Passive Synthesis Heidegger, Zollikon Seminars (copies) Husserl, Analysis of. Husserl, Ideas I, 1-10, 18-26, 52, 40

Similar documents
This course satisfies the Creative Arts core curriculum requirement.

Ide, Don. Technology and the Lifeworld: From Garden to Earth (Bloomington: Indiana University Press, 1990).

20 th -Century Continental Philosophy: Martin Heidegger PHIL

PHIL 164 Technology and Human Values

A r t s : D r a w i n g - I C l a s s M e e t i n g s : F 1 0 : : 3 0 pm I n s t r u c t o r : J u l i a L a m b r i g h t

SCHOOL OF INDUSTRIAL DESIGN

Latin America Since Independence Spring HIST 370B 001. Professor: Dr. José D. Najar Faner Hall 1228

Queen s University Department of Sociology. SOCY430 Consumer Culture. Winter 2017 Course Outline

Boston University Study Abroad London Contemporary British Literature CAS EN 388 (Elective B) Spring 2016

MPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014

This class will be partially online, and partially physical. See day by day schedule below.

The United States Since World War II HIS Spring 2015, TR 12:30-1:45, MHRA 2211

University of Wisconsin-Madison, Nelson Institute for Environmental Studies September 2, 2014

Individual and Society

Ec 4325: The Economic Development of Japan Fall 2003 (TR 9:10-10:25 AM) Office Hours: Thursday 2-4 Office Hours: Tuesday 1-3 and by appointment

Introductory Psychology (1030H, 1101, & 2101) Spring 2016 Research Participation (RP) Information

ARH 311: History of Italian Art from the 15th to the beginning of the 17th Century

THE UNIVERSITY OF WESTERN ONTARIO DEPARTMENT OF PHILOSOPHY Undergraduate Course Outline Philosophy 2300F: Philosophy of Science

Human Evolution ANT Spring 2018

Instructor: Brian Richardson. Time: Monday, Wednesday and Friday, 7:30 to 9:45 Course webpage:

CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018

PHOT 296 Outdoor Photography Study Abroad Three (3) Credits

Office: SS632 Winter Term Telephone: or Office Hours: MWF 10:00-11:00 or by appointment Address:

JOU Advanced photojournalism II. Class meetings: Wednesdays, 5:10-8:10 p.m. (Section 1648) Professor: Phone:

Clough Hall 417 Office: Clough Hall 412 Office hours: Tues. & Thurs. 9-10:30 AM, or by appointment

University of Vermont Economics 260: Technological Change and Capitalist Development

U252 - Environmental Law Monday and Wednesday 11:00 a.m. -12:20 p.m. in SSPA 1165

PHIL 510 Philosophy of Science Science and Values

Los Angeles Mission College Art 201, #17692/17711 DRAWING I 3 Units, Spring 2018 (Feb. 5-June 4) Room: Pacoima City Hall No prerequisite needed.

Website:

USC School of Cinematic Arts Production Planning CTPR 425. Syllabus. Spring Instructor: Robert L. Brown

MEC-E9110 Introduction to History of Science, Technology & Innovation L (3-6 ECTS) Spring 2016/17

NARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm

Rev. December 2016 Angelina College Fine Arts Division ARTS 2356 /COMM 1318 Photography Instructional Syllabus Spring 2017 Instructional Syllabus

CALEDONIAN COLLEGE OF ENGINEERING, MODULE HANDBOOK. Department of Electrical & Computer Engineering SULTANATE OF OMAN M1H Electronic Devices

PHOTOGRAPHY II SYLLABUS. SAMPLE SYLLABUS COURSE: AR320 Photography II NUMBER OF CREDIT HOURS: 3 PREREQUISITE: AR120

BARRY UNIVERSITY COLLEGE OF ARTS AND SCIENCES COURSE SYLLABUS. ART 101B-01 TWO DIMENSIONAL DESIGN FALL 2018 M/W 1:00pm 2:20pm, ADRIAN 218

