Communication by sound PSY 2364 Animal Communication. Sound production in animals

Similar documents
PSY 2364 Animal Communication. Sound production in birds. Bird songs. Patterns of syringeal lateralization. Northern Cardinal - vocal production

An introduction to physics of Sound

Perception of pitch. Definitions. Why is pitch important? BSc Audiology/MSc SHS Psychoacoustics wk 5: 12 Feb A. Faulkner.

COMP 546, Winter 2017 lecture 20 - sound 2

Psychology of Language

Lecture Notes Intro: Sound Waves:

Perception of pitch. Definitions. Why is pitch important? BSc Audiology/MSc SHS Psychoacoustics wk 4: 7 Feb A. Faulkner.

SPEECH AND SPECTRAL ANALYSIS

Synthasaurus: An Animal Vocalization Synthesizer. Robert Martino Master's Project Music Technology Program Advisor: Gary Kendall June 6, 2000

INTRODUCTION TO ACOUSTIC PHONETICS 2 Hilary Term, week 6 22 February 2006

Perception of pitch. Importance of pitch: 2. mother hemp horse. scold. Definitions. Why is pitch important? AUDL4007: 11 Feb A. Faulkner.

Principles of Musical Acoustics

Lecture Presentation Chapter 16 Superposition and Standing Waves

WaveSurfer. Basic acoustics part 2 Spectrograms, resonance, vowels. Spectrogram. See Rogers chapter 7 8

Complex Sounds. Reading: Yost Ch. 4

Musical Acoustics, C. Bertulani. Musical Acoustics. Lecture 13 Timbre / Tone quality I

Test Review # 7. Physics R: Form TR7.17A. v C M = mach number M = C v = speed relative to the medium v sound C v sound = speed of sound in the medium

ABC Math Student Copy

Physics 101. Lecture 21 Doppler Effect Loudness Human Hearing Interference of Sound Waves Reflection & Refraction of Sound

The source-filter model of speech production"

Name Date Class _. Holt Science Spectrum

Exam 3--PHYS 151--Chapter 4--S14

Chapter Introduction. Chapter Wrap-Up. and the Eye

Sound, acoustics Slides based on: Rossing, The science of sound, 1990.

Source-Filter Theory 1

Chapter 16. Waves and Sound

19 th INTERNATIONAL CONGRESS ON ACOUSTICS MADRID, 2-7 SEPTEMBER 2007

Structure of Speech. Physical acoustics Time-domain representation Frequency domain representation Sound shaping

Linguistics 401 LECTURE #2. BASIC ACOUSTIC CONCEPTS (A review)

Chapter 12. Preview. Objectives The Production of Sound Waves Frequency of Sound Waves The Doppler Effect. Section 1 Sound Waves

Musical Acoustics, C. Bertulani. Musical Acoustics. Lecture 14 Timbre / Tone quality II

Chapter 05: Wave Motions and Sound

10/24/ Teilhard de Chardin French Geologist. The answer to the question is ENERGY, not MATTER!

HCS 7367 Speech Perception

Sound All sound begins with a vibrating object Ex. Vibrating tuning fork Vibrating prong sets molecules near it in motion

Psychological psychoacoustics is needed to perceive sound to extract features and meaning from them -human experience

Resonance and resonators

Vibrations and Waves. Properties of Vibrations

Frequency f determined by the source of vibration; related to pitch of sound. Period T time taken for one complete vibrational cycle

MUS 302 ENGINEERING SECTION

Chapter 14, Sound. 1. When a sine wave is used to represent a sound wave, the crest corresponds to:

Chapter 7. Waves and Sound

Section 1: Sound. Sound and Light Section 1

Chapter 18. Superposition and Standing Waves

CHAPTER ONE SOUND BASICS. Nitec in Digital Audio & Video Production Institute of Technical Education, College West

describe sound as the transmission of energy via longitudinal pressure waves;

Chapter 2. Meeting 2, Measures and Visualizations of Sounds and Signals

SUMMARY. ) f s Shock wave Sonic boom UNIT. Waves transmit energy. Sound is a longitudinal mechanical wave. KEY CONCEPTS CHAPTER SUMMARY

From Ladefoged EAP, p. 11

PHYSICS 102N Spring Week 6 Oscillations, Waves, Sound and Music

The psychoacoustics of reverberation

Date Period Name. Write the term that corresponds to the description. Use each term once. beat

A mechanical wave is a disturbance which propagates through a medium with little or no net displacement of the particles of the medium.

