Syllabus for Science Fiction Science (NDL 138) Gustavus Adolphus College, January 2012

Similar documents
MPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014

Communications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45

PHOTOGRAPHY II SYLLABUS. SAMPLE SYLLABUS COURSE: AR320 Photography II NUMBER OF CREDIT HOURS: 3 PREREQUISITE: AR120

COMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30

BCN 1251C Construction Drawing Section: Credits Spring 2016

REL 4092/ ETHICS, UTOPIAS, AND DYSTOPIAS

JOU4308: Magazine & Feature Writing

RTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i)

CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018

Graduate students can expect to receive additional reading and different assignment details.

COWLEY COLLEGE & Area Vocational Technical School

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS COMPUTER APPLICATIONS FOR INTERIOR DESIGN: STUDIO II IDT2306

Basic Computer Aided Drafting (DFTG 1309) Credit: 3 semester credit hours (2 hours lecture, 4 hours lab) Prerequisite/Co-requisite: DFTG-1305

BCN 1251C Construction Drawing Section: Credits Fall 2016

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS AUTOCAD FOR INTERIOR DESIGN: STUDIO IV IDT 2305

ARTS 187: Introduction to Photography

Rushmore (1998) (Script and film) Little Miss Sunshine (1999) (Script and film) In Bruges (2004) (Script and film)

Advanced study of theatrical painting techniques. Lab and production work required. (3)

RTV 3101 (Summer 2014) ADVANCED WRITING FOR THE ELECTRONIC MEDIA

Mindfulness in the 21 st Century Classroom Site-based Participant Syllabus

RTV 3101 (Fall 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA

Syllabus: Screenwriting - Developing the Script

Department of Art and Art History Art 24, Drawing I, Section 02, Spring 2016

RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA

Black & White Photography Course Syllabus

Syllabus: Title of Course

COM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106

CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION

JOU 4311: ADVANCED MAGAZINE WRITING Weimer W: 10-11:30 a.m Available other days;

PHOT 296 Outdoor Photography Study Abroad Three (3) Credits

RTV 3101 (Spring 2017) ADVANCED WRITING FOR THE ELECTRONIC MEDIA

FMST 310: SCREENWRITING Spring 2013 T, TH: 10:00am to 11:15am 206 Newton Michael Herman, Instructor

J316 Introduction to Photographic Communication

This class will be partially online, and partially physical. See day by day schedule below.

ENG 323: Writing and Editing for Publication Course Syllabus Winter 2015 Professor Welsh

NARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm

Department of Art Fall ARTH 1306, Section 001 HISTORY OF WORLD ART II Seamon Hall, Room 210, TR 1:30 2:50 pm

A R T D R A W I N G I Fall 2015 Section 0214 Friday 8:50am to 1:00 pm Room: Pacoima City Hall Van Nuys Blvd.

RTV3320 EFP II - Screenwriting and Producing

Christan Grant and Andrew H. Fagg: CS

San José State University Theatre, Radio, Film, TV, Animation/Illustration ADVANCED SCRIPTWRITING TA 129 (#27132) Spring, 2011

Mindfulness in the 21 st Century Classroom Online Syllabus

COM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed :50am L & L 307

Student s Signature Completion Date. High School Teacher s Signature Date. Recommended Grade High School. COCC Review Instructor s Signature

Make Your First Short Film (Hybrid) COURSE SYLLABUS

Student Ability Success Center (SASC) Procedures for Receiving Test Accommodations. effective 8/9/18

RTV 3101 (Summer 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA

Course Syllabus OSE 4240 OPTICS AND PHOTNICS DESIGN, 3 CREDIT HOURS

INTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS ARCHITECTURAL DRAWING W/LAB CID 1210

UCLA Department of Film, Television and Digital Media FTV 183a: Introduction to Producing

CAD RESIDENTIAL AND COMMERCIAL DRAFTING WITH CADD 3 Semester Hours

Lantern Independent Study

UCLA Extension Writers Program Public Syllabus. Writing for Animation

1. Demonstrate the ability to manipulate shutter speed, aperture, and other camera controls to correctly expose an image using the camera meter.

