Neve sound for the surround age...neve sound for the surround age [ 8051 ]

Similar documents
Compressor User Guide

33609/J Limiter/Compressor

Waves C360 SurroundComp. Software Audio Processor. User s Guide

What is Helix??? It s a

T L Audio INDIGO SERIES. User Manual VP-2051 VALVE VOICE PROCESSOR. Tony Larking Professional Sales Limited, Letchworth, England.

527 Compressor/Limiter

valve master compressor

TUBE-TECH CL 2A dual compressor

SQN Electronics Ltd. Page 1 of 6

Solid State Logic S O U N D V I S I O N

SQN-5S Miniature 5:2 ENG Audio Mixer

500 SERIES COMPRESSOR LIMITER 522

SQN Electronics Ltd. SQN-4S Series IVe Miniature 4:2 Sound Mixer The original broadcast quality stereo portable mixer for TV, film and radio locations

ALM473 DUAL MONO \ STEREO AUDIO LEVEL MASTER OPERATION MANUAL IB

Summit Audio ECS-410 Everest

Figure 2 shows the actual schematic for the power supply and one channel.

Introduction to 4Dyne

Back to Operator Manual Index MX50 OPERATORS MANUAL. DRAWMER MX50 Dual De-Esser SAFETY CONSIDERATIONS

The Aleph 5 is a stereo 60 watt audio power amplifier which operates in single-ended class A mode.

Summit Audio Model DCL-200 Dual Compressor-Limiter Operating Manual

TUBE-TECH LCA 2B compressor and limiter

Overview. Features. Technical Data Sheet 1 / 6. Mixing Console MG20. MG20 is a versatile mixer suitable for a wide range of users and applications.

Operating Instructions 1000RB

Input Filters. Dynamic Control

1073 & 1084 Channel Amplifier

Vintage Compressor i-ts Stereo and multiple-channel operation Solo Buss Features Broadband frequency-conscious compressor Default Compressor

TG12413 ZENER LIMITER

AURORA AUDIO INTERNATIONAL 1520 NORTH CAHUENGA BOULEVARD HOLLYWOOD, CA90028

VENUE Full Isolation D.I.

CLASS A DUAL TRANSFORMER COMPRESSOR OWNER S MANUAL

1000-watt, 12-Channel Powered Mixer with DSP

WPE 48N USER MANUAL Version1.1

PBC-6A Startup Notes V0102. FMR Audio (512)

PB 700 PB 1000 PB 1100 PB 1500 PB 2600 PB 1200 PB 1700 PB 2200 PB 2700 USER'S MANUAL.

Introduction. Important Safety Instructions. Contents. Power Connections

ChannelStrip User Guide ChannelStrip version 2.0 January 12, 2004

The Aleph 2 is a monoblock 100 watt audio power amplifier which operates in single-ended class A mode.

ALESIS Reference Manual

ELECTRONIC COMPONENTS LP4 32 USER MANUAL

Overview of the EQ50 Filter Functions. Bypass Hardwire Bypass

ADR/FOLEY PROCESSOR LP-22. User's Manual L A F O N T A U D I O L A B S

AEA TRP2 OWNER S MANUAL THE ORIGINAL 2-CHANNEL RIBBON PREAMP

Waves F6. Floating-Band Dynamic EQ. User Guide

T-link8. SPLITTER/MIXER T-link8. T-link8

Operation manual. MultiMonitor. Multiple Stream Audio Monitoring Solution. v1.0. NUGEN Audio

DI Boxes. Active Stereo DI Box with Extended Dynamic Range and Sum/Split Options

vintage modified user manual

Audio Primer V2. Basic introduction to Calrec functionality and applications

PRE32 and A34.2. preamplifier and stereo power amplifier. the sound and vision of scandinavia

Summary. Output bench. Frequency Response Signal to Noise Ratio Crosstalk, One Channel Undriven Interchannel Phase Input bench.