Lingnan University Department of Philosophy

CAT 3C Controlling Life Professor Naomi Oreskes T TH 9:30-10:50 Pepper Canyon Hall

Communications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45

BCN 1251C Construction Drawing Section: Credits Spring 2016

Advertising & Marketing Law (Law 712) Eric Goldman Spring 2011

Lingnan University Department of Philosophy

DOCTORAL RESEARCH METHODS IIB (COMMUNICATION AND THE STUDY OF MEANING) Glasser/Communication 314 Stanford University Spring Quarter 2006

DYNAMIC MEDIA INSTITUTE MFA: DESIGN COURSES

C A P I L A N O UNIVERSITY COURSE OUTLINE TERM: Fall 2014 COURSE NO.: IDF 233

Introductory Psychology (1030H & 1101) Fall 2017 Research Participation (RP) Information

COM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed :50am L & L 307

News Photography COMM 1317 Spring 2017

Data Subject Code American literature II: from the 19th to the 21st centuries. Study (s) Degree Center Acad. Period

SHORT COURSE CATALOG DESCRIPTION:

DISCIPLINE DESCRIPTION

NORTH CAROLINA STATE UNIVERSITY GRADUATE COURSE ACTION FORM

SEMN Kalamazoo College Imagining Possible Worlds: Science Fiction, Fantasy, and Philosophy First-Year Seminar Fall 2017

MEC-E9120 Perspective on Industrial and Technological Change L (3-6 ECTS) Spring 2017/18

SCIENCE DOCUMENTARY TELEVISION

Primary Art 8 Week Mrs. Kat Bunker Carr 246A Office hours are T 8-2 and R from 8-10

Course Syllabus. Week 1: Philosophy of the Social Sciences and its Subject Matter

History 3209: History of Technology

English 230. English 230: Film Studies--Film Noir T/Th 10-11:15 Dr. John Lamb 424 Stansbury Hall

Women Writers of the American West ENGL Fall 2006

1. Demonstrate an understanding of the developing history of the English Bible.

How to write a good short story >>>CLICK HERE<<<

19 TH CENTURY U.S. HISTORY TOPIC: GILDED AGE/PROGRESSIVE ERA HIST 457/557 WINTER 2017 MW, 2:00-3:20

Anthropology 338 Economic Anthropology

PHIL 164 Technology and Human Values

SFR 406 Remote Sensing, Image Interpretation, and Forest Mapping Spring Semester 2015

ARTH 341 Fall 2017 Renaissance Art in Northern Europe TR 1:30-2:45pm Art and Design 2026

Introduction to the Philosophy of Technology

ADVANCED DIGITAL PHOTOGRAPHY MASS MEDIA 4321 SPRING 2018

Fall 2018: DRAW 2308 ADVANCED DRAWING 1: LIFE DRAWING Monday/Wednesday- CRN :30-11:20 am-room 218 PRO

As we rapidly approach summer you should be aware of your right to apply for unemployment benefits (UIB).

ENGLIT 0522 INTERACTIVE FICTION AS LITERATURE. Dr. Patrick Scott Belk, Biddle Hall 225, Office Hours: 10:00 AM-12:20 PM TTh,

San José State University Department of Art & Art History PHOT 112, Color Photography Section 1, Spring 2018

DEPARTMENT OF CLASSICAL STUDIES COURSE OUTLINE: Classical Studies 2810A/Film Studies 2198A ANCIENT GREECE IN FILM AUTUMN 2013

Wayne State University Studio Art Therapy AED Credits Winter 2012

Sculpture II & III Syllabus, ART 3700 & 4700 Fall 2017

1 of 6. IT 1303 ENGINEERING DRAWING Fall Instructor. Phone:

JOU 4311: ADVANCED MAGAZINE WRITING Weimer W: 10-11:30 a.m Available other days;

COM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106

T 11:00 12:00, and by appointment. Italy in Film and Literature

Levels of Description: A Role for Robots in Cognitive Science Education

In this course students will continue with their studies of keyboard technique, harmonization, improvisation, sight reading and solo repertoire.

