The Hobbit (1937) (Bilbo Baggins) J.R.R. Tolkien ( ) (Thorin Oakenshield) 12

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The Hobbit (1937) (Bilbo Baggins) J.R.R. Tolkien (1892-1973) (the) hero hero (anti-hero) (Thorin Oakenshield) 12 (there and back again) Shippey Shippey

Shippey

1 2 the Elder Edda 13 Anderson (important) 1 2 Anderson The Annotated Hobbit (London: Harper, 2003)

I you Lodge you He was only a little hobbit you must remember (53) you you

You are familiar with Thorin s style on important occasions, so I will not give you any more of it, though he went on a good deal longer than this. It certainly was an important occasion, but Bilbo felt impatient. By now he was quite familiar with Thorin too, and he knew what he was driving at. (267) familiar Farewell, wherever you fare, till your eyries receive you at the journey s end! the Last Homely House (home) fairy-tale-hero On Fairy-Stories (1964) epic-hero 3 (Faërie) 3 Frodo and Aragorn Flieger The Lord of the Rings (1954-55) fairy-tale hero epic/romance hero

Smith of Wootton Major (1967) (Gandalf) (Beorn) The day will come when they will perish and I shall go back! (165) they Silmarillion (1977) The (Bard) (the bold men from the South) were-bear curses home to Smaug (57)) ( bring our [the dwarves ]

a great many spells (83) my house is open to you, if ever you come back this way again (183) No treasure will come back through Mirkwood without my having something to say in the matter (253) burglar

(the Lonely Mountain) 4 (the real battle) 4

Shippey reality the labours and the sorrows of his race (323) about which [the treasure] were wound old memories of

Thomas (domestic) Thomas 179 One of the most potent elements in that fusion [of old and new ethos in Beowulf] is the Northern courage: the theory of courage, which is the great contribution of early Northern literature. This is not a military judgement. [ ]. I refer rather to the central position the creed of unyielding will holds in the North. [ ]. At least in this vision of the final defeat of the humane (and of the divine made in its image) [in the Northern myth], [ ], we may suppose that pagan English and Norse imagination agreed. ( The Monsters and the Critics 20-21, emphasis added)

Lord of the Rings The Silmarillion The 5 5

( Back to the Mountain! (318)) The Silmarillion of the Mountain) (the Heart

6 227 7 6 7 Mountain, [ ]. But things may change yet (335) You are not making a very splendid figure as King under the

It [the Battle of the Five Armies] was a terrible battle. The most dreadful of all Bilbo s experiences, and the one which at the time he hated most which is to say it was the one he was most proud of, and most fond of recalling long afterwards, although he was quite unimportant in it (341) Suddenly there was a great shout, and from the Gate came a trumpet call. They [the friends] had forgotten Thorin! [ ]. Out leapt the King under the Mountain, and his companions followed him. [ ] they were in shining armour, and red light leapt from their eyes. In the gloom the great dwarf gleamed like gold in a dying fire. (343)! 8 8

It will not be long now, [ ], before [ ] we are all slaughtered or driven down and captured. Really it is enough to make one weep, after all one has gone through. [ ]. I have heard songs of many battles, and I have always understood that defeat may be glorious. It seems very uncomfortable, not to say distressing. [ ]. (344-45) 9 9 Anderson the King Edward s School

I [Bilbo] wish Thorin were living, but I am glad that we parted in kindness. You are a fool, Bilbo Baggins, and you made a great mess of that business with the [Arken]stone; and there was a battle, in spite of all your efforts to buy peace and quiet, but I suppose you can hardly be blamed for that. (348-49)

Auden, W.H. The Quest Hero. Isaacs and Zimbardo 40-61. Carpenter, Humphrey. J.R.R. Tolkien: A Biography. London: Harper, 2002. Flieger, Verlyn. Frodo and Aragorn: The Concept of the Hero. Tolkien: New Critical Perspectives. Ed. Neil D. Isaacs and Rose A. Zimbardo. Lexington: The UP of Kentucky, 1981. 40-62. ---. Interrupted Music: The Making of Tolkien s Mythology. Kent: The Kent State UP, 2005. Flieger, Verlyn, and Carl F. Hostetter, eds. Tolkien s Legendarium: Essays on the History of Middle-Earth. Westport: Greenwood, 2000. Frye, Northrop. First Essay: Historical Criticism: Theory of Modes. Anatomy of Criticism: Four Essays. Princeton: Princeton UP, 2000. 31-67. ---. The Secular Scripture: A Study of the Structure of Romance. Cambridge: Harvard UP, 1976. Gasque, Thomas J. Tolkien: The Monsters and the Critters. Isaacs and Zimbardo 151-63.

Goldstein, Lisa. The Mythmaker. Meditations on Middle-Earth: New Writings on the Worlds of J.R.R. Tolkien. Ed. Karen Haber. London: Simon, 2003. 185-97. Isaacs, Neil D, and Rose A. Zimbardo, eds. Tolkien and the Critics: Essays on J.R.R. Tolkien s The Lord of the Rings. Notre Dame: U of Notre Dame P, 1968. Lodge, David. The Art of Fiction. London: Penguin, 1992. Ready, William. Understanding Tolkien and The Lord of the Rings. New York: Warner, 1969. Shippey, Tom. The Road to Middle-Earth: How J.R.R. Tolkien Created a New Mythology. Revised and Expanded ed. New York: Houghton, 2003. Thomas, Paul Edmund. Some of Tolkien s Narrators. Flieger and Hostetter 161-81. Tolkien, J.R.R. The Annotated Hobbit. Annotated by Douglas A. Anderson. Revised and Expanded ed. London: Harper, 2003. ---. Beowulf: The Monsters and the Critics. The Monsters and the Critics and Other Essays. Ed. Christopher Tolkien. London: Harper, 2006. 5-48. ---. The Letters of J.R.R. Tolkien. Ed. Humphrey Carpenter. Boston: Houghton, 1981. ---. The Lord of the Rings: Part 1 The Fellowship of the Ring, Part 2 The Two Towers, Part 3 The Return of the King. London: Harper, 2007. ---. On Fairy-Stories. Tree and Leaf. London: Harper, 2001. 1-81. ---. The Silmarillion. Ed. Christopher Tolkien. London: Harper, 1999. ---. Smith of Wootton Major. Smith of Wootton Major and Farmer Giles of Ham. New York: Random, 1969. 7-59. Walker, Steve. The Power of Tolkien s Prose: Middle-Earth s Magical Style. New York: Macmillan, 2009. West, Richard C. Túrin s Ofermod: An Old English Theme in the Development of the Story of Túrin. Flieger and Hostetter 233-45. Wright, J. Lenore. Sam and Frodo s Excellent Adventure: Tolkien s Journey Motif. The Lord of the Rings and Philosophy: One Book to Rule Them All. Ed. Gregory Bassham and Eric Bronson. Popular Culture and Philosophy 5. Chicago: Open Court, 2003. 192-203. 1994 2007