NCERT solution for Sound

Reading: Johnson Ch , Ch.5.5 (today); Liljencrants & Lindblom; Stevens (Tues) reminder: no class on Thursday.

A Tutorial on Acoustical Transducers: Microphones and Loudspeakers

Sound PSY 310 Greg Francis. Lecture 28. Other senses

Chapter 15 Supplement HPS. Harmonic Motion

Sound. sound waves - compressional waves formed from vibrating objects colliding with air molecules.

Demonstrate understanding of wave systems. Demonstrate understanding of wave systems. Achievement Achievement with Merit Achievement with Excellence

AUDL 4007 Auditory Perception. Week 1. The cochlea & auditory nerve: Obligatory stages of auditory processing

CHAPTER 12 SOUND. Sound: Sound is a form of energy which produces a sensation of hearing in our ears.

COMP 546. Lecture 23. Echolocation. Tues. April 10, 2018

ISSUED BY KENDRIYA VIDYALAYA - DOWNLOADED FROM CHAPTER 12 Sound

Sound Interference and Resonance: Standing Waves in Air Columns

Effects of Reverberation on Pitch, Onset/Offset, and Binaural Cues

SOUND 1 -- ACOUSTICS 1

ANIMAL COMMUNICATION and INFORMATION TRANSFER

A sound wave is introduced into a medium by the vibration of an object. Sound is a longitudinal, mechanical

Preview. Sound Section 1. Section 1 Sound Waves. Section 2 Sound Intensity and Resonance. Section 3 Harmonics

In Phase. Out of Phase

Sound. Lesson Fifteen. Aims. Context

SOUND & MUSIC. Sound & Music 1

Physics B Waves and Sound Name: AP Review. Show your work:

COM325 Computer Speech and Hearing

Fundamentals of Music Technology

Copyright 2009 Pearson Education, Inc.

Linguistic Phonetics. Spectral Analysis

Speech Processing. Undergraduate course code: LASC10061 Postgraduate course code: LASC11065

Waves transfer energy NOT matter Two categories of waves Mechanical Waves require a medium (matter) to transfer wave energy Electromagnetic waves no

Sound Waves Speed Intensity Loudness Frequency Pitch Resonance Sound Waves

Waves ADD: Constructive Interference. Waves SUBTRACT: Destructive Interference. In Phase. Out of Phase

Sensation. Our sensory and perceptual processes work together to help us sort out complext processes

Sound & Music. how musical notes are produced and perceived. calculate the frequency of the pitch produced by a string or pipe

Hearing and Deafness 2. Ear as a frequency analyzer. Chris Darwin

SOUND. Second, the energy is transferred from the source in the form of a longitudinal sound wave.

Environmental Noise Propagation

CHAPTER 12 SOUND ass/sound/soundtoc. html. Characteristics of Sound

Sound 05/02/2006. Lecture 10 1

Ans: A wave is periodic disturbance produced by vibration of the vibrating. 2. What is the amount of sound energy passing per second through unit area

Music. Sound Part II

Intext Exercise 1 Question 1: How does the sound produced by a vibrating object in a medium reach your ear?

L 23 Vibrations and Waves [3]

The Nature of Sound. What produces sound?

INDIANA UNIVERSITY, DEPT. OF PHYSICS P105, Basic Physics of Sound, Spring 2010

Warm-Up. Think of three examples of waves. What do waves have in common? What, if anything, do waves carry from one place to another?

Review. Top view of ripples on a pond. The golden rule for waves. The golden rule for waves. L 23 Vibrations and Waves [3] ripples

THE PRINCIPLE OF LINEAR SUPERPOSITION AND INTERFERENCE PHENOMENA

Physics in Entertainment and the Arts

Detection of external stimuli Response to the stimuli Transmission of the response to the brain

Transcription:

