FIRST SHOOT PRESENTATION. Glasgow Cathedral

Similar documents
UNDERSTANDING MACRO PHOTOGRAPHY

THE EVOLUTION OF ARCHITECTURE. By Andrew Burnett

Travel & Landscapes. Introduction

HDR is a process for increasing the range of tonal values beyond what a single frame (either film or digital) can produce.

Funded from the Scottish Hydro Gordonbush Community Fund. Metering exposure

Filippo Venturi Rugby Photography Analysis

Cameras and Exposure

Architectural Photography. Urban Landscapes

Intro to Digital Compositions: Week One Physical Design

H Photography Judging Leader s Guide

Failure is a crucial part of the creative process. Authentic success arrives only after we have mastered failing better. George Bernard Shaw

LANDSCAPE PHOTOGRAPHY TECHNIQUES, COMPOSITION, AND PROCESSING

Photography. Taking better photos

VITAL LANDSCAPE TECHNIQUES. Beyond the Basics Mahmood Anwar

Capturing Realistic HDR Images. Dave Curtin Nassau County Camera Club February 24 th, 2016

TENT APPLICATION GUIDE

Lens Aperture. South Pasadena High School Final Exam Study Guide- 1 st Semester Photo ½. Study Guide Topics that will be on the Final Exam

Photographic Composition Techniques. Criteria for Project Photographic Composition Techniques

PHOTOGRAPHY Mohamed Nuzrath [MBCS]

Black & White Vintage. Marc du Plessis

What is Photography?

Autumn. Get Ready For Autumn. Technique eguide. Get Ready For

COMPOSING YOUR PHOTOGRAPH

surround us. We are breaking them into the components that create beautiful images.

Project Handout Photographic Composition Techniques. Criteria for Project Photographic Composition Techniques

Name Digital Imaging I Chapters 9 12 Review Material

H Photography Judging Leader s Guide

Tokina AT-X F2 PRO DX. Short zoom that took all the best from prime lenses

Video 2: Landscape Structure and Atmospheric Perspective

Impact With Smartphone Photography. Smartphone Camera Handling. A Smartphone for Serious Photography?

Kent Messamore 3/12/2010

Five get snappy in Linlithgow

Take Better Portraits

1. Any wide view of a physical space. a. Panorama c. Landscape e. Panning b. Grayscale d. Aperture

mastering manual week one

PHOTOGRAPHING THE ELEMENTS

Elements of Image Evaluation

Capturing The Beauty of God s Creation Through The Lens Session 2 Building Your Craft January 14, 2013

What the Camera Sees

Slide 5 So what do good photos do? They can illustrate the story, showing the viewer who or what the story is about.

Fujinon XF lenses described by photographers

VHT New Photographer Training

Foundations of Art and Photography

Present. Architecture

SS 0507 PRINCIPLES OF PHOTOGRAPHY

Cinematic Drone.

TABLETOP WORKSHOP. Janet Steyer

FUNDAMENTALS QUIZ 2 STUDY GUIDE

PHOTOGRAPHING THE LUNAR ECLIPSE

Outline for Tutorials: Strobes and Underwater Photography

Communication Graphics Basic Vocabulary

Landscape Photography

Photography Composition using the Elements and Principles of Art

OUTDOOR PORTRAITURE WORKSHOP

Principles of Architectural Design Lec. 2.

Oz-iTRAIN. Cadsoft Australia and New Zealand. Envisioneer Render Settings. rendering in Envisioneer.

Infra-Red Photography by David Evans

Page 1 of 9. Blending Multiple Exposures The Manual Way to HDR (High Dynamic Range) TJ Avery 7-Feb-2008

CAMERA BASICS. Stops of light

Digital Photography by Mark Gillan

Topic 6 - Lens Filters: A Detailed Look

Composing Photographs

Black and White Photoshop Conversion Techniques

5 Easy Composition Guidelines

H PHOTOGRAPHY JUDGING LEADER S GUIDE

Photography Merit Badge

Tone The gradual change of tone across this surface indicates that it is curved rather than flat. 1. Light (see note)

The A Button. Filter Button

LANDSCAPE PHOTOGRAPHY TIPS JOE COSENTINO & 1SONNY PORTACIO

Depth Of Field or DOF

Photography Basics. The Media Co-op. An introduction to taking great photographs - print edition

Tower. Richard Meston. Reikan Photography 1. Sunrise at the Tower Park Water Tower

Jessica Grant. Photography Portfolio

SPOT METERING. Copyright Hairy Goat Ltd 2015 Ä

Camera Mechanics & camera function. Daily independent reading:pgs. 1-5 Silently read for 10 min. Note taking led by Mr. Hiller

High Dynamic Range (HDR) Photography in Photoshop CS2

PHIL MORGAN PHOTOGRAPHY

Buxton & District U3A Digital Photography Beginners Group

How to Take a Great Booth Picture by Larry Berman

Part One In The Camera A Beginner s Guide to Improving Your Photography by John Strung

The Fundamental Problem

Composition: the most important factor in creating a successful photograph and developing a personal style.

CTE BASIC DIGITAL PHOTOGRAPHY STUDY GUIDE

The Elements and Principles of Design. The Building Blocks of Art

Photographing your dog running towards you.