FYE First Year Experience: Science Fiction

Academic Course Description. VL2004 CMOS Analog VLSI Second Semester, (Even semester)

Syllabus for Science Fiction Science (NDL 138) Gustavus Adolphus College, January 2012

The Darwinian Revolution HSTR 282CS Spring 2014

Course Information. ARTF 1302 Basic Drawing I (Spring 2017) Computer Science Bldg. Room# 218. Instructor Contact Information BASIC DRAWING I

The Rules For Behavior at Universities Face-to-face Meetings and Greetings

MGMT 452 Family Business Management COURSE SYLLABUS Fall 2013

Department of Art Fall ARTH 1306, Section 001 HISTORY OF WORLD ART II Seamon Hall, Room 210, TR 1:30 2:50 pm

DEPARTMENT OF ARTS & EDUCATION COURSE OUTLINE WINTER 2015 EN1220 (A3): TEXTS AND CONTEXTS SPECULATIVE FICTION 3 (3-0-0) 45 HOURS

A Tale of Two Depressions

ART 121 SYLLABUS AND COURSE OUTLINE INTRODUCTION TO STUDIO: 3-D ART FOUNDATIONS SPRING 2009-TUESDAY & THURSDAY 1:10-4:00 PROFESSOR CALISCH

Prof. Kelly Carr Photography 1: Digital Summer (202) art department office Office Hours By Appointment

AWQ 30 Photography - Grade 11 Open McEwan

Scene Painting for the Theatre UNH Department of Theatre and Dance. Course Syllabus. Professor: Szu-Feng Chen

Musorgsky By Richard Taruskin READ ONLINE

Travel Writing: Getting Paid to See the World. Justin Bergman. Stanford Continuing Studies. Creative Writing Program. Winter 2015

CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION

Transcription:

1 of 5 4/5/2006 12:11 PM Welcome to the Website of Philosophy 820 Topics in the History of Philosophy: Husserl and Heidegger, Spring Semester 2004, University of Kansas Dr. Christian Lotz Tentative Schedule (last UPDATE: 03/28/2004) Number Date Topic Reading Focus of Discussion 1 Jan 26 Intentionality 2 Feb 2 Example Analysis: Perception (Husserl) and Remembering (Heidegger) Husserl, Analysis of Passive Synthesis Heidegger, Zollikon Seminars (copies) Husserl, Analysis of Passive Synthesis Heidegger, Zollikon Seminars (copies) 3 9 Husserl, Ideas I, 1-10, 18-26, 52, 40 4 16 Intentionality and Reduction Husserl, Ideas I, 1-10, 18-26, 52, 40 Protocol General Assignments Clark Nick 18-26 Piotr 18-26 Marit 5 23 Intentionality Husserl, Ideas I; 27-55, 27-37 no protocol Additional 27 Transcendental Subjectivity, Intentional Analysis 6 Mar 1 Evidence, Actuality, Transcendental Subjectivity, Ego 7 8 Heidegger, Intentionality Heidegger - Husserl 8 15 Heidegger's Critique of Husserl Husserl, Cartesian Meditations, 1-22, Ideas I 63-75 Husserl, Cartesian Meditations, 23-41 Heidegger, Basic Problems, 7-9, Heidegger, History of the Concept of Time, 5 Heidegger, History of the Concept of Time, 10-12; Heidegger, Basic Problems, 15, Heidegger, Letter to Husserl (1926) 8-21 Aaron Additional 23-33 Anne James Cliff