ARTS 187: Introduction to Photography

ADVANCED DIGITAL PHOTOGRAPHY MASS MEDIA 4321 SPRING 2018

ARH 311: History of Italian Art from the 15th to the beginning of the 17th Century

CENTRAL MICHIGAN UNIVERSITY OFF-CAMPUS PROGRAMS COURSE SYLLABUS

This course satisfies the Creative Arts core curriculum requirement.

Ornithology BIO 426 (W/O2) (Spring 2013; CRN 33963) (tentative, version 26th January 2013)

Math (Fall 2012) Elementary Differential Equations CRN: 86059

SFR 406 Remote Sensing, Image Interpretation, and Forest Mapping Spring Semester 2015

A Tale of Two Depressions

405) Prerequisit. cies. ncluding size. 3. Create a set of. c5-3,c6-3,c7-33 ,C7-3 SCANS:C5-3, interviews. research, the.

Every Edit is a Lie. -Jean-Luc Godard

MUS 313 Classroom Instrument Performance Spring 2016

SOCIETY and TECHNOLOGY SOCIOLOGY 166 Spring 2013

3. Department of Communication Philosophy

Los Angeles Mission College

SPRING TERM 2016-JOURNALISM 1140 PHOTOGRAPHY IN COMMUNICATIONS THE COURSE

MOREHEAD STATE UNIVERSITY

BASIC DIGITAL PHOTOGRAPHY SPRING 2017

DIGF 6B21 Ubiquitous Computing

Los Angeles Mission College Art 201, #17692/17711 DRAWING I 3 Units, Spring 2018 (Feb. 5-June 4) Room: Pacoima City Hall No prerequisite needed.

College of Optics & Photonics

ENG 399: American Detective Fiction Course Syllabus Summer 2013 CRN MTWR 12:00-1:50 p.m. 246 Gerlinger Hall

ALL WORK IS DUE AT THE BEGINNING OF CLASS / LATE WORK WILL NOT BE ACCEPTED, GRADED OR COMMENTED ON / NO EXCEPTIONS.

Syllabus for TVF 318 Fundamentals of Scriptwriting 3 Credit Hours Fall 2014

ART 20L: INTRODUCTION TO DRAWING

CAPILANO UNIVERSITY COURSE OUTLINE

REQUIRED Kushner, Tony. Angels in America Part One: Millennium Approaches. TCG.

Clough Hall 417 Office: Clough Hall 412 Office hours: Tues. & Thurs. 9-10:30 AM, or by appointment

Architectural Drafting (DFTG 1317) Credit: 3 semester credit hours (2 hours lecture, 4 hours lab)

Textbooks (REQUIRED): 1. Snyder, Blake. Save The Cat, The Last Book On Screenwriting That You ll Ever Need. Michael Wiese Productions, 2005.

SHORT COURSE CATALOG DESCRIPTION:

Latin America Since Independence Spring HIST 370B 001. Professor: Dr. José D. Najar Faner Hall 1228

A r t s : D r a w i n g - I C l a s s M e e t i n g s : F 1 0 : : 3 0 pm I n s t r u c t o r : J u l i a L a m b r i g h t

Photography COMM 1316 SUMMER 2017

Advertising & Marketing Law (Law 712) Eric Goldman Spring 2011

UCLA Extension Writers Studio, February Courage and Craft: A Writing Workshop to Jumpstart Your Creativity Barbara Abercrombie

DEPARTMENT OF ARTS & EDUCATION COURSE OUTLINE WINTER 2015 EN1220 (A3): TEXTS AND CONTEXTS SPECULATIVE FICTION 3 (3-0-0) 45 HOURS

Note: This course contains books with adult themes including sexual assault, murder, suicide, nudity, and other controversial topics.

COURSE DESCRIPTION: COURSE OBJECTIVES:

Course Syllabus OSE 3200 Geometric Optics

COURSE OBJECTIVES As a result of participating in this course, students will be able to:

ESSEX COUNTY COLLEGE Engineering Technologies and Computer Sciences Division ENR 103 Engineering Graphics and Introduction to CAD Course Outline

ESSEX COUNTY COLLEGE Engineering Technologies & Computer Sciences Division ENR 106 Intermediate Computer-Aided Design Course Outline

2. Pre-requisites - CGS 2425 and MAC 2313; Corequisite - MAP 2302 and one of: EEL 3105, MAS 3114 or MAS 4105

Intro to Interactive Entertainment Spring 2017 Syllabus CS 1010 Instructor: Tim Fowers

