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. Contains cadmium inclusion stain. Lab test for cadmium release before selling dinnerware. A glossy Toshi Brown Single dip (2-3 coats brushed) Fairly stable, no running, some breaking. A matt Turquoise Single dip (2-3 coats brushed) Very stable, no running, no breaking. Not recommended for food use, may change color or texture. A matt Violet Waxy Lavender Single dip (2-3 coats brushed) Very stable, no running, no breaking. Satin to glossy White White Crawl the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt Yellow Orange