PSY 2364 Animal Communication Communication by sound http://hyperphysics.phy-astr.gsu.edu/hbase/sound/soucon.html#soucon hyperphysics Sound production in animals 1. Beating a substrate 2. Rubbing of appendages 3. Respiratory structures Specialized adaptations of wings for sound production Secondary wing feathers are enlarged and hollow with regular, raised ridges; neighboring feather tapers abruptly to a thin, stiff, blade. Stridulation in birds plectrum https://www.youtube.com/watch?v=7fhsqqmnoko file plectrum file Tick Tick Ting sound: fundamental frequencies of 1590 and 1490 Hz with harmonics at integer multiples. Feather oscillations = 106/second Frequency multiplier: 106 x 14 1490 Hz Stridulation in birds https://www.youtube.com/watch?v=7fhsqqmnoko Sound power and body size Total sound power depends on the size of the animal (animals with small body mass tend to produce sounds with low acoustic power). Some exceptions to this rule: cicadas 1

Modes of sound production Monopole Dipole Monopole - sound alternately contracts and expands in concentric circles around source. alternating compression and rarefaction used by some fish (pulsating air sac) Dipole - sound source that vibrates back and forth E.g. stridulation in crickets Efficiency of sound transmission? Sound waves Sound waves Sound waves produce pressure fluctuations in the air that are small relative to atmospheric pressure. Sound waves produce alternating regions of compression and rarefaction Sound waves travel at a speed of around 340 meters per second at room temperature. Human hearing extends from about 20 to 20,000 cycles/second (20 Hz to 20 khz). The corresponding wavelengths range from about 17 mm (at 20 khz) to 17 m (at 20 Hz). wavelength http://resource.isvr.soton.ac.uk/spcg/tutorial/tutorial/tutorial_files/web basics nature.htm Sound waves Waveform 4 waveform The waveform of a sound is a representation of sound pressure (amplitude or displacement) versus time. Frequency (khz) 3 2 1 spectrogram Amplitude 0 Sine wave 0 0 200 400 600 800 1000 1200 1400 1600 Time Time (ms) 2

Spectrum The amplitude spectrum of a sound is a representation of amplitude by frequency. Intensity Sine wave Frequency Properties of sound Complex sounds Most sounds in nature e.g., human voices, bird and insect songs, frog calls Complex sound types Periodic (tonal, repeating pattern in the waveform) Aperiodic (noise, with no repeating pattern) Properties of sound Human vocal tract Sine wave Complex wave (periodic) orangutans Intensity Frequency Intensity Frequency air sac orangutan chimpanzee human larynx tongue body From Fitch, W.T. (2000). Trends in Cognitive Sciences Specialized vocal resonators Human vocal tract Howler Monkey (Alouatta) Gibbon (Hylobates) Larynx 3

Respiratory structures Larynx Main source of sound production by mammals Controls airflow during breathing and sound production Vocal fold oscillation One-mass model Air flow through the glottis during the closing phase travels at the same speed because of inertia, producing lowered air pressure above the glottis. Source: http://www.ncvs.org/ncvs/tutorials/voiceprod/tutorial/model.html Source-Filter Theory Speech production Source: during normal (voiced) speech the vocal folds vibrate at a frequency that depends on their length and mass as well as the amount of tension in the muscles that control them. Filter: the vocal tract is a complex resonant filter system that amplifies certain frequencies and attenuates others. From Fitch, W.T. (2000). Trends in Cognitive Sciences Speech terminology Fundamental frequency (F0): lowest frequency component in voiced speech sounds, linked to vocal fold vibration. Formants: resonances of the vocal tract. Amplitude Audio demo: the source signal Source signal for an adult male voice Source signal for an adult female voice Source signal for a 10-year child F0 Formant Frequency 4

Helium speech Inhaling helium during speech changes the frequencies of the vocal tract resonances but keeps the pitch the same. Why? Because sound travels faster in a helium mixture than in air. The vocal tract resonances are shifted up, but the vocal folds vibrate at the same rate and the voice pitch is relatively unaffected. Helium speech Ordinary Speech Helium Speech Voice pitch in Air Voice pitch in Helium Helium speech UNSW Resources - Physics in Speech http://phys.unsw.edu.au/phys_about/physics!/speech_helium/speech.html Size variation in speech Adults voices Fundamental Frequency Formant Frequencies Children s voices start Anuran vocal communication Similar to mammals, anurans (frogs and toads) produce sounds by forcing air through a narrow opening (glottis). They also have a second pair of membranes, upstream from the glottis, that vibrate at a higher frequency. 5