Transcription:

Syllabus for Science Fiction Science (NDL 138) Gustavus Adolphus College, January 2012 Course description: This course combines a survey of the science used in science fiction with an exercise in the creative writing of a science fiction short story. Class times and locations: Lecture/Discussion: MTuWThF 12:30 2:20 PM, 305 Nobel Hall Media presentation: MTuWTh 3:00 4:50 PM, 305 Nobel Hall Due to varying lengths of media presentations, start and/or finish times of this session may vary on a daily basis. Professor: Dr. Thomas Gardner Office: 303A Nobel Hall Telephone: 507 933 6327 E Mail: tgardner@gustavus.edu Teaching Assistant: Kirsten Woodard Office Hours: By appointment only. Materials: Readings: Worlds of Wonder: How to Write Science Fiction and Fantasy by David Gerrold This book is your primary guidance for understanding how to write with quality your science fiction project story. Science without the Boring Bits by Alok Jha This provides brief supplemental readings on many of the topics we cover in this course. Science Fiction stories for discussion: Week 1: The Andromeda Strain by Michael Crichton A team of scientists race to stop a deadly alien virus. Week 2: The Man Who Folded Himself by David Gerrold A man is given a gift by an uncle: A belt that serves as a time machine. Week 3-4: The World Without Us by Alan Weisman Speculative non-fiction on what would happen on the Earth if humans suddenly disappeared or died off. Wikibooks will be made available as PDF books on Moodle. Additional short readings will be provided on Moodle on an ad hoc basis. Page 1 of 5

Grading: Writing Project: 50 % Short assignments: 20 % Book and Film discussions: 30 % I reserve the right to revise the grading scale as seems appropriate for the class. The Writing Project: The writing project for this course is to create a short story within the science fiction genre. The definition for a short story varies, but for purposes of standardization I am adopting the Science Fiction and Fantasy Writers of America definition as being a literary work of 7,500 words. Stories longer than this are acceptable, as are those shorter given sufficient artistic justification. Works should be submitted as a Word document in double-spaced 12-point Times Roman with 1-inch margins. A 7,500- word story equates to roughly 30 pages in this format, and approximately 40 minutes if read orally (as in a radio play), which is the length of a one-hour television program in four acts. The story should be a work of science fiction (and not one of fantasy). It can be hard or soft sci-fi, but must have a basis in believable scientific facts and do its best to observe scientific laws. There are four hard deadlines for this project, as listed below; however, it is expected that you should have material ready well in advance of these deadlines in order to provide you with time to complete your story. On Friday of the first week, you should have a core concept for your story (with 1-2 back-up plans in reserve if needed). On Friday of the second week, you should be prepared to submit an outline for your story. On Friday of the third week, we will have an in-class peer review of your rough draft. On the last Thursday of the course, we will have readings/presentations of your final draft stories. You are at liberty to create other story media, such as plays, radio plays, or cinematic presentations if these suit your interests and the nature of the story; however, these are entirely your option, and will not contribute favorably or unfavorably to your project grade. Whatever your medium, you are still required to submit a written story, and to make an oral presentation on the final Presentation Day. Classroom Expectations: Attendance: Preparation: You are expected to attend class and the media presentations on a regular basis. You should consider the class your opportunity to interact with a professional scientist and writer in your endeavor to optimize your understanding of the subject. It is strongly suggested that you review relevant supplemental material to topics under discussion as needed. Materials required for deadlines are discussed as a class, they are not accepted late. Page 2 of 5