Intro to Photography. Yearbook Mrs. Townsend

Memorandum. Date: October 6, 2011 To: Dr. Reese From: Katelyn Ciaccio RE: Digital Photo Editing Assignment

Camera Exposure Modes

Lesson 1 Course Notes

Pinhole Photography. Martin Henson Photography

Class 1 Action State Fair Photography Judging. Place the four photos here & size for short dimension to 2

7: Subject, Background, Foreground

Creating Stitched Panoramas

Density vs. Contrast

PLANT + SHOOT GARDENER S PHOTOGRAPHY SERIES (GPS) GET GREAT GARDEN PHOTOS ON A CLOUDY DAY

Term 1 Study Guide for Digital Photography

Essential Skills - 3 Key Blend Modes. Ken Fisher

Line Line Characteristic of Line are: Width Length Direction Focus Feeling Types of Line: Outlines Contour Lines Gesture Lines Sketch Lines

Grade 7 Visual Art Term 1

Nikon AF-S Nikkor 50mm F1.4G Lens Review: 4. Test results (FX): Digital Photograph...

Transcription:

FIRST SHOOT PRESENTATION Glasgow Cathedral

Obstacles I may encounter: there is currently construction work round areas of the buildings so I am limited to areas I can visit around the building; the surroundings may be busy due to a service in the cathedral so photos could be populated and as I GLASGOW CATHEDRAL, GLASGOW I am intending on visiting Glasgow Cathedral. Being one of the oldest building in Glasgow, Glasgow Cathedral stands out from its surroundings as it stands tall and represents gothic architecture. The older style which features tall spires and intricate details carved on its walls means I will want to focus on these key aspects to truly represent this building and the style of its time period. I hope to use the rule of thirds to align spires along points of interest to attract the viewer s attention. I also hope to capture close up shots which highlight the details carved into the walls of the cathedral to increase the viewer s immersion within the photograph; I believe showing the detailed carvings will enhance their interest and make them examine what they are looking at more closely.

TOP 5 IMAGES, PICTURE 1 I used the rule of thirds to align my main subject along the grid so that it covered two points of interest. It is these points of interest that emphasise the building as it is placed where the eye will naturally wonder The tree in the foreground is quite distracting and takes away from the dominance of the building in the background.

TOP 5 IMAGES, PICTURE 2 Aperture: f/5 Shutter Speed: 1/400 ISO: 100 The repetition of the half arc shape almost acts like an arrow point upwards as it repeats further up the building. This leads the eye upwards throughout the shot. The way the sun hits the building affects the lighting as there is a tonal divide in the middle of the image. This creates a contrast as the darker and lighter tones collide which attract the eye.

TOP 5 IMAGES, PICTURE 3 Aperture: f/3.5 Shutter Speed: 1/640 ISO: 100 I used the rule of thirds to align the spire along the grid. This makes my subject off centre thus making it more exciting. As I was far back and my main subject was not straight on, lens distortion has affected the way the building looks likes as if it is on uneven land.

TOP 5 IMAGES, PICTURE 4 Aperture: f/3.5 Shutter Speed: 1/200 ISO: 100 The harsh contrast between the white sky and the darkened building draws in the viewer s eye as the clash of two opposite colours divide the viewer s attention. A wide aperture of f/3.5 allows a large amount of light through the lens thus creating a lighter value of tones.

TOP 5 IMAGES, PICTURE 5 Aperture: f/3.5 Shutter Speed: 1/400 ISO: 100 The simplicity of the shapes featured in this style of architecture makes the image not too overwhelming and peaceful to look at. I zoomed in on the closer aspects of the spire in order to create a focus on the details of the building. I believe this highlights the older style of architecture featured of Glasgow Cathedral.

FINAL 2 IMAGES PICTURE 1 The low angle composition creates a dominant image as the building looms over the viewer. I believe this emphasises the scale of the building. An ISO of 100 means my image is noise free and prevents a grainy texture. This allowed me to capture an image in which all the intricate details of the older style of architecture are visible. Aperture: f/5 Shutter Speed: 1/400 ISO: 100

FINAL 2 IMAGES PICTURE 2 I aligned the spire along the rule of thirds grid. I believe this draws attention to the main subject of the photo as the eye naturally wonders over to the points of interest the spire lays upon. The framing of this shot creates a visual balance between the spire and the sky around it. I believe this creates a natural harmony between the two thus making the image peaceful to look at. Aperture: f/3.5 Shutter Speed: 1/400 ISO: 100

POST PRODUCTION Original Edit

FINAL IMAGE DECAY The low angle of this shot emphasises the height of one of the smallest sections of the building never mind the larger parts of the building. This truly makes the viewer realise their relative size compared to the structures that stand tall around them. I believe this realisation makes the viewer examine the shot more as they are engrossed with the height of the cathedral. The dominant amount of positive space taken up by the building overwhelms the viewer which creates an intimidating atmosphere to the picture. This assists in the effect of the building looming over the viewer as it does take up two thirds of the image. Using an ISO of 100 means the image did not appear grainy thus insuring pixel quality. I think this reflects the texture of the building s brickwork perfectly as the high quality image emphasises the rough texture of the brick. When taking this image, I had to travel round to the other side of the building to find this repeated design without the sun being directly visible as lens flare occurred, this created bright white orbs which obscured the details of the building; I wanted to present all the details so I had to move to prevent this. Aperture: f/3.5 Shutter Speed: 1/250 ISO: 100