2 of 5 4/5/2006 12:11 PM 9 22 Spring Break Spring Break Spring Break Spring Break Being and Time 10 29 Heidegger Heidegger, Basic Problems, 15 Additional Apr 2 Hermeneutic Heidegger, Being and Time, 1-8 11 Apr 5 World Heidegger, History of the Concept of Time, 21-23 12 12 Understanding Heidegger, Being and Time, 28-34 13 19 Language, Truth Heidegger, Being and Time, 41-44; Lafont, Heidegger, Language and World-Disclosure, 1-29 14 26 Language Lafont, Heidegger, Language and World-Disclosure, 1-85 15 May 3 Death, Certainty Heidegger, Being and Time, 45-53 no protocol Spring Break 4,5, 7 Joseph Additional Kara 31-34 Nathan Guest Speaker Guest Speaker Dusan Guest Speaker 16 10 Wrap Up Wrap Up Wrap Up Wrap Up Class Paper Due Oral Examination Class Meetings: Days: M Time: 7:00 PM - 8:50 PM Place: Wescoe 3097 Office: Phone: 864.2322 Place: 3050 Hours: MWF (7:45am-8:15am; 9:30am-10:00am), M (6:00pm-7:00pm) by appointment and by phone (see home phone) Exceptions: Other Contact: E-mail: lotz@ku.edu Home Phone: 785.832.1674 (please do not hesitate to call me, if you do not have time to stop by my office) Webpage: URL: http://www.people.ku.edu/~lotz/ (Please check the webpage regularily for the current schedule) Additional Material Online: URL: http://philosophy.kicks-ass.net:8000/phil820 Box: You will find my box in Wescoe Hall, 3090 (and in front of my office, Wescoe Hall, 3050)

3 of 5 4/5/2006 12:11 PM Course Description: The focus of this graduate course will involve a consideration of the movement between transcendental and hermeneutical phenomenology, that is to say, of the shift that took place between Husserl and Heidegger. In particular, we will study key ideas in phenomenology, such as intentionality, perception, consciousness, and world from each thinker's perspective. We will also pay special attention to Husserl's and Heidegger's basic methodological assumptions and general conceptions. In the first part of the class, we will cover introductory themes that are of central importance for both Husserl and Heidegger, while in the second part of the class, we will focus on the differences between a transcendental and a hermeneutical approach to philosophy. Due to the fact that Husserl's and Heidegger's oeuvre is far too complex to cover adequately within one semester-long course, we will mainly pay attention to Husserl's transcendental works (leaving aside his Logical Investigations and his Crisis) and to Heidegger's early works, which were written during his Marburg period. More specifically, we will study and discuss selections from Husserl's Ideas I and his Cartesian Meditations, as well as from Heidegger's The History of the Concept of Time and Being and Time. Requirements Protocol, essay, final oral examination, daily slow reading (10 pages) Required Texts We will read selections from the following texts that are far too complex to be all closely studied in one seminar, or even five seminars. You should purchase these texts, although we will only discuss portions in class; a fragment can only be understood in its relation to the whole. Husserl, Edmund, Ideas Pertaining to a Pure and to a Phenomenological Philosophy I (Ideas I), Collected Works, Volume 2, Tr. By Fred Kersten, Paperback, ISBN 90-247-2852-5 Husserl, Edmund, Cartesian Meditations, An Introduction to, translated by D. Cairns, ISBN 90-247-0068-X, Paperback Heidegger, Martin, Being and Time, Harper San Francisco, ISBN: 0060638508 Heidegger, Martin, History of the Concept of Time, Paperback, Indiana University Press, ISBN: 0253207177 Heidegger, Martin, The Basic Problems of, Indiana University Press, ISBN 025320478X Selected Introductory Literature Husserl Heidegger Sokolowski, Robert, Introduction to Phenomenoloy, Cambridge, U.K. ;New York: Cambridge University Press, 2000 Moran, Dermot, Introduction to, London; New York: Routledge, 2000 Zahavi, Dan, Husserl's, Stanford UP 2003 Kisiel, Theodore J., The Genesis of Heidegger's Being and Time, Berkeley: University of