Participation: Homework: Resources: You are expected to participate fully in the classroom experience, and you will be evaluated on your participation. Distractions such as personal conversations or engaging in non class activities are not advisable. The use of phones is prohibited, and phones should be set with ringers off or turned completely off during class. The use of laptops is prohibited unless required for the class session. Recording of the lecture in either audio or video format is prohibited; however, I may record certain sessions for private use in evaluating performance and improving future offerings of the course. Short answer and essay homework shall be assigned periodically. In addition to the above listed resources available to you for your success in this course, you are also encouraged to seek assistance from: the professor during office hours, the teaching assistant for the course, the Office of Student Advising, and the campus Writing Center (a valuable resource to you as you develop and revise your story project). Disclaimers: Science fiction is a genre that deals with speculative and often controversial and mature subject matter. As such, media presented in this course may contain violence, profanity, brief nudity, and controversial ideas. Furthermore, opinions stated by the professor in class are sometimes offered for the purpose of stimulating discussion, and should not necessarily be assumed to be his actual beliefs, nor do they necessarily represent the position of Gustavus Adolphus College. Comments made in class are to be held confidential, and are not to be published publicly and out of context (e.g., on the Facebook page Overheard at Gustavus ). Disabilities: Section 504 of the Rehabilitation Act of 1973 and the Americans with Disabilities Act of 1990 work together to ensure reasonable accommodation and non discrimination for students with disabilities in higher education. Any student who has a physical, psychiatric/emotional, medical, learning, or attention related disability that may have an effect on the student s ability to complete assigned course work should contact the Disability Services Coordinator in the Advising Center, who will review the concerns and decide with the student what accommodations are necessary. ESL/ELL: The Writing Center has on staff a part time tutor with professional training in ESL/ELL instruction. Students can schedule work with this tutor by contacting the Writing Center. Students may bring their instructors documentation concerning their ELL status. Where it is appropriate, faculty may choose to allow such students more time to complete either in or out of class writing assignments. For further information, contact the Academic Advising Office. Page 3 of 5

Tentative Course Schedule: The first session of each day (M F) is for discussion of the previous day s media, and presentation of new lecture and discussion material according to the tentative schedule below. The second session (M Th) is for media presentations, to be announced daily. Tu 3 Jan Intro to the course / Intro to Science Fiction & Futurism W 4 Jan Writing Science Fiction Th 5 Jan World building F 6 Jan Alien life and intelligence M 9 Jan Discussion of The Andromeda Strain / Linguistics Tu 10 Jan Spaceflight W 11 Jan Cultural interactions Th 12 Jan Materials, Energy & Weapons F 13 Jan Review of story outlines / Time Travel M Tu W Th F M Tu W Th F 16 Jan Discussion of The Man Who Folded Himself / Computers, Robots and Androids 17 Jan Improving Life 18 Jan Sex, Reproduction, Mutations & Cloning 19 Jan Mind Powers & Mind Control 20 Jan Peer review of rough drafts 23 Jan Plagues, Extinctions & Overpopulations 24 Jan Climate Change 25 Jan Discussion of The World Without Us / Doomsday Scenarios 26 Jan Presentation of Final Projects (all Projects due at the start of class) 27 Jan Presentation of Final Projects Student Responsibility: I never teach my pupils; I only attempt to provide the conditions in which they can learn. Albert Einstein At Gustavus, we want students to be active in their own education. One of the differences between your college experience and your previous educational experiences is the responsibility born by each party. Your teachers here are less likely to simply disseminate facts that you must regurgitate on an exam later; rather, they are guides who will provide opportunities for you to expand your understanding of the world in which we live. Gustavus faculty members provide the opportunities for you to learn, but you must take advantage of those opportunities. I will do my best to help you understand the material, but you are ultimately responsible for that understanding. Page 4 of 5

Academic honesty: As a community of scholars, the faculty and students of Gustavus Adolphus College have formulated an academic honesty policy and honor code system, which is printed in the Academic Bulletin and in the Gustavus Guide. Academic Information and Policies, General Catalog https://gustavus.edu/general_catalog/current/?pr=acainfo The Honor Code at Gustavus is an expression of the importance with which we view academic integrity. Each faculty member is required to implement the Honor Code, and to define what is (or is not) authorized aid. It is the students' responsibility to ask clarifying questions when there is confusion regarding academic honesty. In this class, it is the assumed that students are honest about their work. It is also understood that sometimes the boundaries can seem "fuzzy." If you find yourself in a situation where you are unclear about attributions or the use of sources, please ask. In the professional realm, issues of plagiarism and/or fabrication have ruined careers, and academic dishonesty can ruin a career before it begins. The first instance of cheating on an assignment or exam will result is a score of zero for that assignment or exam, and the Dean s Office will be informed of the incident. The second instance will result in a failing grade for the course. To impress upon you the importance of these two items (student responsibility and academic honesty), I require that you sign the following contractual pledge and return this signed page to me on the first day of class. A copy of this page for your records is available upon request. On my honor, I pledge that I will not give, receive, or tolerate others use of unauthorized aid in completing my work. Signature date Printed name student ID Page 5 of 5