THANK YOU REGISTER ONLINE. ABM-EVO-IV - Front Panel Facilities

SAFETY WARNINGS AND GUIDELINES

USER MANUAL APG DYNAMIC PROCESSORS MATRIX ARRAY SYSTEMS 4000SP 6000SP 9000SP

RXA 1000 D CLASS D MONO AMPLIFIER USER S MANUAL

MPExclusive 01/14. Mac Audio Lise-Meitner-Str. 9 D Pulheim Errors and technical modifications reserved

500 SERIES MICROPHONE PREAMPLIFIER 502. Award-Winning Mic Preamp

Laney DB SERIES USER MANUAL MODEL : DB150C DB150H DB300C DB300H DB400C DB400H

Mic Inputs: 12 high-performance, digitally controlled, auto-sensing mic pres, switchable +48V

User Guide. Version 1.0.

SQ1D. Compressors/Limiters. 8 Channel Dual-Mode Compressor/Gate with its Hysteresis and Flexible Channel Linking

SPL3220. Stereo Multiband Sound Processor / Loudness Maximizer / Limiter. Features

Operating Instructions 2000RB

Focusrite D2 and D3 Plug-Ins Guide

CSP & CSL-SERIES MIXING CONSOLES. Item ref: UK, UK, UK, UK, UK, UK User Manual. Version 2.

StudioLive MIXER INPUTS.

DNA Pro series 10K8 3K8

ILD252 INDUCTION LOOP DRIVER

4 Channel Frequency Conscious Noise Gate. Operation Manual

The Vertigo Sound VSM-3 plugin is modeled faithfully by Brainworx after the VSM-2 a.k.a The Mix Satellite hardware by VERTIGO SOUND.

Sound Skulptor MC624 User manual

DUAL EQUALIZER. API, 8301 Patuxent Range Road, Jessup, MD Tel:

BEFORE PROCEEDING WITH COMPLETE UNPACKING AND SETUP CONSULT UNPACKING AND INSPECTION INSTRUCTIONS ON PAGE. comp.two. tube compressor.

ProSpec - 2U6M2S OWNER S MANUAL. APB-DynaSonics, Inc. 20 West End Road Totowa, New Jersey, 07512, U.S.A.

DPR 422 User Manual 1

NE SERIES. ne Models ne800 ne1600 ne2400

T L Audio. User Manual EQ1 VALVE EQUALISER. Tony Larking Professional Sales Limited, Letchworth, England.

D2 Quick Reference. When in Shelf mode, the outer bands only become full range when the Freq is set to 20k and 20Hz respectively.

Description The RA-FX1D offers 8 Mono and 8 Dual Mono selectable delays to cover a range of popular applications.

LIVE 16 ORDERCODE D2211

Semi-modular audio controlled analog synthesizer

360mm (14-3/16 ) x 224mm (8-13/16 ) x 67mm (2-5/8 )

Scarlett Plug-in Suite

MA40E Mini Amplifier with DSP

MC2301. Features and Benefits. Promotional Highlights TUBE POWER AMPLIFIER MCINTOSH LABORATORY INC., 2 CHAMBERS STREET, BINGHAMTON, NEW YORK 13903

DPA74/154 AUDAC PROFESSIONAL AUDIO EQUIPMENT. DPA74/154 Quad Channel Class-D Amplifier. User Manual & Installation Guide

POWER DYNAMICS manual

The elysia team wishes you great delight and compression deluxe with your new mpressor 500.

Thank you for purchasing the Empress Buffer+ Stereo. This pedal

Chapter 5: Unison. What is Unison?

Important Note 1. Mains Supply (rack units) 4 DC Power Supply Indicators (rack units) Module Module and 1084 Modules 8

T L Audio CRIMSON SERIES. User Manual EQ-3012 PARAMETRIC EQUALISER. Tony Larking Professional Sales Limited, Letchworth, England.