4 of 5 4/5/2006 12:11 PM California Press, 1993 Tugendhat, Ernst, Self-consciousness and Self-determination; translated by Paul Stern, Cambridge, Mass.: MIT Press, 1986 (contains three lectures on Heidegger) Richardson, William J., Heidegger: Through to Thought. The Hague, Martinus Nijhoff, 1967 (new edition, paperback, available, 2003) Safranski, Rüdiger, Martin Heidegger: Between Good and Evil; translated by Ewald Osers, Cambridge, Mass. : Harvard University Press, 1998 Blattner, William D., Heidegger's Temporal Idealism, Cambridge, U.K.; New York: Cambridge University Press, 1999 Dreyfus, Hubert L., Being-in-the-world: a Commentary on Heidegger's Being and Time, division I, Cambridge, Mass. : MIT Press, 1991 Gelven, Michael, A Commentary on Heidegger's Being and Time, Dekalb, Ill.: Northern Illinois University Press, 1989 Course Format The course will be organized such that, ideally, each class period will include [i] "interactive" lecture, [ii] protocol discussion and/or [iii] discussion time. Students will be asked to [a] study a certain text or part of a text for the next class period. Protocol The class protocol must in principle be about the readings for class and should cover our discussion in class. Protocols should have a length of around 2-3 pages, and they will in and outside of the classroom force us to have an ongoing reflection on our texts that we study for class. They can also include problems or questions that the writers had either with our class discussion or with the texts itself. Protocols have to be sent out to other students in class by email on every Friday. In addition, a paper copy must be placed in the box in front of my office. It is your responsibility to make sure that you received a protocol. I'll radically mark down late turn ins. The protocol team will go over their own protocol one week later, it will address questions during the first 20 minutes of the next class meeting, and it will lead the class discussion. General Remark Given that this is a graduate seminar I expect self-motivation as well as self-responsibility. Class Paper The final essay topics must be [1] connected to one of the texts in class as well as [2] to one of our topics. You should talk with me about the topic of your paper. I do not expect long research papers; rather I expect interpretation papers, which show evidence that you are able to read closely sections from one of the texts that we discussed in class. Final Oral Examination There will be one final oral examination (20-30 minutes). You can choose selections from either Ideas I, Cartesian Meditations or Being and Time, about which I will raise questions. Note: This is a pass/fail exam! Either you earn 10 points (=excellent performance) or you loose 10 points. Course Evaluation You will be evaluated on the basis of: 1 protocol 10 points (pass/fail)

5 of 5 4/5/2006 12:11 PM 1 final oral exam 10 points (pass/fail) 1 class paper (around 10-15 pages) 80 points = 100 points Grading: Plagiarism A (superior performance): 100 90 B (good performance): 89 80 C (adequate performance): 79 70 D (poor performance): 69 60 F: below 60 In any essay or exam answer submitted for assessment, all passages taken from other people's work must be placed within quotation marks, with specific reference to author, title and page. No excuse can be accepted for any failure to do so, nor will inclusion of the source in a bibliography be considered inadequate acknowledgement. If the marker decides that plagiarism has occurred, the student may be judged to have failed the class. Guest Speaker Prof. Cristina Lafont (web page) will give a public lecture entitled "Heidegger and Putnam on the Synthetic Apriori" on Tuesday, April, 27 at 4:30pm. She is Associate Professor in the Philosophy Department at Northwestern University and earned her Ph.D. as well as her Habilitation from the University of Frankfurt (Germany). She specializes in German philosophy, particularly hermeneutics and critical theory. She has also published in philosophy of language and contemporary ethics. She published two books: 1. Heidegger, Language and World-Disclosure (Cambridge: Cambridge University Press, 2000), 2. The Linguistic Turn in Hermeneutic Philosophy (Cambridge, MA: MIT Press, 1999). Prof. Lafont will attend our seminar on Monday, April, 26 for a discussion of a selected chapter of her book on Heidegger. Please make a copy of this text that you'll find in the box in front of my office. I expect that you are well prepared for this meeting. Finally, I expect that everyone will be attending both the seminar and the lecture. Back to Homepage