Examples: vocal sounds Anuran sound production Bullfrog (Rana catesbeiana) 3 80 70 db Anuran vocal cords Frequency 2 1 60 50 40 30 20 Glottis 0 0 1000 2000 3000ms Time 10 Sound spectrogram Arytenoid cartillage Examples: vocal sounds Bullfrog (Rana catesbeiana) Frequency Sound spectrogram Anuran vocal communication Each species of frog produces distinctive (species-specific) calls that play an important role in mate choice. Many species form groups called leks, where males call simultaneously to attract females to breeding sites. Time Anuran vocal communication Males compete with each other by calling and sometimes by physical aggression. Sexually receptive females locate and choose a single male as mate based on properties of the call. Anuran vocal communication Some frogs have an inflatable throat sac that selectively amplifies certain frequencies in the source signal and also serves as a visual signal. 6

Syrinx Found in birds Located at the base of the trachea where the two bronchial tubes converge Contains two separate oscillating membranes that allow generation of two different sound sources (modulated frequencies) simultaneously Lateralization of song The syrinx is a bilateral structure located at the point where the two bronchial passages converge in the trachea. Bird sound is produced when air passes through the medial and lateral labia on each side of the syrinx. Song is produced bilaterally except when air is prevented from flowing through one side of the syrinx. Bird songs Bird songs often include frequencymodulated notes that sweep through a wide range of frequencies In cardinals, frequencies below 3500 Hz are generated using the left side of the syrinx; higher frequencies use the right side. Patterns of syringeal lateralization Different species of birds produce sounds in different ways. Northern Cardinals produce frequency sweeps that abruptly switch from one side to the other in mid stream. Brown headed Cowbirds alternate from one side to the other, producing discrete sounds on different pitches without a silent gap or frequency slur (glide) between them. Northern Cardinal - vocal production http://www.indiana.edu/~songbird/multi/songproduction_index.html 7

Brown headed Cowbird Syrinx The Cardinal video shows how birds can switch rapidly and seamlessly from one side of the syrinx to the other. Upward sweeps start on the left and switch to the right; downward sweeps reverse this pattern. Some birds can produce harmonically unrelated sounds simultaneously from the two sides of the syrinx (catbirds, thrashers). http://www.indiana.edu/~songbird/multi/songproduction_index.html Two sound sources Birds like Brown Thrashers can produce two sounds on each side of the syrinx at the same time that are not harmonically related to each other. The right side generally produces higher frequencies than the left. Lateral dominance of motor control Fernando Nottebohm has shown that the two sides of the syrinx are independently controlled by specific regions in the brain. These areas are larger in males than females in Canaries and Zebra Finches, consistent with the greater use of song by males. Pacific Coast Marsh Wrens have song repertoires that are three times larger than Atlantic Coast birds, and also have 30 40 percent larger song control areas in their brains. Lateral dominance of motor control A lesion in the tracheosyringeal branch of the hypoglossal nerve disables the left or right syrinx (on the same side as the lesion). In canaries, the number of song elements in the birds repertoires was reduced when the left side was cut, but only slightly affected by cutting the right side, indicating left syringeal dominance of song production. Lateral dominance of motor control Laterality of song control has been observed all the way into the higher vocal center (HVC) brain region; unilateral lesions to HVC produce lateralized effects in the temporal patterning of song in the zebra finch. 8

Syrinx Sound production is controlled separately for each side of the syrinx by several muscles that are innervated by motor neurons in the hypoglossal nerve coming from the same side of the brain. The right side of the syrinx seems to produce a higher range of frequencies than the left side. Frequency (khz) Zebra Finch song Sound spectrogram Time (sec) Song development in birds Chaffinch (Fringilla coelebs) Functions of sound communication 1. To bring animals together 2. Identification (species, group, individuals) 3. Synchronization of physiological states 4. Monitoring the environment 5. Maintenance of special relationships Ecological constraints 1. energy costs 2. overcoming environmental obstacles 3. locatability of the source 4. rapid fading 5. range of physical complexity Communication by sound 1. Sound production Production and modulation of acoustical energy Coupling of vibrations to the medium 2. Transmission through medium Impedance matching Sources of distortion 3. Sound reception Coupling of vibrations to sound receptors Mechanical-to-neural transduction 9