PA System in a Box. Edwin Africano, Nathan Gutierrez, Tuan Phan

HX-3 Headphone Distribution Amplifier

Input Modules. Models BAL2S, BRG1R, MAX1R, MIC1S, MIC2S, MIC1X, MIC2X, SAX1R, TBL1S, TEL1S, TNG1S DESCRIPTION FEATURES

AEA RPQ2 OWNER S MANUAL 2-CHANNEL RIBBON PREAMP WITH EQ

1. FEATURES ON THE CONTROL PANEL FEATURES ON THE BACK PANEL General Options SAFETY INFORMATION...

Clever Features, Contractor Friendly AMIS215EQ. Stereo 15 band 2/3 Octave Graphic Equalizer AMIS31EQ. Mono 31 band 1/3 Octave Graphic Equalizer

KXR. Owner, s Manual. One hundred KEYBOARD EXTENDED RANGE TYPE: PR 262 P/N

Welcome to deq6, a 6 band stereo/ms dynamic equalizer with high quality oversampling and accurate spectrum analyzer.

FISCHER AMPS MANUAL. In Ear Amp 2

Transcription:

Neve sound for the surround age..neve sound for the surround age [ 8051 ]

8051 The 8051 is an analogue compressor with six transformer balanced audio paths complemented by two side chains and a key input. Flexible side chain routing, trimming and filtering make this a powerful and responsive tool for surround mixing. Each side chain can derive a control signal from any combination of input channels and the key input. Side chain insert points may also be used to process the signal or provide control from an external source. Each side chain can control any innovation, design & sonic superiority combination of the six channels [ 2 ]

innovation, design & sonic superiority Visual Feedback Is provided by gain reduction meters and switches which illuminate to indicate routing and change colour to indicate which signal is driving each side chain at any moment Most compressors apply gain reduction based entirely on the signal level at their inputs, this is known as a feed-forward system. The 8051 uses a feedback topology, monitoring the output of each gain cell and continually adjusting the control voltage returned to give the required gain reduction This is the style of compression that has created the famous Neve Sound [ 3 ]

8051 Control Link Each channel can be controlled from either Side Chain A or Side Chain B. The Control Link switches determine which side chain and which gain makeup control affects each channel. The six signal paths can be split between the two side chains in any format required. For example with L, C, R, LS, RS on Side Chain A and LFE on Side Chain B, with L, C, R on Side Chain A and LS, RS on Side Chain B, as a pair of separate stereo compressors, etc. [ 4 ]

route, trim & filter Side Chain Link Each audio channel can be routed to Side Chain A, Side Chain B, or both side chains. When multiple channels are routed to the same side chain, the compression circuit responds to the highest signal present. The resulting control voltage is then applied equally to all channels avoiding any image shift as compression is applied across a surround mix Side chain levels can be trimmed on four controls grouping the six channels into two stereo pairs and two mono channels Once above the side chain s threshold level, the link button for the largest signal on that side chain illuminates red. Any signal that is above threshold and within 2dB of the dominant signal will also illuminate 8051 8051 A high-pass filter can be inserted in the channel s side chain path, preventing unwanted compression due to LFE content without affecting the output sound. The frequency can be set to 80Hz, 100Hz, or 120Hz [ 5 ]

8051 Compression Controls Threshold can be set between 20dBu and +16dBu and determines the signal level at which compression is applied. Ratio controls the amount of gain reduction applied as the input level increases. Values available are characteristic, and its ratio gradually increases as the compression becomes heavier at all settings. flexible powerful control Attack Settings of 2ms to 165ms are available. With slower attack settings compression is more dependant on the average signal level, with faster settings it is more dependant on signal peaks. Recovery Settings between 100ms and 3s are available. Recovery compliments the attack control, longer recovery times prevent pumping effects where gain reduction follows the program material too closely. Output Level control provides a variable active pad across all six outputs, from 0dB to -5.5dB in 0.25 steps. The pad is outside of the relay bypass loop and so always controls all six channels together in order to maximise the units output level without clipping. Gain Makeup is used to restore the average level or loudness of a compressed signal. The gain is adjustable from 10 to +20dB. [ 6 ]