Acoustic properties of the medium Medium Speed of sound (cm/sec) Density of medium (g/cm 3 ) Acoustic Impedance (rayls) Air 0.3 x 10 5 1 x 10-3 0.0003 x 10 5 Water 1.5 x 10 5 1 1.5 x 10 5 Rock 2-5 x 10 5 2-3 4-5 x 10 5 Ecological constraints on acoustical communication systems 1. energy costs 2. overcoming environmental obstacles 3. locatability of the source 4. rapid fading 5. range of physical complexity Source: Bradbury and Vehrencamp (1998). Principles of Animal Communication Production and coupling of vibrations Stridulation sharp blade (plectrum) is rubbed against a row of small teeth (file) Dipole sound source that vibrates back and forth Acoustical short-circuit: cancellation of waves makes it difficult to produce loud sounds Frequency multiplier (multiple teeth) Sound baffle (tree crickets) Use short-range signals (most insects) Exploiting resonance Bornean tree-hole frogs (Metaphrynella sundana) seek out tree trunks partly filled with water. They tune their vocalizations to the resonant frequencies of the cavity. Source: Lardner and Lakim, (2002). Nature 420: p. 475. Factors affecting acoustic signal transmission Absorption - loss of energy due to contact with medium, which may convert signal's energy into another form (e.g. heat) Factors affecting acoustic signal transmission Attenuation - decline in signal intensity due to absorption, scattering, distance from source; particularly high frequencies 10

Factors affecting acoustic signal transmission Diffraction - redirection of the signal because of contact with an absorbing or reflecting medium. Allows sound waves to bend around small openings and barriers and spread out past the obstacle. Factors affecting acoustic signal transmission Geometric spreading - signals radiate in several directions from the source; not perfectly directional; result = energy loss Factors affecting acoustic signal transmission Interference - signals reflected from the substrate later interact with the originally transmitted signal Factors affecting acoustic signal transmission Reflection - signal bounces back in the direction of the emitting structure as a result of striking a reflective medium Factors affecting acoustic signal transmission Refraction - signal direction/speed is altered/perturbed by medium or climatic changes like temperature gradients Factors affecting acoustic signal transmission Reverberation - multiple scattering events produce a time delay in the arrival of the signal, perceived as an echo; blurring 11

Factors affecting acoustic signal transmission Scattering - signal contacts an obstruction and undergoes a complex multidirectional change in the transmission direction Sound examples Gray wolf (Canis lupus) Musical Wren (Cyphorhinus aradus) Examples: vocal sounds Woodhouse s Toad (Bufo woodhouseii) Brazilian Free-tailed Bats (Tadarida braziliensis) Javelina Coyote Examples: bird vocal sounds Ferruginous Pygmy Owl Pileated Woodpecker Rufous Mourner Three-wattled Bellbird Winter Wren Song Sparrow Non-vocal sounds Rattlesnake (Crotalus) Fruit fly (Drysophila melanogaster) wing song Mosquito (Aedes) wing sounds Whale songs Large body size allows whales and elephants to produce high intensity, low frequency sounds. Both properties increase the range (distance) for communicating with conspecifics. 8x normal speed 12

Hearing Mammalian hearing Particle detector (near field) row of hairs on antenna or abdomen of insects selective to species-specific frequency range Pressure detector (far field) membrane (tympanum) stretched over a closed cavity; vibrates in response to sound pressure fluctuations Human auditory system Frequency analysis Fourier analysis: mathematical decomposition of any complex waveform into simple sinusoidal components Complex wave Joseph Fourier (1768-1830) Simple sine waves Frequency analysis Fourier synthesis: any complex waveform can be reconstructed (synthesized) from sine waves. Frequency and pitch Physical property: Frequency Psychological property: Pitch Simple sine waves Sine wave Complex wave Joseph Fourier (1768-1830) Vowel sound 13

Intensity Frequency analysis Sine wave Complex wave Intensity Place theory of hearing Cochlear fibers vary in length Tuned to vibrate at specific frequencies Different positions along the cochlea respond selectively to different frequencies to determine what pitch we hear Frequency Frequency Response to a low-frequency sound Response to a high-frequency sound Mechanical-to-neural transduction The inner ear converts the mechanical vibration into a sequence of electrical signals called action potentials. Place coding in the cochlea Tonotopic map of frequency: Different positions along the cochlea respond selectively to different frequencies 14

Place coding in the cochlea Action potentials are generated in the auditory nerve and propogated to the central nervous system. Intense (loud) sounds generate high levels of neural activation. Place Frequency Neural firing rate Intensity Temporal coding In addition to place coding, information is coded in the temporal synchronization of nerve spikes (temporal coding). Temporal coding Q: Why do animals generally have two ears? A: To locate the source of sounds they hear Phase Locking Volley principle Cues for sound localization: Interaural intensity (level) differences (IIDs) Interaural time (phase) differences (ITDs) Source: http://www.neurophys.wisc.edu/animations/ Sound Localization Sound shadow effect: At high frequencies, wavelengths are very short, and an animal s head will partially block the sound waves. 15

Interaural intensity differences: When a sound comes from a source located to one side of an animal s head, the difference in intensity between the two ears helps to localize the sound source. Interaural time differences: There is a slight delay in the time of arrival of the sound at the opposite ear that also helps sound localization. Hearing acuity (Hz) 160,000 80,000 40,000 20,000 10,000 small bat mouse rat dog owl monkey cow chimpanzee human elephant large Head size (interaural distance) After Sekuler and Blake (1990, p.344) Marler (1955) first studied alarm calls in different species of small passerine birds and found important acoustic similarities: Single, brief duration seet call Low amplitude High frequency (narrowband) Gradual onset Marler (1955) found that alarm calls in birds causes others to seek cover. Alarm calls in different bird species have similar structure: Single, brief seet call Low amplitude High frequency (narrowband) Gradual onset Unlike alarm calls, mobbing calls are made of: Repeated series of loud chuck calls Wide range of frequencies (broadband) Sudden sharp onset and offset Marler (1955) found that mobbing calls are repeated, loud calls that attract others. Unlike alarm calls, mobbing calls consist of: Repeated series of loud chuck calls Wide range of frequencies (broadband) Sudden sharp onset and offsets 16

Marler (1955) found that alarm calls in birds causes others to seek cover. Alarm calls in different bird species have similar structure: Single, brief seet call Low amplitude High frequency (narrowband) Gradual onset Marler (1955) found that mobbing calls are repeated, loud calls that attract others. Unlike alarm calls, mobbing calls consist of: Repeated series of loud chuck calls Wide range of frequencies (broadband) Sudden sharp onset and offsets American Robin see alarm call American Robin whinny call Marler suggested that alarm signals are shaped by strong selection pressures. Alarm calls reveal a clear trade-off between detectability and localizability. Small animals are better at detecting high frequencies than larger animals (e.g. predators) Sounds with a narrow band of frequencies and gradual onsets and offsets are hard to localize. Narrowband sounds are harder to localize than broadband sounds. High frequencies are linked to fear rather than attack Conclusions: Use brief, high-frequency sounds without sharp onsets to avoid localization Use longer, more intense, broadband sounds to attract attention Marler s hypothesis 1. Small animals are better at detecting high frequencies than larger animals (e.g. predators) 2. Sounds with gradual onsets and offsets are hard to localize 3. Narrowband sounds are harder to localize than broadband 4. High frequencies are linked to fear rather than attack 5. Mobbing calls are repeated in a loud voice to attract others Alarm call detection Depends on: 1. Amplitude of signal at the source 2. Attenuation characteristics of environment 3. Signal-to-noise ratio at the receiver 4. Sensitivity and discrimination ability of the receiver 17

Adaptation hypothesis Any given sound in the repertoire of a species has been favored by natural selection because its influence on the behavior of other animals is beneficial (i.e., raises the fitness of) the sender and/or his or her close relatives. Ecological constraints communicating via sound waves 1. energy costs 2. overcoming environmental obstacles 3. locatability of the source 4. rapid fading 5. range of physical complexity Advantages of sound 1. Sound bends around objects (leaves, tree trunks) that are opaque to visual signals 2. Allows for very rapid changes in pattern 3. Can be more precisely timed than chemical signals 4. Rapid signal decay 5. More precisely localizable than chemical signals Advantages of sound 6. Useful for small or cryptically colored species (grasshoppers, crickets, frogs, birds), animals that are nocturnal, or live in dimly lit environments. 7. Large body size allows whales and elephants to produce high intensity, low frequency sounds. Both of these properties increase the range (distance) over which they can communicate with conspecifics. Design features for long distance communication Calling individuals select particular depths and channel sounds so that they are detectable over a range as much as 100 miles. High intensity, low frequency sounds, large body size, good signal-to-noise ratio. 18