flexible powerful control EXT Control The EXT buttons provide an insert point in the control voltage signal for each Side Chain. By using the send and return the signal controlling the compression may be externally processed. Alternatively the EXT mode can take a control voltage from the rear connector instead of the side chain outputs, allowing the unit to be slaved from a second 8051 or a 33609. Key Input A Key Input is provided to allow adjustable control from an external source. Like the side chains the key input has a threshold level control ranging from 20dBu to +16dBu to set the intended level at which compression control is required. Bias Control The bias control is used to balance the control voltages from the two side chains by applying up to 6dB of cut and boost, effectively modifying their ratios. If only a single side chain is in use, for example when used as a stereo compressor, the bias control allows ratio values between the standard settings to be selected with continuously variable control. 8051 It can be used in several ways including ducking from a voice channel. It can also be connected in parallel with one of the inputs which allows that input to be routed onto both side chains with different compression thresholds, for example to allow a Centre Channel to control separate compression of front and rear signals in a surround mix. The key input is provided with a selectable 12dB/octave high-pass filter to remove unwanted low frequencies from the input signal being used to control the compressor. [ 7 ]

8051 LFE Filter A 12dB per octave low-pass filter can be assigned to any one channel. This filter is applied directly to the input before the relay-bypass point, and its 3dB frequency is selectable from 80, 100 or 120Hz. This can be used to create a Sub-Bass or LFE channel. Models In addition to the standard model the 8051 can also be supplied as a specialised mastering version. This unit is slightly different to the standard 8051 in two ways. The Trim and Bias controls are indented to aid total mechanical recall of the unit, 1dB switches are fitted to the Threshold and Gain Make-Up controls to allow stepped switching. The 8051 can be fitted to Neve 88R series consoles. It can be supplied with new consoles or retro-fitted to existing consoles. Bypass If a channel routed to a side chain is bypassed, its connection to the side chain is maintained. This means that other channels controlled by that side chain are unaffected and allows a channel to control others without being compressed itself (as though it were another key input.) Two bypass modes are available, single or master. In single mode each switch bypasses its respective channel. In master mode all channels are bypassed together. Master mode is toggled by pressing and holding the channel 1 bypass switch and is indicated by the MST LED to the left of channel 1 being lit. If individual channels are placed in Bypass mode, the Master Bypass function then becomes a Group Bypass control for the remaining channels. [ 8 ]

8051 Specifications I / O Control The key input and LFE filter inputs are electronically balanced with an input impedance of 10kOhms All other inputs are transformer balanced with 3.6kOhms input impedances. All outputs are electronically balanced post the output transformers, with maximum output of +26dBu into 600Ohms. The unit is calibrated for bridging loads greater than 10kOhms Control Voltage I/O is provided for linking multiple units, or linking to 33609 Audio Performance Equivalent input noise (20kHz band): <-78dBu THD+N (for 20dBu input @ 1kHz): <0.03% Maximum Output Level: >26dBu into 600 ohms Interchannel Crosstalk: <-80dB at 15kHz Frequency Response +/-0.5dB 20Hz to 20kHz LFE Filter: 12dB/octave low-pass, -3dB frequency selectable to 80Hz, 100Hz or 120Hz Sidechain & Key Filters: 12dB/octave high-pass, -3dB frequency selectable to 80Hz, 100Hz or 120Hz. Threshold: -20dBu to +16dBu master control, with ±15dB trims on all channels. Make-up gain: -10dB to +20dB Ratio: 1.5:1, 2:1, 3:1, 4:1, 6:1, MAX (~8:1). Attack: 2ms, 4ms, 6ms, 8ms and 16ms. Release: 100ms, 200ms, 400ms, 800ms, 1.5s and 3s. Output Level Trim: 0dB to 5.5dB pad, in 0.25dB steps. [ 9 ]

Neve Sound No Question Head Office AMS Neve plc Billington Road Burnley Lancashire BB11 5UB United Kingdom Tel: +44 (0)1282 457011 Email: enquiry@ams-neve.com www.ams-neve.com [ 8051 ]